Towards an intermedial history of Brazilian cinema /:
Presents a new history of Brazilian Cinema, based on its dialogue with other arts and mediaLaunches an entirely new historiographic method, drawing on intermediality in order to reconstruct the history of a national cinemaUnveils the multimedia and polymathic wealth behind the various historical per...
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| Weitere Verfasser: | , , , , , , , , , , , , , , , , , , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
2022.
|
| Schriftenreihe: | Edinburgh studies in film and intermediality.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Presents a new history of Brazilian Cinema, based on its dialogue with other arts and mediaLaunches an entirely new historiographic method, drawing on intermediality in order to reconstruct the history of a national cinemaUnveils the multimedia and polymathic wealth behind the various historical periods in Brazilian cinemaProvides an overarching historical coverage of Brazilian cinema, through an innovative approach that connects different periods in Brazilian film history through the multiple art and media forms interwoven in themProposes that different phases of a national cinema can be framed as comparable and interrelated phenomena, rather than relying on evolutionary chronologies and classical-modern or centre-periphery modelsExplores new ways of understanding Brazilian film history, and the history of cinema in generalFrom its inception, Brazilian cinema has combined extra-filmic artistic and cultural forms, both local and imported, resulting in an original aesthetic blend. Theatre, dance, music, circus, radio, television and the plastic arts left a distinctive mark on Brazilian cinema's poetics and politics, as can be observed in a host of fascinating phenomena analysed in this book, including: the film prologues that connected the screen to the stage in the 1920s; the chanchada musical comedies, inflected by vaudeville theatre and the radio; the manguebeat and árido movie movements that blurred the boundaries between music and film; and contemporary multimedia installations and other experiments. By adopting intermediality as a historiographic method, this book reconstructs the history and cultural wealth behind filmic expressions in Brazilian cinema. |
| Beschreibung: | 1 online resource (xvii, 364 pages) : illustrations (black and white). |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 1474453007 9781474453004 9781474453011 1474453015 |
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| 245 | 0 | 0 | |a Towards an intermedial history of Brazilian cinema / |c edited by Lúcia Nagib, Luciana Corrêa de Araújo and Tiago de Luca. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c 2022. | |
| 264 | 4 | |c ©2022 | |
| 300 | |a 1 online resource (xvii, 364 pages) : |b illustrations (black and white). | ||
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| 490 | 1 | |a Edinburgh studies in film and intermediality | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of Figures -- |t The Contributors -- |t Acknowledgements -- |t Introduction -- |t Part I Intervisuality -- |t 1 Traffic in Images: Visual Spectacle before Cinema in Brazil -- |t 2 Intermedial Landscapes in the Work of Cao Guimaraes -- |t 3 'The most innocent film of the year': Comic Books, Sex and Cinema Marginal -- |t 4 Photographs of the Invisible: Intermedial Figurations of Social Exclusion in Babas and Aquarius -- |t 5 Exploring the Cinematic Imaginary: Carlos Adriano, Andre Parente and the Precision of the Vague -- |t Part II The Empire of Music -- |t 6 Watson Macedo's Aviso aos navegantes (1950): Reflections on the Musical Numbers of a Brazilian Chanchada -- |t 7 (In)Visible Musicians: Supporting Instrumentalists and their Intermedial Vocation -- |t 8 Music-video Aesthetics in Pernambucan Cinema -- |t 9 Possessing Archival Images: Ghosts, Songs and Films in Cartola -- musica para os olhos (2007) -- |t Part III