Popular music in the post-digital age :: politics, economy, culture and technology /
"Popular Music in the Post-Digital Age explores the relationship between macro environmental factors, such as politics, economics, culture and technology, captured by terms such as 'post-digital' and 'post-internet'. It also discusses the creation, monetisation and consumpti...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY :
Bloomsbury Academic,
2019.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Popular Music in the Post-Digital Age explores the relationship between macro environmental factors, such as politics, economics, culture and technology, captured by terms such as 'post-digital' and 'post-internet'. It also discusses the creation, monetisation and consumption of music and what changes in the music industry can tell us about wider shifts in economy and culture. This collection of 13 case studies covers issues such as curation algorithms, blockchain, careers of mainstream and independent musicians, festivals and clubs - to inform greater understanding and better navigation of the popular music landscape within a global context."--Bloomsbury Publishing |
| Beschreibung: | 1 online resource (xi, 292 pages) : color illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781501338380 1501338382 |
Internformat
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| 245 | 0 | 0 | |a Popular music in the post-digital age : |b politics, economy, culture and technology / |c edited by Ewa Mazierska, Les Gillon and Tony Rigg. |
| 264 | 1 | |a New York, NY : |b Bloomsbury Academic, |c 2019. | |
| 300 | |a 1 online resource (xi, 292 pages) : |b color illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a List of Contributors -- Introduction: The Future of and through Music -- Ewa Mazierska, Les Gillon and Tony Rigg -- Part 1: Music Industry -- 1. Rethinking Independence: -- What Does 'Independent Record Label' Mean Today? -- Patryk Galuszka and Katarzyna M. Wyrzykowska, University of Lodz, Poland -- 2. The Future of Digital Music Infrastructures: Expectations and Promises of the Blockchain 'Revolution' -- Paolo Magaudda, University of Padua -- 3. 'The Sound of the Future is Here Today': The Market for Post-Rock Within the Traditional Small Music Festival Landscape -- Kenneth Forbes, University of the West of Scotland, UK -- 4. 'They Sold the Festival Out!': Axionormativity as the Future of Festivals -- Waldemar Kuligowski, Adam Mickiewicz University, Poland -- 5. The Hidden Worker Bees: Advanced Neoliberalism and Manchester's Underground Club Scene -- Kamila Rymajdo, Kingston University, UK -- Part 2: Musicians and Their Music -- 6. The Adaptive Musician: The Case of Peter Hook and Graham Massey -- Ewa Mazierska and Tony Rigg, University of Central Lancashire, UK -- 7. Where Do We Go From Here?: The Future of Composers in the Post-Digital Era -- Lars Brn̲dum, University of Skv̲de, Sweden -- 8. Searching for International Success in Europe's Periphery: The Case of Gin Ga and Fran Palermo -- Ewa Mazierska, University of Central Lancashire, UK -- 9. Electro Swing: The Re-Introduction of the Sounds of the Past into the Music of the Future -- Chris Inglis, University of South Wales, UK -- Part 3: Music Consumption -- 10. Back to the Future: Proposing a Heuristic for Predicting the Future of Recorded Music Use -- Mathew Flynn, University of Liverpool, UK -- 11. Young People's Current Music and Media Use in Austria: The Musical Practice of the Future? -- Michael Huber, University of Vienna, Austria -- 12. Curators as Taste Entrepreneurs in the Digital Music Industries -- Emilia Barna, Budapest University of Technology and Economics, Hungary -- 13. An Echoic Chamber: Algorithmic Curation and Personalised Listening -- Andrew Fry, Sounds et al, USA -- Index. | |
| 520 | |a "Popular Music in the Post-Digital Age explores the relationship between macro environmental factors, such as politics, economics, culture and technology, captured by terms such as 'post-digital' and 'post-internet'. It also discusses the creation, monetisation and consumption of music and what changes in the music industry can tell us about wider shifts in economy and culture. This collection of 13 case studies covers issues such as curation algorithms, blockchain, careers of mainstream and independent musicians, festivals and clubs - to inform greater understanding and better navigation of the popular music landscape within a global context."--Bloomsbury Publishing | ||
