Understanding Merleau-Ponty, understanding modernism /:
Understanding Merleau-Ponty, Understanding Modernism revises the concept of modernism by examining the kinship of method and concern between Maurice Merleau-Ponty's phenomenology and modernist art, literature, film and neurophysiological discoveries, opening up the complexities of the philosoph...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York :
Bloomsbury Academic,
2018.
|
| Schriftenreihe: | Understanding philosophy, understanding modernism
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Understanding Merleau-Ponty, Understanding Modernism revises the concept of modernism by examining the kinship of method and concern between Maurice Merleau-Ponty's phenomenology and modernist art, literature, film and neurophysiological discoveries, opening up the complexities of the philosopher's phenomenology of perception to a broader audience across the arts. Rather than promoting phenomenology as a theoretical 'tool' for analysing selected texts or artworks, the aim of this volume is to bring Merleau-Ponty's work into dialogue with modernism. An important resource for anyone interested in the links between modernism and philosophy, Understanding Merleau-Ponty, Understanding Modernism offers close readings of Merleau-Ponty's key texts, explores modernist literature in light of his thought, and provides an extended glossary of Merleau-Ponty's central terms and concepts. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781501302725 1501302728 |
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| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a Understanding Merleau-Ponty, Understanding Modernism revises the concept of modernism by examining the kinship of method and concern between Maurice Merleau-Ponty's phenomenology and modernist art, literature, film and neurophysiological discoveries, opening up the complexities of the philosopher's phenomenology of perception to a broader audience across the arts. Rather than promoting phenomenology as a theoretical 'tool' for analysing selected texts or artworks, the aim of this volume is to bring Merleau-Ponty's work into dialogue with modernism. An important resource for anyone interested in the links between modernism and philosophy, Understanding Merleau-Ponty, Understanding Modernism offers close readings of Merleau-Ponty's key texts, explores modernist literature in light of his thought, and provides an extended glossary of Merleau-Ponty's central terms and concepts. | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Intro; Title Page; Copyright Page; Contents; Notes on Contributors; Series Preface; Acknowledgments; Introduction: "The Surface of a Depth"; Part One: Conceptualizing Merleau-Ponty; Part Two: Merleau-Ponty, Aesthetics, and the Lived Body; Part Three: Glossary; Notes; Part One: Conceptualizing Merleau-Ponty; Chapter 1: Merleau-Ponty's Cogito; L'Être au monde and L'Être à soi; Against Descartes; Thought and language; Self-consciousness; Notes; Chapter 2: On "The Philosopher and His Shadow"; Notes; Chapter 3: A Reading of "In Praise of Philosophy": How Bergson Conceived Our Relation to the Truth | |
| 505 | 8 | |a AttunementMerleau-Ponty and modernism, the true, and the past; The "modern" of modern philosophy to which modernism and Merleau-Ponty react; Merleau-Ponty's philosophy and expression; Notes; Chapter 4: "Hooks" and "Anchors": Cézanne, the Lived Perspective, and Modernist Doubt; Entering; Modernist doubt; Hooks and anchors; Freedom: Incomplete germination; Notes; Chapter 5: The Artist's Gestures of Fascination; Introduction: The fascination of the artistin Merleau-Ponty and Woolf; The painter's fascination by the world in "Eye and Mind." | |
| 505 | 8 | |a Virginia Woolf's artist in To the Lighthouse and Merleau-Ponty's "Flesh of the World"Notes; Chapter 6: "I Must Be Surprised, Disoriented": Merleau-Ponty on Language as Disruptive Movement; Embodied machinery and expressive language; Divergencies in/of speech: Toward new meaning; Language as disrupting movement: "At a certain stage I must be surprised, disoriented"; Unfinished thoughts, incomplete speech; Notes; Chapter 7: Neither/Nor: Merleau-Ponty's Ontology in "The Intertwining/The Chiasm"; The visible and the invisible; Beyond intuition and reflection; "The Intertwining/The Chiasm." | |
