The Requiem of Tomas Luis de Victoria (1603) /:
Victoria's Requiem is among the best-loved and most-performed musical works of the Renaissance, and is often held to be 'a Requiem for an age', representing the summation of golden-age Spanish polyphony. Yet it has been the focus of surprisingly little research. Owen Rees's multi...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge :
Cambridge University Press,
2019.
|
| Schriftenreihe: | Music in context.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Victoria's Requiem is among the best-loved and most-performed musical works of the Renaissance, and is often held to be 'a Requiem for an age', representing the summation of golden-age Spanish polyphony. Yet it has been the focus of surprisingly little research. Owen Rees's multifaceted study brings together the historical and ritual contexts for the work's genesis, the first detailed musical analysis of the Requiem itself, and the long story of its circulation and reception. Victoria composed this music in 1603 for the exequies of María of Austria, and oversaw its publication two years later. A rich variety of contemporary documentation allows these events - and the nature of music in Habsburg exequies - to be reconstructed vividly. Rees then locates Victoria's music within the context of a vast international repertory of Requiems, much of it previously unstudied, and identifies the techniques which render this work so powerfully distinctive and coherent. |
| Beschreibung: | 1 online resource (xiv, 262 pages) : illustrations, music |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781108687522 1108687520 9781107294301 1107294304 |
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| 520 | |a Victoria's Requiem is among the best-loved and most-performed musical works of the Renaissance, and is often held to be 'a Requiem for an age', representing the summation of golden-age Spanish polyphony. Yet it has been the focus of surprisingly little research. Owen Rees's multifaceted study brings together the historical and ritual contexts for the work's genesis, the first detailed musical analysis of the Requiem itself, and the long story of its circulation and reception. Victoria composed this music in 1603 for the exequies of María of Austria, and oversaw its publication two years later. A rich variety of contemporary documentation allows these events - and the nature of music in Habsburg exequies - to be reconstructed vividly. Rees then locates Victoria's music within the context of a vast international repertory of Requiems, much of it previously unstudied, and identifies the techniques which render this work so powerfully distinctive and coherent. | ||
| 505 | 0 | |a Cover; Half-title page; Series page; Title page; Copyright page; Dedication; Contents; List of Illustrations; List of Tables; List of Music Examples; Acknowledgements; Author's Note; Note on the Abbreviations; Introduction: 'Requiem for an Age'?; 1 Chaplain of the Empress; 2 María's Exequies in Context; 3 Publishing the Officium defunctorum; 4 Fashioning the Requiem; 5 'The Crowning Work of a Great Genius'; Epilogue: Requiem for Our Age?; Appendix 1: Officium defunctorum: Texts and Translations of the Paratextual Material | |
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| contents | Cover; Half-title page; Series page; Title page; Copyright page; Dedication; Contents; List of Illustrations; List of Tables; List of Music Examples; Acknowledgements; Author's Note; Note on the Abbreviations; Introduction: 'Requiem for an Age'?; 1 Chaplain of the Empress; 2 María's Exequies in Context; 3 Publishing the Officium defunctorum; 4 Fashioning the Requiem; 5 'The Crowning Work of a Great Genius'; Epilogue: Requiem for Our Age?; Appendix 1: Officium defunctorum: Texts and Translations of the Paratextual Material Appendix 2: Requiem Masses by Italian Composers Printed between 1560 and 1650Select Bibliography; Discography; Index |
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| indexdate | 2024-11-27T13:29:24Z |
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| isbn | 9781108687522 1108687520 9781107294301 1107294304 |
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| series | Music in context. |
