Sofia Coppola :: the politics of visual pleasure /
"All too often, the movies of Sofia Coppola have been dismissed as "all style, no substance." But such an easy caricature, as this engaging and accessible survey of Coppola's oeuvre demonstrates, fundamentally misconstrues what are rich, ambiguous, meaningful films. Drawing on in...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
New York :
Berghahn Books,
2019.
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | "All too often, the movies of Sofia Coppola have been dismissed as "all style, no substance." But such an easy caricature, as this engaging and accessible survey of Coppola's oeuvre demonstrates, fundamentally misconstrues what are rich, ambiguous, meaningful films. Drawing on insights from feminist philosophy and psychology, the author here takes an original approach to Coppola, exploring vital themes from the subversion of patriarchy in The Virgin Suicides to the "female gothic" in The Beguiled. As Rogers shows, far from endorsing a facile and depoliticized postfeminism, Coppola's films instead deploy beguilement, mood, and pleasure in the service of a robustly feminist philosophy." |
| Physical Description: | 1 online resource : illustrations |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 1785339664 9781785339660 |
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| 505 | 0 | |a Introduction : the surface of the image is political -- Part I. Imaging absence as abjection and imaging the female gothic as rage. Chapter 1. The Virgin Suicides (1999) -- Chapter 2. The Beguiled (2017) -- Part II. Empty subjectivities and masculinity as void. Chapter 3. Lost in Translation (2003) -- Chapter 4. Somewhere (2010) -- Part III. The female body as patriarchal currency and the commodification of female identity. Chapter 5. Marie Antoinette (2006) -- Chapter 6. The Bling Ring (2013) -- Conclusion : on beguilement. | |
| 520 | |a "All too often, the movies of Sofia Coppola have been dismissed as "all style, no substance." But such an easy caricature, as this engaging and accessible survey of Coppola's oeuvre demonstrates, fundamentally misconstrues what are rich, ambiguous, meaningful films. Drawing on insights from feminist philosophy and psychology, the author here takes an original approach to Coppola, exploring vital themes from the subversion of patriarchy in The Virgin Suicides to the "female gothic" in The Beguiled. As Rogers shows, far from endorsing a facile and depoliticized postfeminism, Coppola's films instead deploy beguilement, mood, and pleasure in the service of a robustly feminist philosophy." | ||
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Record in the Search Index
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| author | Backman Rogers, Anna |
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| contents | Introduction : the surface of the image is political -- Part I. Imaging absence as abjection and imaging the female gothic as rage. Chapter 1. The Virgin Suicides (1999) -- Chapter 2. The Beguiled (2017) -- Part II. Empty subjectivities and masculinity as void. Chapter 3. Lost in Translation (2003) -- Chapter 4. Somewhere (2010) -- Part III. The female body as patriarchal currency and the commodification of female identity. Chapter 5. Marie Antoinette (2006) -- Chapter 6. The Bling Ring (2013) -- Conclusion : on beguilement. |
| ctrlnum | (OCoLC)1056201788 |
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| dewey-ones | 791 - Public performances |
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| dewey-search | 791.4302/33092 |
| dewey-sort | 3791.4302 533092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| spelling | Backman Rogers, Anna, author. Sofia Coppola : the politics of visual pleasure / by Anna Backman Rogers. 1811 New York : Berghahn Books, 2019. ©2019 1 online resource : illustrations text txt rdacontent computer n rdamedia online resource nc rdacarrier Includes bibliographical references and index. Print version record and CIP data provided by publisher; resource not viewed. Introduction : the surface of the image is political -- Part I. Imaging absence as abjection and imaging the female gothic as rage. Chapter 1. The Virgin Suicides (1999) -- Chapter 2. The Beguiled (2017) -- Part II. Empty subjectivities and masculinity as void. Chapter 3. Lost in Translation (2003) -- Chapter 4. Somewhere (2010) -- Part III. The female body as patriarchal currency and the commodification of female identity. Chapter 5. Marie Antoinette (2006) -- Chapter 6. The Bling Ring (2013) -- Conclusion : on beguilement. "All too often, the movies of Sofia Coppola have been dismissed as "all style, no substance." But such an