Ad vivum? :: visual materials and the vocabulary of life-likeness in Europe before 1800 /
"The term ad vivum and its cognates al vivo, au vif, nach dem Leben and naer het leven have been applied since the thirteenth century to depictions designated as from, to or after (the) life. This book explores the issues raised by this vocabulary and related terminology with reference to visua...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston :
Brill,
2019.
|
| Schriftenreihe: | Intersections (Boston, Mass.) ;
v. 61. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "The term ad vivum and its cognates al vivo, au vif, nach dem Leben and naer het leven have been applied since the thirteenth century to depictions designated as from, to or after (the) life. This book explores the issues raised by this vocabulary and related terminology with reference to visual materials produced and used in Europe before 1800, including portraiture, botanical, zoological, medical and topographical images, images of novel and newly discovered phenomena, and likenesses created through direct contact with the object being depicted. The designation ad vivum was not restricted to depictions made directly after the living model, and was often used to advertise the claim of an image to be a faithful likeness or a bearer of reliable information. Viewed as an assertion of accuracy or truth, ad vivum raises a number of fundamental questions in the area of early modern epistemology--questions about the value and prestige of visual and/or physical contiguity between image and original, about the kinds of information which were thought important and dependably transmissible in material form, and about the roles of the artist in that transmission. The recent interest of historians of early modern art in how value and meaning are produced and reproduced by visual materials which do not conform to the definition of art as unique invention, and of historians of science and of art in the visualisation of knowledge, has placed the questions surrounding ad vivum at the centre of their common concerns. Contributors include: José Beltrán, Carla Benzan, Eleanor Chan, Robert Felfe, Mechthild Fend, Sachiko Kusukawa, Pieter Martens, Richard Mulholland, Noa Turel, and Daan Van Heesch"-- |
| Beschreibung: | 1 online resource (xvii, 359 pages) : illustrations (some color). |
| Bibliographie: | Includes bibliographical references and index |
| ISBN: | 9789004393998 9004393994 |
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| 245 | 0 | 0 | |a Ad vivum? : |b visual materials and the vocabulary of life-likeness in Europe before 1800 / |c edited by Thomas Balfe, Joanna Woodall, Claus Zittel. |
| 264 | 1 | |a Leiden ; |a Boston : |b Brill, |c 2019. | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource (xvii, 359 pages) : |b illustrations (some color). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Intersections : interdisciplinary studies in early modern culture ; |v volume 61 | |
| 520 | |a "The term ad vivum and its cognates al vivo, au vif, nach dem Leben and naer het leven have been applied since the thirteenth century to depictions designated as from, to or after (the) life. This book explores the issues raised by this vocabulary and related terminology with reference to visual materials produced and used in Europe before 1800, including portraiture, botanical, zoological, medical and topographical images, images of novel and newly discovered phenomena, and likenesses created through direct contact with the object being depicted. The designation ad vivum was not restricted to depictions made directly after the living model, and was often used to advertise the claim of an image to be a faithful likeness or a bearer of reliable information. Viewed as an assertion of accuracy or truth, ad vivum raises a number of fundamental questions in the area of early modern epistemology--questions about the value and prestige of visual and/or physical contiguity between image and original, about the kinds of information which were thought important and dependably transmissible in material form, and about the roles of the artist in that transmission. The recent interest of historians of early modern art in how value and meaning are produced and reproduced by visual materials which do not conform to the definition of art as unique invention, and of historians of science and of art in the visualisation of knowledge, has placed the questions surrounding ad vivum at the centre of their common