Perception metaphors /:
Gespeichert in:
Weitere Verfasser: | , , , |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Amsterdam ; Philadelphia :
John Benjamins Publishing Company,
[2019]
|
Schriftenreihe: | Converging evidence in language and communication research ;
v. 19. |
Schlagworte: | |
Online-Zugang: | Volltext |
Beschreibung: | The collection of articles in this volume came from a workshop " Perception Metaphor " organized by the editors in 2016, and held at the Max Planck Institute for Psycholinguistics, Nijmegen, The Netherlands. |
Beschreibung: | 1 online resource (viii, 382 pages) |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9789027263049 9027263043 |
ISSN: | 1566-7774 ; |
Internformat
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500 | |a The collection of articles in this volume came from a workshop " Perception Metaphor " organized by the editors in 2016, and held at the Max Planck Institute for Psycholinguistics, Nijmegen, The Netherlands. | ||
504 | |a Includes bibliographical references and index. | ||
588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
505 | 0 | |a Intro; Perception Metaphors; Editorial page; Title page; Copyright page; Table of contents; Preface; Chapter 1. Perception metaphors: A view from diversity; 1. Metaphor and perception; 2. Perception metaphor and directionality; 3. Perception metaphor and diversity; 4. Concluding remarks; Acknowledgements; References; Chapter 2. Words of sense; Acknowledgements; References; Chapter 3. Perception metaphors in cognitive linguistics: Scope, motivation, and lexicalisation; 1. Perception metaphors ahoy!; 2. Some notes on how to deal with conceptual metaphors in cognitive linguistics | |
505 | 8 | |a 3. The scope of perception metaphors4. The motivation of perception metaphors; 5. The lexicalisation of perception metaphors; 6. Conclusions; Acknowledgements; References; Chapter 4. Perception metaphor in English: A bird's-eye view; 1. Introduction; 2. Mapping Metaphor with the Historical Thesaurus; 2.1 Methods; 2.2 Getting to grips with the data; 2.3 The Metaphor Map; 3. Perception metaphor; 3.1 Overview of perception categories; 3.2 A comparison: Overview of emotion categories; 3.3 Touch: Metaphor over time; 3.4 Smell: Categories and domains; 3.5 Taste: Senses as source and target | |
505 | 8 | |a 4. ConclusionAcknowledgements; References; Chapter 5. Metaphors and perception in the lexicon: A diachronic perspective; 1. Introduction; 2. Our data; 3. Annotation; 4. Results; 4.1 Changes in the primary sense; 4.2 Intrafield changes (and persistence); 4.3 Transfield changes (and persistence); 5. Conclusions; Acknowledgements; References; Dictionaries and corpora; Appendix A. Latin sensory adjectives; Chapter 6. Synaesthetic metaphors are neither synaesthetic nor metaphorical; 1. Introduction; 2. Background on synaesthetic metaphors; 3. Beware of synaesthesia; 4. Beyond synaesthesia | |
505 | 8 | |a 5. Alternative analyses: Primary metaphors and metonymy6. Conclusions; Acknowledgements; References; Chapter 7. Sensory experiences, meaning and metaphor: The case of wine; 1. Introduction; 2. Describing wine through metaphor; 3. Sensing wine: Cross-sensory metaphors; 4. Concluding remarks; Acknowledgements; References; Chapter 8. Taste Metaphors in Hieroglyphic Egyptian; 1. Introduction; 2. Particularities of the Ancient Egyptian language and script; 3. Methodological background: Conceptual Metaphor Theory and Property Selection Processes; 4. The sensory modality of taste in Egyptian | |
505 | 8 | |a 4.1 The verb ṭp4.2 Prototypical and physical meanings; 4.3 Emotional meanings; 4.4 Cognitive meanings; 5. Conclusion; Acknowledgements; Abbreviations; List of examples; References; Chapter 9. Why do we understand music as moving?: The metaphorical basis of musical motion revisited; 1. Introduction; 2. Musical motion and Conceptual Metaphor Theory; 2.1 The enigma of musical motion; 2.2 A potential answer to the enigma of musical motion: Conceptual Metaphor Theory; 3. Method; 4. Results; 5. Musical motion as fictive motion; 6. Conclusion; Acknowledgements; References | |
650 | 0 | |a Metaphor |v Congresses. | |
650 | 0 | |a Cognitive grammar |v Congresses. | |
650 | 6 | |a Métaphore |v Congrès. | |
650 | 6 | |a Grammaire cognitive |v Congrès. | |
650 | 7 | |a LANGUAGE ARTS & DISCIPLINES |x General. |2 bisacsh | |
650 | 7 | |a Cognitive grammar |2 fast | |
650 | 7 | |a Metaphor |2 fast | |
