Curating pop :: exhibiting popular music in the museum /
"Curating Pop speaks to the rapidly growing interest in the study of popular music exhibitions, which has occurred alongside the increasing number of popular music museums in operation across the world. Focusing on curatorial practices and processes, this book draws on interviews with museum wo...
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| Main Authors: | , , |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
New York, NY :
Bloomsbury Academic,
2019
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | "Curating Pop speaks to the rapidly growing interest in the study of popular music exhibitions, which has occurred alongside the increasing number of popular music museums in operation across the world. Focusing on curatorial practices and processes, this book draws on interviews with museum workers and curators from twenty museums globally, including the Country Music Hall of Fame in Nashville, the Experience Music Project in Seattle and the PopMuseum in Prague. Through a consideration of the subjective experiences of curators involved in the exhibition of popular music in museums in a range of geographic locations, Curating Pop compares institutional practices internationally, illustrating the ways in which popular music history is presented to visitors in a wider sense."--Bloomsbury Publishing |
| Physical Description: | 1 online resource (x, 179 pages) |
| Bibliography: | Includes bibliographical references and index |
| ISBN: | 9781501343599 1501343599 9781501343605 1501343602 9781501343612 1501343610 |
Staff View
MARC
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| 245 | 1 | 0 | |a Curating pop : |b exhibiting popular music in the museum / |c Sarah Baker, Lauren Istvandity and Raphaël Nowak |
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| 520 | |a "Curating Pop speaks to the rapidly growing interest in the study of popular music exhibitions, which has occurred alongside the increasing number of popular music museums in operation across the world. Focusing on curatorial practices and processes, this book draws on interviews with museum workers and curators from twenty museums globally, including the Country Music Hall of Fame in Nashville, the Experience Music Project in Seattle and the PopMuseum in Prague. Through a consideration of the subjective experiences of curators involved in the exhibition of popular music in museums in a range of geographic locations, Curating Pop compares institutional practices internationally, illustrating the ways in which popular music history is presented to visitors in a wider sense."--Bloomsbury Publishing | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Curatorial practice in popular music museums: an introduction -- Canonic representations: the celebration of dominant (and hidden) histories -- Selling the museum experience: curation, economies, and visitor experience -- Popular music and place: local, national and global stories -- Treating objects like art: curating material culture -- Telling stories: narratives of popular music's past -- Curator subjectivity: influence and bias in popular music exhibitions -- Living history: nostalgia as affective curatorial practice -- Managing the music: Sound in the popular music museum -- Beyond the typology: concluding thoughts | |
| 588 | 0 | |a Print version record | |
| 650 | 0 | |a Music museums |x Curatorship. | |
| 650 | 0 | |a Popular music |v Exhibitions. | |
| 650 | 0 | |a Popular music |x Historiography. |0 http://id.loc.gov/authorities/subjects/sh2015000023 | |
| 650 | 6 | |a Musique populaire |v Expositions. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Popular music |2 fast | |
| 650 | 7 | |a Popular music |x Historiography |2 fast | |
| 653 | |a Museum and Curatorial Studies (Art). | ||
| 653 | |a Music & Sound Studies. | ||
| 653 | |a Music and Culture. | ||
| 655 | 7 | |a exhibition catalogs. |2 aat | |
| 655 | 7 | |a Exhibition catalogs |2 fast | |
| 655 | 7 | |a Exhibition catalogs. |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2014026098 | |
| 655 | 7 | |a Catalogues d'exposition. |2 rvmgf | |
| 700 | 1 | |a Istvandity, Lauren, |e author. | |
| 700 | 1 | |a Nowak, Raphaël, |d 1985- |e author. |0 http://id.loc.gov/authorities/names/n2015035203 | |
| 758 | |i has work: |a Curating pop (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFFvq9QHhKHmffPTH3WTBP |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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Record in the Search Index
| DE-BY-FWS_katkey | ZDB-4-EBA-on1089883701 |
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| _version_ | 1829095298608136192 |
| adam_text | |
| any_adam_object | |
| author | Baker, Sarah, 1977- Istvandity, Lauren Nowak, Raphaël, 1985- |
| author_GND | http://id.loc.gov/authorities/names/n2010019565 http://id.loc.gov/authorities/names/n2015035203 |
| author_facet | Baker, Sarah, 1977- Istvandity, Lauren Nowak, Raphaël, 1985- |
| author_role | aut aut aut |
| author_sort | Baker, Sarah, 1977- |
| author_variant | s b sb l i li r n rn |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3470 |
| callnumber-raw | ML3470 .B356 2019eb |
| callnumber-search | ML3470 .B356 2019eb |
| callnumber-sort | ML 43470 B356 42019EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Curatorial practice in popular music museums: an introduction -- Canonic representations: the celebration of dominant (and hidden) histories -- Selling the museum experience: curation, economies, and visitor experience -- Popular music and place: local, national and global stories -- Treating objects like art: curating material culture -- Telling stories: narratives of popular music's past -- Curator subjectivity: influence and bias in popular music exhibitions -- Living history: nostalgia as affective curatorial practice -- Managing the music: Sound in the popular music museum -- Beyond the typology: concluding thoughts |
| ctrlnum | (OCoLC)1089883701 |
