Contemporary Peruvian cinema :: history, identity and violence on screen /
The political violence that erupted towards the end of the twentieth century between the Peruvian state and militant group `Shining Path'left an indelible mark on the country that resonates even today. This study explores representations of the insurgency on screen, and asks what these tell us...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London ; New York :
I.B. Tauris,
2018.
|
Schriftenreihe: | Tauris world cinema series.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | The political violence that erupted towards the end of the twentieth century between the Peruvian state and militant group `Shining Path'left an indelible mark on the country that resonates even today. This study explores representations of the insurgency on screen, and asks what these tell us about the relationship between state, fiction cinema and identity in Peru. In the process, Sarah Barrow highlights the Peruvian experience as a paradigm for the wider study of film-making in societies faced with violence and terrorism. This book provides in-depth analyses of the pivotal films from the 1980s through to the present day that interpret the events, characters and consequences of the bloody conflict. Setting the films in the context of a time of turbulent transition for both Peruvian society and cinema - addressing developments in film policy and production - it reveals the attempts by filmmakers to reflect, shape, define and contest the identity of a fractured population. By interrogating important themes such as memory, trauma and cultural responses to terrorism, chapters explore local perception of nationhood, and highlight links to other Latin American cinemas and global issues. Featuring discussions of the work of Francisco Lombardi, Marianne Eyde, Fabrizio Aguilar and Josue Mendez, amongst others, this detailed investigation of the growing success and political importance of the industry's output traces the complexities of modern Peruvian history. |
Beschreibung: | 1 online resource (xiv, 242 pages, 16 unnumbered pages of plates) : 24 illustrations (chiefly color) |
Bibliographie: | Includes bibliographical references (pages 215-227), filmography (pages 228-229) and index. |
ISBN: | 9781838608200 1838608206 9781838608217 1838608214 |
Internformat
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520 | |a The political violence that erupted towards the end of the twentieth century between the Peruvian state and militant group `Shining Path'left an indelible mark on the country that resonates even today. This study explores representations of the insurgency on screen, and asks what these tell us about the relationship between state, fiction cinema and identity in Peru. In the process, Sarah Barrow highlights the Peruvian experience as a paradigm for the wider study of film-making in societies faced with violence and terrorism. This book provides in-depth analyses of the pivotal films from the 1980s through to the present day that interpret the events, characters and consequences of the bloody conflict. Setting the films in the context of a time of turbulent transition for both Peruvian society and cinema - addressing developments in film policy and production - it reveals the attempts by filmmakers to reflect, shape, define and contest the identity of a fractured population. By interrogating important themes such as memory, trauma and cultural responses to terrorism, chapters explore local perception of nationhood, and highlight links to other Latin American cinemas and global issues. Featuring discussions of the work of Francisco Lombardi, Marianne Eyde, Fabrizio Aguilar and Josue Mendez, amongst others, this detailed investigation of the growing success and political importance of the industry's output traces the complexities of modern Peruvian history. | ||
504 | |a Includes bibliographical references (pages 215-227), filmography (pages 228-229) and index. | ||
505 | 0 | |a Cinema, state and national identity -- Cinema, transition and turmoil -- Cinema, oppression and ideology, 1992-2000 -- Cinema, memory and truth, 2000-2004 -- New generations and open wounds, 2005-2016. | |
588 | 0 | |a Print version record. | |
650 | 0 | |a Motion pictures |z Peru |x History. | |
650 | 0 | |a History in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2008000955 | |
650 | 0 | |a Violence in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85143526 | |
650 | 0 | |a Identity (Psychology) in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85064154 | |
651 | 0 | |a Peru |x In motion pictures. | |
651 | 0 | |a Peru |x History |y 1980- |0 http://id.loc.gov/authorities/subjects/sh94000373 | |
650 | 0 | |a Group identity |z Peru. | |
650 | 6 | |a Cinéma |z Pérou |x Histoire. | |
650 | 6 | |a Histoire au cinéma. | |
