The private collector's museum :: public good versus private gain /
The Private Collector's Museum connects the rising popularity of private museums with evolving models of collecting and philanthropy, and new inter-relationships between private and public space. It examines how contemporary collectors construct museums to frame themselves as cultural arbiters...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Abingdon, Oxon ; New York, NY :
Routledge,
2019.
|
| Schriftenreihe: | Routledge research in museum studies ;
23. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The Private Collector's Museum connects the rising popularity of private museums with evolving models of collecting and philanthropy, and new inter-relationships between private and public space. It examines how contemporary collectors construct museums to frame themselves as cultural arbiters of global distinction. By exploring a range of in-depth contemporarycase studies, the book aims for a more complex understanding of the private collector's museum, assessing how it is realised, funded and understood in a broader cultural context. It examines the ways in which this particular museum model has evolved within a historical Western tradition of collecting and museum-building, and considers how private museums will endure alongside their public counterparts. It also sheds light on the shifting patterns of collecting, such as the transition of personal art collections into the public sphere. The developments are situated within the wider context of private-public engagement in general. Providing a new analysis of philanthropy, public access and the museum, The Private Collector's Museum is essential reading for scholars and students interested in the private museum, and key reading for those interested in related issues. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781315149431 1315149435 9781351370516 1351370510 9781351370509 1351370502 9781351370523 1351370529 |
| Zugangseinschränkungen: | Legal Deposit; |
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| 520 | |a The Private Collector's Museum connects the rising popularity of private museums with evolving models of collecting and philanthropy, and new inter-relationships between private and public space. It examines how contemporary collectors construct museums to frame themselves as cultural arbiters of global distinction. By exploring a range of in-depth contemporarycase studies, the book aims for a more complex understanding of the private collector's museum, assessing how it is realised, funded and understood in a broader cultural context. It examines the ways in which this particular museum model has evolved within a historical Western tradition of collecting and museum-building, and considers how private museums will endure alongside their public counterparts. It also sheds light on the shifting patterns of collecting, such as the transition of personal art collections into the public sphere. The developments are situated within the wider context of private-public engagement in general. Providing a new analysis of philanthropy, public access and the museum, The Private Collector's Museum is essential reading for scholars and students interested in the private museum, and key reading for those interested in related issues. | ||
| 545 | 0 | |a Georgina S. Walker is an Honorary Fellow at the University of Melbourne, Australia. She teaches in Art History, Curatorial and Museum Studies and her research interests include the recent and fast-growing number of private, state and international museums that have emerged in China and the Gulf Region. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on June 17, 2019). | |
| 505 | 0 | |a Introduction: An introduction to the private collector's museum Part I: Overview 1 Setting the foundation 2 Private collecting: collecting in the 20th and 21st centuries Part II: The private collector' s museum 3 Where house and art museum converge 4 Subverting the notion of the house museum 5 The emergence of the stand-alone museum: Museum Folkwang, Hagen, Germany?? Part III: The emergence of the single patron collection museum 6 The German model of the private-public art museum 7 The public-private collection museum: Museum Brandhorst -- Munich and Museum Frieder Burda, Baden-Baden, Germany 8 In defiance of the monumental museum: Menil Collection -- Houston, Texas 9 The new museum and its creator's grand plan: The Broad -- Los Angeles, California Conclusions: Evolving philanthropic conventions | |
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| author | Walker, Georgina S. |
| author_facet | Walker, Georgina S. |
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| contents | Introduction: An introduction to the private collector's museum Part I: Overview 1 Setting the foundation 2 Private collecting: collecting in the 20th and 21st centuries Part II: The private collector' s museum 3 Where house and art museum converge 4 Subverting the notion of the house museum 5 The emergence of the stand-alone museum: Museum Folkwang, Hagen, Germany?? Part III: The emergence of the single patron collection museum 6 The German model of the private-public art museum 7 The public-private collection museum: Museum Brandhorst -- Munich and Museum Frieder Burda, Baden-Baden, Germany 8 In defiance of the monumental museum: Menil Collection -- Houston, Texas 9 The new museum and its creator's grand plan: The Broad -- Los Angeles, California Conclusions: Evolving philanthropic conventions |
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| discipline | Allgemeines |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:29:29Z |