concerns. Contributors include: José Beltrán, Carla Benzan, Eleanor Chan, Robert Felfe, Mechthild Fend, Sachiko Kusukawa, Pieter Martens, Richard Mulholland, Noa Turel, and Daan Van Heesch"-- |c Provided by publisher | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Introduction: From living presence to lively likeness -- the lives of ad vivum / Thomas Balfe and Joanna Woodall -- Naer het leven : between image-generating techniques and aesthetic mediation / Robert Felfe -- Ad vivum images and knowledge of nature in early modern Europe / Sachiko Kusukawa -- Paintworks au vif to paintings from life : early Netherlandish paintings in the round and the invention of indexicality / Noa Turel -- Cities under siege portrayed ad vivum in early Netherlandish prints (1520-1565) / Pieter Martens -- "Jerusalem naert leven"? : envisioning the Holy City in the Low Countries (1525-1575) / Daan van Heesch -- Coming to life at the Sacro Monte of Varallo : the sacred image al vivo in post-Tridentine Italy / Carla Benzan -- The vital breath : mathematical visualizations in England and the Netherlands around 1600 / Eleanor Chan -- Nature au naturel in late-seventeenth-century France / Jose Beltran -- Drawing the cadaver ad vivum : Gerard de Lairesse's illustrations for Govard Bidloo's Anatomia humani corporis / Mechthild Fend -- The mechanism and materials of painting colour ad vivum in the eighteenth century / Richard Mulholland | |
| 588 | |a Description based on online resource; title from digital title page (viewed on July 27, 2020). | ||
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| 650 | 6 | |a Théorie de la connaissance |z Europe |x Histoire. | |
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| 776 | 0 | 8 | |i Print version: |t Ad vivum? |d Leiden ; Boston : Brill, [2019] |z 9789004329942 |w (DLC) 2019012521 |w (OCoLC)1096214133 |
| 830 | 0 | |a Intersections (Boston, Mass.) ; |v v. 61. |0 http://id.loc.gov/authorities/names/n2001031217 | |
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Datensatz im Suchindex
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| author2 | Balfe, Thomas Woodall, Joanna Zittel, Claus |
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| author_GND | http://id.loc.gov/authorities/names/no2019044124 http://id.loc.gov/authorities/names/nr97022153 http://id.loc.gov/authorities/names/no97007184 |
| author_facet | Balfe, Thomas Woodall, Joanna Zittel, Claus |
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| contents | Introduction: From living presence to lively likeness -- the lives of ad vivum / Thomas Balfe and Joanna Woodall -- Naer het leven : between image-generating techniques and aesthetic mediation / Robert Felfe -- Ad vivum images and knowledge of nature in early modern Europe / Sachiko Kusukawa -- Paintworks au vif to paintings from life : early Netherlandish paintings in the round and the invention of indexicality / Noa Turel -- Cities under siege portrayed ad vivum in early Netherlandish prints (1520-1565) / Pieter Martens -- "Jerusalem naert leven"? : envisioning the Holy City in the Low Countries (1525-1575) / Daan van Heesch -- Coming to life at the Sacro Monte of Varallo : the sacred image al vivo in post-Tridentine Italy / Carla Benzan -- The vital breath : mathematical visualizations in England and the Netherlands around 1600 / Eleanor Chan -- Nature au naturel in late-seventeenth-century France / Jose Beltran -- Drawing the cadaver ad vivum : Gerard de Lairesse's illustrations for Govard Bidloo's Anatomia humani corporis / Mechthild Fend -- The mechanism and materials of painting colour ad vivum in the eighteenth century / Richard Mulholland |
| ctrlnum | (OCoLC)1096226909 |
| dewey-full | 709.4 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.4 |
| dewey-search | 709.4 |
| dewey-sort | 3709.4 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:29:25Z |
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| isbn | 9789004393998 9004393994 |
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| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xvii, 359 pages) : illustrations (some color). |
| psigel | ZDB-4-EBA |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Brill, |
| record_format | marc |
| series | Intersections (Boston, Mass.) ; |
| series2 | Intersections : interdisciplinary studies in early modern culture ; |
