New drama in Russian: performance, politics and protest in Russia, Ukraine and Belarus
"How and why does the stage, and those who perform upon it, play such a significant role in the social makeup of modern Russia, Ukraine and Belarus? In New Drama in Russian, Julie Curtis brings together an international team of leading scholars and practitioners to tackle this complex question....
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London, UK New York, NY
Bloomsbury Academic
2020
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| Schriftenreihe: | Library of modern Russia.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "How and why does the stage, and those who perform upon it, play such a significant role in the social makeup of modern Russia, Ukraine and Belarus? In New Drama in Russian, Julie Curtis brings together an international team of leading scholars and practitioners to tackle this complex question. New Drama, which draws heavily on techniques of documentary and verbatim writing, is a key means of protest in the Russian-speaking world; since the fall of the Soviet Union in 1991, theatres, dramatists, and critics have collaborated in using the genre as a lens through which to explore a wide range of topics from human rights and state oppression to sexuality and racism. Yet surprisingly little has been written on this important theatrical movement. New Drama in Russian rectifies this. Through providing analytical surveys of this outspoken transnational genre alongside case-studies of plays and interviews with playwrights, this volume sheds much-needed light on the key issues of performance, politics, and protest in Russia, Ukraine and Belarus. Meticulously researched and elegantly argued, this book will be of immense value to scholars of Russian cultural history and post-Soviet literary studies."-- |
| Beschreibung: | Includes index Representation as a way to produce meanings |
| Beschreibung: | 1 online resource (xii, 276 pages) |
| ISBN: | 9781350142480 1350142484 9781350142473 1350142476 |
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| 264 | 1 | |a London, UK |a New York, NY |b Bloomsbury Academic |c 2020 | |
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| 500 | |a Includes index | ||
| 500 | |a Representation as a way to produce meanings | ||
| 520 | |a "How and why does the stage, and those who perform upon it, play such a significant role in the social makeup of modern Russia, Ukraine and Belarus? In New Drama in Russian, Julie Curtis brings together an international team of leading scholars and practitioners to tackle this complex question. New Drama, which draws heavily on techniques of documentary and verbatim writing, is a key means of protest in the Russian-speaking world; since the fall of the Soviet Union in 1991, theatres, dramatists, and critics have collaborated in using the genre as a lens through which to explore a wide range of topics from human rights and state oppression to sexuality and racism. Yet surprisingly little has been written on this important theatrical movement. New Drama in Russian rectifies this. Through providing analytical surveys of this outspoken transnational genre alongside case-studies of plays and interviews with playwrights, this volume sheds much-needed light on the key issues of performance, politics, and protest in Russia, Ukraine and Belarus. Meticulously researched and elegantly argued, this book will be of immense value to scholars of Russian cultural history and post-Soviet literary studies."-- |c Provided by publisher | ||
| 588 | |a Online resource; title from digital title page (viewed on June 05, 2020) | ||