| 505 | 8 | |a Criticisms of Merleau-Ponty's ontology in "The Intertwining/The Chiasm"Notes; Part Two: Merleau-Ponty, Aesthetics, and the Lived Body; Chapter 8: Phenomenology and the Imagination; Modernism, phenomenology, and Merleau-Ponty; Imagination, Cézanne, and embodied expression; Horizonality, the indeterminacy of the perceptual field, and the "halo" of things; Phenomenological abstraction: Modernism beyond Cézanne; Conclusion; Notes; Chapter 9: The Systems of Equivalencies in Matisse and Klee: Merleau-Ponty's Ontology of Modern Painting in "Eye and Mind"; Systems of equivalences | |
| 505 | 8 | |a The first system of equivalence: Line and colorThe second system of equivalence: Between line and sign; Some final remarks; Notes; Chapter 10: Merleau-Ponty on Simultaneity and Succession: The Turn to Music through Proust and Claudel; Notes; Chapter 11: Merleau-Ponty and Film: Documenting the Imagination; Perception from painting to film; Between perception and imagination; Documenting the imagination; Notes; Chapter 12: Motricité, Physiology, and Modernity in Phenomenology of Perception; Introduction; The "problem" of motricité; Automatism, physiology, and aesthetics | |
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| contents | Intro; Title Page; Copyright Page; Contents; Notes on Contributors; Series Preface; Acknowledgments; Introduction: "The Surface of a Depth"; Part One: Conceptualizing Merleau-Ponty; Part Two: Merleau-Ponty, Aesthetics, and the Lived Body; Part Three: Glossary; Notes; Part One: Conceptualizing Merleau-Ponty; Chapter 1: Merleau-Ponty's Cogito; L'Être au monde and L'Être à soi; Against Descartes; Thought and language; Self-consciousness; Notes; Chapter 2: On "The Philosopher and His Shadow"; Notes; Chapter 3: A Reading of "In Praise of Philosophy": How Bergson Conceived Our Relation to the Truth AttunementMerleau-Ponty and modernism, the true, and the past; The "modern" of modern philosophy to which modernism and Merleau-Ponty react; Merleau-Ponty's philosophy and expression; Notes; Chapter 4: "Hooks" and "Anchors": Cézanne, the Lived Perspective, and Modernist Doubt; Entering; Modernist doubt; Hooks and anchors; Freedom: Incomplete germination; Notes; Chapter 5: The Artist's Gestures of Fascination; Introduction: The fascination of the artistin Merleau-Ponty and Woolf; The painter's fascination by the world in "Eye and Mind." Virginia Woolf's artist in To the Lighthouse and Merleau-Ponty's "Flesh of the World"Notes; Chapter 6: "I Must Be Surprised, Disoriented": Merleau-Ponty on Language as Disruptive Movement; Embodied machinery and expressive language; Divergencies in/of speech: Toward new meaning; Language as disrupting movement: "At a certain stage I must be surprised, disoriented"; Unfinished thoughts, incomplete speech; Notes; Chapter 7: Neither/Nor: Merleau-Ponty's Ontology in "The Intertwining/The Chiasm"; The visible and the invisible; Beyond intuition and reflection; "The Intertwining/The Chiasm." Criticisms of Merleau-Ponty's ontology in "The Intertwining/The Chiasm"Notes; Part Two: Merleau-Ponty, Aesthetics, and the Lived Body; Chapter 8: Phenomenology and the Imagination; Modernism, phenomenology, and Merleau-Ponty; Imagination, Cézanne, and embodied expression; Horizonality, the indeterminacy of the perceptual field, and the "halo" of things; Phenomenological abstraction: Modernism beyond Cézanne; Conclusion; Notes; Chapter 9: The Systems of Equivalencies in Matisse and Klee: Merleau-Ponty's Ontology of Modern Painting in "Eye and Mind"; Systems of equivalences The first system of equivalence: Line and colorThe second system of equivalence: Between line and sign; Some final remarks; Notes; Chapter 10: Merleau-Ponty on Simultaneity and Succession: The Turn to Music through Proust and Claudel; Notes; Chapter 11: Merleau-Ponty and Film: Documenting the Imagination; Perception from painting to film; Between perception and imagination; Documenting the imagination; Notes; Chapter 12: Motricité, Physiology, and Modernity in Phenomenology of Perception; Introduction; The "problem" of motricité; Automatism, physiology, and aesthetics |
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| discipline | Philosophie |
| format | Electronic eBook |
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| series2 | Understanding philosophy, understanding modernism |