| 650 | 0 | |a Music trade. |0 http://id.loc.gov/authorities/subjects/sh85088944 | |
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| 650 | 0 | |a Popular music |x Social aspects. | |
| 650 | 0 | |a Streaming audio |x Social aspects. | |
| 650 | 6 | |a Musique |x Industrie. | |
| 650 | 6 | |a Musique et Internet. | |
| 650 | 6 | |a Musique populaire |x Aspect social. | |
| 650 | 6 | |a Audio en continu |x Aspect social. | |
| 650 | 7 | |a Music recording & reproduction. |2 bicssc | |
| 650 | 7 | |a Music industry. |2 bicssc | |
| 650 | 7 | |a Theory of music & musicology. |2 bicssc | |
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| 700 | 1 | |a Rigg, Tony, |e editor. |0 http://id.loc.gov/authorities/names/n2018048341 | |
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| _version_ | 1816882478665695232 |
| adam_text | |
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| author2 | Mazierska, Ewa Gillon, Les Rigg, Tony |
| author2_role | edt edt edt |
| author2_variant | e m em l g lg t r tr |
| author_GND | http://id.loc.gov/authorities/names/no2003020043 http://id.loc.gov/authorities/names/no2017138522 http://id.loc.gov/authorities/names/n2018048341 |
| author_facet | Mazierska, Ewa Gillon, Les Rigg, Tony |
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| callnumber-label | ML3790 |
| callnumber-raw | ML3790 .P667 2019eb |
| callnumber-search | ML3790 .P667 2019eb |
| callnumber-sort | ML 43790 P667 42019EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | List of Contributors -- Introduction: The Future of and through Music -- Ewa Mazierska, Les Gillon and Tony Rigg -- Part 1: Music Industry -- 1. Rethinking Independence: -- What Does 'Independent Record Label' Mean Today? -- Patryk Galuszka and Katarzyna M. Wyrzykowska, University of Lodz, Poland -- 2. The Future of Digital Music Infrastructures: Expectations and Promises of the Blockchain 'Revolution' -- Paolo Magaudda, University of Padua -- 3. 'The Sound of the Future is Here Today': The Market for Post-Rock Within the Traditional Small Music Festival Landscape -- Kenneth Forbes, University of the West of Scotland, UK -- 4. 'They Sold the Festival Out!': Axionormativity as the Future of Festivals -- Waldemar Kuligowski, Adam Mickiewicz University, Poland -- 5. The Hidden Worker Bees: Advanced Neoliberalism and Manchester's Underground Club Scene -- Kamila Rymajdo, Kingston University, UK -- Part 2: Musicians and Their Music -- 6. The Adaptive Musician: The Case of Peter Hook and Graham Massey -- Ewa Mazierska and Tony Rigg, University of Central Lancashire, UK -- 7. Where Do We Go From Here?: The Future of Composers in the Post-Digital Era -- Lars Brn̲dum, University of Skv̲de, Sweden -- 8. Searching for International Success in Europe's Periphery: The Case of Gin Ga and Fran Palermo -- Ewa Mazierska, University of Central Lancashire, UK -- 9. Electro Swing: The Re-Introduction of the Sounds of the Past into the Music of the Future -- Chris Inglis, University of South Wales, UK -- Part 3: Music Consumption -- 10. Back to the Future: Proposing a Heuristic for Predicting the Future of Recorded Music Use -- Mathew Flynn, University of Liverpool, UK -- 11. Young People's Current Music and Media Use in Austria: The Musical Practice of the Future? -- Michael Huber, University of Vienna, Austria -- 12. Curators as Taste Entrepreneurs in the Digital Music Industries -- Emilia Barna, Budapest University of Technology and Economics, Hungary -- 13. An Echoic Chamber: Algorithmic Curation and Personalised Listening -- Andrew Fry, Sounds et al, USA -- Index. |
| ctrlnum | (OCoLC)1076573795 |
| dewey-full | 781.6309/051 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.6309/051 |
| dewey-search | 781.6309/051 |
| dewey-sort | 3781.6309 251 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1076573795 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:29:15Z |
| institution | BVB |
| isbn | 9781501338380 1501338382 |
| language | English |
| oclc_num | 1076573795 |
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| physical | 1 online resource (xi, 292 pages) : color illustrations |
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| publisher | Bloomsbury Academic, |
| record_format | marc |