| 505 | 0 | |a Intro -- Half-Title Page -- Series Page -- Title Page -- Contents -- Notes on contributors -- Acknowledgements -- A note on transliteration -- Introduction: Recent developments in Russian, Ukrainian and Belarusian drama -- Part I Russia -- 1 The story of Russian-language drama since 2000 -- 2 Giving testimony in the face of an authoritarian regime -- 3 From Stalinist Socialist Realism to Putinist Capitalist Realism -- 4 Conversation with Mikhail Durnenkov and Maria Kroupnik (Liubimovka Festival, Moscow, September 2017) -- 5 'Class Act' in Russia and Ukraine | |
| 505 | 8 | |a 6 Conversation with Sasha Denisova (Moscow, October 2013) -- 7 Conversation with Ivan Vyrypaev (Moscow, May 2013) -- 8 Absence on Stage in Ivan Vyrypaev's July -- Part II Ukraine -- 9 The watershed year of 2014 -- 10 The playwright overlooked -- 11 A new 'dawn' in Ukrainian theatre -- 12 Stages of change -- 13 'Ne skvernoslov', otets moy' ['Curse not, my son'] -- 14 Natal'ia Vorozhbyt's Viy -- Part III Belarus -- 15 The transformation of the language of 'New Drama' in Belarus, as a reflection of a new model of identity | |
| 505 | 8 | |a 16 Conversation with Natalia Koliada, Belarus Free Theatre (London, March 2019) -- 17 Pavel Priazhko: the Text as an Instant Photograph (2012) -- Conversation with Pavel Priazhko (2011) -- Essay on Pavel Priazhko's Methods -- 18 The artistic space shared by Eastern Slavs, and the ways in which that is created -- Conclusion: Summer of 2019 -- Recommended reading -- Index -- Copyright | |
| 650 | 0 | |a Russian drama |y 21st century |x History and criticism. | |
| 650 | 0 | |a Ukrainian drama |y 21st century |x History and criticism. | |
| 650 | 0 | |a Belarusian drama |y 21st century |x History and criticism. | |
| 650 | 0 | |a Theater |x Political aspects |z Russia (Federation) | |
| 650 | 0 | |a Theater |x Political aspects |z Ukraine. | |
| 650 | 0 | |a Theater |x Political aspects |z Belarus. | |
| 650 | 6 | |a Théâtre russe |y 21e siècle |x Histoire et critique. | |
| 650 | 6 | |a Théâtre ukrainien |y 21e siècle |x Histoire et critique. | |
| 650 | 6 | |a Théâtre biélorusse |y 21e siècle |x Histoire et critique. | |
| 650 | 6 | |a Théâtre |x Aspect politique |z Russie. | |
| 650 | 6 | |a Théâtre |x Aspect politique |z Ukraine. | |
| 650 | 6 | |a Théâtre |x Aspect politique |z Biélorussie. | |
| 650 | 7 | |a History. |2 bicssc | |
| 650 | 7 | |a Belarusian drama |2 fast | |
| 650 | 7 | |a Russian drama |2 fast | |
| 650 | 7 | |a Theater |x Political aspects |2 fast | |
| 650 | 7 | |a Ukrainian drama |2 fast | |
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| 648 | 7 | |a 2000-2099 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Curtis, J. A. E. |q (Julie A. E.), |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjqmv9TMhPCHMdJtVh8Jym |0 http://id.loc.gov/authorities/names/n85372791 | |
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| 776 | 0 | 8 | |i Print version: |a Curtis, J.A.E. |t New Drama in Russian : Performance, Politics and Protest in Russia, Ukraine and Belarus. |d London : Bloomsbury Publishing Plc, ©2020 |
| 830 | 0 | |a Library of modern Russia. |0 http://id.loc.gov/authorities/names/no2018055781 | |
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| _version_ | 1816882516774092800 |
| adam_text | |
| any_adam_object | |
| author2 | Curtis, J. A. E. (Julie A. E.) |
| author2_role | edt |
| author2_variant | j a e c jae jaec |
| author_GND | http://id.loc.gov/authorities/names/n85372791 |
| author_facet | Curtis, J. A. E. (Julie A. E.) |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
