Images, improvisations, sound, and silence from 1000 to 1800 :: degree zero /
The act of drawing a line or uttering a word is often seen as integral to the process of making art. This is especially obvious in music and the visual arts, but applies to literature, performance, and other arts as well. These collected essays, written by scholars from diverse fields, take a histor...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam :
Amsterdam University Press,
[2018]
|
| Schriftenreihe: | Knowledge communities (Amsterdam, Netherlands)
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The act of drawing a line or uttering a word is often seen as integral to the process of making art. This is especially obvious in music and the visual arts, but applies to literature, performance, and other arts as well. These collected essays, written by scholars from diverse fields, take a historical view of the richness of creation out of nothing (creatio ex nihilo) in order to draw out debates, sometimes implicit and sometimes formally stated, about the production and reproduction of cultural meaning in a period of great change and novelty, between the beginnings of the medieval intellectual tradition and the imprint of the Enlightenment. The authors pose the following questions: Do tradition and creativity conflict with one another, or are they complementary? What are the tensions between composition and live performance? What is the role of the audience in perceiving the object of art? Are such objects fixed or flexible? What about the status of the event? Is the event part of creation, in the sense that it disturbs the still waters of historical continuity? These and other questions build on the foundation of Roland Barthes' concept of Degree Zero, offering new insights into what it means to create. |
| Beschreibung: | 1 online resource (251 pages) |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9789048529186 9048529182 9462980055 9789462980051 |
Internformat
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | ZDB-4-EBA-on1054092936 | ||
| 003 | OCoLC | ||
| 005 | 20241004212047.0 | ||
| 006 | m o d | ||
| 007 | cr cnu|||unuuu | ||
| 008 | 180924s2018 ne ab ob 001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d YDX |d JSTOR |d EBLCP |d OCLCF |d DEGRU |d YDXIT |d OCL |d UKAHL |d OCLCQ |d UX1 |d K6U |d OCLCO |d CAMBR |d OCLCA |d DGITA |d OCLCQ |d OCLCO |d LUU |d OCLCQ |d NLAUP |d OCLCQ |d OCLCO |d YWS |d OCLCQ |d OCLCL |d TMA |d OCLCQ |d SFB |d OCLCQ |d SXB | ||
| 019 | |a 1175629697 | ||
| 020 | |a 9789048529186 |q (electronic book) | ||
| 020 | |a 9048529182 |q (electronic book) | ||
| 020 | |a 9462980055 |q (hardcover) | ||
| 020 | |a 9789462980051 | ||
| 020 | |z 9789462980051 | ||
| 035 | |a (OCoLC)1054092936 |z (OCoLC)1175629697 | ||
| 037 | |a 22573/ctv60s1rw |b JSTOR | ||
| 050 | 4 | |a BH39 |b .I43 2018 | |
| 050 | 4 | |a NX449 | |
| 072 | 7 | |a ART |x 000000 |2 bisacsh | |
| 072 | 7 | |a ART |x 009000 |2 bisacsh | |
| 072 | 7 | |a ART |x 015000 |2 bisacsh | |
| 072 | 7 | |a HIS |x 000000 |2 bisacsh | |
| 082 | 7 | |a 111/.8509 |2 23 | |
| 082 | 7 | |a 700.902 |2 23 | |
| 049 | |a MAIN | ||
| 245 | 0 | 0 | |a Images, improvisations, sound, and silence from 1000 to 1800 : |b degree zero / |c edited by Babette Hellemans and Alissa Jones Nelson. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2018] | |
| 300 | |a 1 online resource (251 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Knowledge communities | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover; Table of Contents; Preface and Acknowledgements; Ouverture; Images; 1 The Two Bodies of the Virgin; 2 The Three Ages of Man and the Materialization of an Allegory; 3 Lapsus figurae; Improvisations; 4 Drawing a Line and Questioning Art; 5 Fall and Rise Again; 6 Improvisation as a Chief Pillar of the Poetic Art in Persian Literary Tradition; Sound; 7 Intending the Listener; 8 The Sovereign Ear; 9 Where Sound and Meaning Part; Silence; 10 Writing about Silence and the Secret in the Twelfth Century; 11 An Arrangement of Silence; 12 Dimidia Hora; List of Contributors; Index | |
| 505 | 8 | |a List of FiguresChapter 1; Figure 1 The Queen of the Amazons; Cirio de Nazaré, Belém, 13 October 2013.; Figure 2 The Romaria fluvial; Belém, 12 October 2013.; Figure 3 Map of the Town of Belém.; Figure 4 The Virgin in the berlinda; Cirio de Nazaré, Belém, 13 October 2013.; Figure 5 Ex voto of a house, expressing a wish for a roof to live under; Cirio de Nazaré, Belém, 13 October 2013.; Figure 6 Shipwreck of the Frigate Sao Joao Batista, off the coast of Pará. Lithograph, 32 x 23 cm, signed by H. Jannim, Paris, first half of the nineteenth century. | |
