Judaism and Islam, one God one music :: the history of Jewish paraliturgical song in the context of Arabo-Islamic culture as revealed in its Jewish Babylonian sources /
"In Judaism and Islam One God One Music, Merav Rosenfeld-Hadad offers the first substantial study of the history and nature of the Jewish Paraliturgical Song, which developed in the Arabo-Islamic civilization between the tenth and the twentieth centuries. Commonly portrayed as clashing cultures...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Leiden ; Boston :
Brill,
[2020]
|
| Series: | Brill's series in Jewish studies ;
v. 66. |
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | "In Judaism and Islam One God One Music, Merav Rosenfeld-Hadad offers the first substantial study of the history and nature of the Jewish Paraliturgical Song, which developed in the Arabo-Islamic civilization between the tenth and the twentieth centuries. Commonly portrayed as clashing cultures, Judaism and Islam appear here as complementary and enriching religio-cultural sources for the Paraliturgical Song's texts and music, poets and musicians, as well as the worshippers. Relying chiefly on the Babylonian-Jewish written sources of the genre, Rosenfeld-Hadad gives a fascinating historical account of one thousand years of the rich and vibrant cultural and religious life of Middle Eastern Judaism that endured in Arabo-Islamic settings. She convincingly proves that the Jewish Paraliturgical Song, like its people, reflects a harmonious hybridization of Jewish and Arabo-Islamic aesthetics and ideas"-- |
| Item Description: | Revised dissertation (Ph. D.), St. Edmund's College (University of Cambridge), 2009. |
| Physical Description: | 1 online resource (x, 297 pages) : illustrations |
| Bibliography: | Includes bibliographical references (pages 257-280) and index. |
| ISBN: | 9789004412637 9004412638 |
Staff View
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| 245 | 1 | 0 | |a Judaism and Islam, one God one music : |b the history of Jewish paraliturgical song in the context of Arabo-Islamic culture as revealed in its Jewish Babylonian sources / |c by Merav Rosenfeld-Hadad. |
| 263 | |a 1911 | ||
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| 264 | 4 | |c ©2020 | |
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| 490 | 1 | |a Brill's series in Jewish studies ; |v volume 66 | |
| 500 | |a Revised dissertation (Ph. D.), St. Edmund's College (University of Cambridge), 2009. | ||
| 504 | |a Includes bibliographical references (pages 257-280) and index. | ||
| 505 | 0 | |a The 1954 Miṣḥaf as a Holy Book of Paraliturgical Songs -- The 1954 Miṣḥaf as a History Book of Paraliturgical Songs -- The Paraliturgical Practice and Text: Typical Features Emerging from the Written Sources -- The Paraliturgical Melody: Characteristics Emerging from Both the 1906 and the 1954 Mṣāḥif. | |
| 520 | |a "In Judaism and Islam One God One Music, Merav Rosenfeld-Hadad offers the first substantial study of the history and nature of the Jewish Paraliturgical Song, which developed in the Arabo-Islamic civilization between the tenth and the twentieth centuries. Commonly portrayed as clashing cultures, Judaism and Islam appear here as complementary and enriching religio-cultural sources for the Paraliturgical Song's texts and music, poets and musicians, as well as the worshippers. Relying chiefly on the Babylonian-Jewish written sources of the genre, Rosenfeld-Hadad gives a fascinating historical account of one thousand years of the rich and vibrant cultural and religious life of Middle Eastern Judaism that endured in Arabo-Islamic settings. She convincingly proves that the Jewish Paraliturgical Song, like its people, reflects a harmonious hybridization of Jewish and Arabo-Islamic aesthetics and ideas"-- |c Provided by publisher. | ||
| 588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
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Record in the Search Index
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| _version_ | 1829095307583946752 |
| adam_text | |
| any_adam_object | |
| author | Rosenfeld-Hadad, Merav |
| author_facet | Rosenfeld-Hadad, Merav |
| author_role | aut |