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| contents | Intro -- Half-Title Page -- Series Page -- Title Page -- Contents -- Notes on contributors -- Acknowledgements -- A note on transliteration -- Introduction: Recent developments in Russian, Ukrainian and Belarusian drama -- Part I Russia -- 1 The story of Russian-language drama since 2000 -- 2 Giving testimony in the face of an authoritarian regime -- 3 From Stalinist Socialist Realism to Putinist Capitalist Realism -- 4 Conversation with Mikhail Durnenkov and Maria Kroupnik (Liubimovka Festival, Moscow, September 2017) -- 5 'Class Act' in Russia and Ukraine 6 Conversation with Sasha Denisova (Moscow, October 2013) -- 7 Conversation with Ivan Vyrypaev (Moscow, May 2013) -- 8 Absence on Stage in Ivan Vyrypaev's July -- Part II Ukraine -- 9 The watershed year of 2014 -- 10 The playwright overlooked -- 11 A new 'dawn' in Ukrainian theatre -- 12 Stages of change -- 13 'Ne skvernoslov', otets moy' ['Curse not, my son'] -- 14 Natal'ia Vorozhbyt's Viy -- Part III Belarus -- 15 The transformation of the language of 'New Drama' in Belarus, as a reflection of a new model of identity 16 Conversation with Natalia Koliada, Belarus Free Theatre (London, March 2019) -- 17 Pavel Priazhko: the Text as an Instant Photograph (2012) -- Conversation with Pavel Priazhko (2011) -- Essay on Pavel Priazhko's Methods -- 18 The artistic space shared by Eastern Slavs, and the ways in which that is created -- Conclusion: Summer of 2019 -- Recommended reading -- Index -- Copyright |
| ctrlnum | (OCoLC)1153090236 |
| dewey-full | 792.0947 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.0947 |
| dewey-search | 792.0947 |
| dewey-sort | 3792.0947 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | 2000-2099 fast |
| era_facet | 2000-2099 |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | Belarus fast https://id.oclc.org/worldcat/entity/E39PBJtH4qq4rVpMrjM6KWTfv3 Russia (Federation) fast https://id.oclc.org/worldcat/entity/E39PBJhhmCp3jtcMQbx3WgpXVC Ukraine fast https://id.oclc.org/worldcat/entity/E39PBJkMMfGYRhk8WcWRp3xJjC |
| geographic_facet | Belarus Russia (Federation) Ukraine |
| id | ZDB-4-EBA-on1153090236 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:29:52Z |
| institution | BVB |
| isbn | 9781350142480 1350142484 9781350142473 1350142476 |
| language | English |
| oclc_num | 1153090236 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 276 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| series | Library of modern Russia. |
| series2 | Library of modern Russia |
| spelling | New drama in Russian performance, politics and protest in Russia, Ukraine and Belarus edited by J.A.E. Curtis London, UK New York, NY Bloomsbury Academic 2020 ©2020 1 online resource (xii, 276 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Library of modern Russia Includes index Representation as a way to produce meanings "How and why does the stage, and those who perform upon it, play such a significant role in the social makeup of modern Russia, Ukraine and Belarus? In New Drama in Russian, Julie Curtis brings together an international team of leading scholars and practitioners to tackle this complex question. New Drama, which draws heavily on techniques of documentary and verbatim writing, is a key means of protest in the Russian-speaking world; since the fall of the Soviet Union in 1991, theatres, dramatists, and critics have collaborated in using the genre as a lens through which to explore a wide range of topics from human rights and state oppression to sexuality and racism. Yet surprisingly little has been written on this important theatrical movement. New Drama in Russian rectifies this. Through providing analytical surveys of this outspoken transnational genre alongside case-studies of plays and interviews with playwrights, this volume sheds much-needed light on the key issues of performance, politics, and protest in Russia, Ukraine and Belarus. Meticulously researched and elegantly argued, this book will be of immense value to scholars of Russian cultural history and post-Soviet literary studies."