| spelling | Understanding Merleau-Ponty, understanding modernism / edited by Ariane Mildenberg. New York : Bloomsbury Academic, 2018. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Understanding philosophy, understanding modernism Includes bibliographical references and index. Understanding Merleau-Ponty, Understanding Modernism revises the concept of modernism by examining the kinship of method and concern between Maurice Merleau-Ponty's phenomenology and modernist art, literature, film and neurophysiological discoveries, opening up the complexities of the philosopher's phenomenology of perception to a broader audience across the arts. Rather than promoting phenomenology as a theoretical 'tool' for analysing selected texts or artworks, the aim of this volume is to bring Merleau-Ponty's work into dialogue with modernism. An important resource for anyone interested in the links between modernism and philosophy, Understanding Merleau-Ponty, Understanding Modernism offers close readings of Merleau-Ponty's key texts, explores modernist literature in light of his thought, and provides an extended glossary of Merleau-Ponty's central terms and concepts. Print version record. Intro; Title Page; Copyright Page; Contents; Notes on Contributors; Series Preface; Acknowledgments; Introduction: "The Surface of a Depth"; Part One: Conceptualizing Merleau-Ponty; Part Two: Merleau-Ponty, Aesthetics, and the Lived Body; Part Three: Glossary; Notes; Part One: Conceptualizing Merleau-Ponty; Chapter 1: Merleau-Ponty's Cogito; L'Être au monde and L'Être à soi; Against Descartes; Thought and language; Self-consciousness; Notes; Chapter 2: On "The Philosopher and His Shadow"; Notes; Chapter 3: A Reading of "In Praise of Philosophy": How Bergson Conceived Our Relation to the Truth AttunementMerleau-Ponty and modernism, the true, and the past; The "modern" of modern philosophy to which modernism and Merleau-Ponty react; Merleau-Ponty's philosophy and expression; Notes; Chapter 4: "Hooks" and "Anchors": Cézanne, the Lived Perspective, and Modernist Doubt; Entering; Modernist doubt; Hooks and anchors; Freedom: Incomplete germination; Notes; Chapter 5: The Artist's Gestures of Fascination; Introduction: The fascination of the artistin Merleau-Ponty and Woolf; The painter's fascination by the world in "Eye and Mind." Virginia Woolf's artist in To the Lighthouse and Merleau-Ponty's "Flesh of the World"Notes; Chapter 6: "I Must Be Surprised, Disoriented": Merleau-Ponty on Language as Disruptive Movement; Embodied machinery and expressive language; Divergencies in/of speech: Toward new meaning; Language as disrupting movement: "At a certain stage I must be surprised, disoriented"; Unfinished thoughts, incomplete speech; Notes; Chapter 7: Neither/Nor: Merleau-Ponty's Ontology in "The Intertwining/The Chiasm"; The visible and the invisible; Beyond intuition and reflection; "The Intertwining/The Chiasm." Criticisms of Merleau-Ponty's ontology in "The Intertwining/The Chiasm"Notes; Part Two: Merleau-Ponty, Aesthetics, and the Lived Body; Chapter 8: Phenomenology and the Imagination; Modernism, phenomenology, and Merleau-Ponty; Imagination, Cézanne, and embodied expression; Horizonality, the indeterminacy of the perceptual field, and the "halo" of things; Phenomenological abstraction: Modernism beyond Cézanne; Conclusion; Notes; Chapter 9: The Systems of Equivalencies in Matisse and Klee: Merleau-Ponty's Ontology of Modern Painting in "Eye and Mind"; Systems of equivalences The first system of equivalence: Line and colorThe second system of equivalence: Between line and sign; Some final remarks; Notes; Chapter 10: Merleau-Ponty on Simultaneity and Succession: The Turn to Music through Proust and Claudel; Notes; Chapter 11: Merleau-Ponty and Film: Documenting the Imagination; Perception from painting to film; Between perception and imagination; Documenting the imagination; Notes; Chapter 12: Motricité, Physiology, and Modernity in Phenomenology of Perception; Introduction; The "problem" of motricité; Automatism, physiology, and aesthetics Merleau-Ponty, Maurice, 1908-1961. http://id.loc.gov/authorities/names/n79056034 Merleau-Ponty, Maurice, 1908-1961 fast https://id.oclc.org/worldcat/entity/E39PBJtRKFg8vhf6c3jc97xxDq Literary theory. bicssc Literary studies: general. bicssc PHILOSOPHY History & Surveys Modern. bisacsh Mildenberg, Ariane, 1971- editor. http://id.loc.gov/authorities/names/n2010008654 has work: Understanding Merleau-Ponty, understanding modernism (Text) https://id.oclc.org/worldcat/entity/E39PCFqDKCgYRKkJDrGJtGWwhb https://id.oclc.org/worldcat/ontology/hasWork Print version: Understanding Merleau-Ponty, understanding modernism. New York : Bloomsbury Academic, 2018 9781501302718 (DLC) 2018039192 (OCoLC)1014449125 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1943183 Volltext |
