Performance in an age of precarity :: 40 reflections /
"An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more. Together, the 40 essays sketch a map of the contemporary performance landscape from avant-gar...
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Hauptverfasser: | , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London, UK ; New York, NY :
Methuen Drama, Bloomsbury Publishing Plc,
2021.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more. Together, the 40 essays sketch a map of the contemporary performance landscape from avant-garde dance to live art to independent theatre, tracing the contours of its themes, aims, desires and relationship to the wider worlds of mainstream theatre, art and politics. Each essay focuses on a particular artist and these include Bryony Kimmings, Dickie Beau, Forced Entertainment, rashdash, Scottee, Selina Thompson, Tania El Khoury and Uninvited Guests. Reflecting the radical nature of the work considered, the authors attempt to find a new vocabulary and a non-conventional way of considering live performance in these essays. As both a fresh survey of contemporary performance and an exploration of how to think and write about upstream and avant-garde work, this book should be an essential resource for students, artists and audiences, as well as an accessible entry point for anyone curious to know about the beautiful and strange things happening beyond the UK's theatrical mainstream"-- |
Beschreibung: | 1 online resource (viii, 216 pages) |
Bibliographie: | Includes bibliographical references. |
ISBN: | 1350190659 9781350190665 1350190667 9781350190658 |
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264 | 4 | |c ©2021 | |
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504 | |a Includes bibliographical references. | ||
520 | |a "An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more. Together, the 40 essays sketch a map of the contemporary performance landscape from avant-garde dance to live art to independent theatre, tracing the contours of its themes, aims, desires and relationship to the wider worlds of mainstream theatre, art and politics. Each essay focuses on a particular artist and these include Bryony Kimmings, Dickie Beau, Forced Entertainment, rashdash, Scottee, Selina Thompson, Tania El Khoury and Uninvited Guests. Reflecting the radical nature of the work considered, the authors attempt to find a new vocabulary and a non-conventional way of considering live performance in these essays. As both a fresh survey of contemporary performance and an exploration of how to think and write about upstream and avant-garde work, this book should be an essential resource for students, artists and audiences, as well as an accessible entry point for anyone curious to know about the beautiful and strange things happening beyond the UK's theatrical mainstream"-- |c Provided by publisher. | ||
505 | 0 | |a Cover page -- Halftitle page -- Biography -- Title page -- Copyright page -- CONTENTS -- ACKNOWLEDGEMENTS -- About this book -- PART 1 Reckoning with history -- Rachael Young -- moving black / feeling black -- seeing black / speaking black / seeing through black eyes -- reclaiming black / claiming space black -- moving through space and time black -- black that stops the clocks and leaves time suspended -- dreaming black -- Further reading -- Dickie Beau -- 1 -- 2 -- 3 -- 4 -- Further reading -- Now, years later, I try to recall this event, reconstruct it from uncertain memory | |
505 | 8 | |a Breach Theatre -- Further reading -- Tania El Khoury -- 1 -- 2 -- 3 -- 4 -- 5 -- Further reading -- Uninvited Guests -- Past -- Present -- Future -- Time ruptures, time loops -- Further reading -- PART 2 In search of new languages -- Verity Standen -- Nigel Barrett and Louise Mari -- 1 -- 2 -- Further reading -- The theatre felt suddenly like a space. A space for uncertainty, for longing and curiosity -- Ellie Dubois -- Alexandrina Hemsley and Jamila Johnson-Small -- Further reading -- PART 3 The company you keep -- Deer Park -- National Student Drama Festival -- Dartington -- See You Swoon | |