-- Provided by publisher Online resource; title from digital title page (viewed on June 05, 2020) Intro -- Half-Title Page -- Series Page -- Title Page -- Contents -- Notes on contributors -- Acknowledgements -- A note on transliteration -- Introduction: Recent developments in Russian, Ukrainian and Belarusian drama -- Part I Russia -- 1 The story of Russian-language drama since 2000 -- 2 Giving testimony in the face of an authoritarian regime -- 3 From Stalinist Socialist Realism to Putinist Capitalist Realism -- 4 Conversation with Mikhail Durnenkov and Maria Kroupnik (Liubimovka Festival, Moscow, September 2017) -- 5 'Class Act' in Russia and Ukraine 6 Conversation with Sasha Denisova (Moscow, October 2013) -- 7 Conversation with Ivan Vyrypaev (Moscow, May 2013) -- 8 Absence on Stage in Ivan Vyrypaev's July -- Part II Ukraine -- 9 The watershed year of 2014 -- 10 The playwright overlooked -- 11 A new 'dawn' in Ukrainian theatre -- 12 Stages of change -- 13 'Ne skvernoslov', otets moy' ['Curse not, my son'] -- 14 Natal'ia Vorozhbyt's Viy -- Part III Belarus -- 15 The transformation of the language of 'New Drama' in Belarus, as a reflection of a new model of identity 16 Conversation with Natalia Koliada, Belarus Free Theatre (London, March 2019) -- 17 Pavel Priazhko: the Text as an Instant Photograph (2012) -- Conversation with Pavel Priazhko (2011) -- Essay on Pavel Priazhko's Methods -- 18 The artistic space shared by Eastern Slavs, and the ways in which that is created -- Conclusion: Summer of 2019 -- Recommended reading -- Index -- Copyright Russian drama 21st century History and criticism. Ukrainian drama 21st century History and criticism. Belarusian drama 21st century History and criticism. Theater Political aspects Russia (Federation) Theater Political aspects Ukraine. Theater Political aspects Belarus. Théâtre russe 21e siècle Histoire et critique. Théâtre ukrainien 21e siècle Histoire et critique. Théâtre biélorusse 21e siècle Histoire et critique. Théâtre Aspect politique Russie. Théâtre Aspect politique Ukraine. Théâtre Aspect politique Biélorussie. History. bicssc Belarusian drama fast Russian drama fast Theater Political aspects fast Ukrainian drama fast Belarus fast https://id.oclc.org/worldcat/entity/E39PBJtH4qq4rVpMrjM6KWTfv3 Russia (Federation) fast https://id.oclc.org/worldcat/entity/E39PBJhhmCp3jtcMQbx3WgpXVC Ukraine fast https://id.oclc.org/worldcat/entity/E39PBJkMMfGYRhk8WcWRp3xJjC 2000-2099 fast Criticism, interpretation, etc. fast Curtis, J. A. E. (Julie A. E.), editor. https://id.oclc.org/worldcat/entity/E39PCjqmv9TMhPCHMdJtVh8Jym http://id.loc.gov/authorities/names/n85372791 has work: New drama in Russian (Text) https://id.oclc.org/worldcat/entity/E39PCGPTHx7r6cc76KKym4Dg8C https://id.oclc.org/worldcat/ontology/hasWork Print version: Curtis, J.A.E. New Drama in Russian : Performance, Politics and Protest in Russia, Ukraine and Belarus. London : Bloomsbury Publishing Plc, ©2020 Library of modern Russia. http://id.loc.gov/authorities/names/no2018055781 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2458267 Volltext |
| spellingShingle | New drama in Russian performance, politics and protest in Russia, Ukraine and Belarus Library of modern Russia. Intro -- Half-Title Page -- Series Page -- Title Page -- Contents -- Notes on contributors -- Acknowledgements -- A note on transliteration -- Introduction: Recent developments in Russian, Ukrainian and Belarusian drama -- Part I Russia -- 1 The story of Russian-language drama since 2000 -- 2 Giving testimony in the face of an authoritarian regime -- 3 From Stalinist Socialist Realism to Putinist Capitalist Realism -- 4 Conversation with Mikhail Durnenkov and Maria Kroupnik (Liubimovka Festival, Moscow, September 2017) -- 5 'Class Act' in Russia and Ukraine 6 Conversation with Sasha Denisova (Moscow, October 2013) -- 7 Conversation with Ivan Vyrypaev (Moscow, May 2013) -- 8 