The never-ending revival :: Rounder Records and the Folk Alliance /
"In the late 1950s through the 1960s, the folk music revival pervaded the mainstream music industry, with artists such as Bob Dylan and Joan Baez singing historically or politically informed ballads based on musical forms from Appalachia and the South. In the twenty-first century, the revival c...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chicago :
University of Illinois Press,
c2008.
|
| Schriftenreihe: | Music in American life.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "In the late 1950s through the 1960s, the folk music revival pervaded the mainstream music industry, with artists such as Bob Dylan and Joan Baez singing historically or politically informed ballads based on musical forms from Appalachia and the South. In the twenty-first century, the revival continues, and it includes a variety of music derived from Cajun, African American, and Mexican traditions, among many others. Even though the mainstream music industry and media largely ignore the term "folk music," a strong allure based on nostalgia, the desire for community, and a sense of exclusiveness augments an enthusiastic following connected by word-of-mouth, numerous festivals, and the Internet. There are more folk festivals now than there were during the original boom of the 1960s, suggesting that music artists, agents, and record label representatives are striking a successful balance between tradition and profitability. Scully combines rich interviews of music executives and practicing folk musicians with valuable personal experience to reveal how this American subculture remains in a "never-ending revival" based on fluid definitions of folk and folk music."--Jacket. "In recent years, there has been an upsurge of interest in "roots music" and "world music," popular forms that fuse contemporary sounds with traditional vernacular styles. In the 1950s and 1960s, the music industry characterized similar sounds simply as "folk music." Focusing on such music since the 1950s, The Never-Ending Revival: Rounder Records and the Folk Alliance analyzes the intrinsic contradictions of a commercialized folk culture. Both Rounder Records and the North American Folk Music and Dance Alliance have sought to make folk music widely available, while simultaneously respecting its defining traditions and unique community atmosphere. By tracing the histories of these organizations, Michael F. Scully examines the ongoing controversy surrounding the profitability of folk music. He explores the lively debates about the difficulty of making commercially accessible music, honoring tradition, and remaining artistically relevant, all without" selling out."" |
| Beschreibung: | 1 online resource (ix, 259 pages, [8] pages of plates : illustrations). |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780252054211 0252054210 9780252079290 0252079299 |
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| 100 | 1 | |a Scully, Michael F. | |
| 245 | 1 | 4 | |a The never-ending revival : |b Rounder Records and the Folk Alliance / |c Michael F. Scully. |
| 260 | |a Chicago : |b University of Illinois Press, |c c2008. | ||
| 300 | |a 1 online resource (ix, 259 pages, [8] pages of plates : |b illustrations). | ||
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| 490 | 1 | |a Music in American life | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction. Where have all the folkies gone? -- Folklore, fakelore, and poplore : from the creation of the folk to the great boom and beyond -- From Club 47 to Union Grove : the birth of Rounder Records -- Surrealistic banjos and zydeco rhythms : Rounder's broad aesthetic -- Toward an authenticity of self : old-time music in the modern world -- Like politics in Chicago : the Folk Alliance strives for unity -- Consolidation blues : folk music in contemporary markets -- Conclusion. Gone to the Internet, everyone. | |
| 520 | 8 | |a "In the late 1950s through the 1960s, the folk music revival pervaded the mainstream music industry, with artists such as Bob Dylan and Joan Baez singing historically or politically informed ballads based on musical forms from Appalachia and the South. In the twenty-first century, the revival continues, and it includes a variety of music derived from Cajun, African American, and Mexican traditions, among many others. Even though the mainstream music industry and media largely ignore the term "folk music," a strong allure based on nostalgia, the desire for community, and a sense of exclusiveness augments an enthusiastic following connected by word-of-mouth, numerous festivals, and the Internet. There are more folk festivals now than there were during the original boom of the 1960s, suggesting that music artists, agents, and record label representatives are striking a successful balance between tradition and profitability. Scully combines rich interviews of music executives and practicing folk musicians with valuable personal experience to reveal how this American subculture remains in a "never-ending revival" based on fluid definitions of folk and folk music."--Jacket. | |