| spelling | Ad vivum? : visual materials and the vocabulary of life-likeness in Europe before 1800 / edited by Thomas Balfe, Joanna Woodall, Claus Zittel. Leiden ; Boston : Brill, 2019. ©2019 1 online resource (xvii, 359 pages) : illustrations (some color). text txt rdacontent computer c rdamedia online resource cr rdacarrier Intersections : interdisciplinary studies in early modern culture ; volume 61 "The term ad vivum and its cognates al vivo, au vif, nach dem Leben and naer het leven have been applied since the thirteenth century to depictions designated as from, to or after (the) life. This book explores the issues raised by this vocabulary and related terminology with reference to visual materials produced and used in Europe before 1800, including portraiture, botanical, zoological, medical and topographical images, images of novel and newly discovered phenomena, and likenesses created through direct contact with the object being depicted. The designation ad vivum was not restricted to depictions made directly after the living model, and was often used to advertise the claim of an image to be a faithful likeness or a bearer of reliable information. Viewed as an assertion of accuracy or truth, ad vivum raises a number of fundamental questions in the area of early modern epistemology--questions about the value and prestige of visual and/or physical contiguity between image and original, about the kinds of information which were thought important and dependably transmissible in material form, and about the roles of the artist in that transmission. The recent interest of historians of early modern art in how value and meaning are produced and reproduced by visual materials which do not conform to the definition of art as unique invention, and of historians of science and of art in the visualisation of knowledge, has placed the questions surrounding ad vivum at the centre of their common concerns. Contributors include: José Beltrán, Carla Benzan, Eleanor Chan, Robert Felfe, Mechthild Fend, Sachiko Kusukawa, Pieter Martens, Richard Mulholland, Noa Turel, and Daan Van Heesch"-- Provided by publisher Includes bibliographical references and index Introduction: From living presence to lively likeness -- the lives of ad vivum / Thomas Balfe and Joanna Woodall -- Naer het leven : between image-generating techniques and aesthetic mediation / Robert Felfe -- Ad vivum images and knowledge of nature in early modern Europe / Sachiko Kusukawa -- Paintworks au vif to paintings from life : early Netherlandish paintings in the round and the invention of indexicality / Noa Turel -- Cities under siege portrayed ad vivum in early Netherlandish prints (1520-1565) / Pieter Martens -- "Jerusalem naert leven"? : envisioning the Holy City in the Low Countries (1525-1575) / Daan van Heesch -- Coming to life at the Sacro Monte of Varallo : the sacred image al vivo in post-Tridentine Italy / Carla Benzan -- The vital breath : mathematical visualizations in England and the Netherlands around 1600 / Eleanor Chan -- Nature au naturel in late-seventeenth-century France / Jose Beltran -- Drawing the cadaver ad vivum : Gerard de Lairesse's illustrations for Govard Bidloo's Anatomia humani corporis / Mechthild Fend -- The mechanism and materials of painting colour ad vivum in the eighteenth century / Richard Mulholland Description based on online resource; title from digital title page (viewed on July 27, 2020). Art Historiography Terminology. Latin language Terms and phrases. Historiography Europe History. Resemblance (Philosophy) http://id.loc.gov/authorities/subjects/sh85113058 Visual communication Europe History. Knowledge, Theory of Europe History. Latin language Terms and phrases. http://id.loc.gov/authorities/subjects/sh85074957 Art Historiographie Terminologie. Latin (Langue) Mots et locutions. Ressemblance (Philosophie) Communication visuelle Europe Histoire. Théorie de la connaissance Europe Histoire. Historiographie Europe Histoire. ART History General. bisacsh Historiography fast Knowledge, Theory of fast Latin language Terms and phrases fast Resemblance (Philosophy) fast Visual communication fast Europe fast History fast Balfe, Thomas, editor. http://id.loc.gov/authorities/names/no2019044124 Woodall, Joanna, editor. http://id.loc.gov/authorities/names/nr97022153 Zittel, Claus, editor. http://id.loc.gov/authorities/names/no97007184 Print version: Ad vivum? Leiden ; Boston : Brill, [2019] 9789004329942 (DLC) 2019012521 (OCoLC)1096214133 Intersections (Boston, Mass.) ; v. 61. http://id.loc.gov/authorities/names/n2001031217 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2172676 Volltext |
