An OutKast reader :: essays on race, gender, and the postmodern south /
"OutKast, the Atlanta-based hip-hop duo formed in 1992, is one of the most influential musical groups within American popular culture of the past twenty-five years. Through Grammy-winning albums, music videos, feature films, theatrical performances, and fashion, André "André 3000" B...
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| Weitere Verfasser: | , , , , , , , , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Athens :
The University of Georgia Press,
2021.
|
| Schriftenreihe: | Music of the American South.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "OutKast, the Atlanta-based hip-hop duo formed in 1992, is one of the most influential musical groups within American popular culture of the past twenty-five years. Through Grammy-winning albums, music videos, feature films, theatrical performances, and fashion, André "André 3000" Benjamin and Antwan "Big Boi" Patton have articulated a vision of postmodern, post-civil rights southern identity that combines the roots of funk, psychedelia, haute couture, R&B, faith and spirituality, and Afrofuturism into a style all its own. This postmodern southern aesthetic, largely promulgated and disseminated by OutKast and its collaborators, is now so prevalent in mainstream American culture (neither Beyoncé Knowles's "Formation" nor Joss Whedon's sci-fi /western mashup Firefly could exist without OutKast's collage aesthetic) that we rarely consider how challenging and experimental it actually is to create a new southern aesthetic. An OutKast Reader, then, takes the group's aesthetic as a lens through which readers can understand and explore contemporary issues of Blackness, gender, urbanism, southern aesthetics, and southern studies more generally. Divided into sections on regional influences, gender, and visuality, the essays collectively offer a vision of OutKast as a key shaper of conceptions of the twenty-first-century South, expanding that vision beyond long-held archetypes and cultural signifiers. The volume includes a who's who of hip-hop studies and African American studies scholarship, including Charlie Braxton, Susana M. Morris, Howard Ramsby II, Reynaldo Anderson, and Ruth Nicole Brown"-- |
| Beschreibung: | Includes index. Description based upon print version of record. |
| Beschreibung: | 1 online resource (268 pages) : color illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 0820360147 9780820360140 |
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| 245 | 0 | 3 | |a An OutKast reader : |b essays on race, gender, and the postmodern south / |c edited by Regina N. Bradley. |
| 264 | 1 | |a Athens : |b The University of Georgia Press, |c 2021. | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource (268 pages) : |b color illustrations | ||
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| 490 | 1 | |a Music of the American South series ; |v v.4 | |
| 500 | |a Includes index. | ||
| 500 | |a Description based upon print version of record. | ||
| 505 | 0 | 0 | |t Introduction. Stank of a Freedomland : OutKast Reckons with the Black New South -- |g SECTION I -- |t Tracing OutKast's Southern Roots -- |t "Power Music Electric Revival" : Contemplating OutKast's Southern Reconstruction and Its Impact on Black Music and the American Pop Mainstream / |r Fredara Mareva Hadley -- |t André's Dread : Communicating Survival of Racial Terror / |r Michelle S. Hite -- |t SouthernplayalistiCADILLACmuzik : OutKast and the Automobility of the Post-Civil Rights South / |r Langston C. Wilkins -- |t ATLiens : OutKast and the Saliency of Place for Black Male Identity / |r Rashawn Ray, SunAh M. Laybourn, and Melissa Brown -- |t SouthernQueeralisticadillacMuzik : André 3000 and Big Boi's Lyrical and Aesthetical Queering of Black Southern Masculinity / |r Kaila Story -- |t Bringing the Church Back to Your Feet : Affirmations of Faith, Religion, and