Displaying time :: the many temporalities of the Festival of India /
From the fluttering fabric of a tent, to the blurred motion of the potters wheel, to the rhythm of a horse puppets wooden hoovesthese scenes make up a set of mid-1980s art exhibitions as part of the U.S. Festival of India. The festival was conceived at a meeting between Indira Gandhi and Ronald Reag...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Seattle :
University of Washington Press,
[2017]
|
| Schriftenreihe: | Global South Asia.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | From the fluttering fabric of a tent, to the blurred motion of the potters wheel, to the rhythm of a horse puppets wooden hoovesthese scenes make up a set of mid-1980s art exhibitions as part of the U.S. Festival of India. The festival was conceived at a meeting between Indira Gandhi and Ronald Reagan to strengthen relations between the two countries at a time of late Cold War tensions and global economic change, when Americas image of India was as a place of desperate poverty and spectacular fantasy. "Displaying Time" unpacks the intimate, small-scale durations of time at work in the gallery from the transformation of clay into ceramic to the one-on-one, personal encounters between museum visitors and artists. Using extensive archival research and interviews with artists, curators, diplomats, and visitors, Rebecca Brown analyzes a selection of museum shows that were part of the Festival of India to unfurl new exhibitionary modes: the time of transformation, of interruption, of potential and the future, as well as the contemporary and the now. |
| Beschreibung: | 1 online resource (xvi, 211 pages, 16 unnumbered pages of plates ). |
| Bibliographie: | Includes bibliographical references (pages 185-204) and index. |
| ISBN: | 9780295999951 0295999950 |
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| 245 | 1 | 0 | |a Displaying time : |b the many temporalities of the Festival of India / |c Rebecca M. Brown. |
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| 300 | |a 1 online resource (xvi, 211 pages, 16 unnumbered pages of plates ). | ||
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| 505 | 0 | |a Flickering light, fluttering textiles -- An interruption : Derridean temporality at the Festival -- Material transformations : clay, terracotta, trash -- Time, interrupted : people in the gallery -- Entrepreneurial exhibits -- The contemporary, at a distance -- Setting up the tent anew. | |
| 588 | |a Description based on print version record and CIP data provided by publisher; resource not viewed. | ||
| 520 | 8 | |a From the fluttering fabric of a tent, to the blurred motion of the potters wheel, to the rhythm of a horse puppets wooden hoovesthese scenes make up a set of mid-1980s art exhibitions as part of the U.S. Festival of India. The festival was conceived at a meeting between Indira Gandhi and Ronald Reagan to strengthen relations between the two countries at a time of late Cold War tensions and global economic change, when Americas image of India was as a place of desperate poverty and spectacular fantasy. "Displaying Time" unpacks the intimate, small-scale durations of time at work in the gallery from the transformation of clay into ceramic to the one-on-one, personal encounters between museum visitors and artists. Using extensive archival research and interviews with artists, curators, diplomats, and visitors, Rebecca Brown analyzes a selection of museum shows that were part of the Festival of India to unfurl new exhibitionary modes: the time of transformation, of interruption, of potential and the future, as well as the contemporary and the now. | |
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| contents | Flickering light, fluttering textiles -- An interruption : Derridean temporality at the Festival -- Material transformations : clay, terracotta, trash -- Time, interrupted : people in the gallery -- Entrepreneurial exhibits -- The contemporary, at a distance -- Setting up the tent anew. |
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| dewey-raw | 700.954/07473 |
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| discipline | Kunstgeschichte |
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| id | ZDB-4-EBA-on1298401087 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:30Z |
| institution | BVB |
| isbn | 9780295999951 0295999950 |
| language | English |
| lccn | 2021692799 |
| oclc_num | 1298401087 |
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| physical | 1 online resource (xvi, 211 pages, 16 unnumbered pages of plates ). |
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| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | University of Washington Press, |
| record_format | marc |
| series | Global South Asia. |
| series2 | Global South Asia |
