Public art and the fragility of democracy :: an essay in political aesthetics /
Public space is political space. When a work of public art is put up or taken down, it is an inherently political statement, and the work's aesthetics are inextricably entwined with its political valences. Democracy's openness allows public art to explore its values critically and to sugge...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Columbia University Press,
[2019]
|
| Schriftenreihe: | Columbia themes in philosophy, social criticism, and the arts.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Public space is political space. When a work of public art is put up or taken down, it is an inherently political statement, and the work's aesthetics are inextricably entwined with its political valences. Democracy's openness allows public art to explore its values critically and to suggest new ones. However, it also facilitates artworks that can surreptitiously or fortuitously undermine democratic values. Today, as bigotry and authoritarianism are on the rise and democratic movements seek to combat them, as Confederate monuments fall and sculptures celebrating diversity rise, the struggle over the values enshrined in the public arena has taken on a new urgency. In this book, Fred Evans develops philosophical and political criteria for assessing how public art can respond to the fragility of democracy. He calls for considering such artworks as acts of citizenship, pointing to their capacity to resist autocratic tendencies and reveal new dimensions of democratic society. Through close considerations of Chicago's Millennium Park and New York's National September 11 Memorial, Evans shows how a wide range of artworks participate in democratic dialogues. A nuanced consideration of contemporary art, aesthetics, and political theory, this book is a timely and rigorous elucidation of how thoughtful public art can contribute to the flourishing of a democratic way of life. |
| Beschreibung: | 1 online resource (xiii, 342 pages) : illustrations. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780231547369 0231547366 |
Internformat
MARC
| LEADER | 00000cam a22000002i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1076537098 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu|||||||| | ||
| 008 | 181106t20192019nyua ob 001 0 eng d | ||
| 040 | |a CNCGM |b eng |e pn |e rda |c CNCGM |d OCLCO |d N$T |d JSTOR |d IAY |d OCLCF |d WAU |d QGJ |d OCLCO |d DGITA |d OCLCQ |d OCLCO |d OCLCL |d GZM |d MUQ | ||
| 020 | |a 9780231547369 |q (electronic bk.) | ||
| 020 | |a 0231547366 |q (electronic bk.) | ||
| 020 | |z 9780231187589 |q (hardcover ; |q alkaline paper) | ||
| 020 | |z 0231187580 |q (hardcover ; |q alkaline paper) | ||
| 035 | |a (OCoLC)1076537098 | ||
| 037 | |a 5552423 |b Proquest Ebook Central | ||
| 037 | |a 22573/ctv7qgdz9 |b JSTOR | ||
| 050 | 4 | |a BH301.P64 |b .E936 2019 | |
| 072 | 7 | |a POL |x 032000 |2 bisacsh | |
| 072 | 7 | |a POL |x 040000 |2 bisacsh | |
| 072 | 7 | |a POL |x 030000 |2 bisacsh | |
| 072 | 7 | |a POL |x 018000 |2 bisacsh | |
| 072 | 7 | |a ART |x 037000 |2 bisacsh | |
| 072 | 7 | |a ART |x 062000 |2 bisacsh | |
| 072 | 7 | |a PHI |x 001000 |2 bisacsh | |
| 072 | 7 | |a PHI |x 019000 |2 bisacsh | |
| 082 | 7 | |a 320.10922 |2 23 | |
| 049 | |a MAIN | ||
| 100 | 1 | |a Evans, Fred J., |d 1944- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJfmpCcgj9x4XtBb4RdhHC |0 http://id.loc.gov/authorities/names/n91111735 | |
| 245 | 1 | 0 | |a Public art and the fragility of democracy : |b an essay in political aesthetics / |c Fred Evans. |
| 264 | 1 | |a New York : |b Columbia University Press, |c [2019] | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource (xiii, 342 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Columbia themes in philosophy, social criticism, and the arts | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |g 1. |t Democracy's fragility and the political aesthetics of public art -- |g 2. |t Voices and places : the space of public art and Wodiczko's the homeless projection -- |g 3. |t Democracy's "empty place" : Rawls's political liberalism and Derrida's democracy to come -- |g 4. |t Public art's "plain tablet" : the political aesthetics of contemporary art -- |g 5. |t Democracy and public art : Badiou and Rancière -- |g 6. |t The political aesthetics of Chicago's Millennium Park -- |g 7. |t The political aesthetics of New York's National 9/11 Memorial -- |g 8. |t Public art as an act of citizenship -- |g Appendix: |t Badiou on "being and the void." |