| 505 | 8 | |a Figure 7 Wooden boat, commemorating the Virgin's rescue of sailors at sea, sold from stalls in the Praça do Carmo Cirio de Nazaré, Belém, 13 October 2013.; Figure 8 Praça do Carmo (Square of the Carmelites); Cirio de Nazaré, Belém, 13 October 2013.; Figure 9 Image of the corda, the rope that pulls and steers the berlinda, as a central symbol of the procession; Cirio de Nazaré, Belém, 13 October 2013.; Figure 10 The peregrina on the arraial in front of the Basilica of San Nazaré; Cirio de Nazaré, Belém, 13 October 2013. | |
| 505 | 8 | |a Figure 11 Crowds placing written supplications, promessas, and coloured ribbons around the peregrina on the arraial in front of the Basilica of San Nazaré Cirio de Nazaré, Belém, 13 October 2013.; Figure 12 Crowds taking digital photos of the original in the Basilica of San Nazaré; Cirio de Nazaré, Belém, 13 October 2013.; Figure 13 The wagon on which the statue of Shiva is carried around the perimeter of the temple; Madurai, Tamil Nadu.; Chapter 2; Figure 1 Triciput of the Ages of Man, Inv. no. 73/1, Bavarian National Museum, Munich.; Chapter 3 | |
| 505 | 8 | |a Figure 1 L'Insensé. Illustration no. 81 in Garnier, L'âne à la lyre, sottisier d'iconographie médiévale (Paris: Léopard d'or, 1988) negative by Pierre-Olivier Dittmar.; Figure 2 Moses receiving the tablets of the law and the adoration of the golden calf, Psalter of Blanche of Castile, early thirteenth century; Paris BnF, Arsenal, ms. 1186, f. 14, negative Bibliothèque nationale de France.; Figure 3 'A Jew looks on the weeping earth', Psalter of Marote de Hamel; Paris, BnF. Lat. 10435, f. 11v., end of the thirteenth century, negative Bibliothèque nationale de France. | |
| 520 | |a The act of drawing a line or uttering a word is often seen as integral to the process of making art. This is especially obvious in music and the visual arts, but applies to literature, performance, and other arts as well. These collected essays, written by scholars from diverse fields, take a historical view of the richness of creation out of nothing (creatio ex nihilo) in order to draw out debates, sometimes implicit and sometimes formally stated, about the production and reproduction of cultural meaning in a period of great change and novelty, between the beginnings of the medieval intellectual tradition and the imprint of the Enlightenment. The authors pose the following questions: Do tradition and creativity conflict with one another, or are they complementary? What are the tensions between composition and live performance? What is the role of the audience in perceiving the object of art? Are such objects fixed or flexible? What about the status of the event? Is the event part of creation, in the sense that it disturbs the still waters of historical continuity? These and other questions build on the foundation of Roland Barthes' concept of Degree Zero, offering new insights into what it means to create. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on December 06, 2018). | |
| 650 | 0 | |a Arts |x Philosophy. |0 http://id.loc.gov/authorities/subjects/sh2009113914 | |
| 650 | 0 | |a Arts, Medieval. |0 http://id.loc.gov/authorities/subjects/sh85008413 | |
| 650 | 0 | |a Arts, Modern. |0 http://id.loc.gov/authorities/subjects/sh85008415 | |
| 650 | 0 | |a Sound in art. |0 http://id.loc.gov/authorities/subjects/sh97001016 | |
| 650 | 0 | |a Sound in literature. |0 http://id.loc.gov/authorities/subjects/sh94009081 | |
| 650 | 0 | |a Silence in literature. |0 http://id.loc.gov/authorities/subjects/sh85122469 | |
| 650 | 6 | |a Arts médiévaux. | |
| 650 | 6 | |a Silence dans la littérature. | |
| 650 | 7 | |a History. |2 bicssc | |
| 650 | 7 | |a ART |x General. |2 bisacsh | |
| 650 | 7 | |a Arts |x Philosophy |2 fast | |
| 650 | 7 | |a Arts, Medieval |2 fast | |
| 650 | 7 | |a Arts, Modern |2 fast | |
| 650 | 7 | |a Silence in literature |2 fast | |
| 650 | 7 | |a Sound in art |2 fast | |
| 650 | 7 | |a Sound in literature |2 fast | |
| 653 | |a Anthropology. | ||
| 653 | |a Image. | ||
| 653 | |a Literature. | ||
| 653 | |a Music. | ||
| 653 | |a Premodern History. | ||
| 655 | 4 | |a Electronic book. | |
| 700 | 1 | |a Hellemans, Babette, |e editor. | |
| 700 | 1 | |a Nelson, Alissa Jones, |e editor. |0 http://id.loc.gov/authorities/names/n2010013804 | |
| 758 | |i has work: |a Images, improvisations, sound, and silence from 1000 to 1800 (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGM9dD9BJVYfH94hwRdB4C |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Images, improvisations, sound, and silence from 1000 to 1800. |d Amsterdam : Amsterdam University Press, [2018] |w (DLC) 2018483623 |