505 | 8 | |a Traces remain -- The little brown book -- Further reading -- Made In China -- 1 -- 2 -- 3 -- 4 -- Further reading -- Bertrand Lesca and Nasi Voutsas -- Further reading -- A space in which to rage, yes, argue, yes, confront, yes, but also care, speculate, listen, think -- Neil Callaghan and Simone Kenyon -- April 2008 -- December 2016 -- Further reading -- Action Hero -- Further reading -- PART 4 Fractures and how to mend them -- Dan Canham -- Further reading -- Sue MacLaine -- Further reading | |
505 | 8 | |a A theatrical world as endless and repetitive, as vast and comic and occasionally unbearable as life itself -- Amy Sharrocks -- Further reading -- Rachel Mars -- Wrath -- Envy (and a dash of pride) -- Lust -- Gluttony, or greed -- Further reading -- Selina Thompson -- Three conversations that led to friendship with Selina Thompson -- Six books I have read because of Selina -- Three concepts introduced to me by Selina -- Two songs that remind me of Selina -- Something that might not be clear already and might be worth spelling out -- Further reading -- PART 5 Close encounters -- Abigail Conway -- 1 | |
505 | 8 | |a 2 -- 3 -- Sheila Ghelani -- 1. The field -- 2. The book -- 3. The hedgerow -- 4. The camouflage -- 5. The field, revisited -- Further reading -- Brian Lobel -- 1 -- 2 -- 3 -- 4 -- 5 -- Further reading -- Artists who lack manners in the best possible way -- Ria Hartley -- Stephanie Albert -- Further reading -- PART 6 Acts of resistance -- Nic Green -- 1 -- 2 -- 3 -- 4 -- Scottee -- Further reading -- Precarious, uncertain, ecstatic, stood close together, trying to be heard over the sound of somebody else's party -- Leo Skilbeck and Milk Presents -- Christopher Brett Bailey -- Further reading | |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-on1204264889 |
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adam_text | |
any_adam_object | |
author | Costa, Maddy Field, Andy (Artist) |
author_GND | http://id.loc.gov/authorities/names/n2020061420 http://id.loc.gov/authorities/names/nb2016014912 |
author_facet | Costa, Maddy Field, Andy (Artist) |
author_role | aut aut |
author_sort | Costa, Maddy |
author_variant | m c mc a f af |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | N - Fine Arts |
callnumber-label | NX460 |
callnumber-raw | NX460.5.E95 C67 2021 |
callnumber-search | NX460.5.E95 C67 2021 |
callnumber-sort | NX 3460.5 E95 C67 42021 |
callnumber-subject | NX - Arts in General |
collection | ZDB-4-EBA |
contents | Cover page -- Halftitle page -- Biography -- Title page -- Copyright page -- CONTENTS -- ACKNOWLEDGEMENTS -- About this book -- PART 1 Reckoning with history -- Rachael Young -- moving black / feeling black -- seeing black / speaking black / seeing through black eyes -- reclaiming black / claiming space black -- moving through space and time black -- black that stops the clocks and leaves time suspended -- dreaming black -- Further reading -- Dickie Beau -- 1 -- 2 -- 3 -- 4 -- Further reading -- Now, years later, I try to recall this event, reconstruct it from uncertain memory Breach Theatre -- Further reading -- Tania El Khoury -- 1 -- 2 -- 3 -- 4 -- 5 -- Further reading -- Uninvited Guests -- Past -- Present -- Future -- Time ruptures, time loops -- Further reading -- PART 2 In search of new languages -- Verity Standen -- Nigel Barrett and Louise Mari -- 1 -- 2 -- Further reading -- The theatre felt suddenly like a space. A space for uncertainty, for longing and curiosity -- Ellie Dubois -- Alexandrina Hemsley and Jamila Johnson-Small -- Further reading -- PART 3 The company you keep -- Deer Park -- National Student Drama Festival -- Dartington -- See You Swoon Traces remain -- The little brown book -- Further reading -- Made In China -- 1 -- 2 -- 3 -- 4 -- Further reading -- Bertrand Lesca and Nasi Voutsas -- Further reading -- A space in which to rage, yes, argue, yes, confront, yes, but also