Performing moving images :: access, archives and affects /
Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and g...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam :
Amsterdam University Press,
[2020]
|
| Schriftenreihe: | Framing film (Amsterdam, Netherlands)
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-screenings, re-enactments, and found footage works, that are using archival material? How does the affective experience of the images, sounds and music resonate today? Performing Moving Images: Access, Archive and Affects proposes a theoretical framework from the perspective of the performative practice of programming, curating, and reconstructing, bringing in insights from original interviews with cultural agents together with an interdisciplinary academic discourse. |
| Beschreibung: | 1 online resource |
| ISBN: | 9789048537075 904853707X 9789048561674 9048561671 |
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| 505 | 0 | |a Intro -- Table of Contents -- Introduction: Experimental Cinema, Expanded Cinema, and Artist's Film -- Chapter 1. Access: Agents, Archives -- Archive -- Whether to preserve or to show -- Programming -- Historiography in the making -- Curating -- Montage of contexts -- Case study: Arsenal -- Living Archive Project, Berlin -- Expanded cinema -- Expanded consciousness and event -- Case study: Forum Expanded, Berlin Film Festival -- Case study: International Short Film Festival, Oberhausen -- Case study: Anthony McCall's Line Describing a Cone -- Archival impulse -- Archive fever -- Notes | |
| 505 | 8 | |a Historiography -- Films that make history -- Case study: The Realm of Possibilities 4 -- Access: Diamonds, Enter, Fin -- Documents -- Testifying the past -- Found footage -- Sampling and remixing images and music -- Experimental music videos in museums -- Case study Deutsches Filminstitut Filmmuseum, Frankfurt -- Audio-visual heritage -- Expanded heritage -- Memory -- Joyful archive of experiences -- Experimental films and philosophy -- Notes -- Bibliography -- Outlook -- Notes -- Conclusion -- Acknowledgements -- Illustrations -- General bibliography -- Index | |
| 520 | |a Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-screenings, re-enactments, and found footage works, that are using archival material? How does the affective experience of the images, sounds and music resonate today? Performing Moving Images: Access, Archive and Affects proposes a theoretical framework from the perspective of the performative practice of programming, curating, and reconstructing, bringing in insights from original interviews with cultural agents together with an interdisciplinary academic discourse. | ||
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| 776 | 0 | 8 | |i Print version: |a Siewert, Senta. |t Performing Moving Images : Access, Archives and Affects. |d Amsterdam : Amsterdam University Press, ©2020 |
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| contents | Intro -- Table of Contents -- Introduction: Experimental Cinema, Expanded Cinema, and Artist's Film -- Chapter 1. Access: Agents, Archives -- Archive -- Whether to preserve or to show -- Programming -- Historiography in the making -- Curating -- Montage of contexts -- Case study: Arsenal -- Living Archive Project, Berlin -- Expanded cinema -- Expanded consciousness and event -- Case study: Forum Expanded, Berlin Film Festival -- Case study: International Short Film Festival, Oberhausen -- Case study: Anthony McCall's Line Describing a Cone -- Archival impulse -- Archive fever -- Notes Historiography -- Films that make history -- Case study: The Realm of Possibilities 4 -- Access: Diamonds, Enter, Fin -- Documents -- Testifying the past -- Found footage -- Sampling and remixing images and music -- Experimental music videos in museums -- Case study Deutsches Filminstitut Filmmuseum, Frankfurt -- Audio-visual heritage -- Expanded heritage -- Memory -- Joyful archive of experiences -- Experimental films and philosophy -- Notes -- Bibliography -- Outlook -- Notes -- Conclusion -- Acknowledgements -- Illustrations -- General bibliography -- Index |
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| series2 | Framing Film |
| spelling | Siewert, Senta, author. http://id.loc.gov/authorities/names/no2010169214 Performing moving images : access, archives and affects / Senta Siewert. Amsterdam : Amsterdam University Press, [2020] 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier text file HTML rdaft Framing Film Online resource; title from digital title page (viewed on December 23, 2020). Intro -- Table of Contents -- Introduction: Experimental Cinema, Expanded Cinema, and Artist's Film -- Chapter 1. Access: Agents, Archives -- Archive -- Whether to preserve or to show -- Programming -- Historiography in the making -- Curating -- Montage of contexts -- Case study: Arsenal -- Living Archive Project, Berlin -- Expanded cinema -- Expanded consciousness and event -- Case study: Forum Expanded, Berlin Film Festival -- Case study: International Short Film Festival, Oberhausen -- Case study: Anthony McCall's Line Describing a Cone -- Archival impulse -- Archive fever -- Notes Historiography -- Films that make history -- Case study: The Realm of Possibilities 4 -- Access: Diamonds, Enter, Fin -- Documents -- Testifying the past -- Found footage -- Sampling and remixing images and music -- Experimental music videos in museums -- Case study Deutsches Filminstitut Filmmuseum, Frankfurt -- Audio-visual heritage -- Expanded heritage -- Memory -- Joyful archive of experiences -- Experimental films and philosophy -- Notes -- Bibliography -- Outlook -- Notes -- Conclusion -- Acknowledgements -- Illustrations -- General bibliography -- Index Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-screenings, re-enactments, and found footage works, that are using archival material? How does the affective experience of the images, sounds and music resonate today? Performing Moving Images: Access, Archive and Affects proposes a theoretical framework from the perspective of the performative practice of programming, curating, and reconstructing, bringing in insights from original interviews with cultural agents together with an interdisciplinary academic discourse. Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily Film archives. http://id.loc.gov/authorities/subjects/sh85006925 Experimental films History 20th century. Archives cinématographiques. Theory of art. bicssc Exhibition catalogues and specific collections. bicssc Film theory and criticism. bicssc Archiving, preservation and digitisation. bicssc ART / Collections, Catalogs, Exhibitions / General. bisacsh ART / Film & Video. bisacsh LANGUAGE ARTS & DISCIPLINES / Library & Information Science / Archives & Special Libraries. bisacsh PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Experimental films fast Film archives fast 1900-1999 fast History fast has work: Performing moving images (Text) https://id.oclc.org/worldcat/entity/E39PCH6QpM3d6YCtWptRDXPCwC https://id.oclc.org/worldcat/ontology/hasWork Print version: Siewert, Senta. Performing Moving Images : Access, Archives and Affects. Amsterdam : Amsterdam University Press, ©2020 Framing film (Amsterdam, Netherlands) http://id.loc.gov/authorities/names/no2010098076 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2697847 Volltext |
| spellingShingle | Siewert, Senta Performing moving images : access, archives and affects / Framing film (Amsterdam, Netherlands) Intro -- Table of Contents -- Introduction: Experimental Cinema, Expanded Cinema, and Artist's Film -- Chapter 1. Access: Agents, Archives -- Archive -- Whether to preserve or to show -- Programming -- Historiography in the making -- Curating -- Montage of contexts -- Case study: Arsenal -- Living Archive Project, Berlin -- Expanded cinema -- Expanded consciousness and event -- Case study: Forum Expanded, Berlin Film Festival -- Case study: International Short Film Festival, Oberhausen -- Case study: Anthony McCall's Line Describing a Cone -- Archival impulse -- Archive fever -- Notes Historiography -- Films that make history -- Case study: The Realm of Possibilities 4 -- Access: Diamonds, Enter, Fin -- Documents -- Testifying the past -- Found footage -- Sampling and remixing images and music -- Experimental music videos in museums -- Case study Deutsches Filminstitut Filmmuseum, Frankfurt -- Audio-visual heritage -- Expanded heritage -- Memory -- Joyful archive of experiences -- Experimental films and philosophy -- Notes -- Bibliography -- Outlook -- Notes -- Conclusion -- Acknowledgements -- Illustrations -- General bibliography -- Index Film archives. http://id.loc.gov/authorities/subjects/sh85006925 Experimental films History 20th century. Archives cinématographiques. Theory of art. bicssc Exhibition catalogues and specific collections. bicssc Film theory and criticism. bicssc Archiving, preservation and digitisation. bicssc ART / Collections, Catalogs, Exhibitions / General. bisacsh ART / Film & Video. bisacsh LANGUAGE ARTS & DISCIPLINES / Library & Information Science / Archives & Special Libraries. bisacsh PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Experimental films fast Film archives fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85006925 |
| title | Performing moving images : access, archives and affects / |
| title_auth | Performing moving images : access, archives and affects / |
| title_exact_search | Performing moving images : access, archives and affects / |
| title_full | Performing moving images : access, archives and affects / Senta Siewert. |
| title_fullStr | Performing moving images : access, archives and affects / Senta Siewert. |
| title_full_unstemmed | Performing moving images : access, archives and affects / Senta Siewert. |
| title_short | Performing moving images : |
| title_sort | performing moving images access archives and affects |
| title_sub | access, archives and affects / |
| topic | Film archives. http://id.loc.gov/authorities/subjects/sh85006925 Experimental films History 20th century. Archives cinématographiques. Theory of art. bicssc Exhibition catalogues and specific collections. bicssc Film theory and criticism. bicssc Archiving, preservation and digitisation. bicssc ART / Collections, Catalogs, Exhibitions / General. bisacsh ART / Film & Video. bisacsh LANGUAGE ARTS & DISCIPLINES / Library & Information Science / Archives & Special Libraries. bisacsh PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Experimental films fast Film archives fast |
| topic_facet | Film archives. Experimental films History 20th century. Archives cinématographiques. Theory of art. Exhibition catalogues and specific collections. Film theory and criticism. Archiving, preservation and digitisation. ART / Collections, Catalogs, Exhibitions / General. ART / Film & Video. LANGUAGE ARTS & DISCIPLINES / Library & Information Science / Archives & Special Libraries. PERFORMING ARTS / Film & Video / History & Criticism. Experimental films Film archives History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2697847 |
| work_keys_str_mv | AT siewertsenta performingmovingimagesaccessarchivesandaffects |