| dewey-full | 781.64075 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.64075 |
| dewey-search | 781.64075 |
| dewey-sort | 3781.64075 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| genre_facet | exhibition catalogs. Exhibition catalogs Exhibition catalogs. Catalogues d'exposition. |
| id | ZDB-4-EBA-on1089883701 |
| illustrated | Not Illustrated |
| indexdate | 2025-04-11T08:46:48Z |
| institution | BVB |
| isbn | 9781501343599 1501343599 9781501343605 1501343602 9781501343612 1501343610 |
| language | English |
| lccn | 2019012015 |
| oclc_num | 1089883701 |
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| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (x, 179 pages) |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Bloomsbury Academic, |
| record_format | marc |
| spelling | Baker, Sarah, 1977- author. http://id.loc.gov/authorities/names/n2010019565 Curating pop : exhibiting popular music in the museum / Sarah Baker, Lauren Istvandity and Raphaël Nowak 1906 New York, NY : Bloomsbury Academic, 2019 ©2019 1 online resource (x, 179 pages) text txt rdacontent computer n rdamedia online resource nc rdacarrier "Curating Pop speaks to the rapidly growing interest in the study of popular music exhibitions, which has occurred alongside the increasing number of popular music museums in operation across the world. Focusing on curatorial practices and processes, this book draws on interviews with museum workers and curators from twenty museums globally, including the Country Music Hall of Fame in Nashville, the Experience Music Project in Seattle and the PopMuseum in Prague. Through a consideration of the subjective experiences of curators involved in the exhibition of popular music in museums in a range of geographic locations, Curating Pop compares institutional practices internationally, illustrating the ways in which popular music history is presented to visitors in a wider sense."--Bloomsbury Publishing Includes bibliographical references and index Curatorial practice in popular music museums: an introduction -- Canonic representations: the celebration of dominant (and hidden) histories -- Selling the museum experience: curation, economies, and visitor experience -- Popular music and place: local, national and global stories -- Treating objects like art: curating material culture -- Telling stories: narratives of popular music's past -- Curator subjectivity: influence and bias in popular music exhibitions -- Living history: nostalgia as affective curatorial practice -- Managing the music: Sound in the popular music museum -- Beyond the typology: concluding thoughts Print version record Music museums Curatorship. Popular music Exhibitions. Popular music Historiography. http://id.loc.gov/authorities/subjects/sh2015000023 Musique populaire Expositions. MUSIC Instruction & Study Theory. bisacsh Popular music fast Popular music Historiography fast Museum and Curatorial Studies (Art). Music & Sound Studies. Music and Culture. exhibition catalogs. aat Exhibition catalogs fast Exhibition catalogs. lcgft http://id.loc.gov/authorities/genreForms/gf2014026098 Catalogues d'exposition. rvmgf Istvandity, Lauren, author. Nowak, Raphaël, 1985- author. http://id.loc.gov/authorities/names/n2015035203 has work: Curating pop (Text) https://id.oclc.org/worldcat/entity/E39PCFFvq9QHhKHmffPTH3WTBP https://id.oclc.org/worldcat/ontology/hasWork Print version: Baker, Sarah, 1977- Curating pop. New York, NY : Bloomsbury Academic, 2019 9781501343575 (DLC) 2019007906 (OCoLC)1044832145 |
| spellingShingle | Baker, Sarah, 1977- Istvandity, Lauren Nowak, Raphaël, 1985- Curating pop : exhibiting popular music in the museum / Curatorial practice in popular music museums: an introduction -- Canonic representations: the celebration of dominant (and hidden) histories -- Selling the museum experience: curation, economies, and visitor experience -- Popular music and place: local, national and global stories -- Treating objects like art: curating material culture -- Telling stories: narratives of popular music's past -- Curator subjectivity: influence and bias in popular music exhibitions -- Living history: nostalgia as affective curatorial practice -- Managing the music: Sound in the popular music museum -- Beyond the typology: concluding thoughts Music museums Curatorship. Popular music Exhibitions. Popular music Historiography. http://id.loc.gov/authorities/subjects/sh2015000023 Musique populaire Expositions. MUSIC Instruction & Study Theory. bisacsh Popular music fast Popular music Historiography fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2015000023 http://id.loc.gov/authorities/genreForms/gf2014026098 |
| title | Curating pop : exhibiting popular music in the museum / |
| title_auth | Curating pop : exhibiting popular music in the museum / |
| title_exact_search | Curating pop : exhibiting popular music in the museum / |
| title_full | Curating pop : exhibiting popular music in the museum / Sarah Baker, Lauren Istvandity and Raphaël Nowak |
| title_fullStr | Curating pop : exhibiting popular music in the museum / Sarah Baker, Lauren Istvandity and Raphaël Nowak |
| title_full_unstemmed | Curating pop : exhibiting popular music in the museum / Sarah Baker, Lauren Istvandity and Raphaël Nowak |
| title_short | Curating pop : |
| title_sort | curating pop exhibiting popular music in the museum |
| title_sub | exhibiting popular music in the museum / |
| topic | Music museums Curatorship. Popular music Exhibitions. Popular music Historiography. http://id.loc.gov/authorities/subjects/sh2015000023 Musique populaire Expositions. MUSIC Instruction & Study Theory. bisacsh Popular music fast Popular music Historiography fast |
| topic_facet | Music museums Curatorship. Popular music Exhibitions. Popular music Historiography. Musique populaire Expositions. MUSIC Instruction & Study Theory. Popular music Popular music Historiography exhibition catalogs. Exhibition catalogs Exhibition catalogs. Catalogues d'exposition. |
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