God Rock, Inc. :: the business of niche music /
"Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets' boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular musi...
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| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oakland, California
University of California Press
[2021]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets' boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular music? In God Rock, Inc., Andrew Mall considers the aesthetic, commercial, ethical, and social boundaries of Christian popular music, from the late 1960s, when it emerged, through the 2010s. Drawing on ethnographic research, historical archives, interviews with music industry executives, and critical analyses of recordings, concerts, and music festival performances, Mall explores the tensions that have shaped this evolving market and frames broader questions about commerce, ethics, resistance, and crossover in music that defines itself as outside the mainstream"-- |
| Beschreibung: | 1 online resource (xxiii, 295 pages) : illustrations |
| Bibliographie: | Includes bibliographical references, discography and index |
| ISBN: | 9780520974784 0520974786 |
Internformat
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| 245 | 1 | 0 | |a God Rock, Inc. : |b the business of niche music / |c Andrew Mall. |
| 264 | 1 | |a Oakland, California |b University of California Press |c [2021] | |
| 300 | |a 1 online resource (xxiii, 295 pages) : |b illustrations | ||
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| 588 | 0 | |a Print version record | |
| 504 | |a Includes bibliographical references, discography and index | ||
| 505 | 0 | |a Introduction : popular music, markets, margins, and the curious case of Christian music -- "Why should the Devil have all the good music?" : the Christian market's origins -- The great adventure : commercial success in the Christian record industry and the price of profit -- A wolf in sheep's clothing? : Christian ethics encounter rock -- "Find a way" : Amy Grant and the Christian market's mainstream -- Music to raise the dead : Christian music and the ethics of style -- Lost in the sound of separation : resistance at Christian music festivals -- From margins to mainstreams and back : crossover cases and their markets -- Conclusion : the stability of risk and the risk of stability -- Appendix 1 : Discographies -- Appendix 2 : Pop singles with Christian references (1957-70) -- Appendix 3 : Major Christian record labels and subsidiaries -- Appendix 4: Comparative pop singers' album success in the early 1990s | |
| 520 | |a "Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets' boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular music? In God Rock, Inc., Andrew Mall considers the aesthetic, commercial, ethical, and social boundaries of Christian popular music, from the late 1960s, when it emerged, through the 2010s. Drawing on ethnographic research, historical archives, interviews with music industry executives, and critical analyses of recordings, concerts, and music festival performances, Mall explores the tensions that have shaped this evolving market and frames broader questions about commerce, ethics, resistance, and crossover in music that defines itself as outside the mainstream"-- |c Provided by publisher | ||
| 650 | 0 | |a Contemporary Christian music |z United States |x History and criticism. | |
| 650 | 0 | |a Contemporary Christian music |z United States |x Marketing. | |
| 650 | 0 | |a Sound recording industry |z United States |x History. | |
| 650 | 0 | |a Market segmentation |z United States. | |
| 650 | 0 | |a Rock music |x Religious aspects |x Christianity. |0 http://id.loc.gov/authorities/subjects/sh2010111374 | |
| 650 | 6 | |a Musique populaire chrétienne |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Segmentation du marché |z États-Unis. | |
| 650 | 6 | |a Enregistrements sonores |x Industrie |z États-Unis |x Histoire. | |
| 650 | 7 | |a Contemporary Christian music |2 fast | |
| 650 | 7 | |a Market segmentation |2 fast | |
| 650 | 7 | |a Rock music |x Religious aspects |x Christianity |2 fast | |
| 650 | 7 | |a Sound recording industry |2 fast | |
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| 655 | 7 | |a History |2 fast | |
| 758 | |i has work: |a God Rock, Inc (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGMjKKqpmvM6r9Rt4k4hxP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Mall, Andrew, 1978- |t God Rock, Inc. |d Oakland, California : University of California Press, [2021] |z 9780520343412 |w (DLC) 2020021309 |w (OCoLC)1159630139 |
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Datensatz im Suchindex
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| author | Mall, Andrew, 1978- |
| author_GND | http://id.loc.gov/authorities/names/no2020071891 |
| author_facet | Mall, Andrew, 1978- |
| author_role | aut |
| author_sort | Mall, Andrew, 1978- |
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| callnumber-first | M - Music |
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| contents | Introduction : popular music, markets, margins, and the curious case of Christian music -- "Why should the Devil have all the good music?" : the Christian market's origins -- The great adventure : commercial success in the Christian record industry and the price of profit -- A wolf in sheep's clothing? : Christian ethics encounter rock -- "Find a way" : Amy Grant and the Christian market's mainstream -- Music to raise the dead : Christian music and the ethics of style -- Lost in the sound of separation : resistance at Christian music festivals -- From margins to mainstreams and back : crossover cases and their markets -- Conclusion : the stability of risk and the risk of stability -- Appendix 1 : Discographies -- Appendix 2 : Pop singles with Christian references (1957-70) -- Appendix 3 : Major Christian record labels and subsidiaries -- Appendix 4: Comparative pop singers' album success in the early 1990s |
| ctrlnum | (OCoLC)1162410492 |
| dewey-full | 782.42/171 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.42/171 |
| dewey-search | 782.42/171 |
| dewey-sort | 3782.42 3171 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:29:58Z |
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| language | English |