| author_sort | Rosenfeld-Hadad, Merav |
| author_variant | m r h mrh |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | B - Philosophy, Psychology, Religion |
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| contents | The 1954 Miṣḥaf as a Holy Book of Paraliturgical Songs -- The 1954 Miṣḥaf as a History Book of Paraliturgical Songs -- The Paraliturgical Practice and Text: Typical Features Emerging from the Written Sources -- The Paraliturgical Melody: Characteristics Emerging from Both the 1906 and the 1954 Mṣāḥif. |
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| discipline | Theologie / Religionswissenschaften |
| format | Electronic eBook |
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| indexdate | 2025-04-11T08:46:57Z |
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| series | Brill's series in Jewish studies ; |
| series2 | Brill's series in Jewish studies ; |
| spelling | Rosenfeld-Hadad, Merav, author. Judaism and Islam, one God one music : the history of Jewish paraliturgical song in the context of Arabo-Islamic culture as revealed in its Jewish Babylonian sources / by Merav Rosenfeld-Hadad. 1911 Leiden ; Boston : Brill, [2020] ©2020 1 online resource (x, 297 pages) : illustrations text txt rdacontent computer n rdamedia online resource nc rdacarrier Brill's series in Jewish studies ; volume 66 Revised dissertation (Ph. D.), St. Edmund's College (University of Cambridge), 2009. Includes bibliographical references (pages 257-280) and index. The 1954 Miṣḥaf as a Holy Book of Paraliturgical Songs -- The 1954 Miṣḥaf as a History Book of Paraliturgical Songs -- The Paraliturgical Practice and Text: Typical Features Emerging from the Written Sources -- The Paraliturgical Melody: Characteristics Emerging from Both the 1906 and the 1954 Mṣāḥif. "In Judaism and Islam One God One Music, Merav Rosenfeld-Hadad offers the first substantial study of the history and nature of the Jewish Paraliturgical Song, which developed in the Arabo-Islamic civilization between the tenth and the twentieth centuries. Commonly portrayed as clashing cultures, Judaism and Islam appear here as complementary and enriching religio-cultural sources for the Paraliturgical Song's texts and music, poets and musicians, as well as the worshippers. Relying chiefly on the Babylonian-Jewish written sources of the genre, Rosenfeld-Hadad gives a fascinating historical account of one thousand years of the rich and vibrant cultural and religious life of Middle Eastern Judaism that endured in Arabo-Islamic settings. She convincingly proves that the Jewish Paraliturgical Song, like its people, reflects a harmonious hybridization of Jewish and Arabo-Islamic aesthetics and ideas"-- Provided by publisher. Print version record and CIP data provided by publisher; resource not viewed. Piyutim History and criticism. Jewish religious poetry, Hebrew History and criticism. Synagogue music Iraq Baghdad. Jews Iraq Baghdad Songs and music. Arabs Iraq Songs and music Influence. Islam Relations Judaism. http://id.loc.gov/authorities/subjects/sh87002556 Judaism Relations Islam. http://id.loc.gov/authorities/subjects/sh87002536 Piyyuṭim Histoire et critique. Poésie religieuse juive hébraïque Histoire et critique. Musique synagogale Irak Bagdad. Juifs Irak Bagdad Chants et musique. Arabes Irak Chants et musique Influence. Islam Relations Judaïsme. Judaïsme Relations Islam. Arabs fast Interfaith relations fast Islam fast Jewish religious poetry, Hebrew fast Judaism fast Piyutim fast Synagogue music fast Iraq fast Iraq Baghdad fast Criticism, interpretation, etc. fast has work: Judaism and Islam, one God one music (Text) https://id.oclc.org/worldcat/entity/E39PCGrWvBhxMJqQG8QwGKjPV3 https://id.oclc.org/worldcat/ontology/hasWork Print version: Rosenfeld-Hadad, Merav. Judaism and Islam, one God one music. Leiden ; Boston : Brill, [2019] 9789004412620 (DLC) 2019026746 Brill's series in Jewish studies ; v. 66. http://id.loc.gov/authorities/names/n91030258 |