Entertainment Circuits -- |t 10 Intermediality in Brazilian Silent Cinema: Luiz de Barros's Works and Intermedial Strategies -- |t 11 'Synchronised Film Fever' amid the 'Gramophonoradiomania': Record, Radio and Cinema at the Dawn of the 'Talkies' in Rio de Janeiro -- |t 12 The Singer, the Acrobats and the Bands: A Study of Three Brazilian Films and their Intermedial Characters -- |t 13 Gilda de Abreu's O Ebrio as a Unique Intermedial Project -- |t 14 Chanchada, Samba and Beyond: From the Cinema of Radio to the Cinema of Television (1930s-1960s) -- |t Part IV From Impure Cinema to Cosmopoetics -- |t 15 Impure Cinema as Method: The Last Films of Eduardo Coutinho -- |t 16 Queering Intermediality in Brazilian Cinema -- |t 17 The Humiliation of the Father: Theatrical Melodrama and Cinema Novo's Critique of Conservative Modernisation -- |t 18 Intermedial Territories: Maps and the Amazonian Moving Image -- |t 19 An Intermedial Reading of Glauber Rocha's Cosmogony -- |t Index |
| 520 | |a Presents a new history of Brazilian Cinema, based on its dialogue with other arts and mediaLaunches an entirely new historiographic method, drawing on intermediality in order to reconstruct the history of a national cinemaUnveils the multimedia and polymathic wealth behind the various historical periods in Brazilian cinemaProvides an overarching historical coverage of Brazilian cinema, through an innovative approach that connects different periods in Brazilian film history through the multiple art and media forms interwoven in themProposes that different phases of a national cinema can be framed as comparable and interrelated phenomena, rather than relying on evolutionary chronologies and classical-modern or centre-periphery modelsExplores new ways of understanding Brazilian film history, and the history of cinema in generalFrom its inception, Brazilian cinema has combined extra-filmic artistic and cultural forms, both local and imported, resulting in an original aesthetic blend. Theatre, dance, music, circus, radio, television and the plastic arts left a distinctive mark on Brazilian cinema's poetics and politics, as can be observed in a host of fascinating phenomena analysed in this book, including: the film prologues that connected the screen to the stage in the 1920s; the chanchada musical comedies, inflected by vaudeville theatre and the radio; the manguebeat and árido movie movements that blurred the boundaries between music and film; and contemporary multimedia installations and other experiments. By adopting intermediality as a historiographic method, this book reconstructs the history and cultural wealth behind filmic expressions in Brazilian cinema. | ||
| 588 | 0 | |a Online resource; title from PDF title page (De Gruyter platform, viewed April 19, 2023). | |
| 546 | |a In English. | ||
| 650 | 0 | |a Motion pictures |z Brazil |x History. | |
| 650 | 0 | |a Intermediality. |0 http://id.loc.gov/authorities/subjects/sh2007010851 | |
| 650 | 6 | |a Cinéma |z Brésil |x Histoire. | |
| 650 | 6 | |a Intermédialité. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM / Feminist |2 bisacsh | |
| 650 | 7 | |a Intermediality |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a Brazil |2 fast |1 https://id.oclc.org/worldcat/entity/E39QbtfRB9KGtqfkFTFbfB77QY | |
| 650 | 7 | |a Films, cinema. |2 thema | |
| 650 | 7 | |a Film history, theory & criticism. |2 thema | |
| 650 | 7 | |a Individual film directors, film-makers. |2 thema | |
| 650 | 7 | |a Performing Arts. |2 ukslc | |
| 655 | 7 | |a Film criticism |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 655 | 7 | |a Film criticism. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2021026007 | |
| 655 | 7 | |a Critiques cinématographiques. |2 rvmgf | |
| 700 | 1 | |a Nagib, Lúcia, |d 1956- |e editor, |e contributor. |1 https://id.oclc.org/worldcat/entity/E39PBJrWDmVgGwjBBfwXKgrwmd |1 https://isni.org/isni/0000000385452454 |0 http://id.loc.gov/authorities/names/n89197152 | |
