Performance, subjectivity, and experimentation /:
Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity in music, how music expresses or represents an individual or a group. However, a...
Saved in:
| Other Authors: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Leuven :
Leuven University Press,
2020.
|
| Series: | Orpheus Institute series.
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity in music, how music expresses or represents an individual or a group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary musical practices, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity. |
| Physical Description: | 1 online resource (260 pages) |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9789461663313 9461663315 |
Staff View
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1163631799 | ||
| 003 | OCoLC | ||
| 005 | 20250103110447.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 200706s2020 be ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d N$T |d EBLCP |d JSTOR |d UKAHL |d K6U |d OCLCF |d P@U |d OCLCO |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO |d OCLCL | ||
| 019 | |a 1163542382 | ||
| 020 | |a 9789461663313 |q (electronic bk.) | ||
| 020 | |a 9461663315 |q (electronic bk.) | ||
| 020 | |z 9789462702318 | ||
| 020 | |z 9462702314 | ||
| 035 | |a (OCoLC)1163631799 |z (OCoLC)1163542382 | ||
| 037 | |a 22573/ctvtzgw2j |b JSTOR | ||
| 050 | 4 | |a ML3830 | |
| 072 | 7 | |a ART |x 060000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 023000 |2 bisacsh | |
| 082 | 7 | |a 781.11 |2 23 | |
| 049 | |a MAIN | ||
| 245 | 0 | 0 | |a Performance, subjectivity, and experimentation / |c edited by Catherine Laws. |
| 264 | 1 | |a Leuven : |b Leuven University Press, |c 2020. | |
| 300 | |a 1 online resource (260 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Orpheus Institute series | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity in music, how music expresses or represents an individual or a group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary musical practices, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity. | |
| 588 | 0 | |a Print version record. | |
| 650 | 0 | |a Subjectivity in music. |0 http://id.loc.gov/authorities/subjects/sh99014469 | |
| 650 | 6 | |a Subjectivité dans la musique. | |
| 650 | 7 | |a ART |x Performance. |2 bisacsh | |
| 650 | 7 | |a Subjectivity in music |2 fast | |
| 655 | 7 | |a e-books. |2 aat | |
| 655 | 7 | |a Livres numériques. |2 rvmgf | |
| 700 | 1 | |a Laws, Catherine, |e editor. |0 http://id.loc.gov/authorities/names/nb2014001003 | |
| 758 | |i has work: |a Performance, subjectivity, and experimentation (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH6jYM8qH4Jkdpt8DfF8Q3 |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Performance, subjectivity, and experimentation. |d Leuven : Leuven UP 2020 |z 9789462702318 |w (OCoLC)1151892736 |
| 830 | 0 | |a Orpheus Institute series. |0 http://id.loc.gov/authorities/names/no2014029024 | |
| 966 | 4 | 0 | |l DE-862 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2333512 |3 Volltext |
| 966 | 4 | 0 | |l DE-863 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2333512 |3 Volltext |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH37083084 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6242862 | ||
| 938 | |a EBSCOhost |b EBSC |n 2333512 | ||
| 938 | |a Project MUSE |b MUSE |n musev2_82005 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-862 | ||
| 049 | |a DE-863 | ||
Record in the Search Index
| DE-BY-FWS_katkey | ZDB-4-EBA-on1163631799 |
|---|---|
| _version_ | 1829095335407910912 |
| adam_text | |
| any_adam_object | |
| author2 | Laws, Catherine |
| author2_role | edt |
| author2_variant | c l cl |
| author_GND | http://id.loc.gov/authorities/names/nb2014001003 |
| author_facet | Laws, Catherine |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3830 |
| callnumber-raw | ML3830 |
| callnumber-search | ML3830 |
| callnumber-sort | ML 43830 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)1163631799 |
| dewey-full | 781.11 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.11 |
| dewey-search | 781.11 |
| dewey-sort | 3781.11 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03210cam a2200565 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1163631799</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20250103110447.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu---unuuu</controlfield><controlfield tag="008">200706s2020 be ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">N$T</subfield><subfield code="d">EBLCP</subfield><subfield code="d">JSTOR</subfield><subfield code="d">UKAHL</subfield><subfield code="d">K6U</subfield><subfield code="d">OCLCF</subfield><subfield code="d">P@U</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1163542382</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789461663313</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9461663315</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9789462702318</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9462702314</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1163631799</subfield><subfield code="z">(OCoLC)1163542382</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctvtzgw2j</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML3830</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">060000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS</subfield><subfield code="x">023000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">781.11</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Performance, subjectivity, and experimentation /</subfield><subfield code="c">edited by Catherine Laws.