| 830 | 0 | |a Knowledge communities (Amsterdam, Netherlands) |0 http://id.loc.gov/authorities/names/no2017129252 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1897013 |3 Volltext |
| 938 | |a Amsterdam University Press |b AUPA |n 9789048529186 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH34227343 | ||
| 938 | |a De Gruyter |b DEGR |n 9789048529186 | ||
| 938 | |a Digitalia Publishing |b DGIT |n DIGAMSTUP0075 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5521579 | ||
| 938 | |a EBSCOhost |b EBSC |n 1897013 | ||
| 938 | |a YBP Library Services |b YANK |n 15722812 | ||
| 994 | |a 92 |b GEBAY | ||
| 912 | |a ZDB-4-EBA | ||
| 049 | |a DE-863 | ||
Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1054092936 |
|---|---|
| _version_ | 1816882471874068480 |
| adam_text | |
| any_adam_object | |
| author2 | Hellemans, Babette Nelson, Alissa Jones |
| author2_role | edt edt |
| author2_variant | b h bh a j n aj ajn |
| author_GND | http://id.loc.gov/authorities/names/n2010013804 |
| author_facet | Hellemans, Babette Nelson, Alissa Jones |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | B - Philosophy, Psychology, Religion |
| callnumber-label | BH39 |
| callnumber-raw | BH39 .I43 2018 NX449 |
| callnumber-search | BH39 .I43 2018 NX449 |
| callnumber-sort | BH 239 I43 42018 |
| callnumber-subject | BH - Aesthetics |
| collection | ZDB-4-EBA |
| contents | Cover; Table of Contents; Preface and Acknowledgements; Ouverture; Images; 1 The Two Bodies of the Virgin; 2 The Three Ages of Man and the Materialization of an Allegory; 3 Lapsus figurae; Improvisations; 4 Drawing a Line and Questioning Art; 5 Fall and Rise Again; 6 Improvisation as a Chief Pillar of the Poetic Art in Persian Literary Tradition; Sound; 7 Intending the Listener; 8 The Sovereign Ear; 9 Where Sound and Meaning Part; Silence; 10 Writing about Silence and the Secret in the Twelfth Century; 11 An Arrangement of Silence; 12 Dimidia Hora; List of Contributors; Index List of FiguresChapter 1; Figure 1 The Queen of the Amazons; Cirio de Nazaré, Belém, 13 October 2013.; Figure 2 The Romaria fluvial; Belém, 12 October 2013.; Figure 3 Map of the Town of Belém.; Figure 4 The Virgin in the berlinda; Cirio de Nazaré, Belém, 13 October 2013.; Figure 5 Ex voto of a house, expressing a wish for a roof to live under; Cirio de Nazaré, Belém, 13 October 2013.; Figure 6 Shipwreck of the Frigate Sao Joao Batista, off the coast of Pará. Lithograph, 32 x 23 cm, signed by H. Jannim, Paris, first half of the nineteenth century. Figure 7 Wooden boat, commemorating the Virgin's rescue of sailors at sea, sold from stalls in the Praça do Carmo Cirio de Nazaré, Belém, 13 October 2013.; Figure 8 Praça do Carmo (Square of the Carmelites); Cirio de Nazaré, Belém, 13 October 2013.; Figure 9 Image of the corda, the rope that pulls and steers the berlinda, as a central symbol of the procession; Cirio de Nazaré, Belém, 13 October 2013.; Figure 10 The peregrina on the arraial in front of the Basilica of San Nazaré; Cirio de Nazaré, Belém, 13 October 2013. Figure 11 Crowds placing written supplications, promessas, and coloured ribbons around the peregrina on the arraial in front of the Basilica of San Nazaré Cirio de Nazaré, Belém, 13 October 2013.; Figure 12 Crowds taking digital photos of the original in the Basilica of San Nazaré; Cirio de Nazaré, Belém, 13 October 2013.; Figure 13 The wagon on which the statue of Shiva is carried around the perimeter of the temple; Madurai, Tamil Nadu.; Chapter 2; Figure 1 Triciput of the Ages of Man, Inv. no. 73/1, Bavarian National Museum, Munich.; Chapter 3 Figure 1 L'Insensé. Illustration no. 81 in Garnier, L'âne à la lyre, sottisier d'iconographie médiévale (Paris: Léopard d'or, 1988) negative by Pierre-Olivier Dittmar.; Figure 2 Moses receiving the tablets of the law and the adoration of the golden calf, Psalter of Blanche of Castile, early thirteenth century; Paris BnF, Arsenal, ms. 1186, f. 14, negative Bibliothèque nationale de France.; Figure 3 'A Jew looks on the weeping earth', Psalter of Marote de Hamel; Paris, BnF. Lat. 10435, f. 11v., end of the thirteenth century, negative Bibliothèque nationale de France. |
| ctrlnum | (OCoLC)1054092936 |
| dewey-full | 111/.8509 700.902 |
| dewey-hundreds | 100 - Philosophy & psychology 700 - The arts |
| dewey-ones | 111 - Ontology 700 - The arts |
| dewey-raw | 111/.8509 700.902 |
| dewey-search | 111/.8509 700.902 |
| dewey-sort | 3111 48509 |
| dewey-tens | 110 - Metaphysics 700 - The arts |