Community in the Music of OutKast / |r Birgitta J. Johnson -- |t When ATLiens Boarded tha Muthaship : Funk's Influence on OutKast / |r Charlie R. Braxton -- |g Section II. -- |t OutKast's Country-Fried Futurities -- |t Stanklove : Hearing OutKast's Afrofuturist Erotics / |r James Edward Ford III -- |t Stories from the Dungeon : OutKast, Future, and the Afrofuturistic Lineage of Organized Noize / |r Clint Fluker and Reynaldo Anderson -- |t Idlewild : Afrofuturism and the Hip-Hop Musical in the Twenty-First Century / |r Susana M. Morris -- |t In the Forever Eva : An Artist Visualizes OutKast's Southern Hip-Hop Utopia / |r Stacey Robinson -- |g Section III. -- |t Tracing OutKast's Lasting Legacy -- |t A Jazzy Belle ReTell : Betrayals of Black Girlhood, Method, and Southernness / |r Jessica L. Robinson, Ruth Nicole Brown, Porshé R. Garner, and Blair E. Smith -- |t Two Dope Boyz in a Visual World / |r Tiffany E. Barber -- |t Humble Mumble : Text Mining OutKast / |r Kenton Rambsy and Howard Rambsy II -- |t Blurring Era and Aesthetic in OutKast's Film and Video Imagery : A Conversation with Bryan Barber / |r Joycelyn Wilson -- |t Idlewild : Spatial Narratives and Noir / |r Akil Houston -- Outro. Preserving OutKast's Legacy at the National Museum of African American History and Culture / |r Timothy Anne Burnside. |
| 520 | |a "OutKast, the Atlanta-based hip-hop duo formed in 1992, is one of the most influential musical groups within American popular culture of the past twenty-five years. Through Grammy-winning albums, music videos, feature films, theatrical performances, and fashion, André "André 3000" Benjamin and Antwan "Big Boi" Patton have articulated a vision of postmodern, post-civil rights southern identity that combines the roots of funk, psychedelia, haute couture, R&B, faith and spirituality, and Afrofuturism into a style all its own. This postmodern southern aesthetic, largely promulgated and disseminated by OutKast and its collaborators, is now so prevalent in mainstream American culture (neither Beyoncé Knowles's "Formation" nor Joss Whedon's sci-fi /western mashup Firefly could exist without OutKast's collage aesthetic) that we rarely consider how challenging and experimental it actually is to create a new southern aesthetic. An OutKast Reader, then, takes the group's aesthetic as a lens through which readers can understand and explore contemporary issues of Blackness, gender, urbanism, southern aesthetics, and southern studies more generally. Divided into sections on regional influences, gender, and visuality, the essays collectively offer a vision of OutKast as a key shaper of conceptions of the twenty-first-century South, expanding that vision beyond long-held archetypes and cultural signifiers. The volume includes a who's who of hip-hop studies and African American studies scholarship, including Charlie Braxton, Susana M. Morris, Howard Ramsby II, Reynaldo Anderson, and Ruth Nicole Brown"-- |c Provided by publisher. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 610 | 2 | 0 | |a OutKast (Musical group) |0 http://id.loc.gov/authorities/names/no99001466 |
| 610 | 2 | 0 | |a OutKast (Musical group) |x Influence. |
| 610 | 2 | 7 | |a OutKast (Musical group) |2 fast |
| 650 | 0 | |a Hip-hop |z Southern States |x Influence. | |
| 650 | 0 | |a Hip-hop |x Social aspects |z Southern States. | |
| 650 | 0 | |a African Americans |z Southern States |x Attitudes. | |
| 650 | 6 | |a Hip-hop |x Aspect social |z États-Unis (Sud) | |
| 650 | 6 | |a Noirs américains |z États-Unis (Sud) |x Attitudes. | |
| 650 | 7 | |a African Americans |x Attitudes |2 fast | |
| 650 | 7 | |a Hip-hop |x Influence |2 fast | |
| 650 | 7 | |a Influence (Literary, artistic, etc.) |2 fast | |
| 651 | 7 | |a Southern States |2 fast | |
| 700 | 1 | |a Bradley, Regina N., |d 1984- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjxdgwqdgHwyQk3cqDyGHC |0 http://id.loc.gov/authorities/names/n2017018756 | |