| 520 | 1 | |a "In recent years, there has been an upsurge of interest in "roots music" and "world music," popular forms that fuse contemporary sounds with traditional vernacular styles. In the 1950s and 1960s, the music industry characterized similar sounds simply as "folk music." Focusing on such music since the 1950s, The Never-Ending Revival: Rounder Records and the Folk Alliance analyzes the intrinsic contradictions of a commercialized folk culture. Both Rounder Records and the North American Folk Music and Dance Alliance have sought to make folk music widely available, while simultaneously respecting its defining traditions and unique community atmosphere. By tracing the histories of these organizations, Michael F. Scully examines the ongoing controversy surrounding the profitability of folk music. He explores the lively debates about the difficulty of making commercially accessible music, honoring tradition, and remaining artistically relevant, all without" selling out."" | |
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| adam_text | |
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| author | Scully, Michael F. |
| author_facet | Scully, Michael F. |
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| contents | Introduction. Where have all the folkies gone? -- Folklore, fakelore, and poplore : from the creation of the folk to the great boom and beyond -- From Club 47 to Union Grove : the birth of Rounder Records -- Surrealistic banjos and zydeco rhythms : Rounder's broad aesthetic -- Toward an authenticity of self : old-time music in the modern world -- Like politics in Chicago : the Folk Alliance strives for unity -- Consolidation blues : folk music in contemporary markets -- Conclusion. Gone to the Internet, everyone. |
| ctrlnum | (OCoLC)1150847358 |
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| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.62/13 |
| dewey-search | 781.62/13 |
| dewey-sort | 3781.62 213 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | eBook |
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| indexdate | 2024-11-27T13:29:50Z |
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| isbn | 9780252054211 0252054210 9780252079290 0252079299 |
| language | English |
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| series | Music in American life. |
| series2 | Music in American life |
| spelling | Scully, Michael F. The never-ending revival : Rounder Records and the Folk Alliance / Michael F. Scully. Chicago : University of Illinois Press, c2008. 1 online resource (ix, 259 pages, [8] pages of plates : illustrations). text txt rdacontent unmediated n rdamedia volume nc rdacarrier Music in American life Includes bibliographical references and index. Introduction. Where have all the folkies gone? -- Folklore, fakelore, and poplore : from the creation of the folk to the great boom and beyond -- From Club 47 to Union Grove : the birth of Rounder Records -- Surrealistic banjos and zydeco rhythms : Rounder's broad aesthetic -- Toward an authenticity of self : old-time music in the modern world -- Like politics in Chicago : the Folk Alliance strives for unity -- Consolidation blues : folk music in contemporary markets -- Conclusion. Gone to the Internet, everyone. "In the late 1950s through the 1960s, the folk music revival pervaded the mainstream music industry, with artists such as Bob Dylan and Joan Baez singing historically or politically informed ballads based on musical forms from Appalachia and the South. In the twenty-first century, the revival continues, and it includes a variety of music derived from Cajun, African American, and Mexican traditions, among many others. Even though the mainstream music industry and media largely ignore the term "folk music," a strong allure based on nostalgia, the desire for community, and a sense of exclusiveness augments an enthusiastic following connected by word-of-mouth, numerous festivals, and the Internet. There are more folk festivals now than there were during the original boom of the 1960s, suggesting that music artists, agents, and record label representatives are striking a successful balance between tradition and profitability. Scully combines rich interviews of music executives and practicing folk musicians with valuable personal experience to reveal how this American subculture remains in a "never-ending revival" based on fluid definitions of folk and folk music."