care, speculate, listen, think -- Neil Callaghan and Simone Kenyon -- April 2008 -- December 2016 -- Further reading -- Action Hero -- Further reading -- PART 4 Fractures and how to mend them -- Dan Canham -- Further reading -- Sue MacLaine -- Further reading A theatrical world as endless and repetitive, as vast and comic and occasionally unbearable as life itself -- Amy Sharrocks -- Further reading -- Rachel Mars -- Wrath -- Envy (and a dash of pride) -- Lust -- Gluttony, or greed -- Further reading -- Selina Thompson -- Three conversations that led to friendship with Selina Thompson -- Six books I have read because of Selina -- Three concepts introduced to me by Selina -- Two songs that remind me of Selina -- Something that might not be clear already and might be worth spelling out -- Further reading -- PART 5 Close encounters -- Abigail Conway -- 1 2 -- 3 -- Sheila Ghelani -- 1. The field -- 2. The book -- 3. The hedgerow -- 4. The camouflage -- 5. The field, revisited -- Further reading -- Brian Lobel -- 1 -- 2 -- 3 -- 4 -- 5 -- Further reading -- Artists who lack manners in the best possible way -- Ria Hartley -- Stephanie Albert -- Further reading -- PART 6 Acts of resistance -- Nic Green -- 1 -- 2 -- 3 -- 4 -- Scottee -- Further reading -- Precarious, uncertain, ecstatic, stood close together, trying to be heard over the sound of somebody else's party -- Leo Skilbeck and Milk Presents -- Christopher Brett Bailey -- Further reading |
ctrlnum | (OCoLC)1204264889 |
dewey-full | 700.9/05 |
dewey-hundreds | 700 - The arts |
dewey-ones | 700 - The arts |
dewey-raw | 700.9/05 |
dewey-search | 700.9/05 |
dewey-sort | 3700.9 15 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
era | 2000-2099 fast |
era_facet | 2000-2099 |
format | Electronic eBook |
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id | ZDB-4-EBA-on1204264889 |
illustrated | Not Illustrated |
indexdate | 2024-11-27T13:30:07Z |
institution | BVB |
isbn | 1350190659 9781350190665 1350190667 9781350190658 |
language | English |
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publisher | Methuen Drama, Bloomsbury Publishing Plc, |
record_format | marc |
spelling | Costa, Maddy, author. http://id.loc.gov/authorities/names/n2020061420 Performance in an age of precarity : 40 reflections / Maddy Costa and Andy Field. London, UK ; New York, NY : Methuen Drama, Bloomsbury Publishing Plc, 2021. ©2021 1 online resource (viii, 216 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Description based on online resource; title from digital title page (viewed on March 08, 2021). Includes bibliographical references. "An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more. Together, the 40 essays sketch a map of the contemporary performance landscape from avant-garde dance to live art to independent theatre, tracing the contours of its themes, aims, desires and relationship to the wider worlds of mainstream theatre, art and politics. Each essay focuses on a particular artist and these include Bryony Kimmings, Dickie Beau, Forced Entertainment, rashdash, Scottee, Selina Thompson, Tania El Khoury and Uninvited Guests. Reflecting the radical nature of the work considered, the authors attempt to find a new vocabulary and a non-conventional way of considering live performance in these essays. As both a fresh survey of contemporary performance and an exploration of how to think and write about upstream and avant-garde work, this book should be an essential resource for students, artists and audiences, as well as an accessible entry point for anyone curious to know about the beautiful and strange things happening beyond the UK's theatrical mainstream"-- Provided by publisher. Cover page -- Halftitle page -- Biography -- Title page -- Copyright page -- CONTENTS -- ACKNOWLEDGEMENTS -- About this book -- PART 1 Reckoning with history -- Rachael Young -- moving black / feeling black -- seeing black / speaking black / seeing through black eyes -- reclaiming black / claiming space black -- moving through space