| 700 | 1 | |a Araújo, Luciana, |d 1965- |e editor, |e contributor. |1 https://id.oclc.org/worldcat/entity/E39PCjxVCJmhVRGTfv7FJ4dvVy |1 https://isni.org/isni/0000000045747387 |0 http://id.loc.gov/authorities/names/no98096204 | |
| 700 | 1 | |a De Luca, Tiago, |e editor, |e contributor.. |1 https://isni.org/isni/0000000444188754 |0 http://id.loc.gov/authorities/names/no2014044638 | |
| 700 | 1 | |a Adamatti, Margarida Maria, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Beugnet, Martine, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Butler, Alison, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Cesarino Costa, Flavia, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Christie, Ian, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Elduque, Albert, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Lins, Consuelo, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Lira de Sousa, Ramayana, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Luna Freire, Rafael de, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Paiva, Samuel, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Procopio Furtado, Gustavo, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Reck Miranda, Suzana, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Soares Brandao, Alessandra, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Solomon, Stefan, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Suppia, Alfredo, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Vieira, Joao Luiz, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 700 | 1 | |a Xavier, Ismail, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
| 776 | 0 | 8 | |i Print version: |t Towards an intermedial history of Brazilian cinema. |d Edinburgh : Edinburgh University Press, 2022 |z 9781474452984 |w (OCoLC)1328017464 |
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| author2 | Nagib, Lúcia, 1956- Nagib, Lúcia, 1956- Araújo, Luciana, 1965- Araújo, Luciana, 1965- De Luca, Tiago De Luca, Tiago Adamatti, Margarida Maria Beugnet, Martine Butler, Alison Cesarino Costa, Flavia Christie, Ian Elduque, Albert Lins, Consuelo Lira de Sousa, Ramayana Luna Freire, Rafael de Paiva, Samuel Procopio Furtado, Gustavo Reck Miranda, Suzana Soares Brandao, Alessandra Solomon, Stefan Suppia, Alfredo Vieira, Joao Luiz Xavier, Ismail |
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| author_facet | Nagib, Lúcia, 1956- Nagib, Lúcia, 1956- Araújo, Luciana, 1965- Araújo, Luciana, 1965- De Luca, Tiago De Luca, Tiago Adamatti, Margarida Maria Beugnet, Martine Butler, Alison Cesarino Costa, Flavia Christie, Ian Elduque, Albert Lins, Consuelo Lira de Sousa, Ramayana Luna Freire, Rafael de Paiva, Samuel Procopio Furtado, Gustavo Reck Miranda, Suzana Soares Brandao, Alessandra Solomon, Stefan Suppia, Alfredo Vieira, Joao Luiz Xavier, Ismail |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.B6 T69 2022 |
| callnumber-search | PN1993.5.B6 T69 2022 |
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| contents | Frontmatter -- Contents -- List of Figures -- The Contributors -- Acknowledgements -- Introduction -- Part I Intervisuality -- 1 Traffic in Images: Visual Spectacle before Cinema in Brazil -- 2 Intermedial Landscapes in the Work of Cao Guimaraes -- 3 'The most innocent film of the year': Comic Books, Sex and Cinema Marginal -- 4 Photographs of the Invisible: Intermedial Figurations of Social Exclusion in Babas and Aquarius -- 5 Exploring the Cinematic Imaginary: Carlos Adriano, Andre Parente and the Precision of the Vague -- Part II The Empire of Music -- 6 Watson Macedo's Aviso aos navegantes (1950): Reflections on the Musical Numbers of a Brazilian Chanchada -- 7 (In)Visible Musicians: Supporting Instrumentalists and their Intermedial Vocation -- 8 Music-video Aesthetics in Pernambucan Cinema -- 9 Possessing Archival Images: Ghosts, Songs and Films in Cartola -- musica para os olhos (2007) -- Part III Entertainment Circuits -- 10 Intermediality in Brazilian Silent Cinema: Luiz de