| 700 | 1 | |a Hadley, Fredara |e contributor. | |
| 700 | 1 | |a Hite, Michelle, |e contributor. | |
| 700 | 1 | |a Wilkins, Langston C., |e contributor. | |
| 700 | 1 | |a Brown, Melissa, |e contributor. |0 http://id.loc.gov/authorities/names/n83166395 | |
| 700 | 1 | |a Story, Kaila, |e contributor. | |
| 700 | 1 | |a Johnson, Birgitta J., |e contributor. | |
| 700 | 1 | |a Braxton, Charlie, |e contributor. | |
| 700 | 1 | |a III, James E. Ford, |e contributor. | |
| 700 | 1 | |a Anderson, Reynaldo, |e contributor. | |
| 776 | 0 | 8 | |i Print version. |t OutKast reader. |d Athens, Georgia : University of Georgia Press, [2021] |z 9780820360133 |w (OCoLC)1229030996 |
| 830 | 0 | |a Music of the American South. |0 http://id.loc.gov/authorities/names/no2016043337 | |
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Datensatz im Suchindex
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| author2 | Bradley, Regina N., 1984- Hadley, Fredara Hite, Michelle Wilkins, Langston C. Brown, Melissa Story, Kaila Johnson, Birgitta J. Braxton, Charlie III, James E. Ford Anderson, Reynaldo |
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| author_GND | http://id.loc.gov/authorities/names/n2017018756 http://id.loc.gov/authorities/names/n83166395 |
| author_additional | Fredara Mareva Hadley -- Michelle S. Hite -- Langston C. Wilkins -- Rashawn Ray, SunAh M. Laybourn, and Melissa Brown -- Kaila Story -- Birgitta J. Johnson -- Charlie R. Braxton -- James Edward Ford III -- Clint Fluker and Reynaldo Anderson -- Susana M. Morris -- Stacey Robinson -- Jessica L. Robinson, Ruth Nicole Brown, Porshé R. Garner, and Blair E. Smith -- Tiffany E. Barber -- Kenton Rambsy and Howard Rambsy II -- Joycelyn Wilson -- Akil Houston -- Outro. Preserving OutKast's Legacy at the National Museum of African American History and Culture / Timothy Anne Burnside. |
| author_facet | Bradley, Regina N., 1984- Hadley, Fredara Hite, Michelle Wilkins, Langston C. Brown, Melissa Story, Kaila Johnson, Birgitta J. Braxton, Charlie III, James E. Ford Anderson, Reynaldo |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML421 |
| callnumber-raw | ML421.O98 O9 2021 |
| callnumber-search | ML421.O98 O9 2021 |
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| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Introduction. Stank of a Freedomland : OutKast Reckons with the Black New South -- Tracing OutKast's Southern Roots -- "Power Music Electric Revival" : Contemplating OutKast's Southern Reconstruction and Its Impact on Black Music and the American Pop Mainstream / André's Dread : Communicating Survival of Racial Terror / SouthernplayalistiCADILLACmuzik : OutKast and the Automobility of the Post-Civil Rights South / ATLiens : OutKast and the Saliency of Place for Black Male Identity / SouthernQueeralisticadillacMuzik : André 3000 and Big Boi's Lyrical and Aesthetical Queering of Black Southern Masculinity / Bringing the Church Back to Your Feet : Affirmations of Faith, Religion, and Community in the Music of OutKast / When ATLiens Boarded tha Muthaship : Funk's Influence on OutKast / OutKast's Country-Fried Futurities -- Stanklove : Hearing OutKast's Afrofuturist Erotics / Stories from the Dungeon : OutKast, Future, and the Afrofuturistic Lineage of Organized Noize / Idlewild : Afrofuturism and the Hip-Hop Musical in the Twenty-First Century / In the Forever Eva : An Artist Visualizes OutKast's Southern Hip-Hop Utopia / Tracing OutKast's Lasting Legacy -- A Jazzy Belle ReTell : Betrayals of Black Girlhood, Method, and Southernness / Two Dope Boyz in a Visual World / Humble Mumble : Text Mining OutKast / Blurring Era and Aesthetic in OutKast's Film and Video Imagery : A Conversation with Bryan Barber / Idlewild : Spatial Narratives and Noir / |
| ctrlnum | (OCoLC)1272993172 |
| dewey-full | 306.4842490975 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 306 - Culture and institutions |
| dewey-raw | 306.4842490975 |