| discipline | Kunstgeschichte Philosophie |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>07994cam a2200925 i 4500</leader><controlfield tag="001">ZDB-4-EBA-on1054092936</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20241004212047.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr cnu|||unuuu</controlfield><controlfield tag="008">180924s2018 ne ab ob 001 0 eng d</controlfield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">N$T</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">N$T</subfield><subfield code="d">YDX</subfield><subfield code="d">JSTOR</subfield><subfield code="d">EBLCP</subfield><subfield code="d">OCLCF</subfield><subfield code="d">DEGRU</subfield><subfield code="d">YDXIT</subfield><subfield code="d">OCL</subfield><subfield code="d">UKAHL</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">UX1</subfield><subfield code="d">K6U</subfield><subfield code="d">OCLCO</subfield><subfield code="d">CAMBR</subfield><subfield code="d">OCLCA</subfield><subfield code="d">DGITA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">LUU</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">NLAUP</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">YWS</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCL</subfield><subfield code="d">TMA</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">SFB</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">SXB</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">1175629697</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789048529186</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9048529182</subfield><subfield code="q">(electronic book)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9462980055</subfield><subfield code="q">(hardcover)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789462980051</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9789462980051</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1054092936</subfield><subfield code="z">(OCoLC)1175629697</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctv60s1rw</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">BH39</subfield><subfield code="b">.I43 2018</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">NX449</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">009000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">015000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">HIS</subfield><subfield code="x">000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">111/.8509</subfield><subfield code="2">23</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">700.902</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Images, improvisations, sound, and silence from 1000 to 1800 :</subfield><subfield code="b">degree zero /</subfield><subfield code="c">edited by Babette Hellemans and Alissa Jones Nelson.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam :</subfield><subfield code="b">Amsterdam University Press,</subfield><subfield code="c">[2018]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (251 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Knowledge communities</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover; Table of Contents; Preface and Acknowledgements; Ouverture; Images; 1 The Two Bodies of the Virgin; 2 The Three Ages of Man and the Materialization of an Allegory; 3 Lapsus figurae; Improvisations; 4 Drawing a Line and Questioning Art; 5 Fall and Rise Again; 6 Improvisation as a Chief Pillar of the Poetic Art in Persian Literary Tradition; Sound; 7 Intending the Listener; 8 The Sovereign Ear; 9 Where Sound and Meaning Part; Silence; 10 Writing about Silence and the Secret in the Twelfth Century; 11 An Arrangement of Silence; 12 Dimidia Hora; List of Contributors; Index</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">List of FiguresChapter 1; Figure 1 The Queen of the Amazons; Cirio de Nazaré, Belém, 13 October 2013.; Figure 2 The Romaria fluvial; Belém, 12 October 2013.; Figure 3 Map of the Town of Belém.; Figure 4 The Virgin in the berlinda; Cirio de Nazaré, Belém, 13 October 2013.; Figure 5 Ex voto of a house, expressing a wish for a roof to live under; Cirio de Nazaré, Belém, 13 October 2013.; Figure 6 Shipwreck of the Frigate Sao Joao Batista, off the coast of Pará. Lithograph, 32 x 23 cm, signed by H. Jannim, Paris, first half of the nineteenth century.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Figure 7 Wooden boat, commemorating the Virgin's rescue of sailors at sea, sold from stalls in the Praça do Carmo Cirio de Nazaré, Belém, 13 October 2013.; Figure 8 Praça do Carmo (Square of the Carmelites); Cirio de Nazaré, Belém, 13 October 2013.; Figure 9 Image of the corda, the rope that pulls and steers the berlinda, as a central symbol of the procession; Cirio de Nazaré, Belém, 13 October 2013.; Figure 10 The peregrina on the arraial in front of the Basilica of San Nazaré; Cirio de Nazaré, Belém, 13 October 2013.