| spelling | Popular music in the post-digital age : politics, economy, culture and technology / edited by Ewa Mazierska, Les Gillon and Tony Rigg. New York, NY : Bloomsbury Academic, 2019. 1 online resource (xi, 292 pages) : color illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. List of Contributors -- Introduction: The Future of and through Music -- Ewa Mazierska, Les Gillon and Tony Rigg -- Part 1: Music Industry -- 1. Rethinking Independence: -- What Does 'Independent Record Label' Mean Today? -- Patryk Galuszka and Katarzyna M. Wyrzykowska, University of Lodz, Poland -- 2. The Future of Digital Music Infrastructures: Expectations and Promises of the Blockchain 'Revolution' -- Paolo Magaudda, University of Padua -- 3. 'The Sound of the Future is Here Today': The Market for Post-Rock Within the Traditional Small Music Festival Landscape -- Kenneth Forbes, University of the West of Scotland, UK -- 4. 'They Sold the Festival Out!': Axionormativity as the Future of Festivals -- Waldemar Kuligowski, Adam Mickiewicz University, Poland -- 5. The Hidden Worker Bees: Advanced Neoliberalism and Manchester's Underground Club Scene -- Kamila Rymajdo, Kingston University, UK -- Part 2: Musicians and Their Music -- 6. The Adaptive Musician: The Case of Peter Hook and Graham Massey -- Ewa Mazierska and Tony Rigg, University of Central Lancashire, UK -- 7. Where Do We Go From Here?: The Future of Composers in the Post-Digital Era -- Lars Brn̲dum, University of Skv̲de, Sweden -- 8. Searching for International Success in Europe's Periphery: The Case of Gin Ga and Fran Palermo -- Ewa Mazierska, University of Central Lancashire, UK -- 9. Electro Swing: The Re-Introduction of the Sounds of the Past into the Music of the Future -- Chris Inglis, University of South Wales, UK -- Part 3: Music Consumption -- 10. Back to the Future: Proposing a Heuristic for Predicting the Future of Recorded Music Use -- Mathew Flynn, University of Liverpool, UK -- 11. Young People's Current Music and Media Use in Austria: The Musical Practice of the Future? -- Michael Huber, University of Vienna, Austria -- 12. Curators as Taste Entrepreneurs in the Digital Music Industries -- Emilia Barna, Budapest University of Technology and Economics, Hungary -- 13. An Echoic Chamber: Algorithmic Curation and Personalised Listening -- Andrew Fry, Sounds et al, USA -- Index. "Popular Music in the Post-Digital Age explores the relationship between macro environmental factors, such as politics, economics, culture and technology, captured by terms such as 'post-digital' and 'post-internet'. It also discusses the creation, monetisation and consumption of music and what changes in the music industry can tell us about wider shifts in economy and culture. This collection of 13 case studies covers issues such as curation algorithms, blockchain, careers of mainstream and independent musicians, festivals and clubs - to inform greater understanding and better navigation of the popular music landscape within a global context."--Bloomsbury Publishing Music trade. http://id.loc.gov/authorities/subjects/sh85088944 Music and the Internet. http://id.loc.gov/authorities/subjects/sh2004002303 Popular music Social aspects. Streaming audio Social aspects. Musique Industrie. Musique et Internet. Musique populaire Aspect social. Audio en continu Aspect social. Music recording & reproduction. bicssc Music industry. bicssc Theory of music & musicology. bicssc MUSIC Instruction & Study Theory. bisacsh Music and the Internet fast Music trade fast Popular music Social aspects fast Mazierska, Ewa, editor. http://id.loc.gov/authorities/names/no2003020043 Gillon, Les, editor. http://id.loc.gov/authorities/names/no2017138522 Rigg, Tony, editor. http://id.loc.gov/authorities/names/n2018048341 Print version: Popular music in the post-digital age. New York, NY : Bloomsbury Academic, 2019 9781501338373 (DLC) 2018039972 (OCoLC)1051776695 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1947619 Volltext |