Barros's Works and Intermedial Strategies -- 11 'Synchronised Film Fever' amid the 'Gramophonoradiomania': Record, Radio and Cinema at the Dawn of the 'Talkies' in Rio de Janeiro -- 12 The Singer, the Acrobats and the Bands: A Study of Three Brazilian Films and their Intermedial Characters -- 13 Gilda de Abreu's O Ebrio as a Unique Intermedial Project -- 14 Chanchada, Samba and Beyond: From the Cinema of Radio to the Cinema of Television (1930s-1960s) -- Part IV From Impure Cinema to Cosmopoetics -- 15 Impure Cinema as Method: The Last Films of Eduardo Coutinho -- 16 Queering Intermediality in Brazilian Cinema -- 17 The Humiliation of the Father: Theatrical Melodrama and Cinema Novo's Critique of Conservative Modernisation -- 18 Intermedial Territories: Maps and the Amazonian Moving Image -- 19 An Intermedial Reading of Glauber Rocha's Cosmogony -- Index |
| ctrlnum | (OCoLC)1343104111 |
| dewey-full | 791.430981 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430981 |
| dewey-search | 791.430981 |
| dewey-sort | 3791.430981 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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Intermediality in Brazilian Silent Cinema: Luiz de Barros's Works and Intermedial Strategies --</subfield><subfield code="t">11 'Synchronised Film Fever' amid the 'Gramophonoradiomania': Record, Radio and Cinema at the Dawn of the 'Talkies' in Rio de Janeiro --</subfield><subfield code="t">12 The Singer, the Acrobats and the Bands: A Study of Three Brazilian Films and their Intermedial Characters --</subfield><subfield code="t">13 Gilda de Abreu's O Ebrio as a Unique Intermedial Project --</subfield><subfield code="t">14 Chanchada, Samba and Beyond: From the Cinema of Radio to the Cinema of Television (1930s-1960s) --</subfield><subfield code="t">Part IV From Impure Cinema to Cosmopoetics --</subfield><subfield code="t">15 Impure Cinema as Method: The Last Films of Eduardo Coutinho --</subfield><subfield code="t">16 Queering Intermediality in Brazilian Cinema --</subfield><subfield code="t">17 The Humiliation of the Father: Theatrical Melodrama and Cinema Novo's Critique of 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| genre | Film criticism fast History fast Film criticism. lcgft http://id.loc.gov/authorities/genreForms/gf2021026007 Critiques cinématographiques. rvmgf |
| genre_facet | Film criticism History Film criticism. Critiques cinématographiques. |
| geographic | Brazil fast https://id.oclc.org/worldcat/entity/E39QbtfRB9KGtqfkFTFbfB77QY |
| geographic_facet | Brazil |
| id | ZDB-4-EBA-on1343104111 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:37Z |
| institution | BVB |
| isbn | 1474453007 9781474453004 9781474453011 1474453015 |
| language | English |
| oclc_num | 1343104111 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xvii, 364 pages) : illustrations (black and white). |
| psigel | ZDB-4-EBA |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Edinburgh University Press, |
| record_format | marc |
| series | Edinburgh studies in film and intermediality. |
| series2 | Edinburgh studies in film and intermediality |
| spelling | Towards an intermedial history of Brazilian cinema / edited by Lúcia Nagib, Luciana Corrêa de Araújo and Tiago de Luca. Edinburgh : Edinburgh University Press, 2022. ©2022 1 online resource (xvii, 364 pages) : illustrations (black and white). text txt rdacontent still image sti rdacontent computer c rdamedia online resource cr rdacarrier text file Edinburgh studies in film and intermediality Includes bibliographical references and index. Frontmatter -- Contents -- List of Figures -- The Contributors -- Acknowledgements -- Introduction -- Part I Intervisuality -- 1 Traffic in Images: Visual Spectacle before Cinema in Brazil -- 2 Intermedial Landscapes in the Work of Cao Guimaraes -- 3 'The most innocent film of the year': Comic Books, Sex and Cinema Marginal -- 4 Photographs of the Invisible: Intermedial Figurations of Social Exclusion in Babas and