| spellingShingle | Rosenfeld-Hadad, Merav Judaism and Islam, one God one music : the history of Jewish paraliturgical song in the context of Arabo-Islamic culture as revealed in its Jewish Babylonian sources / Brill's series in Jewish studies ; The 1954 Miṣḥaf as a Holy Book of Paraliturgical Songs -- The 1954 Miṣḥaf as a History Book of Paraliturgical Songs -- The Paraliturgical Practice and Text: Typical Features Emerging from the Written Sources -- The Paraliturgical Melody: Characteristics Emerging from Both the 1906 and the 1954 Mṣāḥif. Piyutim History and criticism. Jewish religious poetry, Hebrew History and criticism. Synagogue music Iraq Baghdad. Jews Iraq Baghdad Songs and music. Arabs Iraq Songs and music Influence. Islam Relations Judaism. http://id.loc.gov/authorities/subjects/sh87002556 Judaism Relations Islam. http://id.loc.gov/authorities/subjects/sh87002536 Piyyuṭim Histoire et critique. Poésie religieuse juive hébraïque Histoire et critique. Musique synagogale Irak Bagdad. Juifs Irak Bagdad Chants et musique. Arabes Irak Chants et musique Influence. Islam Relations Judaïsme. Judaïsme Relations Islam. Arabs fast Interfaith relations fast Islam fast Jewish religious poetry, Hebrew fast Judaism fast Piyutim fast Synagogue music fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh87002556 http://id.loc.gov/authorities/subjects/sh87002536 |
| title | Judaism and Islam, one God one music : the history of Jewish paraliturgical song in the context of Arabo-Islamic culture as revealed in its Jewish Babylonian sources / |
| title_auth | Judaism and Islam, one God one music : the history of Jewish paraliturgical song in the context of Arabo-Islamic culture as revealed in its Jewish Babylonian sources / |
| title_exact_search | Judaism and Islam, one God one music : the history of Jewish paraliturgical song in the context of Arabo-Islamic culture as revealed in its Jewish Babylonian sources / |
| title_full | Judaism and Islam, one God one music : the history of Jewish paraliturgical song in the context of Arabo-Islamic culture as revealed in its Jewish Babylonian sources / by Merav Rosenfeld-Hadad. |
| title_fullStr | Judaism and Islam, one God one music : the history of Jewish paraliturgical song in the context of Arabo-Islamic culture as revealed in its Jewish Babylonian sources / by Merav Rosenfeld-Hadad. |
| title_full_unstemmed | Judaism and Islam, one God one music : the history of Jewish paraliturgical song in the context of Arabo-Islamic culture as revealed in its Jewish Babylonian sources / by Merav Rosenfeld-Hadad. |
| title_short | Judaism and Islam, one God one music : |
| title_sort | judaism and islam one god one music the history of jewish paraliturgical song in the context of arabo islamic culture as revealed in its jewish babylonian sources |
| title_sub | the history of Jewish paraliturgical song in the context of Arabo-Islamic culture as revealed in its Jewish Babylonian sources / |
| topic | Piyutim History and criticism. Jewish religious poetry, Hebrew History and criticism. Synagogue music Iraq Baghdad. Jews Iraq Baghdad Songs and music. Arabs Iraq Songs and music Influence. Islam Relations Judaism. http://id.loc.gov/authorities/subjects/sh87002556 Judaism Relations Islam. http://id.loc.gov/authorities/subjects/sh87002536 Piyyuṭim Histoire et critique. Poésie religieuse juive hébraïque Histoire et critique. Musique synagogale Irak Bagdad. Juifs Irak Bagdad Chants et musique. Arabes Irak Chants et musique Influence. Islam Relations Judaïsme. Judaïsme Relations Islam. Arabs fast Interfaith relations fast Islam fast Jewish religious poetry, Hebrew fast Judaism fast Piyutim fast Synagogue music fast |
| topic_facet | Piyutim History and criticism. Jewish religious poetry, Hebrew History and criticism. Synagogue music Iraq Baghdad. Jews Iraq Baghdad Songs and music. Arabs Iraq Songs and music Influence. Islam Relations Judaism. Judaism Relations Islam. Piyyuṭim Histoire et critique. Poésie religieuse juive hébraïque Histoire et critique. Musique synagogale Irak Bagdad. Juifs Irak Bagdad Chants et musique. Arabes Irak Chants et musique Influence. Islam Relations Judaïsme. Judaïsme Relations Islam. Arabs Interfaith relations Islam Jewish religious poetry, Hebrew Judaism Piyutim Synagogue music Iraq Iraq Baghdad Criticism, interpretation, etc. |
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