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Leuven :</subfield><subfield code="b">Leuven University Press,</subfield><subfield code="c">2020.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (260 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Orpheus Institute series</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity in music, how music expresses or represents an individual or a group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary musical practices, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Print version record.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Subjectivity in music.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh99014469</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Subjectivité dans la musique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">Performance.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Subjectivity in music</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">e-books.</subfield><subfield code="2">aat</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Livres numériques.</subfield><subfield code="2">rvmgf</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Laws, Catherine,</subfield><subfield code="e">editor.</subfield><subfield code="0">http://id.loc.gov/authorities/names/nb2014001003</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Performance, subjectivity, and experimentation (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCH6jYM8qH4Jkdpt8DfF8Q3</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="t">Performance, subjectivity, and experimentation.</subfield><subfield code="d">Leuven : Leuven UP 2020</subfield><subfield code="z">9789462702318</subfield><subfield code="w">(OCoLC)1151892736</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Orpheus Institute series.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2014029024</subfield></datafield><datafield tag="966" ind1="4" ind2="0"><subfield code="l">DE-862</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2333512</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="4" ind2="0"><subfield code="l">DE-863</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2333512</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH37083084</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL6242862</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">2333512</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Project MUSE</subfield><subfield code="b">MUSE</subfield><subfield code="n">musev2_82005</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-862</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | e-books. aat Livres numériques. rvmgf |
| genre_facet | e-books. Livres numériques. |
| id | ZDB-4-EBA-on1163631799 |
| illustrated | Not Illustrated |
| indexdate | 2025-04-11T08:47:23Z |
| institution | BVB |
| isbn | 9789461663313 9461663315 |
| language | English |
| oclc_num | 1163631799 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (260 pages) |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Leuven University Press, |
| record_format | marc |
| series | Orpheus Institute series. |
| series2 | Orpheus Institute series |
| spelling | Performance, subjectivity, and experimentation / edited by Catherine Laws. Leuven : Leuven University Press, 2020. 1 online resource (260 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Orpheus Institute series Includes bibliographical references and index. Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity in music, how music expresses or represents an individual or a group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary musical practices, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity. Print version record. Subjectivity in music. http://id.loc.gov/authorities/subjects/sh99014469 Subjectivité dans la musique. ART Performance. bisacsh Subjectivity in music fast e-books. aat Livres numériques. rvmgf Laws, Catherine, editor. http://id.loc.gov/authorities/names/nb2014001003 has work: Performance, subjectivity, and experimentation (Text) https://id.oclc.org/worldcat/entity/E39PCH6jYM8qH4Jkdpt8DfF8Q3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Performance, subjectivity, and experimentation. Leuven : Leuven UP 2020 9789462702318 (OCoLC)1151892736 Orpheus Institute series. http://id.loc.gov/authorities/names/no2014029024 |
| spellingShingle | Performance, subjectivity, and experimentation / Orpheus Institute series. Subjectivity in music. http://id.loc.gov/authorities/subjects/sh99014469 Subjectivité dans la musique. ART Performance. bisacsh Subjectivity in music fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh99014469 |
| title | Performance, subjectivity, and experimentation / |
| title_auth | Performance, subjectivity, and experimentation / |
| title_exact_search | Performance, subjectivity, and experimentation / |
| title_full | Performance, subjectivity, and experimentation / edited by Catherine Laws. |
| title_fullStr | Performance, subjectivity, and experimentation / edited by Catherine Laws. |
| title_full_unstemmed | Performance, subjectivity, and experimentation / edited by Catherine Laws. |
| title_short | Performance, subjectivity, and experimentation / |
| title_sort | performance subjectivity and experimentation |
| topic | Subjectivity in music. http://id.loc.gov/authorities/subjects/sh99014469 Subjectivité dans la musique. ART Performance. bisacsh Subjectivity in music fast |
| topic_facet | Subjectivity in music. Subjectivité dans la musique. ART Performance. Subjectivity in music e-books. Livres numériques. |
| work_keys_str_mv | AT lawscatherine performancesubjectivityandexperimentation |