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700 | 1 | |a Speed, Laura J., |e editor. |0 http://id.loc.gov/authorities/names/n2018063770 | |
700 | 1 | |a O'Meara, Carolyn, |e editor. |0 http://id.loc.gov/authorities/names/no2015117906 | |
700 | 1 | |a San Roque, Lila, |e editor. |0 http://id.loc.gov/authorities/names/no2004114712 | |
700 | 1 | |a Majid, Asifa, |e editor. |0 http://id.loc.gov/authorities/names/n2018063779 | |
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author2 | Speed, Laura J. O'Meara, Carolyn San Roque, Lila Majid, Asifa |
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author_GND | http://id.loc.gov/authorities/names/n2018063770 http://id.loc.gov/authorities/names/no2015117906 http://id.loc.gov/authorities/names/no2004114712 http://id.loc.gov/authorities/names/n2018063779 |
author_facet | Speed, Laura J. O'Meara, Carolyn San Roque, Lila Majid, Asifa |
building | Verbundindex |
bvnumber | localFWS |
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callnumber-label | P301 |
callnumber-raw | P301.5.M48 P46 2019 |
callnumber-search | P301.5.M48 P46 2019 |
callnumber-sort | P 3301.5 M48 P46 42019 |
callnumber-subject | P - Philology and Linguistics |
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contents | Intro; Perception Metaphors; Editorial page; Title page; Copyright page; Table of contents; Preface; Chapter 1. Perception metaphors: A view from diversity; 1. Metaphor and perception; 2. Perception metaphor and directionality; 3. Perception metaphor and diversity; 4. Concluding remarks; Acknowledgements; References; Chapter 2. Words of sense; Acknowledgements; References; Chapter 3. Perception metaphors in cognitive linguistics: Scope, motivation, and lexicalisation; 1. Perception metaphors ahoy!; 2. Some notes on how to deal with conceptual metaphors in cognitive linguistics 3. The scope of perception metaphors4. The motivation of perception metaphors; 5. The lexicalisation of perception metaphors; 6. Conclusions; Acknowledgements; References; Chapter 4. Perception metaphor in English: A bird's-eye view; 1. Introduction; 2. Mapping Metaphor with the Historical Thesaurus; 2.1 Methods; 2.2 Getting to grips with the data; 2.3 The Metaphor Map; 3. Perception metaphor; 3.1 Overview of perception categories; 3.2 A comparison: Overview of emotion categories; 3.3 Touch: Metaphor over time; 3.4 Smell: Categories and domains; 3.5 Taste: Senses as source and target 4. ConclusionAcknowledgements; References; Chapter 5. Metaphors and perception in the lexicon: A diachronic perspective; 1. Introduction; 2. Our data; 3. Annotation; 4. Results; 4.1 Changes in the primary sense; 4.2 Intrafield changes (and persistence); 4.3 Transfield changes (and persistence); 5. Conclusions; Acknowledgements; References; Dictionaries and corpora; Appendix A. Latin sensory adjectives; Chapter 6. Synaesthetic metaphors are neither synaesthetic nor metaphorical; 1. Introduction; 2. Background on synaesthetic metaphors; 3. Beware of synaesthesia; 4. Beyond synaesthesia 5. Alternative analyses: Primary metaphors and metonymy6. Conclusions; Acknowledgements; References; Chapter 7. Sensory experiences, meaning and metaphor: The case of wine; 1. Introduction; 2. Describing wine through metaphor; 3. Sensing wine: Cross-sensory metaphors; 4. Concluding remarks; Acknowledgements; References; Chapter 8. Taste Metaphors in Hieroglyphic Egyptian; 1. Introduction; 2. Particularities of the Ancient Egyptian language and script; 3. Methodological background: Conceptual Metaphor Theory and Property Selection Processes; 4. The sensory modality of taste in Egyptian 4.1 The verb ṭp4.2 Prototypical and physical meanings; 4.3 Emotional meanings; 4.4 Cognitive meanings; 5. Conclusion; Acknowledgements; Abbreviations; List of examples; References; Chapter 9. Why do we understand music as moving?: The metaphorical basis of musical motion revisited; 1. Introduction; 2. Musical motion and Conceptual Metaphor Theory; 2.1 The enigma of musical motion; 2.2 A potential answer to the enigma of musical motion: Conceptual Metaphor Theory; 3. Method; 4. Results; 5. Musical motion as fictive motion; 6. Conclusion; Acknowledgements; References |
ctrlnum | (OCoLC)1078958038 |
dewey-full | 401/.43 |
dewey-hundreds | 400 - Language |
dewey-ones | 401 - Philosophy and theory |
dewey-raw | 401/.43 |
dewey-search | 401/.43 |
dewey-sort | 3401 243 |
dewey-tens | 400 - Language |
discipline | Sprachwissenschaft |
format | Electronic eBook |
