Consciousness, performing arts and literature :: trajectories, 2014-2018 /
Against the background of personal, institutional and cultural trajectories, this book considers dance, opera, theatre and practice as research from a consciousness studies perspective. Highlights include a conversation with Barbara Sellers-Young on the nature of dance; an assessment of the work of...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne :
Cambridge Scholars Publishing,
2018.
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Against the background of personal, institutional and cultural trajectories, this book considers dance, opera, theatre and practice as research from a consciousness studies perspective. Highlights include a conversation with Barbara Sellers-Young on the nature of dance; an assessment of the work of International Opera Theater; a new perspective on liveness and livecasts; a reassessment, with Anita S. Hammer, of the concept of a universal language of the theatre; a discussion of two productions of new plays; the development of a new concept of theatre of the heart; a comparison of Western and Thai positions on the concept of beauty; and an examination of the role of conflict for theatre. The final chapter of the book is taken up by the author's first novel, which launches the new genre of spiritual romance. -- Publisher description. |
| Beschreibung: | 1 online resource (xii, 411 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 387-403) and index. |
| ISBN: | 9781527516908 1527516903 |
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| 505 | 0 | 0 | |t Introduction -- |g Part one: dance and conciousness -- |t Professorial reflections: informal discussions and reflections / |r Barbara Sellers-Young and Daniel Meyer-Dinkgräfe -- |t Spirituality in Aurelia Baumgartner's Tanzphilosophie -- |t Dancing horses and reflecting humans -- |g Part two: opera and conciousness -- |t Werktreue and Regieoper -- |t Holistic experience of opera and the International Opera Theater (IOT) -- |g Part three: theatre and conciousness -- |t Liveness: Phelan, Auslander and after -- |t Performance as philosophy: the universal language of the theatre revisited / |r Daniel Meyer-Dinkgräfe and Anita S. Hammer -- |t In transit: Wajdi Mouawad's Scorched in Bremen, Germany as theatre of anticipation / |r Yana Meerzon and Daniel Meyer-Dinkgräfe -- |t Conciousness studies and evolutionary biology in Stoppard's The Hard Problem / |r Daniel Meyer-Dinkgräfe and Gregory Tague -- |t Science in Lucy Prebble's The Effect -- |t Ethical considerations of casting children in plays with "adult themes" -- Towards a theatre of the heart -- Intercultural differences and universality of creating and percieving beauty through / in performance / |r Daniel Meyer-Dinkgräfe and Tanatchaporn Kittikong -- |g Part four: practice as research -- |t Theatre without conflict: practice as research -- |t The view across the bay: a novel -- Bibliography -- Contributors -- Index. |
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| author_additional | Barbara Sellers-Young and Daniel Meyer-Dinkgräfe -- Daniel Meyer-Dinkgräfe and Anita S. Hammer -- Yana Meerzon and Daniel Meyer-Dinkgräfe -- Daniel Meyer-Dinkgräfe and Gregory Tague -- Daniel Meyer-Dinkgräfe and Tanatchaporn Kittikong -- |
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| contents | Introduction -- Professorial reflections: informal discussions and reflections / Spirituality in Aurelia Baumgartner's Tanzphilosophie -- Dancing horses and reflecting humans -- Werktreue and Regieoper -- Holistic experience of opera and the International Opera Theater (IOT) -- Liveness: Phelan, Auslander and after -- Performance as philosophy: the universal language of the theatre revisited / In transit: Wajdi Mouawad's Scorched in Bremen, Germany as theatre of anticipation / Conciousness studies and evolutionary biology in Stoppard's The Hard Problem / Science in Lucy Prebble's The Effect -- Ethical considerations of casting children in plays with "adult themes" -- Towards a theatre of the heart -- Intercultural differences and universality of creating and percieving beauty through / in performance / Theatre without conflict: practice as research -- The view across the bay: a novel -- Bibliography -- Contributors -- Index. |
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| spelling | Consciousness, performing arts and literature : trajectories, 2014-2018 / edited by Daniel Meyer-Dingräfe. Newcastle upon Tyne : Cambridge Scholars Publishing, 2018. ©2018 1 online resource (xii, 411 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 387-403) and index. Introduction -- Part one: dance and conciousness -- Professorial reflections: informal discussions and reflections / Barbara Sellers-Young and Daniel Meyer-Dinkgräfe -- Spirituality in Aurelia Baumgartner's Tanzphilosophie -- Dancing horses and reflecting humans -- Part two: opera and conciousness -- Werktreue and Regieoper -- Holistic experience of opera and the International Opera Theater (IOT) -- Part three: theatre and conciousness -- Liveness: Phelan, Auslander and after -- Performance as philosophy: the universal language of the theatre revisited / Daniel Meyer-Dinkgräfe and Anita S. Hammer -- In transit: Wajdi Mouawad's Scorched in Bremen, Germany as theatre of anticipation / Yana Meerzon and Daniel Meyer-Dinkgräfe -- Conciousness studies and evolutionary biology in Stoppard's The Hard Problem / Daniel Meyer-Dinkgräfe and Gregory Tague -- Science in Lucy Prebble's The Effect -- Ethical considerations of casting children in plays with "adult themes" -- Towards a theatre of the heart -- Intercultural differences and universality of creating and percieving beauty through / in performance / Daniel Meyer-Dinkgräfe and Tanatchaporn