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Figure 11 Crowds placing written supplications, promessas, and coloured ribbons around the peregrina on the arraial in front of the Basilica of San Nazaré Cirio de Nazaré, Belém, 13 October 2013.; Figure 12 Crowds taking digital photos of the original in the Basilica of San Nazaré; Cirio de Nazaré, Belém, 13 October 2013.; Figure 13 The wagon on which the statue of Shiva is carried around the perimeter of the temple; Madurai, Tamil Nadu.; Chapter 2; Figure 1 Triciput of the Ages of Man, Inv. no. 73/1, Bavarian National Museum, Munich.; Chapter 3</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Figure 1 L'Insensé. Illustration no. 81 in Garnier, L'âne à la lyre, sottisier d'iconographie médiévale (Paris: Léopard d'or, 1988) negative by Pierre-Olivier Dittmar.; Figure 2 Moses receiving the tablets of the law and the adoration of the golden calf, Psalter of Blanche of Castile, early thirteenth century; Paris BnF, Arsenal, ms. 1186, f. 14, negative Bibliothèque nationale de France.; Figure 3 'A Jew looks on the weeping earth', Psalter of Marote de Hamel; Paris, BnF. Lat. 10435, f. 11v., end of the thirteenth century, negative Bibliothèque nationale de France.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The act of drawing a line or uttering a word is often seen as integral to the process of making art. This is especially obvious in music and the visual arts, but applies to literature, performance, and other arts as well. These collected essays, written by scholars from diverse fields, take a historical view of the richness of creation out of nothing (creatio ex nihilo) in order to draw out debates, sometimes implicit and sometimes formally stated, about the production and reproduction of cultural meaning in a period of great change and novelty, between the beginnings of the medieval intellectual tradition and the imprint of the Enlightenment. The authors pose the following questions: Do tradition and creativity conflict with one another, or are they complementary? What are the tensions between composition and live performance? What is the role of the audience in perceiving the object of art? Are such objects fixed or flexible? What about the status of the event? Is the event part of creation, in the sense that it disturbs the still waters of historical continuity? These and other questions build on the foundation of Roland Barthes' concept of Degree Zero, offering new insights into what it means to create.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Online resource; title from digital title page (viewed on December 06, 2018).</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Arts</subfield><subfield code="x">Philosophy.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh2009113914</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Arts, Medieval.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85008413</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Arts, Modern.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85008415</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Sound in art.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh97001016</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Sound in literature.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh94009081</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Silence in literature.</subfield><subfield code="0">http://id.loc.gov/authorities/subjects/sh85122469</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Arts médiévaux.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Silence dans la littérature.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">History.</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART</subfield><subfield code="x">General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Arts</subfield><subfield code="x">Philosophy</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Arts, Medieval</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Arts, Modern</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Silence in literature</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Sound in art</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Sound in literature</subfield><subfield code="2">fast</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Anthropology.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Image.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Literature.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Music.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Premodern History.</subfield></datafield><datafield tag="655" ind1=" " ind2="4"><subfield code="a">Electronic book.