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series | Converging evidence in language and communication research ; |
series2 | Converging evidence in language and communication research (CELCR), |
spelling | Perception metaphors / edited by Laura J. Speed, Carolyn O'Meara, Lila San Roque, Asifa Majid. Amsterdam ; Philadelphia : John Benjamins Publishing Company, [2019] 1 online resource (viii, 382 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Converging evidence in language and communication research (CELCR), 1566-7774 ; volume 19 The collection of articles in this volume came from a workshop " Perception Metaphor " organized by the editors in 2016, and held at the Max Planck Institute for Psycholinguistics, Nijmegen, The Netherlands. Includes bibliographical references and index. Print version record and CIP data provided by publisher; resource not viewed. Intro; Perception Metaphors; Editorial page; Title page; Copyright page; Table of contents; Preface; Chapter 1. Perception metaphors: A view from diversity; 1. Metaphor and perception; 2. Perception metaphor and directionality; 3. Perception metaphor and diversity; 4. Concluding remarks; Acknowledgements; References; Chapter 2. Words of sense; Acknowledgements; References; Chapter 3. Perception metaphors in cognitive linguistics: Scope, motivation, and lexicalisation; 1. Perception metaphors ahoy!; 2. Some notes on how to deal with conceptual metaphors in cognitive linguistics 3. The scope of perception metaphors4. The motivation of perception metaphors; 5. The lexicalisation of perception metaphors; 6. Conclusions; Acknowledgements; References; Chapter 4. Perception metaphor in English: A bird's-eye view; 1. Introduction; 2. Mapping Metaphor with the Historical Thesaurus; 2.1 Methods; 2.2 Getting to grips with the data; 2.3 The Metaphor Map; 3. Perception metaphor; 3.1 Overview of perception categories; 3.2 A comparison: Overview of emotion categories; 3.3 Touch: Metaphor over time; 3.4 Smell: Categories and domains; 3.5 Taste: Senses as source and target 4. ConclusionAcknowledgements; References; Chapter 5. Metaphors and perception in the lexicon: A diachronic perspective; 1. Introduction; 2. Our data; 3. Annotation; 4. Results; 4.1 Changes in the primary sense; 4.2 Intrafield changes (and persistence); 4.3 Transfield changes (and persistence); 5. Conclusions; Acknowledgements; References; Dictionaries and corpora; Appendix A. Latin sensory adjectives; Chapter 6. Synaesthetic metaphors are neither synaesthetic nor metaphorical; 1. Introduction; 2. Background on synaesthetic metaphors; 3. Beware of synaesthesia; 4. Beyond synaesthesia 5. Alternative analyses: Primary metaphors and metonymy6. Conclusions; Acknowledgements; References; Chapter 7. Sensory experiences, meaning and metaphor: The case of wine; 1. Introduction; 2. Describing wine through metaphor; 3. Sensing wine: Cross-sensory metaphors; 4. Concluding remarks; Acknowledgements; References; Chapter 8. Taste Metaphors in Hieroglyphic Egyptian; 1. Introduction; 2. Particularities of the Ancient Egyptian language and script; 3. Methodological background: Conceptual Metaphor Theory and Property Selection Processes; 4. The sensory modality of taste in Egyptian 4.1 The verb ṭp4.2 Prototypical and physical meanings; 4.3 Emotional meanings; 4.4 Cognitive meanings; 5. Conclusion; Acknowledgements; Abbreviations; List of examples; References; Chapter 9. Why do we understand music as moving?: The metaphorical basis of musical motion revisited; 1. Introduction; 2. Musical motion and Conceptual Metaphor Theory; 2.1 The enigma of musical motion; 2.2 A potential answer to the enigma of musical motion: Conceptual Metaphor Theory; 3. Method; 4. Results; 5. Musical motion as fictive motion; 6. Conclusion; Acknowledgements; References Metaphor Congresses. Cognitive grammar Congresses. Métaphore Congrès. Grammaire cognitive Congrès. LANGUAGE ARTS & DISCIPLINES General. bisacsh Cognitive grammar fast Metaphor fast Conference papers and proceedings fast Speed, Laura J., editor. http://id.loc.gov/authorities/names/n2018063770 O'Meara, Carolyn, editor. http://id.loc.gov/authorities/names/no2015117906 San Roque, Lila, editor. http://id.loc.gov/authorities/names/no2004114712 Majid, Asifa, editor. http://id.loc.gov/authorities/names/n2018063779 Print version: Perception metaphors. Amsterdam ; Philadelphia : John Benjamins Publishing Company, [2019] 9789027202000 (DLC) 2018045420 Converging evidence in language and communication research ; v. 19. http://id.loc.gov/authorities/names/n00096329 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2015228 Volltext |