650 | 6 | |a Violence au cinéma. | |
650 | 6 | |a Identité (Psychologie) au cinéma. | |
651 | 6 | |a Pérou |x Histoire |y 1980- | |
650 | 6 | |a Identité collective |z Pérou. | |
650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
650 | 7 | |a Violence in motion pictures |2 fast | |
650 | 7 | |a Identity (Psychology) in motion pictures |2 fast | |
650 | 7 | |a History in motion pictures |2 fast | |
650 | 7 | |a Group identity |2 fast | |
650 | 7 | |a Motion pictures |2 fast | |
651 | 7 | |a Peru |2 fast |1 https://id.oclc.org/worldcat/entity/E39QbtfRwXyDPBcQmWxb7mRpGB | |
648 | 7 | |a Since 1980 |2 fast | |
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758 | |i has work: |a Contemporary Peruvian cinema (Text) |1 https://id.oclc.org/worldcat/entity/E39PCXmTTcxV4kh3FbGKtw8v3P |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Barrow, Sarah. |t Contemporary Peruvian cinema. |d London ; New York : I.B. Tauris, 2018 |z 9781784538217 |w (OCoLC)1032720545 |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-on1090540832 |
---|---|
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adam_text | |
any_adam_object | |
author | Barrow, Sarah |
author_facet | Barrow, Sarah |
author_role | aut |
author_sort | Barrow, Sarah |
author_variant | s b sb |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1993 |
callnumber-raw | PN1993.5.P4 B37 2018eb |
callnumber-search | PN1993.5.P4 B37 2018eb |
callnumber-sort | PN 41993.5 P4 B37 42018EB |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Cinema, state and national identity -- Cinema, transition and turmoil -- Cinema, oppression and ideology, 1992-2000 -- Cinema, memory and truth, 2000-2004 -- New generations and open wounds, 2005-2016. |
ctrlnum | (OCoLC)1090540832 |
dewey-full | 791.430985 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.430985 |
dewey-search | 791.430985 |
dewey-sort | 3791.430985 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
era | Since 1980 fast |
era_facet | Since 1980 |
format | Electronic eBook |
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genre | History fast |
genre_facet | History |
geographic | Peru In motion pictures. Peru History 1980- http://id.loc.gov/authorities/subjects/sh94000373 Pérou Histoire 1980- Peru fast https://id.oclc.org/worldcat/entity/E39QbtfRwXyDPBcQmWxb7mRpGB |
geographic_facet | Peru In motion pictures. Peru History 1980- Pérou Histoire 1980- Peru |
id | ZDB-4-EBA-on1090540832 |
illustrated | Illustrated |
indexdate | 2024-10-25T15:50:12Z |
institution | BVB |
isbn | 9781838608200 1838608206 9781838608217 1838608214 |
language | English |
oclc_num | 1090540832 |
open_access_boolean | |
owner | MAIN |
owner_facet | MAIN |
physical | 1 online resource (xiv, 242 pages, 16 unnumbered pages of plates) : 24 illustrations (chiefly color) |
psigel | ZDB-4-EBA |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | I.B. Tauris, |
record_format | marc |
series | Tauris world cinema series. |
series2 | Tauris World Cinema Series |
spelling | Barrow, Sarah, author. Contemporary Peruvian cinema : history, identity and violence on screen / Sarah Barrow. London ; New York : I.B. Tauris, 2018. ©2018 1 online resource (xiv, 242 pages, 16 unnumbered pages of plates) : 24 illustrations (chiefly color) text txt rdacontent computer c rdamedia online resource cr rdacarrier Tauris World Cinema Series The political violence that erupted towards the end of the twentieth century between the Peruvian state and militant group `Shining Path'left an indelible mark on the country that resonates even today. This study explores representations of the insurgency on screen, and asks what these tell us about the relationship between state, fiction cinema and identity in Peru. In the process, Sarah Barrow highlights the Peruvian experience as a paradigm for the wider study of film-making in societies faced with violence and terrorism. This book provides in-depth analyses of the pivotal films from the 1980s through to the present day that interpret the events, characters and consequences of the bloody conflict. Setting the films in the context of a time of turbulent transition for both Peruvian society and cinema - addressing developments in film policy and production - it reveals the attempts by filmmakers to reflect, shape, define and contest the identity of a fractured population. By interrogating important themes such as memory, trauma and cultural responses to terrorism, chapters explore local perception of nationhood, and highlight links to other Latin American cinemas and global issues. Featuring discussions of the work of Francisco Lombardi, Marianne Eyde, Fabrizio Aguilar and Josue Mendez, amongst others, this detailed investigation of the growing success and political importance of the industry's output traces the complexities of modern Peruvian history. Includes bibliographical