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hellemans, Babette,</subfield><subfield code="e">editor.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Nelson, Alissa Jones,</subfield><subfield code="e">editor.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2010013804</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">Images, improvisations, sound, and silence from 1000 to 1800 (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGM9dD9BJVYfH94hwRdB4C</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="t">Images, improvisations, sound, and silence from 1000 to 1800.</subfield><subfield code="d">Amsterdam : Amsterdam University Press, [2018]</subfield><subfield code="w">(DLC) 2018483623</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Knowledge communities (Amsterdam, Netherlands)</subfield><subfield code="0">http://id.loc.gov/authorities/names/no2017129252</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1897013</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Amsterdam University Press</subfield><subfield code="b">AUPA</subfield><subfield code="n">9789048529186</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Askews and Holts Library Services</subfield><subfield code="b">ASKH</subfield><subfield code="n">AH34227343</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">De Gruyter</subfield><subfield code="b">DEGR</subfield><subfield code="n">9789048529186</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Digitalia Publishing</subfield><subfield code="b">DGIT</subfield><subfield code="n">DIGAMSTUP0075</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL5521579</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1897013</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">15722812</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-863</subfield></datafield></record></collection> |
| genre | Electronic book. |
| genre_facet | Electronic book. |
| id | ZDB-4-EBA-on1054092936 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:29:09Z |
| institution | BVB |
| isbn | 9789048529186 9048529182 9462980055 9789462980051 |
| language | English |
| oclc_num | 1054092936 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (251 pages) |
| psigel | ZDB-4-EBA |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Amsterdam University Press, |
| record_format | marc |
| series | Knowledge communities (Amsterdam, Netherlands) |
| series2 | Knowledge communities |
| spelling | Images, improvisations, sound, and silence from 1000 to 1800 : degree zero / edited by Babette Hellemans and Alissa Jones Nelson. Amsterdam : Amsterdam University Press, [2018] 1 online resource (251 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Knowledge communities Includes bibliographical references and index. Cover; Table of Contents; Preface and Acknowledgements; Ouverture; Images; 1 The Two Bodies of the Virgin; 2 The Three Ages of Man and the Materialization of an Allegory; 3 Lapsus figurae; Improvisations; 4 Drawing a Line and Questioning Art; 5 Fall and Rise Again; 6 Improvisation as a Chief Pillar of the Poetic Art in Persian Literary Tradition; Sound; 7 Intending the Listener; 8 The Sovereign Ear; 9 Where Sound and Meaning Part; Silence; 10 Writing about Silence and the Secret in the Twelfth Century; 11 An Arrangement of Silence; 12 Dimidia Hora; List of Contributors; Index List of FiguresChapter 1; Figure 1 The Queen of the Amazons; Cirio de Nazaré, Belém, 13 October 2013.; Figure 2 The Romaria fluvial; Belém, 12 October 2013.; Figure 3 Map of the Town of Belém.; Figure 4 The Virgin in the berlinda; Cirio de Nazaré, Belém, 13 October 2013.; Figure 5 Ex voto of a house, expressing a wish for a roof to live under; Cirio de Nazaré, Belém, 13 October 2013.; Figure 6 Shipwreck of the Frigate Sao Joao Batista, off the coast of Pará. Lithograph, 32 x 23 cm, signed by H. Jannim, Paris, first half of the nineteenth century. Figure 7 Wooden boat, commemorating the Virgin's rescue of sailors at sea, sold from stalls in the Praça do Carmo Cirio de Nazaré, Belém, 13 October 2013.; Figure 8 Praça do Carmo (Square of the Carmelites); Cirio de Nazaré, Belém, 13 October 2013.; Figure 9 Image of the corda, the rope that pulls and steers the berlinda, as a central symbol of the procession; Cirio de Nazaré, Belém, 13 October 2013.; Figure 10 The peregrina on the arraial in front of the Basilica of San Nazaré; Cirio de Nazaré, Belém, 13 October 2013. Figure 11 Crowds placing written supplications, promessas, and coloured ribbons around the peregrina on the arraial in front of the Basilica of San Nazaré Cirio de Nazaré, Belém, 13 October 2013.; Figure 12 Crowds taking digital photos of the original in the Basilica of San