--Jacket. "In recent years, there has been an upsurge of interest in "roots music" and "world music," popular forms that fuse contemporary sounds with traditional vernacular styles. In the 1950s and 1960s, the music industry characterized similar sounds simply as "folk music." Focusing on such music since the 1950s, The Never-Ending Revival: Rounder Records and the Folk Alliance analyzes the intrinsic contradictions of a commercialized folk culture. Both Rounder Records and the North American Folk Music and Dance Alliance have sought to make folk music widely available, while simultaneously respecting its defining traditions and unique community atmosphere. By tracing the histories of these organizations, Michael F. Scully examines the ongoing controversy surrounding the profitability of folk music. He explores the lively debates about the difficulty of making commercially accessible music, honoring tradition, and remaining artistically relevant, all without" selling out."" Rounder Records (Firm) History. North American Folk Music and Dance Alliance History. North American Folk Music and Dance Alliance fast Rounder Records (Firm) fast Folk music United States History and criticism. Sound recording industry Social aspects United States. Musique folklorique États-Unis Histoire et critique. Enregistrements sonores Industrie Aspect social États-Unis. MUSIC / General bisacsh Folk music fast Sound recording industry Social aspects fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Folk music gnd http://d-nb.info/gnd/4137558-0 Tonträgerindustrie gnd http://d-nb.info/gnd/4267529-7 USA gnd http://d-nb.info/gnd/4078704-7 musique folk Etats-Unis. rero Criticism, interpretation, etc. fast History fast Original 9780252033339 0252033337 (DLC) 2007030909 (OCoLC)162118871 Music in American life. http://id.loc.gov/authorities/names/n42017239 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3337265 Volltext |
| spellingShingle | Scully, Michael F. The never-ending revival : Rounder Records and the Folk Alliance / Music in American life. Introduction. Where have all the folkies gone? -- Folklore, fakelore, and poplore : from the creation of the folk to the great boom and beyond -- From Club 47 to Union Grove : the birth of Rounder Records -- Surrealistic banjos and zydeco rhythms : Rounder's broad aesthetic -- Toward an authenticity of self : old-time music in the modern world -- Like politics in Chicago : the Folk Alliance strives for unity -- Consolidation blues : folk music in contemporary markets -- Conclusion. Gone to the Internet, everyone. Rounder Records (Firm) History. North American Folk Music and Dance Alliance History. North American Folk Music and Dance Alliance fast Rounder Records (Firm) fast Folk music United States History and criticism. Sound recording industry Social aspects United States. Musique folklorique États-Unis Histoire et critique. Enregistrements sonores Industrie Aspect social États-Unis. MUSIC / General bisacsh Folk music fast Sound recording industry Social aspects fast Folk music gnd http://d-nb.info/gnd/4137558-0 Tonträgerindustrie gnd http://d-nb.info/gnd/4267529-7 musique folk Etats-Unis. rero |
| subject_GND | http://d-nb.info/gnd/4137558-0 http://d-nb.info/gnd/4267529-7 http://d-nb.info/gnd/4078704-7 |
| title | The never-ending revival : Rounder Records and the Folk Alliance / |
| title_auth | The never-ending revival : Rounder Records and the Folk Alliance / |
| title_exact_search | The never-ending revival : Rounder Records and the Folk Alliance / |
| title_full | The never-ending revival : Rounder Records and the Folk Alliance / Michael F. Scully. |
| title_fullStr | The never-ending revival : Rounder Records and the Folk Alliance / Michael F. Scully. |
| title_full_unstemmed | The never-ending revival : Rounder Records and the Folk Alliance / Michael F. Scully. |
| title_short | The never-ending revival : |
| title_sort | never ending revival rounder records and the folk alliance |
| title_sub | Rounder Records and the Folk Alliance / |
| topic | Rounder Records (Firm) History. North American Folk Music and Dance Alliance History. North American Folk Music and Dance Alliance fast Rounder Records (Firm) fast Folk music United States History and criticism. Sound recording industry Social aspects United States. Musique folklorique États-Unis Histoire et critique. Enregistrements sonores Industrie Aspect social États-Unis. MUSIC / General bisacsh Folk music fast Sound recording industry Social aspects fast Folk music gnd http://d-nb.info/gnd/4137558-0 Tonträgerindustrie gnd http://d-nb.info/gnd/4267529-7 musique folk Etats-Unis. rero |
| topic_facet | Rounder Records (Firm) History. North American Folk Music and Dance Alliance History. North American Folk Music and Dance Alliance Rounder Records (Firm) Folk music United States History and criticism. Sound recording industry Social aspects United States. Musique folklorique États-Unis Histoire et critique. Enregistrements sonores Industrie Aspect social États-Unis. MUSIC / General Folk music Sound recording industry Social aspects United States Tonträgerindustrie USA musique folk Etats-Unis. Criticism, interpretation, etc. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3337265 |
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