references (pages 215-227), filmography (pages 228-229) and index. Cinema, state and national identity -- Cinema, transition and turmoil -- Cinema, oppression and ideology, 1992-2000 -- Cinema, memory and truth, 2000-2004 -- New generations and open wounds, 2005-2016. Print version record. Motion pictures Peru History. History in motion pictures. http://id.loc.gov/authorities/subjects/sh2008000955 Violence in motion pictures. http://id.loc.gov/authorities/subjects/sh85143526 Identity (Psychology) in motion pictures. http://id.loc.gov/authorities/subjects/sh85064154 Peru In motion pictures. Peru History 1980- http://id.loc.gov/authorities/subjects/sh94000373 Group identity Peru. Cinéma Pérou Histoire. Histoire au cinéma. Violence au cinéma. Identité (Psychologie) au cinéma. Pérou Histoire 1980- Identité collective Pérou. PERFORMING ARTS Reference. bisacsh Violence in motion pictures fast Identity (Psychology) in motion pictures fast History in motion pictures fast Group identity fast Motion pictures fast Peru fast https://id.oclc.org/worldcat/entity/E39QbtfRwXyDPBcQmWxb7mRpGB Since 1980 fast History fast has work: Contemporary Peruvian cinema (Text) https://id.oclc.org/worldcat/entity/E39PCXmTTcxV4kh3FbGKtw8v3P https://id.oclc.org/worldcat/ontology/hasWork Print version: Barrow, Sarah. Contemporary Peruvian cinema. London ; New York : I.B. Tauris, 2018 9781784538217 (OCoLC)1032720545 Tauris world cinema series. http://id.loc.gov/authorities/names/no2007115506 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2089911 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2089911 Volltext |
spellingShingle | Barrow, Sarah Contemporary Peruvian cinema : history, identity and violence on screen / Tauris world cinema series. Cinema, state and national identity -- Cinema, transition and turmoil -- Cinema, oppression and ideology, 1992-2000 -- Cinema, memory and truth, 2000-2004 -- New generations and open wounds, 2005-2016. Motion pictures Peru History. History in motion pictures. http://id.loc.gov/authorities/subjects/sh2008000955 Violence in motion pictures. http://id.loc.gov/authorities/subjects/sh85143526 Identity (Psychology) in motion pictures. http://id.loc.gov/authorities/subjects/sh85064154 Group identity Peru. Cinéma Pérou Histoire. Histoire au cinéma. Violence au cinéma. Identité (Psychologie) au cinéma. Identité collective Pérou. PERFORMING ARTS Reference. bisacsh Violence in motion pictures fast Identity (Psychology) in motion pictures fast History in motion pictures fast Group identity fast Motion pictures fast |
subject_GND | http://id.loc.gov/authorities/subjects/sh2008000955 http://id.loc.gov/authorities/subjects/sh85143526 http://id.loc.gov/authorities/subjects/sh85064154 http://id.loc.gov/authorities/subjects/sh94000373 |
title | Contemporary Peruvian cinema : history, identity and violence on screen / |
title_auth | Contemporary Peruvian cinema : history, identity and violence on screen / |
title_exact_search | Contemporary Peruvian cinema : history, identity and violence on screen / |
title_full | Contemporary Peruvian cinema : history, identity and violence on screen / Sarah Barrow. |
title_fullStr | Contemporary Peruvian cinema : history, identity and violence on screen / Sarah Barrow. |
title_full_unstemmed | Contemporary Peruvian cinema : history, identity and violence on screen / Sarah Barrow. |
title_short | Contemporary Peruvian cinema : |
title_sort | contemporary peruvian cinema history identity and violence on screen |
title_sub | history, identity and violence on screen / |
topic | Motion pictures Peru History. History in motion pictures. http://id.loc.gov/authorities/subjects/sh2008000955 Violence in motion pictures. http://id.loc.gov/authorities/subjects/sh85143526 Identity (Psychology) in motion pictures. http://id.loc.gov/authorities/subjects/sh85064154 Group identity Peru. Cinéma Pérou Histoire. Histoire au cinéma. Violence au cinéma. Identité (Psychologie) au cinéma. Identité collective Pérou. PERFORMING ARTS Reference. bisacsh Violence in motion pictures fast Identity (Psychology) in motion pictures fast History in motion pictures fast Group identity fast Motion pictures fast |
topic_facet | Motion pictures Peru History. History in motion pictures. Violence in motion pictures. Identity (Psychology) in motion pictures. Peru In motion pictures. Peru History 1980- Group identity Peru. Cinéma Pérou Histoire. Histoire au cinéma. Violence au cinéma. Identité (Psychologie) au cinéma. Pérou Histoire 1980- Identité collective Pérou. PERFORMING ARTS Reference. Violence in motion pictures Identity (Psychology) in motion pictures History in motion pictures Group identity Motion pictures Peru History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2089911 |
work_keys_str_mv | AT barrowsarah contemporaryperuviancinemahistoryidentityandviolenceonscreen |