Aquarius -- 5 Exploring the Cinematic Imaginary: Carlos Adriano, Andre Parente and the Precision of the Vague -- Part II The Empire of Music -- 6 Watson Macedo's Aviso aos navegantes (1950): Reflections on the Musical Numbers of a Brazilian Chanchada -- 7 (In)Visible Musicians: Supporting Instrumentalists and their Intermedial Vocation -- 8 Music-video Aesthetics in Pernambucan Cinema -- 9 Possessing Archival Images: Ghosts, Songs and Films in Cartola -- musica para os olhos (2007) -- Part III Entertainment Circuits -- 10 Intermediality in Brazilian Silent Cinema: Luiz de Barros's Works and Intermedial Strategies -- 11 'Synchronised Film Fever' amid the 'Gramophonoradiomania': Record, Radio and Cinema at the Dawn of the 'Talkies' in Rio de Janeiro -- 12 The Singer, the Acrobats and the Bands: A Study of Three Brazilian Films and their Intermedial Characters -- 13 Gilda de Abreu's O Ebrio as a Unique Intermedial Project -- 14 Chanchada, Samba and Beyond: From the Cinema of Radio to the Cinema of Television (1930s-1960s) -- Part IV From Impure Cinema to Cosmopoetics -- 15 Impure Cinema as Method: The Last Films of Eduardo Coutinho -- 16 Queering Intermediality in Brazilian Cinema -- 17 The Humiliation of the Father: Theatrical Melodrama and Cinema Novo's Critique of Conservative Modernisation -- 18 Intermedial Territories: Maps and the Amazonian Moving Image -- 19 An Intermedial Reading of Glauber Rocha's Cosmogony -- Index Presents a new history of Brazilian Cinema, based on its dialogue with other arts and mediaLaunches an entirely new historiographic method, drawing on intermediality in order to reconstruct the history of a national cinemaUnveils the multimedia and polymathic wealth behind the various historical periods in Brazilian cinemaProvides an overarching historical coverage of Brazilian cinema, through an innovative approach that connects different periods in Brazilian film history through the multiple art and media forms interwoven in themProposes that different phases of a national cinema can be framed as comparable and interrelated phenomena, rather than relying on evolutionary chronologies and classical-modern or centre-periphery modelsExplores new ways of understanding Brazilian film history, and the history of cinema in generalFrom its inception, Brazilian cinema has combined extra-filmic artistic and cultural forms, both local and imported, resulting in an original aesthetic blend. Theatre, dance, music, circus, radio, television and the plastic arts left a distinctive mark on Brazilian cinema's poetics and politics, as can be observed in a host of fascinating phenomena analysed in this book, including: the film prologues that connected the screen to the stage in the 1920s; the chanchada musical comedies, inflected by vaudeville theatre and the radio; the manguebeat and árido movie movements that blurred the boundaries between music and film; and contemporary multimedia installations and other experiments. By adopting intermediality as a historiographic method, this book reconstructs the history and cultural wealth behind filmic expressions in Brazilian cinema. Online resource; title from PDF title page (De Gruyter platform, viewed April 19, 2023). In English. Motion pictures Brazil History. Intermediality. http://id.loc.gov/authorities/subjects/sh2007010851 Cinéma Brésil Histoire. Intermédialité. PERFORMING ARTS Film & Video Direction & Production. bisacsh LITERARY CRITICISM / Feminist bisacsh Intermediality fast Motion pictures fast Brazil fast https://id.oclc.org/worldcat/entity/E39QbtfRB9KGtqfkFTFbfB77QY Films, cinema. thema Film history, theory & criticism. thema Individual film directors, film-makers. thema Performing Arts. ukslc Film criticism fast History fast Film criticism. lcgft http://id.loc.gov/authorities/genreForms/gf2021026007 Critiques cinématographiques. rvmgf Nagib, Lúcia, 1956- editor, contributor. https://id.oclc.org/worldcat/entity/E39PBJrWDmVgGwjBBfwXKgrwmd https://isni.org/isni/0000000385452454 