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| spelling | Walker, Georgina S., author. The private collector's museum : public good versus private gain / Georgina S. Walker. Abingdon, Oxon ; New York, NY : Routledge, 2019. ©2019 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Routledge research in museum studies ; 23 Includes bibliographical references and index. The Private Collector's Museum connects the rising popularity of private museums with evolving models of collecting and philanthropy, and new inter-relationships between private and public space. It examines how contemporary collectors construct museums to frame themselves as cultural arbiters of global distinction. By exploring a range of in-depth contemporarycase studies, the book aims for a more complex understanding of the private collector's museum, assessing how it is realised, funded and understood in a broader cultural context. It examines the ways in which this particular museum model has evolved within a historical Western tradition of collecting and museum-building, and considers how private museums will endure alongside their public counterparts. It also sheds light on the shifting patterns of collecting, such as the transition of personal art collections into the public sphere. The developments are situated within the wider context of private-public engagement in general. Providing a new analysis of philanthropy, public access and the museum, The Private Collector's Museum is essential reading for scholars and students interested in the private museum, and key reading for those interested in related issues. Georgina S. Walker is an Honorary Fellow at the University of Melbourne, Australia. She teaches in Art History, Curatorial and Museum Studies and her research interests include the recent and fast-growing number of private, state and international museums that have emerged in China and the Gulf Region. Online resource; title from digital title page (viewed on June 17, 2019). Introduction: An introduction to the private collector's museum Part I: Overview 1 Setting the foundation 2 Private collecting: collecting in the 20th and 21st centuries Part II: The private collector' s museum 3 Where house and art museum converge 4 Subverting the notion of the house museum 5 The emergence of the stand-alone museum: Museum Folkwang, Hagen, Germany?? Part III: The emergence of the single patron collection museum 6 The German model of the private-public art museum 7 The public-private collection museum: Museum Brandhorst -- Munich and Museum Frieder Burda, Baden-Baden, Germany 8 In defiance of the monumental museum: Menil Collection -- Houston, Texas 9 The new museum and its creator's grand plan: The Broad -- Los Angeles, California Conclusions: Evolving philanthropic conventions Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK). WlAbNL Museums and community. http://id.loc.gov/authorities/subjects/sh2009005398 Relations musée-collectivité. BUSINESS & ECONOMICS Museum Administration & Museology. bisacsh REFERENCE General. bisacsh TRAVEL Museums, Tours, Points of Interest. bisacsh SOCIAL SCIENCE Archaeology. bisacsh Museums and community fast has work: The private collector's museum (Text) https://id.oclc.org/worldcat/entity/E39PCFvgRvxtDjJKvdbGDM6cpq https://id.oclc.org/worldcat/ontology/hasWork Routledge research in museum studies ; 23. http://id.loc.gov/authorities/names/no2010186385 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2140647 Volltext |
| spellingShingle | Walker, Georgina S. The private collector's museum : public good versus private gain / Routledge research in museum studies ; Introduction: An introduction to the private collector's museum Part I: Overview 1 Setting the foundation 2 Private collecting: collecting in the 20th and 21st centuries Part II: The private collector' s museum 3 Where house and art museum converge 4 Subverting the notion of the house museum 5 The emergence of the stand-alone museum: Museum Folkwang, Hagen, Germany?? Part III: The emergence of the single patron collection museum 6 The German model of the private-public art museum 7 The public-private collection museum: Museum Brandhorst -- Munich and Museum Frieder Burda, Baden-Baden, Germany 8 In defiance of the monumental museum: Menil Collection -- Houston, Texas 9 The new museum and its creator's grand plan: The Broad -- Los Angeles, California Conclusions: Evolving philanthropic conventions Museums and community. http://id.loc.gov/authorities/subjects/sh2009005398 Relations musée-collectivité. BUSINESS & ECONOMICS Museum Administration & Museology. bisacsh REFERENCE General. bisacsh TRAVEL Museums, Tours, Points of Interest. bisacsh SOCIAL SCIENCE Archaeology. bisacsh Museums and community fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2009005398 |
| title | The private collector's museum : public good versus private gain / |
| title_auth | The private collector's museum : public good versus private gain / |
| title_exact_search | The private collector's museum : public good versus private gain / |
| title_full | The private collector's museum : public good versus private gain / Georgina S. Walker. |
| title_fullStr | The private collector's museum : public good versus private gain / Georgina S. Walker. |
| title_full_unstemmed | The private collector's museum : public good versus private gain / Georgina S. Walker. |
| title_short | The private collector's museum : |
| title_sort | private collector s museum public good versus private gain |
| title_sub | public good versus private gain / |
| topic | Museums and community. http://id.loc.gov/authorities/subjects/sh2009005398 Relations musée-collectivité. BUSINESS & ECONOMICS Museum Administration & Museology. bisacsh REFERENCE General. bisacsh TRAVEL Museums, Tours, Points of Interest. bisacsh SOCIAL SCIENCE Archaeology. bisacsh Museums and community fast |
| topic_facet | Museums and community. Relations musée-collectivité. BUSINESS & ECONOMICS Museum Administration & Museology. REFERENCE General. TRAVEL Museums, Tours, Points of Interest. SOCIAL SCIENCE Archaeology. Museums and community |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2140647 |
| work_keys_str_mv | AT walkergeorginas theprivatecollectorsmuseumpublicgoodversusprivategain AT walkergeorginas privatecollectorsmuseumpublicgoodversusprivategain |