| 520 | 8 | |a Public space is political space. When a work of public art is put up or taken down, it is an inherently political statement, and the work's aesthetics are inextricably entwined with its political valences. Democracy's openness allows public art to explore its values critically and to suggest new ones. However, it also facilitates artworks that can surreptitiously or fortuitously undermine democratic values. Today, as bigotry and authoritarianism are on the rise and democratic movements seek to combat them, as Confederate monuments fall and sculptures celebrating diversity rise, the struggle over the values enshrined in the public arena has taken on a new urgency. In this book, Fred Evans develops philosophical and political criteria for assessing how public art can respond to the fragility of democracy. He calls for considering such artworks as acts of citizenship, pointing to their capacity to resist autocratic tendencies and reveal new dimensions of democratic society. Through close considerations of Chicago's Millennium Park and New York's National September 11 Memorial, Evans shows how a wide range of artworks participate in democratic dialogues. A nuanced consideration of contemporary art, aesthetics, and political theory, this book is a timely and rigorous elucidation of how thoughtful public art can contribute to the flourishing of a democratic way of life. | |
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Aesthetics |x Political aspects. | |
| 650 | 0 | |a Democracy. |0 http://id.loc.gov/authorities/subjects/sh85036647 | |
| 650 | 7 | |a POLITICAL SCIENCE / Essays |2 bisacsh | |
| 650 | 7 | |a POLITICAL SCIENCE / Government / General |2 bisacsh | |
| 650 | 7 | |a POLITICAL SCIENCE / Government / National |2 bisacsh | |
| 650 | 7 | |a POLITICAL SCIENCE / Reference |2 bisacsh | |
| 650 | 7 | |a ART / Art & Politics |2 bisacsh | |
| 650 | 7 | |a Aesthetics |x Political aspects |2 fast | |
| 650 | 7 | |a Democracy |2 fast | |
| 758 | |i has work: |a Public art and the fragility of democracy (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGbkdy8y8Y3FKDqyHkG9ym |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Evans, Fred. |t Public art and the fragility of democracy : an essay in political aesthetics. |d New York : Columbia University Press, [2019] |z 9780231187589 |
| 830 | 0 | |a Columbia themes in philosophy, social criticism, and the arts. |0 http://id.loc.gov/authorities/names/no2006085813 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1907439 |3 Volltext |
| 938 | |a Digitalia Publishing |b DGIT |n DIGCOLUP0392 | ||
| 938 | |a EBSCOhost |b EBSC |n 1907439 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1076537098 |
|---|---|
| _version_ | 1816882478510505984 |
| adam_text | |
| any_adam_object | |
| author | Evans, Fred J., 1944- |
| author_GND | http://id.loc.gov/authorities/names/n91111735 |
| author_facet | Evans, Fred J., 1944- |
| author_role | aut |
| author_sort | Evans, Fred J., 1944- |
| author_variant | f j e fj fje |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | B - Philosophy, Psychology, Religion |
| callnumber-label | BH301 |
| callnumber-raw | BH301.P64 .E936 2019 |
| callnumber-search | BH301.P64 .E936 2019 |
| callnumber-sort | BH 3301 P64 E936 42019 |
| callnumber-subject | BH - Aesthetics |
| collection | ZDB-4-EBA |
| contents | Democracy's fragility and the political aesthetics of public art -- Voices and places : the space of public art and Wodiczko's the homeless projection -- Democracy's "empty place" : Rawls's political liberalism and Derrida's democracy to come -- Public art's "plain tablet" : the political aesthetics of contemporary art -- Democracy and public art : Badiou and Rancière -- The political aesthetics of Chicago's Millennium Park -- The political aesthetics of New York's National 9/11 Memorial -- Public art as an act of citizenship -- Badiou on "being and the void." |
| ctrlnum | (OCoLC)1076537098 |
| dewey-full | 320.10922 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 320 - Political science (Politics and government) |
| dewey-raw | 320.10922 |
| dewey-search | 320.10922 |
| dewey-sort | 3320.10922 |
| dewey-tens | 320 - Political science (Politics and government) |
| discipline | Politologie |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05062cam a22006732i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1076537098</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu||||||||</controlfield><controlfield tag="008">181106t20192019nyua ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">CNCGM</subfield><subfield code="b">eng</subfield><subfield code="e">pn</subfield><subfield code="e">rda</subfield><subfield code="c">CNCGM</subfield><subfield code="d">OCLCO</subfield><subfield code="d">N$T</subfield><subfield code="d">JSTOR</subfield><subfield code="d">IAY</subfield><subfield code="d">OCLCF</subfield><subfield code="d">WAU</subfield><subfield