http://id.loc.gov/authorities/names/n89197152 Araújo, Luciana, 1965- editor, contributor. https://id.oclc.org/worldcat/entity/E39PCjxVCJmhVRGTfv7FJ4dvVy https://isni.org/isni/0000000045747387 http://id.loc.gov/authorities/names/no98096204 De Luca, Tiago, editor, contributor.. https://isni.org/isni/0000000444188754 http://id.loc.gov/authorities/names/no2014044638 Adamatti, Margarida Maria, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Beugnet, Martine, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Butler, Alison, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Cesarino Costa, Flavia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Christie, Ian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Elduque, Albert, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lins, Consuelo, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lira de Sousa, Ramayana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Luna Freire, Rafael de, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Paiva, Samuel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Procopio Furtado, Gustavo, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Reck Miranda, Suzana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Soares Brandao, Alessandra, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Solomon, Stefan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Suppia, Alfredo, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Vieira, Joao Luiz, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Xavier, Ismail, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Print version: Towards an intermedial history of Brazilian cinema. Edinburgh : Edinburgh University Press, 2022 9781474452984 (OCoLC)1328017464 Edinburgh studies in film and intermediality. http://id.loc.gov/authorities/names/no2015082032 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3389763 Volltext |
| spellingShingle | Towards an intermedial history of Brazilian cinema / Edinburgh studies in film and intermediality. Frontmatter -- Contents -- List of Figures -- The Contributors -- Acknowledgements -- Introduction -- Part I Intervisuality -- 1 Traffic in Images: Visual Spectacle before Cinema in Brazil -- 2 Intermedial Landscapes in the Work of Cao Guimaraes -- 3 'The most innocent film of the year': Comic Books, Sex and Cinema Marginal -- 4 Photographs of the Invisible: Intermedial Figurations of Social Exclusion in Babas and Aquarius -- 5 Exploring the Cinematic Imaginary: Carlos Adriano, Andre Parente and the Precision of the Vague -- Part II The Empire of Music -- 6 Watson Macedo's Aviso aos navegantes (1950): Reflections on the Musical Numbers of a Brazilian Chanchada -- 7 (In)Visible Musicians: Supporting Instrumentalists and their Intermedial Vocation -- 8 Music-video Aesthetics in Pernambucan Cinema -- 9 Possessing Archival Images: Ghosts, Songs and Films in Cartola -- musica para os olhos (2007) -- Part III Entertainment Circuits -- 10 Intermediality in Brazilian Silent Cinema: Luiz de Barros's Works and Intermedial Strategies -- 11 'Synchronised Film Fever' amid the 'Gramophonoradiomania': Record, Radio and Cinema at the Dawn of the 'Talkies' in Rio de Janeiro -- 12 The Singer, the Acrobats and the Bands: A Study of Three Brazilian Films and their Intermedial Characters -- 13 Gilda de Abreu's O Ebrio as a Unique Intermedial Project -- 14 Chanchada, Samba and Beyond: From the Cinema of Radio to the Cinema of Television (1930s-1960s) -- Part IV From Impure Cinema to Cosmopoetics -- 15 Impure Cinema as Method: The Last Films of Eduardo Coutinho -- 16 Queering Intermediality in Brazilian Cinema -- 17 The Humiliation of the Father: Theatrical Melodrama and Cinema Novo's Critique of Conservative Modernisation -- 18 Intermedial Territories: Maps and the Amazonian Moving Image -- 19 An Intermedial Reading of Glauber Rocha's Cosmogony -- Index Motion pictures Brazil History. Intermediality. http://id.loc.gov/authorities/subjects/sh2007010851 Cinéma Brésil Histoire. Intermédialité. PERFORMING ARTS Film & Video Direction & Production. bisacsh LITERARY CRITICISM / Feminist bisacsh Intermediality fast Motion pictures fast Films, cinema. thema Film history, theory & criticism. thema Individual film directors, film-makers. thema Performing Arts. ukslc |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2007010851 http://id.loc.gov/authorities/genreForms/gf2021026007 |