Absence on Stage in Ivan Vyrypaev's July -- Part II Ukraine -- 9 The watershed year of 2014 -- 10 The playwright overlooked -- 11 A new 'dawn' in Ukrainian theatre -- 12 Stages of change -- 13 'Ne skvernoslov', otets moy' ['Curse not, my son'] -- 14 Natal'ia Vorozhbyt's Viy -- Part III Belarus -- 15 The transformation of the language of 'New Drama' in Belarus, as a reflection of a new model of identity 16 Conversation with Natalia Koliada, Belarus Free Theatre (London, March 2019) -- 17 Pavel Priazhko: the Text as an Instant Photograph (2012) -- Conversation with Pavel Priazhko (2011) -- Essay on Pavel Priazhko's Methods -- 18 The artistic space shared by Eastern Slavs, and the ways in which that is created -- Conclusion: Summer of 2019 -- Recommended reading -- Index -- Copyright Russian drama 21st century History and criticism. Ukrainian drama 21st century History and criticism. Belarusian drama 21st century History and criticism. Theater Political aspects Russia (Federation) Theater Political aspects Ukraine. Theater Political aspects Belarus. Théâtre russe 21e siècle Histoire et critique. Théâtre ukrainien 21e siècle Histoire et critique. Théâtre biélorusse 21e siècle Histoire et critique. Théâtre Aspect politique Russie. Théâtre Aspect politique Ukraine. Théâtre Aspect politique Biélorussie. History. bicssc Belarusian drama fast Russian drama fast Theater Political aspects fast Ukrainian drama fast |
| title | New drama in Russian performance, politics and protest in Russia, Ukraine and Belarus |
| title_auth | New drama in Russian performance, politics and protest in Russia, Ukraine and Belarus |
| title_exact_search | New drama in Russian performance, politics and protest in Russia, Ukraine and Belarus |
| title_full | New drama in Russian performance, politics and protest in Russia, Ukraine and Belarus edited by J.A.E. Curtis |
| title_fullStr | New drama in Russian performance, politics and protest in Russia, Ukraine and Belarus edited by J.A.E. Curtis |
| title_full_unstemmed | New drama in Russian performance, politics and protest in Russia, Ukraine and Belarus edited by J.A.E. Curtis |
| title_short | New drama in Russian |
| title_sort | new drama in russian performance politics and protest in russia ukraine and belarus |
| title_sub | performance, politics and protest in Russia, Ukraine and Belarus |
| topic | Russian drama 21st century History and criticism. Ukrainian drama 21st century History and criticism. Belarusian drama 21st century History and criticism. Theater Political aspects Russia (Federation) Theater Political aspects Ukraine. Theater Political aspects Belarus. Théâtre russe 21e siècle Histoire et critique. Théâtre ukrainien 21e siècle Histoire et critique. Théâtre biélorusse 21e siècle Histoire et critique. Théâtre Aspect politique Russie. Théâtre Aspect politique Ukraine. Théâtre Aspect politique Biélorussie. History. bicssc Belarusian drama fast Russian drama fast Theater Political aspects fast Ukrainian drama fast |
| topic_facet | Russian drama 21st century History and criticism. Ukrainian drama 21st century History and criticism. Belarusian drama 21st century History and criticism. Theater Political aspects Russia (Federation) Theater Political aspects Ukraine. Theater Political aspects Belarus. Théâtre russe 21e siècle Histoire et critique. Théâtre ukrainien 21e siècle Histoire et critique. Théâtre biélorusse 21e siècle Histoire et critique. Théâtre Aspect politique Russie. Théâtre Aspect politique Ukraine. Théâtre Aspect politique Biélorussie. History. Belarusian drama Russian drama Theater Political aspects Ukrainian drama Belarus Russia (Federation) Ukraine Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2458267 |
| work_keys_str_mv | AT curtisjae newdramainrussianperformancepoliticsandprotestinrussiaukraineandbelarus |