The Italian opera singers in Mozart's Vienna /:
"Dorothea Link examines singers' voices and casting practices in late eighteenth-century Italian opera as exemplified in Vienna's court opera from 1783 to 1791. The investigation into the singers' voices proceeds on two levels: understanding the performers in terms of the vocal-d...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Urbana :
University of Illinois Press,
[2022]
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | "Dorothea Link examines singers' voices and casting practices in late eighteenth-century Italian opera as exemplified in Vienna's court opera from 1783 to 1791. The investigation into the singers' voices proceeds on two levels: understanding the performers in terms of the vocal-dramatic categories employed in opera at the time; and creating vocal profiles for the principal singers from the music composed expressly for them. In addition, Link contextualizes the singers within the company in order to expose the court opera's casting practices. Authoritative and insightful, The Italian Opera Singers in Mozart's Vienna offers a singular look at a musical milieu and a key to addressing the performance-practice problem of how to cast the Mozart roles today" -- |
| Physical Description: | 1 online resource (xii, 472 pages) |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 0252053656 9780252053658 |
Staff View
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| 505 | 0 | |a The establishment and management of the italian opera company at the Vienna court theater -- Classification of operatic roles, voice types, and singing styles -- Casting information in scores and librettos of the operas produced in the Italian company, 1783-91 -- Nancy Storace : the Italian company, 1783-84 -- Nancy Storace : the company stabilizes, 1784-85 -- Nancy Storace's Annus horribilis and Celeste Coltellini, 1785-86 -- Nancy Storace's exuberant year, 1786-87 -- Anna Morichelli comes and goes, 1787-88 -- Luisa Laschi : the year of the three prima donnas, 1788-89 -- Adriana Ferrarese : opera on a shoestring, 1789-90 -- Adriana Ferrarese : portents of change, 1790-91 -- A Neapolitan prima donna and the end of Josephine opera, 1791-92 -- Appendix A : roles of ten major singers -- Appendix B : a tale of four scores. | |
| 520 | |a "Dorothea Link examines singers' voices and casting practices in late eighteenth-century Italian opera as exemplified in Vienna's court opera from 1783 to 1791. The investigation into the singers' voices proceeds on two levels: understanding the performers in terms of the vocal-dramatic categories employed in opera at the time; and creating vocal profiles for the principal singers from the music composed expressly for them. In addition, Link contextualizes the singers within the company in order to expose the court opera's casting practices. Authoritative and insightful, The Italian Opera Singers in Mozart's Vienna offers a singular look at a musical milieu and a key to addressing the performance-practice problem of how to cast the Mozart roles today" -- |c Publisher's description. | ||
| 588 | 0 | |a Description based on online resource; title from digital title page (viewed on November 14, 2024). | |
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| 650 | 6 | |a Chanteurs |z Autriche |z Vienne. | |
| 650 | 6 | |a Chanteurs |z Italie. | |
| 650 | 6 | |a Types de voix (Chant) |x Histoire |y 18e siècle. | |
| 650 | 7 | |a MUSIC / General |2 bisacsh | |
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| 776 | 0 | 8 | |i Print version: |a Link, Dorothea. |t Italian opera singers in Mozart's Vienna |d Urbana : University of Illinois Press, 2022 |z 9780252044649 |w (DLC) 2022013419 |
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| contents | The establishment and management of the italian opera company at the Vienna court theater -- Classification of operatic roles, voice types, and singing styles -- Casting information in scores and librettos of the operas produced in the Italian company, 1783-91 -- Nancy Storace : the Italian company, 1783-84 -- Nancy Storace : the company stabilizes, 1784-85 -- Nancy Storace's Annus horribilis and Celeste Coltellini, 1785-86 -- Nancy Storace's exuberant year, 1786-87 -- Anna Morichelli comes and goes, 1787-88 -- Luisa Laschi : the year of the three prima donnas, 1788-89 -- Adriana Ferrarese : opera on a shoestring, 1789-90 -- Adriana Ferrarese : portents of change, 1790-91 -- A Neapolitan prima donna and the end of Josephine opera, 1791-92 -- Appendix A : roles of ten major singers -- Appendix B : a tale of four scores. |
| ctrlnum | (OCoLC)1306334565 |
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| indexdate | 2025-04-11T08:47:55Z |
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| language | English |
