What was history painting and what is it now? /:
"The dominant visual language of European painting from the Renaissance to the nineteenth century, history paintings were formidable in their monumental scale, ambitious moral lessons, and intricate narratives. With the rise of modernist avant-gardes, the genre receded from the forefront of art...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Montreal ; Kingston ; London ; Chicago :
McGill-Queen's University Press,
2019.
|
| Schriftenreihe: | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "The dominant visual language of European painting from the Renaissance to the nineteenth century, history paintings were formidable in their monumental scale, ambitious moral lessons, and intricate narratives. With the rise of modernist avant-gardes, the genre receded from the forefront of artistic production into the realm of nostalgia. Yet history painting cast a shadow that would subtly colour even the works that sought to displace it. Exploring the resilience of this distinctive mode of visual representation, What Was History Painting and What Is It Now? brings together an internationally distinguished group of scholars to trace the endurance, adaptation, and mutation of history painting. These studies offer a reexamination of the fortunes of the genre from North America to Europe and Africa. Organized around illuminating themes, the book explores the creation of an audience attuned to the genre's didactic aims, the entry of history painting into the marketplace of commercial art and attractions, and the reimagination of the mode in response to the edicts of modern and contemporary art. Spanning the full range and diversity of history painting, this collection is a broad reconsideration of the tradition and the vibrant ways in which it resonates through the art of the present."-- |
| Beschreibung: | 1 online resource (viii, 311 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 0228000351 9780228000358 |
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| 245 | 0 | 0 | |a What was history painting and what is it now? / |c edited by Mark Salber Phillips and Jordan Bear. |
| 263 | |a 201910 | ||
| 264 | 1 | |a Montreal ; |a Kingston ; |a London ; |a Chicago : |b McGill-Queen's University Press, |c 2019. | |
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| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "The dominant visual language of European painting from the Renaissance to the nineteenth century, history paintings were formidable in their monumental scale, ambitious moral lessons, and intricate narratives. With the rise of modernist avant-gardes, the genre receded from the forefront of artistic production into the realm of nostalgia. Yet history painting cast a shadow that would subtly colour even the works that sought to displace it. Exploring the resilience of this distinctive mode of visual representation, What Was History Painting and What Is It Now? brings together an internationally distinguished group of scholars to trace the endurance, adaptation, and mutation of history painting. These studies offer a reexamination of the fortunes of the genre from North America to Europe and Africa. Organized around illuminating themes, the book explores the creation of an audience attuned to the genre's didactic aims, the entry of history painting into the marketplace of commercial art and attractions, and the reimagination of the mode in response to the edicts of modern and contemporary art. Spanning the full range and diversity of history painting, this collection is a broad reconsideration of the tradition and the vibrant ways in which it resonates through the art of the present."-- |c Provided by publisher. | ||
| 505 | 0 | |a 1 Introduction: What Was History Painting and What Is It Now?; Part One. Human Figures and Human Viewers; 2 Figuring History at the End of the Renaissance: Notes on Agnolo Bronzino's Martyrdom of San Lorenzo; 3 A Rococo Aesthetic: History Painting and the Self's Embodiment; 4 History Painting Redistanced: From Benjamin West to David Wilkie; Part Two. History Painting in the Marketplace; 5. James Gillray's The Death of the Great Wolf and the Satiric Alternative to History Painting; 6 Historical Distance and Historic Doubts: Representing Napoleon in Exile; | |
| 505 | 8 | |a 7 Landscape and the Problem of History: Thomas Cole and Anglo-Atlantic Modernity; Part Three. History Painting after Modernism; 8 Myth, Melancholy, and History: Figural Dialectics and José Clemente Orozco's Epic of American Civilization; 9 History Painting after Conceptual Art; 10 What Is the History in Contemporary History Painting?; 11 Unwritten History: William Kentridge's Triumphs and Laments, Piazza Tevere, Rome, 2016; 12 Reimagining Global Modernity in the Age of Neo-Liberal Patronage: The History Paintings of Julie Mehretu;13 "Earth Death Pictures" as Contemporary History Painting; Bibliography; Contributors; Index. | |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed September 26, 2019). | |