| title | Towards an intermedial history of Brazilian cinema / |
| title_alt | Frontmatter -- Contents -- List of Figures -- The Contributors -- Acknowledgements -- Introduction -- Part I Intervisuality -- 1 Traffic in Images: Visual Spectacle before Cinema in Brazil -- 2 Intermedial Landscapes in the Work of Cao Guimaraes -- 3 'The most innocent film of the year': Comic Books, Sex and Cinema Marginal -- 4 Photographs of the Invisible: Intermedial Figurations of Social Exclusion in Babas and Aquarius -- 5 Exploring the Cinematic Imaginary: Carlos Adriano, Andre Parente and the Precision of the Vague -- Part II The Empire of Music -- 6 Watson Macedo's Aviso aos navegantes (1950): Reflections on the Musical Numbers of a Brazilian Chanchada -- 7 (In)Visible Musicians: Supporting Instrumentalists and their Intermedial Vocation -- 8 Music-video Aesthetics in Pernambucan Cinema -- 9 Possessing Archival Images: Ghosts, Songs and Films in Cartola -- musica para os olhos (2007) -- Part III Entertainment Circuits -- 10 Intermediality in Brazilian Silent Cinema: Luiz de Barros's Works and Intermedial Strategies -- 11 'Synchronised Film Fever' amid the 'Gramophonoradiomania': Record, Radio and Cinema at the Dawn of the 'Talkies' in Rio de Janeiro -- 12 The Singer, the Acrobats and the Bands: A Study of Three Brazilian Films and their Intermedial Characters -- 13 Gilda de Abreu's O Ebrio as a Unique Intermedial Project -- 14 Chanchada, Samba and Beyond: From the Cinema of Radio to the Cinema of Television (1930s-1960s) -- Part IV From Impure Cinema to Cosmopoetics -- 15 Impure Cinema as Method: The Last Films of Eduardo Coutinho -- 16 Queering Intermediality in Brazilian Cinema -- 17 The Humiliation of the Father: Theatrical Melodrama and Cinema Novo's Critique of Conservative Modernisation -- 18 Intermedial Territories: Maps and the Amazonian Moving Image -- 19 An Intermedial Reading of Glauber Rocha's Cosmogony -- Index |
| title_auth | Towards an intermedial history of Brazilian cinema / |
| title_exact_search | Towards an intermedial history of Brazilian cinema / |
| title_full | Towards an intermedial history of Brazilian cinema / edited by Lúcia Nagib, Luciana Corrêa de Araújo and Tiago de Luca. |
| title_fullStr | Towards an intermedial history of Brazilian cinema / edited by Lúcia Nagib, Luciana Corrêa de Araújo and Tiago de Luca. |
| title_full_unstemmed | Towards an intermedial history of Brazilian cinema / edited by Lúcia Nagib, Luciana Corrêa de Araújo and Tiago de Luca. |
| title_short | Towards an intermedial history of Brazilian cinema / |
| title_sort | towards an intermedial history of brazilian cinema |
| topic | Motion pictures Brazil History. Intermediality. http://id.loc.gov/authorities/subjects/sh2007010851 Cinéma Brésil Histoire. Intermédialité. PERFORMING ARTS Film & Video Direction & Production. bisacsh LITERARY CRITICISM / Feminist bisacsh Intermediality fast Motion pictures fast Films, cinema. thema Film history, theory & criticism. thema Individual film directors, film-makers. thema Performing Arts. ukslc |
| topic_facet | Motion pictures Brazil History. Intermediality. Cinéma Brésil Histoire. Intermédialité. PERFORMING ARTS Film & Video Direction & Production. LITERARY CRITICISM / Feminist Intermediality Motion pictures Brazil Films, cinema. Film history, theory & criticism. Individual film directors, film-makers. Performing Arts. Film criticism History Film criticism. Critiques cinématographiques. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3389763 |
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