code="d">QGJ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">DGITA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">GZM</subfield><subfield code="d">MUQ</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231547369</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0231547366</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780231187589</subfield><subfield code="q">(hardcover ;</subfield><subfield code="q">alkaline paper)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0231187580</subfield><subfield code="q">(hardcover ;</subfield><subfield code="q">alkaline paper)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1076537098</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">5552423</subfield><subfield code="b">Proquest Ebook Central</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctv7qgdz9</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">BH301.P64</subfield><subfield code="b">.E936 2019</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">POL</subfield><subfield code="x">032000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">POL</subfield><subfield code="x">040000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">POL</subfield><subfield code="x">030000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">POL</subfield><subfield code="x">018000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">037000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">062000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PHI</subfield><subfield code="x">001000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PHI</subfield><subfield code="x">019000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">320.10922</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Evans, Fred J.,</subfield><subfield code="d">1944-</subfield><subfield code="e">author.</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PBJfmpCcgj9x4XtBb4RdhHC</subfield><subfield code="0">http://id.loc.gov/authorities/names/n91111735</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Public art and the fragility of democracy :</subfield><subfield code="b">an essay in political aesthetics /</subfield><subfield code="c">Fred Evans.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York :</subfield><subfield code="b">Columbia University Press,</subfield><subfield code="c">[2019]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (xiii, 342 pages) :</subfield><subfield code="b">illustrations.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Columbia themes in philosophy, social criticism, and the arts</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="g">1.</subfield><subfield code="t">Democracy's fragility and the political aesthetics of public art --</subfield><subfield code="g">2.</subfield><subfield code="t">Voices and places : the space of public art and Wodiczko's the homeless projection --</subfield><subfield code="g">3.</subfield><subfield code="t">Democracy's "empty place" : Rawls's political liberalism and Derrida's democracy to come --</subfield><subfield code="g">4.</subfield><subfield code="t">Public art's "plain tablet" : the political aesthetics of contemporary art --</subfield><subfield code="g">5.</subfield><subfield code="t">Democracy and public art : Badiou and Rancière --</subfield><subfield code="g">6.</subfield><subfield code="t">The political aesthetics of Chicago's Millennium Park --</subfield><subfield code="g">7.</subfield><subfield code="t">The political aesthetics of New York's National 9/11 Memorial --</subfield><subfield code="g">8.</subfield><subfield code="t">Public art as an act of citizenship --</subfield><subfield code="g">Appendix:</subfield><subfield code="t">Badiou on "being and the void."</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">Public space is political space. When a work of public art is put up or taken down, it is an inherently political statement, and the work's aesthetics are inextricably entwined with its political valences. Democracy's openness allows public art to explore its values critically and to suggest new ones. However, it also facilitates artworks that can surreptitiously or fortuitously undermine democratic values. Today, as bigotry and authoritarianism are on the rise and democratic movements seek to combat them, as Confederate monuments fall and sculptures celebrating diversity rise, the struggle over the values enshrined in the public arena has taken on a new urgency. In this book, Fred Evans develops philosophical and political criteria for assessing how public art can respond to the fragility of democracy. He calls for considering such artworks as acts of citizenship, pointing to their capacity to resist autocratic tendencies and reveal new dimensions of democratic society. Through close considerations of Chicago's Millennium Park and New York's National September 11 Memorial, Evans shows how a wide range of artworks participate in democratic dialogues. A nuanced consideration of contemporary art, aesthetics, and political theory, this book is a timely and rigorous elucidation of how thoughtful public art can contribute to the flourishing of a democratic way of life.