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| spelling | Mall, Andrew, 1978- author. https://id.oclc.org/worldcat/entity/E39PCjtBtHYXfV3GyGyxDpVgXb http://id.loc.gov/authorities/names/no2020071891 God Rock, Inc. : the business of niche music / Andrew Mall. Oakland, California University of California Press [2021] 1 online resource (xxiii, 295 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Print version record Includes bibliographical references, discography and index Introduction : popular music, markets, margins, and the curious case of Christian music -- "Why should the Devil have all the good music?" : the Christian market's origins -- The great adventure : commercial success in the Christian record industry and the price of profit -- A wolf in sheep's clothing? : Christian ethics encounter rock -- "Find a way" : Amy Grant and the Christian market's mainstream -- Music to raise the dead : Christian music and the ethics of style -- Lost in the sound of separation : resistance at Christian music festivals -- From margins to mainstreams and back : crossover cases and their markets -- Conclusion : the stability of risk and the risk of stability -- Appendix 1 : Discographies -- Appendix 2 : Pop singles with Christian references (1957-70) -- Appendix 3 : Major Christian record labels and subsidiaries -- Appendix 4: Comparative pop singers' album success in the early 1990s "Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets' boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular music? In God Rock, Inc., Andrew Mall considers the aesthetic, commercial, ethical, and social boundaries of Christian popular music, from the late 1960s, when it emerged, through the 2010s. Drawing on ethnographic research, historical archives, interviews with music industry executives, and critical analyses of recordings, concerts, and music festival performances, Mall explores the tensions that have shaped this evolving market and frames broader questions about commerce, ethics, resistance, and crossover in music that defines itself as outside the mainstream"-- Provided by publisher Contemporary Christian music United States History and criticism. Contemporary Christian music United States Marketing. Sound recording industry United States History. Market segmentation United States. Rock music Religious aspects Christianity. http://id.loc.gov/authorities/subjects/sh2010111374 Musique populaire chrétienne États-Unis Histoire et critique. Segmentation du marché États-Unis. Enregistrements sonores Industrie États-Unis Histoire. Contemporary Christian music fast Market segmentation fast Rock music Religious aspects Christianity fast Sound recording industry fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Criticism, interpretation, etc. fast History fast has work: God Rock, Inc (Text) https://id.oclc.org/worldcat/entity/E39PCGMjKKqpmvM6r9Rt4k4hxP https://id.oclc.org/worldcat/ontology/hasWork Print version: Mall, Andrew, 1978- God Rock, Inc. Oakland, California : University of California Press, [2021] 9780520343412 (DLC) 2020021309 (OCoLC)1159630139 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2758930 Volltext |
| spellingShingle | Mall, Andrew, 1978- God Rock, Inc. : the business of niche music / Introduction : popular music, markets, margins, and the curious case of Christian music -- "Why should the Devil have all the good music?" : the Christian market's origins -- The great adventure : commercial success in the Christian record industry and the price of profit -- A wolf in sheep's clothing? : Christian ethics encounter rock -- "Find a way" : Amy Grant and the Christian market's mainstream -- Music to raise the dead : Christian music and the ethics of style -- Lost in the sound of separation : resistance at Christian music festivals -- From margins to mainstreams and back : crossover cases and their markets -- Conclusion : the stability of risk and the risk of stability -- Appendix 1 : Discographies -- Appendix 2 : Pop singles with Christian references (1957-70) -- Appendix 3 : Major Christian record labels and subsidiaries -- Appendix 4: Comparative pop singers' album success in the early 1990s Contemporary Christian music United States History and criticism. Contemporary Christian music United States Marketing. Sound recording industry United States History. Market segmentation United States. Rock music Religious aspects Christianity. http://id.loc.gov/authorities/subjects/sh2010111374 Musique populaire chrétienne États-Unis Histoire et critique. Segmentation du marché États-Unis. Enregistrements sonores Industrie États-Unis Histoire. Contemporary Christian music fast Market segmentation fast Rock music Religious aspects Christianity fast Sound recording industry fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2010111374 |
| title | God Rock, Inc. : the business of niche music / |
| title_auth | God Rock, Inc. : the business of niche music / |
| title_exact_search | God Rock, Inc. : the business of niche music / |
| title_full | God Rock, Inc. : the business of niche music / Andrew Mall. |
| title_fullStr | God Rock, Inc. : the business of niche music / Andrew Mall. |
| title_full_unstemmed | God Rock, Inc. : the business of niche music / Andrew Mall. |
| title_short | God Rock, Inc. : |
| title_sort | god rock inc the business of niche music |
| title_sub | the business of niche music / |
| topic | Contemporary Christian music United States History and criticism. Contemporary Christian music United States Marketing. Sound recording industry United States History. Market segmentation United States. Rock music Religious aspects Christianity. http://id.loc.gov/authorities/subjects/sh2010111374 Musique populaire chrétienne États-Unis Histoire et critique. Segmentation du marché États-Unis. Enregistrements sonores Industrie États-Unis Histoire. Contemporary Christian music fast Market segmentation fast Rock music Religious aspects Christianity fast Sound recording industry fast |
| topic_facet | Contemporary Christian music United States History and criticism. Contemporary Christian music United States Marketing. Sound recording industry United States History. Market segmentation United States. Rock music Religious aspects Christianity. Musique populaire chrétienne États-Unis Histoire et critique. Segmentation du marché États-Unis. Enregistrements sonores Industrie États-Unis Histoire. Contemporary Christian music Market segmentation Rock music Religious aspects Christianity Sound recording industry United States Criticism, interpretation, etc. History |
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