Nazaré; Cirio de Nazaré, Belém, 13 October 2013.; Figure 13 The wagon on which the statue of Shiva is carried around the perimeter of the temple; Madurai, Tamil Nadu.; Chapter 2; Figure 1 Triciput of the Ages of Man, Inv. no. 73/1, Bavarian National Museum, Munich.; Chapter 3 Figure 1 L'Insensé. Illustration no. 81 in Garnier, L'âne à la lyre, sottisier d'iconographie médiévale (Paris: Léopard d'or, 1988) negative by Pierre-Olivier Dittmar.; Figure 2 Moses receiving the tablets of the law and the adoration of the golden calf, Psalter of Blanche of Castile, early thirteenth century; Paris BnF, Arsenal, ms. 1186, f. 14, negative Bibliothèque nationale de France.; Figure 3 'A Jew looks on the weeping earth', Psalter of Marote de Hamel; Paris, BnF. Lat. 10435, f. 11v., end of the thirteenth century, negative Bibliothèque nationale de France. The act of drawing a line or uttering a word is often seen as integral to the process of making art. This is especially obvious in music and the visual arts, but applies to literature, performance, and other arts as well. These collected essays, written by scholars from diverse fields, take a historical view of the richness of creation out of nothing (creatio ex nihilo) in order to draw out debates, sometimes implicit and sometimes formally stated, about the production and reproduction of cultural meaning in a period of great change and novelty, between the beginnings of the medieval intellectual tradition and the imprint of the Enlightenment. The authors pose the following questions: Do tradition and creativity conflict with one another, or are they complementary? What are the tensions between composition and live performance? What is the role of the audience in perceiving the object of art? Are such objects fixed or flexible? What about the status of the event? Is the event part of creation, in the sense that it disturbs the still waters of historical continuity? These and other questions build on the foundation of Roland Barthes' concept of Degree Zero, offering new insights into what it means to create. Online resource; title from digital title page (viewed on December 06, 2018). Arts Philosophy. http://id.loc.gov/authorities/subjects/sh2009113914 Arts, Medieval. http://id.loc.gov/authorities/subjects/sh85008413 Arts, Modern. http://id.loc.gov/authorities/subjects/sh85008415 Sound in art. http://id.loc.gov/authorities/subjects/sh97001016 Sound in literature. http://id.loc.gov/authorities/subjects/sh94009081 Silence in literature. http://id.loc.gov/authorities/subjects/sh85122469 Arts médiévaux. Silence dans la littérature. History. bicssc ART General. bisacsh Arts Philosophy fast Arts, Medieval fast Arts, Modern fast Silence in literature fast Sound in art fast Sound in literature fast Anthropology. Image. Literature. Music. Premodern History. Electronic book. Hellemans, Babette, editor. Nelson, Alissa Jones, editor. http://id.loc.gov/authorities/names/n2010013804 has work: Images, improvisations, sound, and silence from 1000 to 1800 (Text) https://id.oclc.org/worldcat/entity/E39PCGM9dD9BJVYfH94hwRdB4C https://id.oclc.org/worldcat/ontology/hasWork Print version: Images, improvisations, sound, and silence from 1000 to 1800. Amsterdam : Amsterdam University Press, [2018] (DLC) 2018483623 Knowledge communities (Amsterdam, Netherlands) http://id.loc.gov/authorities/names/no2017129252 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1897013 Volltext |
| spellingShingle | Images, improvisations, sound, and silence from 1000 to 1800 : degree zero / Knowledge communities (Amsterdam, Netherlands) Cover; Table of Contents; Preface and Acknowledgements; Ouverture; Images; 1 The Two Bodies of the Virgin; 2 The Three Ages of Man and the Materialization of an Allegory; 3 Lapsus figurae; Improvisations; 4 Drawing a Line and Questioning Art; 5 Fall and Rise Again; 6 Improvisation as a Chief Pillar of the Poetic Art in Persian Literary Tradition; Sound; 7 Intending the Listener; 8 The Sovereign Ear; 9 Where Sound and Meaning Part; Silence; 10 Writing about Silence and the Secret in the Twelfth Century; 11 An Arrangement of Silence; 12 Dimidia Hora; List of Contributors; Index List of FiguresChapter 1; Figure 1 The Queen of the Amazons; Cirio de Nazaré, Belém, 13 October 2013.; Figure 2 The Romaria fluvial; Belém, 12 October 2013.; Figure 3 Map of the Town of Belém.; Figure 4 The Virgin in the berlinda; Cirio de Nazaré, Belém, 13 October 2013.; Figure 5 Ex voto of a house, expressing a wish for a roof to live under; Cirio de Nazaré, Belém, 13 October 2013.; Figure 6 Shipwreck of the Frigate Sao Joao Batista, off the coast of Pará. Lithograph, 32 x 23 cm, signed by H. Jannim, Paris, first half of the