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on print version record.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Aesthetics</subfield><subfield code="x">Political aspects.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Democracy.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85036647</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">POLITICAL SCIENCE / Essays</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">POLITICAL SCIENCE / Government / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">POLITICAL SCIENCE / Government / National</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">POLITICAL SCIENCE / Reference</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / Art & Politics</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Aesthetics</subfield><subfield code="x">Political aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Democracy</subfield><subfield code="2">fast</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Public art and the fragility of democracy (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGbkdy8y8Y3FKDqyHkG9ym</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Evans, Fred.</subfield><subfield code="t">Public art and the fragility of democracy : an essay in political aesthetics.</subfield><subfield code="d">New York : Columbia University Press, [2019]</subfield><subfield code="z">9780231187589</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Columbia themes in philosophy, social criticism, and the arts.</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2006085813</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1907439</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Digitalia Publishing</subfield><subfield code="b">DGIT</subfield><subfield code="n">DIGCOLUP0392</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1907439</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| id | ZDB-4-EBA-on1076537098 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:29:15Z |
| institution | BVB |
| isbn | 9780231547369 0231547366 |
| language | English |
| oclc_num | 1076537098 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xiii, 342 pages) : illustrations. |
| psigel | ZDB-4-EBA |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Columbia University Press, |
| record_format | marc |
| series | Columbia themes in philosophy, social criticism, and the arts. |
| series2 | Columbia themes in philosophy, social criticism, and the arts |
| spelling | Evans, Fred J., 1944- author. https://id.oclc.org/worldcat/entity/E39PBJfmpCcgj9x4XtBb4RdhHC http://id.loc.gov/authorities/names/n91111735 Public art and the fragility of democracy : an essay in political aesthetics / Fred Evans. New York : Columbia University Press, [2019] ©2019 1 online resource (xiii, 342 pages) : illustrations. text txt rdacontent computer c rdamedia online resource cr rdacarrier Columbia themes in philosophy, social criticism, and the arts Includes bibliographical references and index. 1. Democracy's fragility and the political aesthetics of public art -- 2. Voices and places : the space of public art and Wodiczko's the homeless projection -- 3. Democracy's "empty place" : Rawls's political liberalism and Derrida's democracy to come -- 4. Public art's "plain tablet" : the political aesthetics of contemporary art -- 5. Democracy and public art : Badiou and Rancière -- 6. The political aesthetics of Chicago's Millennium Park -- 7. The political aesthetics of New York's National 9/11 Memorial -- 8. Public art as an act of citizenship -- Appendix: Badiou on "being and the void." Public space is political space. When a work of public art is put up or taken down, it is an inherently political statement, and the work's aesthetics are inextricably entwined with its political valences. Democracy's openness allows public art to explore its values critically and to suggest new ones. However, it also facilitates artworks that can surreptitiously or fortuitously undermine democratic values. Today, as bigotry and authoritarianism are on the rise and democratic movements seek to combat them, as Confederate monuments fall and sculptures celebrating diversity rise, the struggle over the values enshrined in the public arena has taken on a new urgency. In this book, Fred Evans develops philosophical and political criteria for assessing how public art can respond to the fragility of democracy. He calls for considering