and time black -- black that stops the clocks and leaves time suspended -- dreaming black -- Further reading -- Dickie Beau -- 1 -- 2 -- 3 -- 4 -- Further reading -- Now, years later, I try to recall this event, reconstruct it from uncertain memory Breach Theatre -- Further reading -- Tania El Khoury -- 1 -- 2 -- 3 -- 4 -- 5 -- Further reading -- Uninvited Guests -- Past -- Present -- Future -- Time ruptures, time loops -- Further reading -- PART 2 In search of new languages -- Verity Standen -- Nigel Barrett and Louise Mari -- 1 -- 2 -- Further reading -- The theatre felt suddenly like a space. A space for uncertainty, for longing and curiosity -- Ellie Dubois -- Alexandrina Hemsley and Jamila Johnson-Small -- Further reading -- PART 3 The company you keep -- Deer Park -- National Student Drama Festival -- Dartington -- See You Swoon Traces remain -- The little brown book -- Further reading -- Made In China -- 1 -- 2 -- 3 -- 4 -- Further reading -- Bertrand Lesca and Nasi Voutsas -- Further reading -- A space in which to rage, yes, argue, yes, confront, yes, but also care, speculate, listen, think -- Neil Callaghan and Simone Kenyon -- April 2008 -- December 2016 -- Further reading -- Action Hero -- Further reading -- PART 4 Fractures and how to mend them -- Dan Canham -- Further reading -- Sue MacLaine -- Further reading A theatrical world as endless and repetitive, as vast and comic and occasionally unbearable as life itself -- Amy Sharrocks -- Further reading -- Rachel Mars -- Wrath -- Envy (and a dash of pride) -- Lust -- Gluttony, or greed -- Further reading -- Selina Thompson -- Three conversations that led to friendship with Selina Thompson -- Six books I have read because of Selina -- Three concepts introduced to me by Selina -- Two songs that remind me of Selina -- Something that might not be clear already and might be worth spelling out -- Further reading -- PART 5 Close encounters -- Abigail Conway -- 1 2 -- 3 -- Sheila Ghelani -- 1. The field -- 2. The book -- 3. The hedgerow -- 4. The camouflage -- 5. The field, revisited -- Further reading -- Brian Lobel -- 1 -- 2 -- 3 -- 4 -- 5 -- Further reading -- Artists who lack manners in the best possible way -- Ria Hartley -- Stephanie Albert -- Further reading -- PART 6 Acts of resistance -- Nic Green -- 1 -- 2 -- 3 -- 4 -- Scottee -- Further reading -- Precarious, uncertain, ecstatic, stood close together, trying to be heard over the sound of somebody else's party -- Leo Skilbeck and Milk Presents -- Christopher Brett Bailey -- Further reading Arts, Modern 21st century. http://id.loc.gov/authorities/subjects/sh2001009834 Arts Experimental methods. http://id.loc.gov/authorities/subjects/sh85008328 Arts 21e siècle. Arts Méthodes expérimentales. Theatre studies. bicssc Drama General. bisacsh Arts Experimental methods fast Arts, Modern fast 2000-2099 fast Field, Andy (Artist), author. http://id.loc.gov/authorities/names/nb2016014912 has work: Performance in an age of precarity (Text) https://id.oclc.org/worldcat/entity/E39PCG3HF7dK7PxyTcXHm8Q7RC https://id.oclc.org/worldcat/ontology/hasWork Print version: Costa, Maddy. Performance in an age of precarity London ; New York : Methuen Drama, 2021. 9781350190641 (DLC) 2020045171 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2733334 Volltext |
spellingShingle | Costa, Maddy Field, Andy (Artist) Performance in an age of precarity : 40 reflections / Cover page -- Halftitle page -- Biography -- Title page -- Copyright page -- CONTENTS -- ACKNOWLEDGEMENTS -- About this book -- PART 1 Reckoning with history -- Rachael Young -- moving black / feeling black -- seeing black / speaking black / seeing through black eyes -- reclaiming black / claiming space black -- moving through space and time black -- black that stops the clocks and leaves time suspended -- dreaming black -- Further reading -- Dickie Beau -- 1 -- 2 -- 3 -- 4 -- Further reading -- Now, years later, I try to recall this event, reconstruct it from uncertain memory Breach Theatre -- Further reading -- Tania El Khoury -- 1 -- 2 -- 3 -- 4 -- 5 -- Further reading -- Uninvited Guests -- Past -- Present -- Future -- Time ruptures, time loops -- Further reading -- PART 2 In search of new languages -- Verity Standen -- Nigel Barrett and Louise Mari -- 1 -- 2 -- Further reading -- The theatre felt suddenly like a space. A space for uncertainty, for longing and curiosity -- Ellie Dubois -- Alexandrina Hemsley and Jamila Johnson-Small -- Further reading -- PART 3 The company you keep -- Deer Park -- National Student Drama Festival -- Dartington -- See You Swoon Traces remain -- The little brown book -- Further reading -- Made In China -- 1 -- 2 -- 3 -- 4 -- Further reading -- Bertrand Lesca and Nasi Voutsas -- Further reading -- A space in which to rage, yes, argue, yes, confront, yes, but also care, speculate, listen, think -- Neil Callaghan and Simone Kenyon -- April 2008 -- December 2016 -- Further reading -- Action Hero -- Further reading -- PART 4 Fractures and how to mend them -- Dan Canham -- Further reading -- Sue MacLaine -- Further reading A theatrical world as endless and repetitive, as vast and comic and occasionally unbearable as life itself -- Amy Sharrocks -- Further reading -- Rachel Mars -- Wrath -- Envy (and a dash of pride) -- Lust -- Gluttony, or greed -- Further reading -- Selina Thompson -- Three conversations that led to friendship with Selina Thompson -- Six books I have read because of Selina -- Three concepts introduced to me by Selina -- Two songs that remind me of Selina -- Something that might not be clear already and might be worth spelling out -- Further reading -- PART 5 Close encounters -- Abigail Conway -- 1 2 -- 3 -- Sheila Ghelani -- 1. The field -- 2. The book -- 3. The hedgerow -- 4. The camouflage -- 5. The field, revisited -- Further reading -- Brian Lobel -- 1 -- 2 -- 3 -- 4 -- 5 -- Further reading -- Artists who lack manners in the best possible way -- Ria Hartley -- Stephanie Albert -- Further reading -- PART 6 Acts of resistance -- Nic Green -- 1 -- 2 -- 3 -- 4 -- Scottee -- Further reading -- Precarious, uncertain, ecstatic, stood close together, trying to be heard over the sound of somebody else's party -- Leo Skilbeck and Milk Presents -- Christopher Brett Bailey -- Further reading Arts, Modern 21st century. http://id.loc.gov/authorities/subjects/sh2001009834 Arts Experimental methods. http://id.loc.gov/authorities/subjects/sh85008328 Arts 21e siècle. Arts Méthodes expérimentales. Theatre studies. bicssc Drama General. bisacsh Arts Experimental methods fast Arts, Modern fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh2001009834 http://id.loc.gov/authorities/subjects/sh85008328 |
title | Performance in an age of precarity : 40 reflections / |
title_auth | Performance in an age of precarity : 40 reflections / |
title_exact_search | Performance in an age of precarity : 40 reflections / |
title_full | Performance in an age of precarity : 40 reflections / Maddy Costa and Andy Field. |
title_fullStr | Performance in an age of precarity : 40 reflections / Maddy Costa and Andy Field. |
title_full_unstemmed | Performance in an age of precarity : 40 reflections / Maddy Costa and Andy Field. |
title_short | Performance in an age of precarity : |
title_sort | performance in an age of precarity 40 reflections |
title_sub | 40 reflections / |
topic | Arts, Modern 21st century. http://id.loc.gov/authorities/subjects/sh2001009834 Arts Experimental methods. http://id.loc.gov/authorities/subjects/sh85008328 Arts 21e siècle. Arts Méthodes expérimentales. Theatre studies. bicssc Drama General. bisacsh Arts Experimental methods fast Arts, Modern fast |
topic_facet | Arts, Modern 21st century. Arts Experimental methods. Arts 21e siècle. Arts Méthodes expérimentales. Theatre studies. Drama General. Arts Experimental methods Arts, Modern |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2733334 |
work_keys_str_mv | AT costamaddy performanceinanageofprecarity40reflections AT fieldandy performanceinanageofprecarity40reflections |