| dewey-search | 306.4842490975 |
| dewey-sort | 3306.4842490975 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| format | Electronic eBook |
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Stank of a Freedomland : OutKast Reckons with the Black New South --</subfield><subfield code="g">SECTION I --</subfield><subfield code="t">Tracing OutKast's Southern Roots --</subfield><subfield code="t">"Power Music Electric Revival" : Contemplating OutKast's Southern Reconstruction and Its Impact on Black Music and the American Pop Mainstream /</subfield><subfield code="r">Fredara Mareva Hadley --</subfield><subfield code="t">André's Dread : Communicating Survival of Racial Terror /</subfield><subfield code="r">Michelle S. Hite --</subfield><subfield code="t">SouthernplayalistiCADILLACmuzik : OutKast and the Automobility of the Post-Civil Rights South /</subfield><subfield code="r">Langston C. Wilkins --</subfield><subfield code="t">ATLiens : OutKast and the Saliency of Place for Black Male Identity /</subfield><subfield code="r">Rashawn Ray, SunAh M. Laybourn, and Melissa Brown --</subfield><subfield code="t">SouthernQueeralisticadillacMuzik : André 3000 and Big Boi's Lyrical and Aesthetical Queering of Black Southern Masculinity /</subfield><subfield code="r">Kaila Story --</subfield><subfield code="t">Bringing the Church Back to Your Feet : Affirmations of Faith, Religion, and Community in the Music of OutKast /</subfield><subfield code="r">Birgitta J. Johnson --</subfield><subfield code="t">When ATLiens Boarded tha Muthaship : Funk's Influence on OutKast /</subfield><subfield code="r">Charlie R. Braxton --</subfield><subfield code="g">Section II. --</subfield><subfield code="t">OutKast's Country-Fried Futurities --</subfield><subfield code="t">Stanklove : Hearing OutKast's Afrofuturist Erotics /</subfield><subfield code="r">James Edward Ford III --</subfield><subfield code="t">Stories from the Dungeon : OutKast, Future, and the Afrofuturistic Lineage of Organized Noize /</subfield><subfield code="r">Clint Fluker and Reynaldo Anderson --</subfield><subfield code="t">Idlewild : Afrofuturism and the Hip-Hop Musical in the Twenty-First Century /</subfield><subfield code="r">Susana M. Morris --</subfield><subfield code="t">In the Forever Eva : An Artist Visualizes OutKast's Southern Hip-Hop Utopia /</subfield><subfield code="r">Stacey Robinson --</subfield><subfield code="g">Section III. --</subfield><subfield code="t">Tracing OutKast's Lasting Legacy --</subfield><subfield code="t">A Jazzy Belle ReTell : Betrayals of Black Girlhood, Method, and Southernness /</subfield><subfield code="r">Jessica L. Robinson, Ruth Nicole Brown, Porshé R. Garner, and Blair E. Smith --</subfield><subfield code="t">Two Dope Boyz in a Visual World /</subfield><subfield code="r">Tiffany E. Barber --</subfield><subfield code="t">Humble Mumble : Text Mining OutKast /</subfield><subfield code="r">Kenton Rambsy and Howard Rambsy II --</subfield><subfield code="t">Blurring Era and Aesthetic in OutKast's Film and Video Imagery : A Conversation with Bryan Barber /</subfield><subfield code="r">Joycelyn Wilson --</subfield><subfield code="t">Idlewild : Spatial Narratives and Noir /</subfield><subfield code="r">Akil Houston -- Outro. Preserving OutKast's Legacy at the National Museum of African American History and Culture /</subfield><subfield code="r">Timothy Anne Burnside.