Language, the singer and the song :: the sociolinguistics of folk performance /
The relationship between language and music has much in common - rhythm, structure, sound, metaphor. Exploring the phenomena of song and performance, this book presents a sociolinguistic model for analysing them. Based on ethnomusicologist John Blacking's contention that any song performed comm...
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| Main Authors: | , |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge, United Kingdom ; New York, NY :
Cambridge University Press,
2018.
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | The relationship between language and music has much in common - rhythm, structure, sound, metaphor. Exploring the phenomena of song and performance, this book presents a sociolinguistic model for analysing them. Based on ethnomusicologist John Blacking's contention that any song performed communally is a 'folk song' regardless of its generic origins, it argues that folk song to a far greater extent than other song genres displays 'communal' or 'inclusive' types of performance. The defining feature of folk song as a multi-modal instantiation of music and language is its participatory nature, making it ideal for sociolinguistic analysis. In this sense, a folk song is the product of specific types of developing social interaction whose major purpose is the construction of a temporally and locally based community. Through repeated instantiations, this can lead to disparate communities of practice, which, over time, develop sociocultural registers and a communal stance towards aspects of meaningful events in everyday lives that become typical of a discourse community. |
| Physical Description: | 1 online resource |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9781316998458 9781316285657 1316998452 1316285650 |
Staff View
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| 520 | 8 | |a The relationship between language and music has much in common - rhythm, structure, sound, metaphor. Exploring the phenomena of song and performance, this book presents a sociolinguistic model for analysing them. Based on ethnomusicologist John Blacking's contention that any song performed communally is a 'folk song' regardless of its generic origins, it argues that folk song to a far greater extent than other song genres displays 'communal' or 'inclusive' types of performance. The defining feature of folk song as a multi-modal instantiation of music and language is its participatory nature, making it ideal for sociolinguistic analysis. In this sense, a folk song is the product of specific types of developing social interaction whose major purpose is the construction of a temporally and locally based community. Through repeated instantiations, this can lead to disparate communities of practice, which, over time, develop sociocultural registers and a communal stance towards aspects of meaningful events in everyday lives that become typical of a discourse community. | |
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| spelling | Watts, Richard J., author. Language, the singer and the song : the sociolinguistics of folk performance / Richard J. Watts, Franz Andres Morrissey. Cambridge, United Kingdom ; New York, NY : Cambridge University Press, 2018. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. The relationship between language and music has much in common - rhythm, structure, sound, metaphor. Exploring the phenomena of song and performance, this book presents a sociolinguistic model for analysing them. Based on ethnomusicologist John Blacking's contention that any song performed communally is a 'folk song' regardless of its generic origins, it argues that folk song to a far greater extent than other song genres displays 'communal' or 'inclusive' types of performance. The defining feature of folk song as a multi-modal instantiation of music and language is its participatory nature, making it ideal for sociolinguistic analysis. In this sense, a folk song is the product of specific types of developing social interaction whose major purpose is the construction of a temporally and locally based community. Through repeated instantiations, this can lead to disparate communities of practice, which, over time, develop sociocultural registers and a communal stance towards aspects of meaningful events in everyday lives that become typical of a discourse community. Print version record. Music Performance Social aspects. Music and language. http://id.loc.gov/authorities/subjects/sh85088885 Folk songs History and criticism. Musique Exécution Aspect social. Musique et langage. Chansons folkloriques Histoire et critique. POLITICAL SCIENCE Public Policy Cultural Policy. bisacsh SOCIAL SCIENCE Anthropology Cultural. bisacsh SOCIAL SCIENCE Popular Culture. bisacsh Folk songs fast Music and language fast Folksong gnd http://d-nb.info/gnd/4154968-5 Sänger gnd http://d-nb.info/gnd/4124099-6 Criticism, interpretation, etc. fast Morrissey, Franz Andres, author. Print version: Watts, Richard J. Language, the singer and the song. Cambridge, United Kingdom ; New York, NY : Cambridge University Press, 2018 9781107112711 (DLC) 2017054707 (OCoLC)1013962761 |
| spellingShingle | Watts, Richard J. Morrissey, Franz Andres Language, the singer and the song : the sociolinguistics of folk performance / Music Performance Social aspects. Music and language. http://id.loc.gov/authorities/subjects/sh85088885 Folk songs History and criticism. Musique Exécution Aspect social. Musique et langage. Chansons folkloriques Histoire et critique. POLITICAL SCIENCE Public Policy Cultural Policy. bisacsh SOCIAL SCIENCE Anthropology Cultural. bisacsh SOCIAL SCIENCE Popular Culture. bisacsh Folk songs fast Music and language fast Folksong gnd http://d-nb.info/gnd/4154968-5 Sänger gnd http://d-nb.info/gnd/4124099-6 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088885 http://d-nb.info/gnd/4154968-5 http://d-nb.info/gnd/4124099-6 |
| title | Language, the singer and the song : the sociolinguistics of folk performance / |
| title_auth | Language, the singer and the song : the sociolinguistics of folk performance / |
| title_exact_search | Language, the singer and the song : the sociolinguistics of folk performance / |
| title_full | Language, the singer and the song : the sociolinguistics of folk performance / Richard J. Watts, Franz Andres Morrissey. |
| title_fullStr | Language, the singer and the song : the sociolinguistics of folk performance / Richard J. Watts, Franz Andres Morrissey. |
| title_full_unstemmed | Language, the singer and the song : the sociolinguistics of folk performance / Richard J. Watts, Franz Andres Morrissey. |
| title_short | Language, the singer and the song : |
| title_sort | language the singer and the song the sociolinguistics of folk performance |
| title_sub | the sociolinguistics of folk performance / |
| topic | Music Performance Social aspects. Music and language. http://id.loc.gov/authorities/subjects/sh85088885 Folk songs History and criticism. Musique Exécution Aspect social. Musique et langage. Chansons folkloriques Histoire et critique. POLITICAL SCIENCE Public Policy Cultural Policy. bisacsh SOCIAL SCIENCE Anthropology Cultural. bisacsh SOCIAL SCIENCE Popular Culture. bisacsh Folk songs fast Music and language fast Folksong gnd http://d-nb.info/gnd/4154968-5 Sänger gnd http://d-nb.info/gnd/4124099-6 |
| topic_facet | Music Performance Social aspects. Music and language. Folk songs History and criticism. Musique Exécution Aspect social. Musique et langage. Chansons folkloriques Histoire et critique. POLITICAL SCIENCE Public Policy Cultural Policy. SOCIAL SCIENCE Anthropology Cultural. SOCIAL SCIENCE Popular Culture. Folk songs Music and language Folksong Sänger Criticism, interpretation, etc. |
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