nineteenth century. Figure 7 Wooden boat, commemorating the Virgin's rescue of sailors at sea, sold from stalls in the Praça do Carmo Cirio de Nazaré, Belém, 13 October 2013.; Figure 8 Praça do Carmo (Square of the Carmelites); Cirio de Nazaré, Belém, 13 October 2013.; Figure 9 Image of the corda, the rope that pulls and steers the berlinda, as a central symbol of the procession; Cirio de Nazaré, Belém, 13 October 2013.; Figure 10 The peregrina on the arraial in front of the Basilica of San Nazaré; Cirio de Nazaré, Belém, 13 October 2013. Figure 11 Crowds placing written supplications, promessas, and coloured ribbons around the peregrina on the arraial in front of the Basilica of San Nazaré Cirio de Nazaré, Belém, 13 October 2013.; Figure 12 Crowds taking digital photos of the original in the Basilica of San Nazaré; Cirio de Nazaré, Belém, 13 October 2013.; Figure 13 The wagon on which the statue of Shiva is carried around the perimeter of the temple; Madurai, Tamil Nadu.; Chapter 2; Figure 1 Triciput of the Ages of Man, Inv. no. 73/1, Bavarian National Museum, Munich.; Chapter 3 Figure 1 L'Insensé. Illustration no. 81 in Garnier, L'âne à la lyre, sottisier d'iconographie médiévale (Paris: Léopard d'or, 1988) negative by Pierre-Olivier Dittmar.; Figure 2 Moses receiving the tablets of the law and the adoration of the golden calf, Psalter of Blanche of Castile, early thirteenth century; Paris BnF, Arsenal, ms. 1186, f. 14, negative Bibliothèque nationale de France.; Figure 3 'A Jew looks on the weeping earth', Psalter of Marote de Hamel; Paris, BnF. Lat. 10435, f. 11v., end of the thirteenth century, negative Bibliothèque nationale de France. Arts Philosophy. http://id.loc.gov/authorities/subjects/sh2009113914 Arts, Medieval. http://id.loc.gov/authorities/subjects/sh85008413 Arts, Modern. http://id.loc.gov/authorities/subjects/sh85008415 Sound in art. http://id.loc.gov/authorities/subjects/sh97001016 Sound in literature. http://id.loc.gov/authorities/subjects/sh94009081 Silence in literature. http://id.loc.gov/authorities/subjects/sh85122469 Arts médiévaux. Silence dans la littérature. History. bicssc ART General. bisacsh Arts Philosophy fast Arts, Medieval fast Arts, Modern fast Silence in literature fast Sound in art fast Sound in literature fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2009113914 http://id.loc.gov/authorities/subjects/sh85008413 http://id.loc.gov/authorities/subjects/sh85008415 http://id.loc.gov/authorities/subjects/sh97001016 http://id.loc.gov/authorities/subjects/sh94009081 http://id.loc.gov/authorities/subjects/sh85122469 |
| title | Images, improvisations, sound, and silence from 1000 to 1800 : degree zero / |
| title_auth | Images, improvisations, sound, and silence from 1000 to 1800 : degree zero / |
| title_exact_search | Images, improvisations, sound, and silence from 1000 to 1800 : degree zero / |
| title_full | Images, improvisations, sound, and silence from 1000 to 1800 : degree zero / edited by Babette Hellemans and Alissa Jones Nelson. |
| title_fullStr | Images, improvisations, sound, and silence from 1000 to 1800 : degree zero / edited by Babette Hellemans and Alissa Jones Nelson. |
| title_full_unstemmed | Images, improvisations, sound, and silence from 1000 to 1800 : degree zero / edited by Babette Hellemans and Alissa Jones Nelson. |
| title_short | Images, improvisations, sound, and silence from 1000 to 1800 : |
| title_sort | images improvisations sound and silence from 1000 to 1800 degree zero |
| title_sub | degree zero / |
| topic | Arts Philosophy. http://id.loc.gov/authorities/subjects/sh2009113914 Arts, Medieval. http://id.loc.gov/authorities/subjects/sh85008413 Arts, Modern. http://id.loc.gov/authorities/subjects/sh85008415 Sound in art. http://id.loc.gov/authorities/subjects/sh97001016 Sound in literature. http://id.loc.gov/authorities/subjects/sh94009081 Silence in literature. http://id.loc.gov/authorities/subjects/sh85122469 Arts médiévaux. Silence dans la littérature. History. bicssc ART General. bisacsh Arts Philosophy fast Arts, Medieval fast Arts, Modern fast Silence in literature fast Sound in art fast Sound in literature fast |
| topic_facet | Arts Philosophy. Arts, Medieval. Arts, Modern. Sound in art. Sound in literature. Silence in literature. Arts médiévaux. Silence dans la littérature. History. ART General. Arts Philosophy Arts, Medieval Arts, Modern Silence in literature Sound in art Sound in literature Electronic book. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1897013 |
| work_keys_str_mv | AT hellemansbabette imagesimprovisationssoundandsilencefrom1000to1800degreezero AT nelsonalissajones imagesimprovisationssoundandsilencefrom1000to1800degreezero |