| spelling | Brown, Rebecca M., author. Displaying time : the many temporalities of the Festival of India / Rebecca M. Brown. Seattle : University of Washington Press, [2017] 1 online resource (xvi, 211 pages, 16 unnumbered pages of plates ). text txt rdacontent computer c rdamedia online resource cr rdacarrier Global South Asia Includes bibliographical references (pages 185-204) and index. Flickering light, fluttering textiles -- An interruption : Derridean temporality at the Festival -- Material transformations : clay, terracotta, trash -- Time, interrupted : people in the gallery -- Entrepreneurial exhibits -- The contemporary, at a distance -- Setting up the tent anew. Description based on print version record and CIP data provided by publisher; resource not viewed. From the fluttering fabric of a tent, to the blurred motion of the potters wheel, to the rhythm of a horse puppets wooden hoovesthese scenes make up a set of mid-1980s art exhibitions as part of the U.S. Festival of India. The festival was conceived at a meeting between Indira Gandhi and Ronald Reagan to strengthen relations between the two countries at a time of late Cold War tensions and global economic change, when Americas image of India was as a place of desperate poverty and spectacular fantasy. "Displaying Time" unpacks the intimate, small-scale durations of time at work in the gallery from the transformation of clay into ceramic to the one-on-one, personal encounters between museum visitors and artists. Using extensive archival research and interviews with artists, curators, diplomats, and visitors, Rebecca Brown analyzes a selection of museum shows that were part of the Festival of India to unfurl new exhibitionary modes: the time of transformation, of interruption, of potential and the future, as well as the contemporary and the now. Festival of India in the United States (1985-1986) http://id.loc.gov/authorities/names/n85013102 Festival of India in the United States fast Time and art. http://id.loc.gov/authorities/subjects/sh2006002139 Art Exhibition techniques. http://id.loc.gov/authorities/subjects/sh87005073 Art Techniques d'exposition. Temps et art. ART Performance. bisacsh ART Reference. bisacsh ART History Contemporary (1945- ) bisacsh Art Exhibition techniques fast Time and art fast Print version: Displaying time Seattle : University of Washington Press, [2017] 9780295999944 (hardcover : alk. paper) (DLC) 2016023732 Global South Asia. http://id.loc.gov/authorities/names/no2016018367 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1515403 Volltext |
| spellingShingle | Brown, Rebecca M. Displaying time : the many temporalities of the Festival of India / Global South Asia. Flickering light, fluttering textiles -- An interruption : Derridean temporality at the Festival -- Material transformations : clay, terracotta, trash -- Time, interrupted : people in the gallery -- Entrepreneurial exhibits -- The contemporary, at a distance -- Setting up the tent anew. Festival of India in the United States (1985-1986) http://id.loc.gov/authorities/names/n85013102 Festival of India in the United States fast Time and art. http://id.loc.gov/authorities/subjects/sh2006002139 Art Exhibition techniques. http://id.loc.gov/authorities/subjects/sh87005073 Art Techniques d'exposition. Temps et art. ART Performance. bisacsh ART Reference. bisacsh ART History Contemporary (1945- ) bisacsh Art Exhibition techniques fast Time and art fast |
| subject_GND | http://id.loc.gov/authorities/names/n85013102 http://id.loc.gov/authorities/subjects/sh2006002139 http://id.loc.gov/authorities/subjects/sh87005073 |
| title | Displaying time : the many temporalities of the Festival of India / |
| title_auth | Displaying time : the many temporalities of the Festival of India / |
| title_exact_search | Displaying time : the many temporalities of the Festival of India / |
| title_full | Displaying time : the many temporalities of the Festival of India / Rebecca M. Brown. |
| title_fullStr | Displaying time : the many temporalities of the Festival of India / Rebecca M. Brown. |
| title_full_unstemmed | Displaying time : the many temporalities of the Festival of India / Rebecca M. Brown. |
| title_short | Displaying time : |
| title_sort | displaying time the many temporalities of the festival of india |
| title_sub | the many temporalities of the Festival of India / |
| topic | Festival of India in the United States (1985-1986) http://id.loc.gov/authorities/names/n85013102 Festival of India in the United States fast Time and art. http://id.loc.gov/authorities/subjects/sh2006002139 Art Exhibition techniques. http://id.loc.gov/authorities/subjects/sh87005073 Art Techniques d'exposition. Temps et art. ART Performance. bisacsh ART Reference. bisacsh ART History Contemporary (1945- ) bisacsh Art Exhibition techniques fast Time and art fast |
| topic_facet | Festival of India in the United States (1985-1986) Festival of India in the United States Time and art. Art Exhibition techniques. Art Techniques d'exposition. Temps et art. ART Performance. ART Reference. ART History Contemporary (1945- ) Art Exhibition techniques Time and art |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1515403 |
| work_keys_str_mv | AT brownrebeccam displayingtimethemanytemporalitiesofthefestivalofindia |