spellingShingle | Perception metaphors / Converging evidence in language and communication research ; Intro; Perception Metaphors; Editorial page; Title page; Copyright page; Table of contents; Preface; Chapter 1. Perception metaphors: A view from diversity; 1. Metaphor and perception; 2. Perception metaphor and directionality; 3. Perception metaphor and diversity; 4. Concluding remarks; Acknowledgements; References; Chapter 2. Words of sense; Acknowledgements; References; Chapter 3. Perception metaphors in cognitive linguistics: Scope, motivation, and lexicalisation; 1. Perception metaphors ahoy!; 2. Some notes on how to deal with conceptual metaphors in cognitive linguistics 3. The scope of perception metaphors4. The motivation of perception metaphors; 5. The lexicalisation of perception metaphors; 6. Conclusions; Acknowledgements; References; Chapter 4. Perception metaphor in English: A bird's-eye view; 1. Introduction; 2. Mapping Metaphor with the Historical Thesaurus; 2.1 Methods; 2.2 Getting to grips with the data; 2.3 The Metaphor Map; 3. Perception metaphor; 3.1 Overview of perception categories; 3.2 A comparison: Overview of emotion categories; 3.3 Touch: Metaphor over time; 3.4 Smell: Categories and domains; 3.5 Taste: Senses as source and target 4. ConclusionAcknowledgements; References; Chapter 5. Metaphors and perception in the lexicon: A diachronic perspective; 1. Introduction; 2. Our data; 3. Annotation; 4. Results; 4.1 Changes in the primary sense; 4.2 Intrafield changes (and persistence); 4.3 Transfield changes (and persistence); 5. Conclusions; Acknowledgements; References; Dictionaries and corpora; Appendix A. Latin sensory adjectives; Chapter 6. Synaesthetic metaphors are neither synaesthetic nor metaphorical; 1. Introduction; 2. Background on synaesthetic metaphors; 3. Beware of synaesthesia; 4. Beyond synaesthesia 5. Alternative analyses: Primary metaphors and metonymy6. Conclusions; Acknowledgements; References; Chapter 7. Sensory experiences, meaning and metaphor: The case of wine; 1. Introduction; 2. Describing wine through metaphor; 3. Sensing wine: Cross-sensory metaphors; 4. Concluding remarks; Acknowledgements; References; Chapter 8. Taste Metaphors in Hieroglyphic Egyptian; 1. Introduction; 2. Particularities of the Ancient Egyptian language and script; 3. Methodological background: Conceptual Metaphor Theory and Property Selection Processes; 4. The sensory modality of taste in Egyptian 4.1 The verb ṭp4.2 Prototypical and physical meanings; 4.3 Emotional meanings; 4.4 Cognitive meanings; 5. Conclusion; Acknowledgements; Abbreviations; List of examples; References; Chapter 9. Why do we understand music as moving?: The metaphorical basis of musical motion revisited; 1. Introduction; 2. Musical motion and Conceptual Metaphor Theory; 2.1 The enigma of musical motion; 2.2 A potential answer to the enigma of musical motion: Conceptual Metaphor Theory; 3. Method; 4. Results; 5. Musical motion as fictive motion; 6. Conclusion; Acknowledgements; References Metaphor Congresses. Cognitive grammar Congresses. Métaphore Congrès. Grammaire cognitive Congrès. LANGUAGE ARTS & DISCIPLINES General. bisacsh Cognitive grammar fast Metaphor fast |
title | Perception metaphors / |
title_auth | Perception metaphors / |
title_exact_search | Perception metaphors / |
title_full | Perception metaphors / edited by Laura J. Speed, Carolyn O'Meara, Lila San Roque, Asifa Majid. |
title_fullStr | Perception metaphors / edited by Laura J. Speed, Carolyn O'Meara, Lila San Roque, Asifa Majid. |
title_full_unstemmed | Perception metaphors / edited by Laura J. Speed, Carolyn O'Meara, Lila San Roque, Asifa Majid. |
title_short | Perception metaphors / |
title_sort | perception metaphors |
topic | Metaphor Congresses. Cognitive grammar Congresses. Métaphore Congrès. Grammaire cognitive Congrès. LANGUAGE ARTS & DISCIPLINES General. bisacsh Cognitive grammar fast Metaphor fast |
topic_facet | Metaphor Congresses. Cognitive grammar Congresses. Métaphore Congrès. Grammaire cognitive Congrès. LANGUAGE ARTS & DISCIPLINES General. Cognitive grammar Metaphor Conference papers and proceedings |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2015228 |
work_keys_str_mv | AT speedlauraj perceptionmetaphors AT omearacarolyn perceptionmetaphors AT sanroquelila perceptionmetaphors AT majidasifa perceptionmetaphors |