| spellingShingle | Popular music in the post-digital age : politics, economy, culture and technology / List of Contributors -- Introduction: The Future of and through Music -- Ewa Mazierska, Les Gillon and Tony Rigg -- Part 1: Music Industry -- 1. Rethinking Independence: -- What Does 'Independent Record Label' Mean Today? -- Patryk Galuszka and Katarzyna M. Wyrzykowska, University of Lodz, Poland -- 2. The Future of Digital Music Infrastructures: Expectations and Promises of the Blockchain 'Revolution' -- Paolo Magaudda, University of Padua -- 3. 'The Sound of the Future is Here Today': The Market for Post-Rock Within the Traditional Small Music Festival Landscape -- Kenneth Forbes, University of the West of Scotland, UK -- 4. 'They Sold the Festival Out!': Axionormativity as the Future of Festivals -- Waldemar Kuligowski, Adam Mickiewicz University, Poland -- 5. The Hidden Worker Bees: Advanced Neoliberalism and Manchester's Underground Club Scene -- Kamila Rymajdo, Kingston University, UK -- Part 2: Musicians and Their Music -- 6. The Adaptive Musician: The Case of Peter Hook and Graham Massey -- Ewa Mazierska and Tony Rigg, University of Central Lancashire, UK -- 7. Where Do We Go From Here?: The Future of Composers in the Post-Digital Era -- Lars Brn̲dum, University of Skv̲de, Sweden -- 8. Searching for International Success in Europe's Periphery: The Case of Gin Ga and Fran Palermo -- Ewa Mazierska, University of Central Lancashire, UK -- 9. Electro Swing: The Re-Introduction of the Sounds of the Past into the Music of the Future -- Chris Inglis, University of South Wales, UK -- Part 3: Music Consumption -- 10. Back to the Future: Proposing a Heuristic for Predicting the Future of Recorded Music Use -- Mathew Flynn, University of Liverpool, UK -- 11. Young People's Current Music and Media Use in Austria: The Musical Practice of the Future? -- Michael Huber, University of Vienna, Austria -- 12. Curators as Taste Entrepreneurs in the Digital Music Industries -- Emilia Barna, Budapest University of Technology and Economics, Hungary -- 13. An Echoic Chamber: Algorithmic Curation and Personalised Listening -- Andrew Fry, Sounds et al, USA -- Index. Music trade. http://id.loc.gov/authorities/subjects/sh85088944 Music and the Internet. http://id.loc.gov/authorities/subjects/sh2004002303 Popular music Social aspects. Streaming audio Social aspects. Musique Industrie. Musique et Internet. Musique populaire Aspect social. Audio en continu Aspect social. Music recording & reproduction. bicssc Music industry. bicssc Theory of music & musicology. bicssc MUSIC Instruction & Study Theory. bisacsh Music and the Internet fast Music trade fast Popular music Social aspects fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088944 http://id.loc.gov/authorities/subjects/sh2004002303 |
| title | Popular music in the post-digital age : politics, economy, culture and technology / |
| title_auth | Popular music in the post-digital age : politics, economy, culture and technology / |
| title_exact_search | Popular music in the post-digital age : politics, economy, culture and technology / |
| title_full | Popular music in the post-digital age : politics, economy, culture and technology / edited by Ewa Mazierska, Les Gillon and Tony Rigg. |
| title_fullStr | Popular music in the post-digital age : politics, economy, culture and technology / edited by Ewa Mazierska, Les Gillon and Tony Rigg. |
| title_full_unstemmed | Popular music in the post-digital age : politics, economy, culture and technology / edited by Ewa Mazierska, Les Gillon and Tony Rigg. |
| title_short | Popular music in the post-digital age : |
| title_sort | popular music in the post digital age politics economy culture and technology |
| title_sub | politics, economy, culture and technology / |
| topic | Music trade. http://id.loc.gov/authorities/subjects/sh85088944 Music and the Internet. http://id.loc.gov/authorities/subjects/sh2004002303 Popular music Social aspects. Streaming audio Social aspects. Musique Industrie. Musique et Internet. Musique populaire Aspect social. Audio en continu Aspect social. Music recording & reproduction. bicssc Music industry. bicssc Theory of music & musicology. bicssc MUSIC Instruction & Study Theory. bisacsh Music and the Internet fast Music trade fast Popular music Social aspects fast |
| topic_facet | Music trade. Music and the Internet. Popular music Social aspects. Streaming audio Social aspects. Musique Industrie. Musique et Internet. Musique populaire Aspect social. Audio en continu Aspect social. Music recording & reproduction. Music industry. Theory of music & musicology. MUSIC Instruction & Study Theory. Music and the Internet Music trade Popular music Social aspects |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1947619 |
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