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"OutKast, the Atlanta-based hip-hop duo formed in 1992, is one of the most influential musical groups within American popular culture of the past twenty-five years. Through Grammy-winning albums, music videos, feature films, theatrical performances, and fashion, André "André 3000" Benjamin and Antwan "Big Boi" Patton have articulated a vision of postmodern, post-civil rights southern identity that combines the roots of funk, psychedelia, haute couture, R&B, faith and spirituality, and Afrofuturism into a style all its own. This postmodern southern aesthetic, largely promulgated and disseminated by OutKast and its collaborators, is now so prevalent in mainstream American culture (neither Beyoncé Knowles's "Formation" nor Joss Whedon's sci-fi /western mashup Firefly could exist without OutKast's collage aesthetic) that we rarely consider how challenging and experimental it actually is to create a new southern aesthetic. An OutKast Reader, then, takes the group's aesthetic as a lens through which readers can understand and explore contemporary issues of Blackness, gender, urbanism, southern aesthetics, and southern studies more generally. 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| geographic | Southern States fast |
| geographic_facet | Southern States |
| id | ZDB-4-EBA-on1272993172 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:30:24Z |
| institution | BVB |
| isbn | 0820360147 9780820360140 |
| language | English |
| oclc_num | 1272993172 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (268 pages) : color illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | The University of Georgia Press, |
| record_format | marc |
| series | Music of the American South. |
| series2 | Music of the American South series ; |
| spelling | An OutKast reader : essays on race, gender, and the postmodern south / edited by Regina N. Bradley. Athens : The University of Georgia Press, 2021. ©2021 1 online resource (268 pages) : color illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Music of the American South series ; v.4 Includes index. Description based upon print version of record. Introduction. Stank of a Freedomland : OutKast Reckons with the Black New South -- SECTION I -- Tracing OutKast's Southern Roots -- "Power Music Electric Revival" : Contemplating OutKast's Southern Reconstruction and Its Impact on Black Music and the American Pop Mainstream / Fredara Mareva Hadley -- André's Dread : Communicating Survival of Racial Terror / Michelle S. Hite -- SouthernplayalistiCADILLACmuzik : OutKast and the Automobility of the Post-Civil Rights South / Langston C. Wilkins -- ATLiens : OutKast and the Saliency of Place for Black Male Identity / Rashawn Ray, SunAh M. Laybourn, and Melissa Brown -- SouthernQueeralisticadillacMuzik : André 3000 and Big Boi's Lyrical and Aesthetical Queering of Black Southern Masculinity / Kaila Story -- Bringing the Church Back to Your Feet : Affirmations of Faith, Religion, and Community in the Music of OutKast / Birgitta J. Johnson -- When ATLiens Boarded tha Muthaship : Funk's Influence on OutKast / Charlie R. Braxton -- Section II. -- OutKast's Country-Fried Futurities -- Stanklove : Hearing OutKast's Afrofuturist Erotics / James Edward Ford III -- Stories from the Dungeon : OutKast, Future, and the Afrofuturistic Lineage of Organized Noize / Clint Fluker and Reynaldo Anderson -- Idlewild : Afrofuturism and the Hip-Hop Musical in the Twenty-First Century / Susana M. Morris -- In the Forever Eva : An Artist Visualizes OutKast's Southern Hip-Hop Utopia / Stacey Robinson -- Section III. -- Tracing OutKast's Lasting Legacy -- A Jazzy Belle ReTell : Betrayals of Black Girlhood, Method, and Southernness / Jessica L. Robinson, Ruth Nicole Brown, Porshé R. Garner, and Blair E. Smith -- Two Dope Boyz in a Visual World / Tiffany E. Barber -- Humble Mumble : Text Mining OutKast / Kenton Rambsy and Howard Rambsy II -- Blurring Era and Aesthetic in OutKast's Film and Video Imagery : A Conversation with Bryan Barber / Joycelyn Wilson -- Idlewild : Spatial Narratives and Noir / Akil Houston -- Outro. Preserving OutKast's Legacy at the National Museum of African American History and Culture / Timothy Anne Burnside. "OutKast, the Atlanta-based hip-hop duo formed in 1992, is one of the most influential musical groups within American popular culture of the past twenty-five years. Through Grammy-winning albums, music videos, feature films, theatrical