| 650 | 0 | |a History painting. |0 http://id.loc.gov/authorities/subjects/sh2008007183 | |
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Datensatz im Suchindex
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| _version_ | 1813901652519813120 |
| adam_text | |
| any_adam_object | |
| author2 | Phillips, Mark, 1946- Bear, Jordan |
| author2_role | edt edt |
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| contents | 1 Introduction: What Was History Painting and What Is It Now?; Part One. Human Figures and Human Viewers; 2 Figuring History at the End of the Renaissance: Notes on Agnolo Bronzino's Martyrdom of San Lorenzo; 3 A Rococo Aesthetic: History Painting and the Self's Embodiment; 4 History Painting Redistanced: From Benjamin West to David Wilkie; Part Two. History Painting in the Marketplace; 5. James Gillray's The Death of the Great Wolf and the Satiric Alternative to History Painting; 6 Historical Distance and Historic Doubts: Representing Napoleon in Exile; 7 Landscape and the Problem of History: Thomas Cole and Anglo-Atlantic Modernity; Part Three. History Painting after Modernism; 8 Myth, Melancholy, and History: Figural Dialectics and José Clemente Orozco's Epic of American Civilization; 9 History Painting after Conceptual Art; 10 What Is the History in Contemporary History Painting?; 11 Unwritten History: William Kentridge's Triumphs and Laments, Piazza Tevere, Rome, 2016; 12 Reimagining Global Modernity in the Age of Neo-Liberal Patronage: The History Paintings of Julie Mehretu;13 "Earth Death Pictures" as Contemporary History Painting; Bibliography; Contributors; Index. |
| ctrlnum | (OCoLC)1104227690 |
| dewey-full | 758/.99 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 758 - Nature, cityscapes & other subjects |
| dewey-raw | 758/.99 |
| dewey-search | 758/.99 |
| dewey-sort | 3758 299 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1104227690 |
| illustrated | Illustrated |
| indexdate | 2024-10-25T15:50:18Z |
| institution | BVB |
| isbn | 0228000351 9780228000358 |
| language | English |
| oclc_num | 1104227690 |
| open_access_boolean | |
| owner | MAIN |
| owner_facet | MAIN |
| physical | 1 online resource (viii, 311 pages) |
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| publishDate | 2019 |
| publishDateSearch | 2019 |
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| publisher | McGill-Queen's University Press, |
| record_format | marc |
| series | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. |
| series2 | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history |
| spelling | What was history painting and what is it now? / edited by Mark Salber Phillips and Jordan Bear. 201910 Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2019. 1 online resource (viii, 311 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier McGill-Queen's/Beaverbrook Canadian Foundation studies in art history Includes bibliographical references and index. "The dominant visual language of European painting from the Renaissance to the nineteenth century, history paintings were formidable in their monumental scale, ambitious moral lessons, and intricate narratives. With the rise of modernist avant-gardes, the genre receded from the forefront of artistic production into the realm of nostalgia. Yet history painting cast a shadow that would subtly colour even the works that sought to displace it. Exploring the resilience of this distinctive mode of visual representation, What Was History Painting and What Is It Now? brings together an internationally distinguished group of scholars to trace the endurance, adaptation, and mutation of history painting. These studies offer a reexamination of the fortunes of the genre from North America to Europe and Africa. Organized around illuminating themes, the book explores the creation of an audience attuned to the genre's didactic aims, the entry of history painting into the marketplace of commercial art and attractions, and the reimagination of the mode in response to the edicts of modern and contemporary art. Spanning the full range and diversity of history painting, this collection is a broad reconsideration of the tradition and the vibrant ways in which it resonates through the art of the present."-- Provided by publisher. 