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| spelling | Rees, Owen, author. The Requiem of Tomas Luis de Victoria (1603) / Owen Rees. Cambridge : Cambridge University Press, 2019. ©2019 1 online resource (xiv, 262 pages) : illustrations, music text txt rdacontent computer c rdamedia online resource cr rdacarrier Music in context Includes bibliographical references and index. Victoria's Requiem is among the best-loved and most-performed musical works of the Renaissance, and is often held to be 'a Requiem for an age', representing the summation of golden-age Spanish polyphony. Yet it has been the focus of surprisingly little research. Owen Rees's multifaceted study brings together the historical and ritual contexts for the work's genesis, the first detailed musical analysis of the Requiem itself, and the long story of its circulation and reception. Victoria composed this music in 1603 for the exequies of María of Austria, and oversaw its publication two years later. A rich variety of contemporary documentation allows these events - and the nature of music in Habsburg exequies - to be reconstructed vividly. Rees then locates Victoria's music within the context of a vast international repertory of Requiems, much of it previously unstudied, and identifies the techniques which render this work so powerfully distinctive and coherent. Cover; Half-title page; Series page; Title page; Copyright page; Dedication; Contents; List of Illustrations; List of Tables; List of Music Examples; Acknowledgements; Author's Note; Note on the Abbreviations; Introduction: 'Requiem for an Age'?; 1 Chaplain of the Empress; 2 María's Exequies in Context; 3 Publishing the Officium defunctorum; 4 Fashioning the Requiem; 5 'The Crowning Work of a Great Genius'; Epilogue: Requiem for Our Age?; Appendix 1: Officium defunctorum: Texts and Translations of the Paratextual Material Print version record. Appendix 2: Requiem Masses by Italian Composers Printed between 1560 and 1650Select Bibliography; Discography; Index Victoria, Tomás Luis de, approximately 1548-1611. Officium defunctorum. http://id.loc.gov/authorities/names/n89668996 Maria, Empress, consort of Maximilian II, Holy Roman Emperor, 1528-1603 Death and burial. Maria, Empress, consort of Maximilian II, Holy Roman Emperor, 1528-1603 fast https://id.oclc.org/worldcat/entity/E39PBJmXQbwWtBbtHrMMf9JCcP Officium defunctorum (Victoria, Tomás Luis de) fast MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Death and burial of a person fast Electronic book. Music in context. http://id.loc.gov/authorities/names/no2012101704 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2046204 Volltext |
| spellingShingle | Rees, Owen The Requiem of Tomas Luis de Victoria (1603) / Music in context. Cover; Half-title page; Series page; Title page; Copyright page; Dedication; Contents; List of Illustrations; List of Tables; List of Music Examples; Acknowledgements; Author's Note; Note on the Abbreviations; Introduction: 'Requiem for an Age'?; 1 Chaplain of the Empress; 2 María's Exequies in Context; 3 Publishing the Officium defunctorum; 4 Fashioning the Requiem; 5 'The Crowning Work of a Great Genius'; Epilogue: Requiem for Our Age?; Appendix 1: Officium defunctorum: Texts and Translations of the Paratextual Material Appendix 2: Requiem Masses by Italian Composers Printed between 1560 and 1650Select Bibliography; Discography; Index Victoria, Tomás Luis de, approximately 1548-1611. Officium defunctorum. http://id.loc.gov/authorities/names/n89668996 Maria, Empress, consort of Maximilian II, Holy Roman Emperor, 1528-1603 Death and burial. Maria, Empress, consort of Maximilian II, Holy Roman Emperor, 1528-1603 fast https://id.oclc.org/worldcat/entity/E39PBJmXQbwWtBbtHrMMf9JCcP Officium defunctorum (Victoria, Tomás Luis de) fast MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Death and burial of a person fast |
| subject_GND | http://id.loc.gov/authorities/names/n89668996 |
| title | The Requiem of Tomas Luis de Victoria (1603) / |
| title_auth | The Requiem of Tomas Luis de Victoria (1603) / |
| title_exact_search | The Requiem of Tomas Luis de Victoria (1603) / |
| title_full | The Requiem of Tomas Luis de Victoria (1603) / Owen Rees. |
| title_fullStr | The Requiem of Tomas Luis de Victoria (1603) / Owen Rees. |
| title_full_unstemmed | The Requiem of Tomas Luis de Victoria (1603) / Owen Rees. |
| title_short | The Requiem of Tomas Luis de Victoria (1603) / |
| title_sort | requiem of tomas luis de victoria 1603 |
| topic | Victoria, Tomás Luis de, approximately 1548-1611. Officium defunctorum. http://id.loc.gov/authorities/names/n89668996 Maria, Empress, consort of Maximilian II, Holy Roman Emperor, 1528-1603 Death and burial. Maria, Empress, consort of Maximilian II, Holy Roman Emperor, 1528-1603 fast https://id.oclc.org/worldcat/entity/E39PBJmXQbwWtBbtHrMMf9JCcP Officium defunctorum (Victoria, Tomás Luis de) fast MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Death and burial of a person fast |
| topic_facet | Victoria, Tomás Luis de, approximately 1548-1611. Officium defunctorum. Maria, Empress, consort of Maximilian II, Holy Roman Emperor, 1528-1603 Death and burial. Maria, Empress, consort of Maximilian II, Holy Roman Emperor, 1528-1603 Officium defunctorum (Victoria, Tomás Luis de) MUSIC Instruction & Study Voice. MUSIC Lyrics. MUSIC Printed Music Vocal. Death and burial of a person Electronic book. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2046204 |
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