performances, and fashion, André "André 3000" Benjamin and Antwan "Big Boi" Patton have articulated a vision of postmodern, post-civil rights southern identity that combines the roots of funk, psychedelia, haute couture, R&B, faith and spirituality, and Afrofuturism into a style all its own. This postmodern southern aesthetic, largely promulgated and disseminated by OutKast and its collaborators, is now so prevalent in mainstream American culture (neither Beyoncé Knowles's "Formation" nor Joss Whedon's sci-fi /western mashup Firefly could exist without OutKast's collage aesthetic) that we rarely consider how challenging and experimental it actually is to create a new southern aesthetic. An OutKast Reader, then, takes the group's aesthetic as a lens through which readers can understand and explore contemporary issues of Blackness, gender, urbanism, southern aesthetics, and southern studies more generally. Divided into sections on regional influences, gender, and visuality, the essays collectively offer a vision of OutKast as a key shaper of conceptions of the twenty-first-century South, expanding that vision beyond long-held archetypes and cultural signifiers. The volume includes a who's who of hip-hop studies and African American studies scholarship, including Charlie Braxton, Susana M. Morris, Howard Ramsby II, Reynaldo Anderson, and Ruth Nicole Brown"-- Provided by publisher. Includes bibliographical references and index. OutKast (Musical group) http://id.loc.gov/authorities/names/no99001466 OutKast (Musical group) Influence. OutKast (Musical group) fast Hip-hop Southern States Influence. Hip-hop Social aspects Southern States. African Americans Southern States Attitudes. Hip-hop Aspect social États-Unis (Sud) Noirs américains États-Unis (Sud) Attitudes. African Americans Attitudes fast Hip-hop Influence fast Influence (Literary, artistic, etc.) fast Southern States fast Bradley, Regina N., 1984- editor. https://id.oclc.org/worldcat/entity/E39PCjxdgwqdgHwyQk3cqDyGHC http://id.loc.gov/authorities/names/n2017018756 Hadley, Fredara contributor. Hite, Michelle, contributor. Wilkins, Langston C., contributor. Brown, Melissa, contributor. http://id.loc.gov/authorities/names/n83166395 Story, Kaila, contributor. Johnson, Birgitta J., contributor. Braxton, Charlie, contributor. III, James E. Ford, contributor. Anderson, Reynaldo, contributor. Print version. OutKast reader. Athens, Georgia : University of Georgia Press, [2021] 9780820360133 (OCoLC)1229030996 Music of the American South. http://id.loc.gov/authorities/names/no2016043337 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3199484 Volltext |
| spellingShingle | An OutKast reader : essays on race, gender, and the postmodern south / Music of the American South. Introduction. Stank of a Freedomland : OutKast Reckons with the Black New South -- Tracing OutKast's Southern Roots -- "Power Music Electric Revival" : Contemplating OutKast's Southern Reconstruction and Its Impact on Black Music and the American Pop Mainstream / André's Dread : Communicating Survival of Racial Terror / SouthernplayalistiCADILLACmuzik : OutKast and the Automobility of the Post-Civil Rights South / ATLiens : OutKast and the Saliency of Place for Black Male Identity / SouthernQueeralisticadillacMuzik : André 3000 and Big Boi's Lyrical and Aesthetical Queering of Black Southern Masculinity / Bringing the Church Back to Your Feet : Affirmations of Faith, Religion, and Community in the Music of OutKast / When ATLiens Boarded tha Muthaship : Funk's Influence on OutKast / OutKast's Country-Fried Futurities -- Stanklove : Hearing OutKast's Afrofuturist Erotics / Stories from the Dungeon : OutKast, Future, and the Afrofuturistic Lineage of Organized Noize / Idlewild : Afrofuturism and the Hip-Hop Musical in the Twenty-First Century / In the Forever Eva : An Artist Visualizes OutKast's Southern Hip-Hop Utopia / Tracing OutKast's Lasting Legacy -- A Jazzy Belle