Kittikong -- Part four: practice as research -- Theatre without conflict: practice as research -- The view across the bay: a novel -- Bibliography -- Contributors -- Index. Against the background of personal, institutional and cultural trajectories, this book considers dance, opera, theatre and practice as research from a consciousness studies perspective. Highlights include a conversation with Barbara Sellers-Young on the nature of dance; an assessment of the work of International Opera Theater; a new perspective on liveness and livecasts; a reassessment, with Anita S. Hammer, of the concept of a universal language of the theatre; a discussion of two productions of new plays; the development of a new concept of theatre of the heart; a comparison of Western and Thai positions on the concept of beauty; and an examination of the role of conflict for theatre. The final chapter of the book is taken up by the author's first novel, which launches the new genre of spiritual romance. -- Publisher description. Print version record. Consciousness in art. http://id.loc.gov/authorities/subjects/sh96011101 Arts Psychological aspects. Conscience dans l'art. Arts Aspect psychologique. Theatre studies. bicssc Dance. bicssc Opera. bicssc ART Performance. bisacsh ART Reference. bisacsh Arts Psychological aspects fast Consciousness in art fast Meyer-Dinkgräfe, Daniel, 1958- editor. https://id.oclc.org/worldcat/entity/E39PCjwhJXtTJ4RgdTy8CWF3Qq http://id.loc.gov/authorities/names/n88299436 has work: Consciousness, performing arts and literature (Text) https://id.oclc.org/worldcat/entity/E39PCGY3VhhjH9jTkM4xYXjW8P https://id.oclc.org/worldcat/ontology/hasWork Print version: Consciousness, performing arts and literature. Newcastle upon Tyne : Cambridge Scholars Publishing, 2018 1527513602 (OCoLC)1047550128 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1906074 Volltext |
| spellingShingle | Consciousness, performing arts and literature : trajectories, 2014-2018 / Introduction -- Professorial reflections: informal discussions and reflections / Spirituality in Aurelia Baumgartner's Tanzphilosophie -- Dancing horses and reflecting humans -- Werktreue and Regieoper -- Holistic experience of opera and the International Opera Theater (IOT) -- Liveness: Phelan, Auslander and after -- Performance as philosophy: the universal language of the theatre revisited / In transit: Wajdi Mouawad's Scorched in Bremen, Germany as theatre of anticipation / Conciousness studies and evolutionary biology in Stoppard's The Hard Problem / Science in Lucy Prebble's The Effect -- Ethical considerations of casting children in plays with "adult themes" -- Towards a theatre of the heart -- Intercultural differences and universality of creating and percieving beauty through / in performance / Theatre without conflict: practice as research -- The view across the bay: a novel -- Bibliography -- Contributors -- Index. Consciousness in art. http://id.loc.gov/authorities/subjects/sh96011101 Arts Psychological aspects. Conscience dans l'art. Arts Aspect psychologique. Theatre studies. bicssc Dance. bicssc Opera. bicssc ART Performance. bisacsh ART Reference. bisacsh Arts Psychological aspects fast Consciousness in art fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh96011101 |
| title | Consciousness, performing arts and literature : trajectories, 2014-2018 / |
| title_alt | Introduction -- Professorial reflections: informal discussions and reflections / Spirituality in Aurelia Baumgartner's Tanzphilosophie -- Dancing horses and reflecting humans -- Werktreue and Regieoper -- Holistic experience of opera and the International Opera Theater (IOT) -- Liveness: Phelan, Auslander and after -- Performance as philosophy: the universal language of the theatre revisited / In transit: Wajdi Mouawad's Scorched in Bremen, Germany as theatre of anticipation / Conciousness studies and evolutionary biology in Stoppard's The Hard Problem / Science in Lucy Prebble's The Effect -- Ethical considerations of casting children in plays with "adult themes" -- Towards a theatre of the heart -- Intercultural differences and universality of creating and percieving beauty through / in performance / Theatre without conflict: practice as research -- The view across the bay: a novel -- Bibliography -- Contributors -- Index. |
| title_auth | Consciousness, performing arts and literature : trajectories, 2014-2018 / |
| title_exact_search | Consciousness, performing arts and literature : trajectories, 2014-2018 / |
| title_full | Consciousness, performing arts and literature : trajectories, 2014-2018 / edited by Daniel Meyer-Dingräfe. |
| title_fullStr | Consciousness, performing arts and literature : trajectories, 2014-2018 / edited by Daniel Meyer-Dingräfe. |
| title_full_unstemmed | Consciousness, performing arts and literature : trajectories, 2014-2018 / edited by Daniel Meyer-Dingräfe. |
| title_short | Consciousness, performing arts and literature : |
| title_sort | consciousness performing arts and literature trajectories 2014 2018 |
| title_sub | trajectories, 2014-2018 / |
| topic | Consciousness in art. http://id.loc.gov/authorities/subjects/sh96011101 Arts Psychological aspects. Conscience dans l'art. Arts Aspect psychologique. Theatre studies. bicssc Dance. bicssc Opera. bicssc ART Performance. bisacsh ART Reference. bisacsh Arts Psychological aspects fast Consciousness in art fast |
| topic_facet | Consciousness in art. Arts Psychological aspects. Conscience dans l'art. Arts Aspect psychologique. Theatre studies. Dance. Opera. ART Performance. ART Reference. Arts Psychological aspects Consciousness in art |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1906074 |
| work_keys_str_mv | AT meyerdinkgrafedaniel consciousnessperformingartsandliteraturetrajectories20142018 |