1 Introduction: What Was History Painting and What Is It Now?; Part One. Human Figures and Human Viewers; 2 Figuring History at the End of the Renaissance: Notes on Agnolo Bronzino's Martyrdom of San Lorenzo; 3 A Rococo Aesthetic: History Painting and the Self's Embodiment; 4 History Painting Redistanced: From Benjamin West to David Wilkie; Part Two. History Painting in the Marketplace; 5. James Gillray's The Death of the Great Wolf and the Satiric Alternative to History Painting; 6 Historical Distance and Historic Doubts: Representing Napoleon in Exile; 7 Landscape and the Problem of History: Thomas Cole and Anglo-Atlantic Modernity; Part Three. History Painting after Modernism; 8 Myth, Melancholy, and History: Figural Dialectics and José Clemente Orozco's Epic of American Civilization; 9 History Painting after Conceptual Art; 10 What Is the History in Contemporary History Painting?; 11 Unwritten History: William Kentridge's Triumphs and Laments, Piazza Tevere, Rome, 2016; 12 Reimagining Global Modernity in the Age of Neo-Liberal Patronage: The History Paintings of Julie Mehretu;13 "Earth Death Pictures" as Contemporary History Painting; Bibliography; Contributors; Index. Online resource; title from PDF title page (EBSCO, viewed September 26, 2019). History painting. http://id.loc.gov/authorities/subjects/sh2008007183 Peinture d'histoire. history paintings. aat ART History General. bisacsh History painting fast Historienmalerei gnd http://d-nb.info/gnd/4025097-0 Phillips, Mark, 1946- editor. https://id.oclc.org/worldcat/entity/E39PBJqfHW8QvDygTBhFBrfpfq http://id.loc.gov/authorities/names/n86115896 Bear, Jordan, editor. http://id.loc.gov/authorities/names/n2010080391 has work: What was history painting and what is it now? (Text) https://id.oclc.org/worldcat/entity/E39PCGP6Qr3CtdxrHtfp7YxTDy https://id.oclc.org/worldcat/ontology/hasWork Print version: What was history painting and what is it now? Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2019] 9780773558953 (OCoLC)1096467436 McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. http://id.loc.gov/authorities/names/no2009036808 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2255707 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2255707 Volltext |
| spellingShingle | What was history painting and what is it now? / McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. 1 Introduction: What Was History Painting and What Is It Now?; Part One. Human Figures and Human Viewers; 2 Figuring History at the End of the Renaissance: Notes on Agnolo Bronzino's Martyrdom of San Lorenzo; 3 A Rococo Aesthetic: History Painting and the Self's Embodiment; 4 History Painting Redistanced: From Benjamin West to David Wilkie; Part Two. History Painting in the Marketplace; 5. James Gillray's The Death of the Great Wolf and the Satiric Alternative to History Painting; 6 Historical Distance and Historic Doubts: Representing Napoleon in Exile; 7 Landscape and the Problem of History: Thomas Cole and Anglo-Atlantic Modernity; Part Three. History Painting after Modernism; 8 Myth, Melancholy, and History: Figural Dialectics and José Clemente Orozco's Epic of American Civilization; 9 History Painting after Conceptual Art; 10 What Is the History in Contemporary History Painting?; 11 Unwritten History: William Kentridge's Triumphs and Laments, Piazza Tevere, Rome, 2016; 12 Reimagining Global Modernity in the Age of Neo-Liberal Patronage: The History Paintings of Julie Mehretu;13 "Earth Death Pictures" as Contemporary History Painting; Bibliography; Contributors; Index. History painting. http://id.loc.gov/authorities/subjects/sh2008007183 Peinture d'histoire. history paintings. aat ART History General. bisacsh History painting fast Historienmalerei gnd http://d-nb.info/gnd/4025097-0 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2008007183 http://d-nb.info/gnd/4025097-0 |
| title | What was history painting and what is it now? / |
| title_auth | What was history painting and what is it now? / |
| title_exact_search | What was history painting and what is it now? / |
| title_full | What was history painting and what is it now? / edited by Mark Salber Phillips and Jordan Bear. |
| title_fullStr | What was history painting and what is it now? / edited by Mark Salber Phillips and Jordan Bear. |
| title_full_unstemmed | What was history painting and what is it now? / edited by Mark Salber Phillips and Jordan Bear. |
| title_short | What was history painting and what is it now? / |
| title_sort | what was history painting and what is it now |
| topic | History painting. http://id.loc.gov/authorities/subjects/sh2008007183 Peinture d'histoire. history paintings. aat ART History General. bisacsh History painting fast Historienmalerei gnd http://d-nb.info/gnd/4025097-0 |
| topic_facet | History painting. Peinture d'histoire. history paintings. ART History General. History painting Historienmalerei |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2255707 |
| work_keys_str_mv | AT phillipsmark whatwashistorypaintingandwhatisitnow AT bearjordan whatwashistorypaintingandwhatisitnow |