| spellingShingle | Ad vivum? : visual materials and the vocabulary of life-likeness in Europe before 1800 / Intersections (Boston, Mass.) ; Introduction: From living presence to lively likeness -- the lives of ad vivum / Thomas Balfe and Joanna Woodall -- Naer het leven : between image-generating techniques and aesthetic mediation / Robert Felfe -- Ad vivum images and knowledge of nature in early modern Europe / Sachiko Kusukawa -- Paintworks au vif to paintings from life : early Netherlandish paintings in the round and the invention of indexicality / Noa Turel -- Cities under siege portrayed ad vivum in early Netherlandish prints (1520-1565) / Pieter Martens -- "Jerusalem naert leven"? : envisioning the Holy City in the Low Countries (1525-1575) / Daan van Heesch -- Coming to life at the Sacro Monte of Varallo : the sacred image al vivo in post-Tridentine Italy / Carla Benzan -- The vital breath : mathematical visualizations in England and the Netherlands around 1600 / Eleanor Chan -- Nature au naturel in late-seventeenth-century France / Jose Beltran -- Drawing the cadaver ad vivum : Gerard de Lairesse's illustrations for Govard Bidloo's Anatomia humani corporis / Mechthild Fend -- The mechanism and materials of painting colour ad vivum in the eighteenth century / Richard Mulholland Art Historiography Terminology. Latin language Terms and phrases. Historiography Europe History. Resemblance (Philosophy) http://id.loc.gov/authorities/subjects/sh85113058 Visual communication Europe History. Knowledge, Theory of Europe History. Latin language Terms and phrases. http://id.loc.gov/authorities/subjects/sh85074957 Art Historiographie Terminologie. Latin (Langue) Mots et locutions. Ressemblance (Philosophie) Communication visuelle Europe Histoire. Théorie de la connaissance Europe Histoire. Historiographie Europe Histoire. ART History General. bisacsh Historiography fast Knowledge, Theory of fast Latin language Terms and phrases fast Resemblance (Philosophy) fast Visual communication fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85113058 http://id.loc.gov/authorities/subjects/sh85074957 |
| title | Ad vivum? : visual materials and the vocabulary of life-likeness in Europe before 1800 / |
| title_auth | Ad vivum? : visual materials and the vocabulary of life-likeness in Europe before 1800 / |
| title_exact_search | Ad vivum? : visual materials and the vocabulary of life-likeness in Europe before 1800 / |
| title_full | Ad vivum? : visual materials and the vocabulary of life-likeness in Europe before 1800 / edited by Thomas Balfe, Joanna Woodall, Claus Zittel. |
| title_fullStr | Ad vivum? : visual materials and the vocabulary of life-likeness in Europe before 1800 / edited by Thomas Balfe, Joanna Woodall, Claus Zittel. |
| title_full_unstemmed | Ad vivum? : visual materials and the vocabulary of life-likeness in Europe before 1800 / edited by Thomas Balfe, Joanna Woodall, Claus Zittel. |
| title_short | Ad vivum? : |
| title_sort | ad vivum visual materials and the vocabulary of life likeness in europe before 1800 |
| title_sub | visual materials and the vocabulary of life-likeness in Europe before 1800 / |
| topic | Art Historiography Terminology. Latin language Terms and phrases. Historiography Europe History. Resemblance (Philosophy) http://id.loc.gov/authorities/subjects/sh85113058 Visual communication Europe History. Knowledge, Theory of Europe History. Latin language Terms and phrases. http://id.loc.gov/authorities/subjects/sh85074957 Art Historiographie Terminologie. Latin (Langue) Mots et locutions. Ressemblance (Philosophie) Communication visuelle Europe Histoire. Théorie de la connaissance Europe Histoire. Historiographie Europe Histoire. ART History General. bisacsh Historiography fast Knowledge, Theory of fast Latin language Terms and phrases fast Resemblance (Philosophy) fast Visual communication fast |
| topic_facet | Art Historiography Terminology. Latin language Terms and phrases. Historiography Europe History. Resemblance (Philosophy) Visual communication Europe History. Knowledge, Theory of Europe History. Art Historiographie Terminologie. Latin (Langue) Mots et locutions. Ressemblance (Philosophie) Communication visuelle Europe Histoire. Théorie de la connaissance Europe Histoire. Historiographie Europe Histoire. ART History General. Historiography Knowledge, Theory of Latin language Terms and phrases Visual communication Europe History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2172676 |
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