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| spelling | Link, Dorothea, author. The Italian opera singers in Mozart's Vienna / Dorothea Link. 2210 Urbana : University of Illinois Press, [2022] ©2022 1 online resource (xii, 472 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. The establishment and management of the italian opera company at the Vienna court theater -- Classification of operatic roles, voice types, and singing styles -- Casting information in scores and librettos of the operas produced in the Italian company, 1783-91 -- Nancy Storace : the Italian company, 1783-84 -- Nancy Storace : the company stabilizes, 1784-85 -- Nancy Storace's Annus horribilis and Celeste Coltellini, 1785-86 -- Nancy Storace's exuberant year, 1786-87 -- Anna Morichelli comes and goes, 1787-88 -- Luisa Laschi : the year of the three prima donnas, 1788-89 -- Adriana Ferrarese : opera on a shoestring, 1789-90 -- Adriana Ferrarese : portents of change, 1790-91 -- A Neapolitan prima donna and the end of Josephine opera, 1791-92 -- Appendix A : roles of ten major singers -- Appendix B : a tale of four scores. "Dorothea Link examines singers' voices and casting practices in late eighteenth-century Italian opera as exemplified in Vienna's court opera from 1783 to 1791. The investigation into the singers' voices proceeds on two levels: understanding the performers in terms of the vocal-dramatic categories employed in opera at the time; and creating vocal profiles for the principal singers from the music composed expressly for them. In addition, Link contextualizes the singers within the company in order to expose the court opera's casting practices. Authoritative and insightful, The Italian Opera Singers in Mozart's Vienna offers a singular look at a musical milieu and a key to addressing the performance-practice problem of how to cast the Mozart roles today" -- Publisher's description. Description based on online resource; title from digital title page (viewed on November 14, 2024). Opera Austria Vienna 18th century. Singers Austria Vienna. Singers Italy. Voice types (Singing) History 18th century. Chanteurs Autriche Vienne. Chanteurs Italie. Types de voix (Chant) Histoire 18e siècle. MUSIC / General bisacsh Opera fast Singers fast Voice types (Singing) fast Austria Vienna fast https://id.oclc.org/worldcat/entity/E39PBJx4pkFCgX7gBJ7hFTB773 Italy fast https://id.oclc.org/worldcat/entity/E39PBJvd8mVMcRhwVmbtcqCPcP 1700-1799 fast Electronic books. History fast Print version: Link, Dorothea. Italian opera singers in Mozart's Vienna Urbana : University of Illinois Press, 2022 9780252044649 (DLC) 2022013419 |
| spellingShingle | Link, Dorothea The Italian opera singers in Mozart's Vienna / The establishment and management of the italian opera company at the Vienna court theater -- Classification of operatic roles, voice types, and singing styles -- Casting information in scores and librettos of the operas produced in the Italian company, 1783-91 -- Nancy Storace : the Italian company, 1783-84 -- Nancy Storace : the company stabilizes, 1784-85 -- Nancy Storace's Annus horribilis and Celeste Coltellini, 1785-86 -- Nancy Storace's exuberant year, 1786-87 -- Anna Morichelli comes and goes, 1787-88 -- Luisa Laschi : the year of the three prima donnas, 1788-89 -- Adriana Ferrarese : opera on a shoestring, 1789-90 -- Adriana Ferrarese : portents of change, 1790-91 -- A Neapolitan prima donna and the end of Josephine opera, 1791-92 -- Appendix A : roles of ten major singers -- Appendix B : a tale of four scores. Opera Austria Vienna 18th century. Singers Austria Vienna. Singers Italy. Voice types (Singing) History 18th century. Chanteurs Autriche Vienne. Chanteurs Italie. Types de voix (Chant) Histoire 18e siècle. MUSIC / General bisacsh Opera fast Singers fast Voice types (Singing) fast |
| title | The Italian opera singers in Mozart's Vienna / |
| title_auth | The Italian opera singers in Mozart's Vienna / |
| title_exact_search | The Italian opera singers in Mozart's Vienna / |
| title_full | The Italian opera singers in Mozart's Vienna / Dorothea Link. |
| title_fullStr | The Italian opera singers in Mozart's Vienna / Dorothea Link. |
| title_full_unstemmed | The Italian opera singers in Mozart's Vienna / Dorothea Link. |
| title_short | The Italian opera singers in Mozart's Vienna / |
| title_sort | italian opera singers in mozart s vienna |
| topic | Opera Austria Vienna 18th century. Singers Austria Vienna. Singers Italy. Voice types (Singing) History 18th century. Chanteurs Autriche Vienne. Chanteurs Italie. Types de voix (Chant) Histoire 18e siècle. MUSIC / General bisacsh Opera fast Singers fast Voice types (Singing) fast |
| topic_facet | Opera Austria Vienna 18th century. Singers Austria Vienna. Singers Italy. Voice types (Singing) History 18th century. Chanteurs Autriche Vienne. Chanteurs Italie. Types de voix (Chant) Histoire 18e siècle. MUSIC / General Opera Singers Voice types (Singing) Austria Vienna Italy Electronic books. History |
| work_keys_str_mv | AT linkdorothea theitalianoperasingersinmozartsvienna AT linkdorothea italianoperasingersinmozartsvienna |