ReTell : Betrayals of Black Girlhood, Method, and Southernness / Two Dope Boyz in a Visual World / Humble Mumble : Text Mining OutKast / Blurring Era and Aesthetic in OutKast's Film and Video Imagery : A Conversation with Bryan Barber / Idlewild : Spatial Narratives and Noir / OutKast (Musical group) http://id.loc.gov/authorities/names/no99001466 OutKast (Musical group) Influence. OutKast (Musical group) fast Hip-hop Southern States Influence. Hip-hop Social aspects Southern States. African Americans Southern States Attitudes. Hip-hop Aspect social États-Unis (Sud) Noirs américains États-Unis (Sud) Attitudes. African Americans Attitudes fast Hip-hop Influence fast Influence (Literary, artistic, etc.) fast |
| subject_GND | http://id.loc.gov/authorities/names/no99001466 |
| title | An OutKast reader : essays on race, gender, and the postmodern south / |
| title_alt | Introduction. Stank of a Freedomland : OutKast Reckons with the Black New South -- Tracing OutKast's Southern Roots -- "Power Music Electric Revival" : Contemplating OutKast's Southern Reconstruction and Its Impact on Black Music and the American Pop Mainstream / André's Dread : Communicating Survival of Racial Terror / SouthernplayalistiCADILLACmuzik : OutKast and the Automobility of the Post-Civil Rights South / ATLiens : OutKast and the Saliency of Place for Black Male Identity / SouthernQueeralisticadillacMuzik : André 3000 and Big Boi's Lyrical and Aesthetical Queering of Black Southern Masculinity / Bringing the Church Back to Your Feet : Affirmations of Faith, Religion, and Community in the Music of OutKast / When ATLiens Boarded tha Muthaship : Funk's Influence on OutKast / OutKast's Country-Fried Futurities -- Stanklove : Hearing OutKast's Afrofuturist Erotics / Stories from the Dungeon : OutKast, Future, and the Afrofuturistic Lineage of Organized Noize / Idlewild : Afrofuturism and the Hip-Hop Musical in the Twenty-First Century / In the Forever Eva : An Artist Visualizes OutKast's Southern Hip-Hop Utopia / Tracing OutKast's Lasting Legacy -- A Jazzy Belle ReTell : Betrayals of Black Girlhood, Method, and Southernness / Two Dope Boyz in a Visual World / Humble Mumble : Text Mining OutKast / Blurring Era and Aesthetic in OutKast's Film and Video Imagery : A Conversation with Bryan Barber / Idlewild : Spatial Narratives and Noir / |
| title_auth | An OutKast reader : essays on race, gender, and the postmodern south / |
| title_exact_search | An OutKast reader : essays on race, gender, and the postmodern south / |
| title_full | An OutKast reader : essays on race, gender, and the postmodern south / edited by Regina N. Bradley. |
| title_fullStr | An OutKast reader : essays on race, gender, and the postmodern south / edited by Regina N. Bradley. |
| title_full_unstemmed | An OutKast reader : essays on race, gender, and the postmodern south / edited by Regina N. Bradley. |
| title_short | An OutKast reader : |
| title_sort | outkast reader essays on race gender and the postmodern south |
| title_sub | essays on race, gender, and the postmodern south / |
| topic | OutKast (Musical group) http://id.loc.gov/authorities/names/no99001466 OutKast (Musical group) Influence. OutKast (Musical group) fast Hip-hop Southern States Influence. Hip-hop Social aspects Southern States. African Americans Southern States Attitudes. Hip-hop Aspect social États-Unis (Sud) Noirs américains États-Unis (Sud) Attitudes. African Americans Attitudes fast Hip-hop Influence fast Influence (Literary, artistic, etc.) fast |
| topic_facet | OutKast (Musical group) OutKast (Musical group) Influence. Hip-hop Southern States Influence. Hip-hop Social aspects Southern States. African Americans Southern States Attitudes. Hip-hop Aspect social États-Unis (Sud) Noirs américains États-Unis (Sud) Attitudes. African Americans Attitudes Hip-hop Influence Influence (Literary, artistic, etc.) Southern States |
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