such artworks as acts of citizenship, pointing to their capacity to resist autocratic tendencies and reveal new dimensions of democratic society. Through close considerations of Chicago's Millennium Park and New York's National September 11 Memorial, Evans shows how a wide range of artworks participate in democratic dialogues. A nuanced consideration of contemporary art, aesthetics, and political theory, this book is a timely and rigorous elucidation of how thoughtful public art can contribute to the flourishing of a democratic way of life. Description based on print version record. Aesthetics Political aspects. Democracy. http://id.loc.gov/authorities/subjects/sh85036647 POLITICAL SCIENCE / Essays bisacsh POLITICAL SCIENCE / Government / General bisacsh POLITICAL SCIENCE / Government / National bisacsh POLITICAL SCIENCE / Reference bisacsh ART / Art & Politics bisacsh Aesthetics Political aspects fast Democracy fast has work: Public art and the fragility of democracy (Text) https://id.oclc.org/worldcat/entity/E39PCGbkdy8y8Y3FKDqyHkG9ym https://id.oclc.org/worldcat/ontology/hasWork Print version: Evans, Fred. Public art and the fragility of democracy : an essay in political aesthetics. New York : Columbia University Press, [2019] 9780231187589 Columbia themes in philosophy, social criticism, and the arts. http://id.loc.gov/authorities/names/no2006085813 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1907439 Volltext |
| spellingShingle | Evans, Fred J., 1944- Public art and the fragility of democracy : an essay in political aesthetics / Columbia themes in philosophy, social criticism, and the arts. Democracy's fragility and the political aesthetics of public art -- Voices and places : the space of public art and Wodiczko's the homeless projection -- Democracy's "empty place" : Rawls's political liberalism and Derrida's democracy to come -- Public art's "plain tablet" : the political aesthetics of contemporary art -- Democracy and public art : Badiou and Rancière -- The political aesthetics of Chicago's Millennium Park -- The political aesthetics of New York's National 9/11 Memorial -- Public art as an act of citizenship -- Badiou on "being and the void." Aesthetics Political aspects. Democracy. http://id.loc.gov/authorities/subjects/sh85036647 POLITICAL SCIENCE / Essays bisacsh POLITICAL SCIENCE / Government / General bisacsh POLITICAL SCIENCE / Government / National bisacsh POLITICAL SCIENCE / Reference bisacsh ART / Art & Politics bisacsh Aesthetics Political aspects fast Democracy fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85036647 |
| title | Public art and the fragility of democracy : an essay in political aesthetics / |
| title_alt | Democracy's fragility and the political aesthetics of public art -- Voices and places : the space of public art and Wodiczko's the homeless projection -- Democracy's "empty place" : Rawls's political liberalism and Derrida's democracy to come -- Public art's "plain tablet" : the political aesthetics of contemporary art -- Democracy and public art : Badiou and Rancière -- The political aesthetics of Chicago's Millennium Park -- The political aesthetics of New York's National 9/11 Memorial -- Public art as an act of citizenship -- Badiou on "being and the void." |
| title_auth | Public art and the fragility of democracy : an essay in political aesthetics / |
| title_exact_search | Public art and the fragility of democracy : an essay in political aesthetics / |
| title_full | Public art and the fragility of democracy : an essay in political aesthetics / Fred Evans. |
| title_fullStr | Public art and the fragility of democracy : an essay in political aesthetics / Fred Evans. |
| title_full_unstemmed | Public art and the fragility of democracy : an essay in political aesthetics / Fred Evans. |
| title_short | Public art and the fragility of democracy : |
| title_sort | public art and the fragility of democracy an essay in political aesthetics |
| title_sub | an essay in political aesthetics / |
| topic | Aesthetics Political aspects. Democracy. http://id.loc.gov/authorities/subjects/sh85036647 POLITICAL SCIENCE / Essays bisacsh POLITICAL SCIENCE / Government / General bisacsh POLITICAL SCIENCE / Government / National bisacsh POLITICAL SCIENCE / Reference bisacsh ART / Art & Politics bisacsh Aesthetics Political aspects fast Democracy fast |
| topic_facet | Aesthetics Political aspects. Democracy. POLITICAL SCIENCE / Essays POLITICAL SCIENCE / Government / General POLITICAL SCIENCE / Government / National POLITICAL SCIENCE / Reference ART / Art & Politics Aesthetics Political aspects Democracy |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1907439 |
| work_keys_str_mv | AT evansfredj publicartandthefragilityofdemocracyanessayinpoliticalaesthetics |