| spellingShingle | Understanding Merleau-Ponty, understanding modernism / Intro; Title Page; Copyright Page; Contents; Notes on Contributors; Series Preface; Acknowledgments; Introduction: "The Surface of a Depth"; Part One: Conceptualizing Merleau-Ponty; Part Two: Merleau-Ponty, Aesthetics, and the Lived Body; Part Three: Glossary; Notes; Part One: Conceptualizing Merleau-Ponty; Chapter 1: Merleau-Ponty's Cogito; L'Être au monde and L'Être à soi; Against Descartes; Thought and language; Self-consciousness; Notes; Chapter 2: On "The Philosopher and His Shadow"; Notes; Chapter 3: A Reading of "In Praise of Philosophy": How Bergson Conceived Our Relation to the Truth AttunementMerleau-Ponty and modernism, the true, and the past; The "modern" of modern philosophy to which modernism and Merleau-Ponty react; Merleau-Ponty's philosophy and expression; Notes; Chapter 4: "Hooks" and "Anchors": Cézanne, the Lived Perspective, and Modernist Doubt; Entering; Modernist doubt; Hooks and anchors; Freedom: Incomplete germination; Notes; Chapter 5: The Artist's Gestures of Fascination; Introduction: The fascination of the artistin Merleau-Ponty and Woolf; The painter's fascination by the world in "Eye and Mind." Virginia Woolf's artist in To the Lighthouse and Merleau-Ponty's "Flesh of the World"Notes; Chapter 6: "I Must Be Surprised, Disoriented": Merleau-Ponty on Language as Disruptive Movement; Embodied machinery and expressive language; Divergencies in/of speech: Toward new meaning; Language as disrupting movement: "At a certain stage I must be surprised, disoriented"; Unfinished thoughts, incomplete speech; Notes; Chapter 7: Neither/Nor: Merleau-Ponty's Ontology in "The Intertwining/The Chiasm"; The visible and the invisible; Beyond intuition and reflection; "The Intertwining/The Chiasm." Criticisms of Merleau-Ponty's ontology in "The Intertwining/The Chiasm"Notes; Part Two: Merleau-Ponty, Aesthetics, and the Lived Body; Chapter 8: Phenomenology and the Imagination; Modernism, phenomenology, and Merleau-Ponty; Imagination, Cézanne, and embodied expression; Horizonality, the indeterminacy of the perceptual field, and the "halo" of things; Phenomenological abstraction: Modernism beyond Cézanne; Conclusion; Notes; Chapter 9: The Systems of Equivalencies in Matisse and Klee: Merleau-Ponty's Ontology of Modern Painting in "Eye and Mind"; Systems of equivalences The first system of equivalence: Line and colorThe second system of equivalence: Between line and sign; Some final remarks; Notes; Chapter 10: Merleau-Ponty on Simultaneity and Succession: The Turn to Music through Proust and Claudel; Notes; Chapter 11: Merleau-Ponty and Film: Documenting the Imagination; Perception from painting to film; Between perception and imagination; Documenting the imagination; Notes; Chapter 12: Motricité, Physiology, and Modernity in Phenomenology of Perception; Introduction; The "problem" of motricité; Automatism, physiology, and aesthetics Merleau-Ponty, Maurice, 1908-1961. http://id.loc.gov/authorities/names/n79056034 Merleau-Ponty, Maurice, 1908-1961 fast https://id.oclc.org/worldcat/entity/E39PBJtRKFg8vhf6c3jc97xxDq Literary theory. bicssc Literary studies: general. bicssc PHILOSOPHY History & Surveys Modern. bisacsh |
| subject_GND | http://id.loc.gov/authorities/names/n79056034 |
| title | Understanding Merleau-Ponty, understanding modernism / |
| title_auth | Understanding Merleau-Ponty, understanding modernism / |
| title_exact_search | Understanding Merleau-Ponty, understanding modernism / |
| title_full | Understanding Merleau-Ponty, understanding modernism / edited by Ariane Mildenberg. |
| title_fullStr | Understanding Merleau-Ponty, understanding modernism / edited by Ariane Mildenberg. |
| title_full_unstemmed | Understanding Merleau-Ponty, understanding modernism / edited by Ariane Mildenberg. |
| title_short | Understanding Merleau-Ponty, understanding modernism / |
| title_sort | understanding merleau ponty understanding modernism |
| topic | Merleau-Ponty, Maurice, 1908-1961. http://id.loc.gov/authorities/names/n79056034 Merleau-Ponty, Maurice, 1908-1961 fast https://id.oclc.org/worldcat/entity/E39PBJtRKFg8vhf6c3jc97xxDq Literary theory. bicssc Literary studies: general. bicssc PHILOSOPHY History & Surveys Modern. bisacsh |
| topic_facet | Merleau-Ponty, Maurice, 1908-1961. Merleau-Ponty, Maurice, 1908-1961 Literary theory. Literary studies: general. PHILOSOPHY History & Surveys Modern. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1943183 |
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