easy caricature, as this engaging and accessible survey of Coppola's oeuvre demonstrates, fundamentally misconstrues what are rich, ambiguous, meaningful films. Drawing on insights from feminist philosophy and psychology, the author here takes an original approach to Coppola, exploring vital themes from the subversion of patriarchy in The Virgin Suicides to the "female gothic" in The Beguiled. As Rogers shows, far from endorsing a facile and depoliticized postfeminism, Coppola's films instead deploy beguilement, mood, and pleasure in the service of a robustly feminist philosophy." Coppola, Sofia, 1971- Criticism and interpretation. Coppola, Sofia, 1971- fast https://id.oclc.org/worldcat/entity/E39PBJqQBM67HvvXpH7HBppF8C Women motion picture producers and directors United States. http://id.loc.gov/authorities/subjects/sh96008621 Feminism and motion pictures. http://id.loc.gov/authorities/subjects/sh85047748 Productrices et réalisatrices de cinéma États-Unis. Féminisme et cinéma. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS / Film & Video / Direction & Production bisacsh Feminism and motion pictures fast Women motion picture producers and directors fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Marie Antoinette. Somewhere. The Beguiled. The Bling Ring. coppola. female directors. feminist film theory. feminist theory. lost in translation. sofia coppola. the virgin suicides. Electronic books. Criticism, interpretation, etc. fast Print version: Backman Rogers, Anna. Sofia Coppola. New York : Berghahn Books, 2019 9781785339653 (DLC) 2018046678 (OCoLC)1056204100 |
| spellingShingle | Backman Rogers, Anna Sofia Coppola : the politics of visual pleasure / Introduction : the surface of the image is political -- Part I. Imaging absence as abjection and imaging the female gothic as rage. Chapter 1. The Virgin Suicides (1999) -- Chapter 2. The Beguiled (2017) -- Part II. Empty subjectivities and masculinity as void. Chapter 3. Lost in Translation (2003) -- Chapter 4. Somewhere (2010) -- Part III. The female body as patriarchal currency and the commodification of female identity. Chapter 5. Marie Antoinette (2006) -- Chapter 6. The Bling Ring (2013) -- Conclusion : on beguilement. Coppola, Sofia, 1971- Criticism and interpretation. Coppola, Sofia, 1971- fast https://id.oclc.org/worldcat/entity/E39PBJqQBM67HvvXpH7HBppF8C Women motion picture producers and directors United States. http://id.loc.gov/authorities/subjects/sh96008621 Feminism and motion pictures. http://id.loc.gov/authorities/subjects/sh85047748 Productrices et réalisatrices de cinéma États-Unis. Féminisme et cinéma. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS / Film & Video / Direction & Production bisacsh Feminism and motion pictures fast Women motion picture producers and directors fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh96008621 http://id.loc.gov/authorities/subjects/sh85047748 |
| title | Sofia Coppola : the politics of visual pleasure / |
| title_auth | Sofia Coppola : the politics of visual pleasure / |
| title_exact_search | Sofia Coppola : the politics of visual pleasure / |
| title_full | Sofia Coppola : the politics of visual pleasure / by Anna Backman Rogers. |
| title_fullStr | Sofia Coppola : the politics of visual pleasure / by Anna Backman Rogers. |
| title_full_unstemmed | Sofia Coppola : the politics of visual pleasure / by Anna Backman Rogers. |
| title_short | Sofia Coppola : |
| title_sort | sofia coppola the politics of visual pleasure |
| title_sub | the politics of visual pleasure / |
| topic | Coppola, Sofia, 1971- Criticism and interpretation. Coppola, Sofia, 1971- fast https://id.oclc.org/worldcat/entity/E39PBJqQBM67HvvXpH7HBppF8C Women motion picture producers and directors United States. http://id.loc.gov/authorities/subjects/sh96008621 Feminism and motion pictures. http://id.loc.gov/authorities/subjects/sh85047748 Productrices et réalisatrices de cinéma États-Unis. Féminisme et cinéma. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS / Film & Video / Direction & Production bisacsh Feminism and motion pictures fast Women motion picture producers and directors fast |
| topic_facet | Coppola, Sofia, 1971- Criticism and interpretation. Coppola, Sofia, 1971- Women motion picture producers and directors United States. Feminism and motion pictures. Productrices et réalisatrices de cinéma États-Unis. Féminisme et cinéma. PERFORMING ARTS Reference. PERFORMING ARTS / Film & Video / Direction & Production Feminism and motion pictures Women motion picture producers and directors United States Electronic books. Criticism, interpretation, etc. |
| work_keys_str_mv | AT backmanrogersanna sofiacoppolathepoliticsofvisualpleasure |