Hieroglyph, emblem, and Renaissance pictography /:
Robin Raybould's Hieroglyph, Emblem and Renaissance Pictography is the first English translation of Ludwig Volkmann's Bilderschriften der Renaissance , the classic text which promoted the symbol as a defining cultural and literary characteristic of early modern Europe. Volkmann enumerates...
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Format: | Elektronisch E-Book |
Sprache: | English German |
Veröffentlicht: |
Leiden ; Boston :
Brill,
2018.
|
Schriftenreihe: | Brill's studies in intellectual history,
[Volume 274] Brill's studies on art, art history, and intellectual history ; [Volume 28] |
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Robin Raybould's Hieroglyph, Emblem and Renaissance Pictography is the first English translation of Ludwig Volkmann's Bilderschriften der Renaissance , the classic text which promoted the symbol as a defining cultural and literary characteristic of early modern Europe. Volkmann enumerates and describes many of the works which illustrated the contemporary obsession with hieroglyph, emblem and device, particularly those from France and Germany, thus complementing Karl Giehlow's earlier Hieroglyphenkunde on the subject. Volkmann's book highlights both Renaissance theories of the image as language and the symbol as an aid to an understanding of the meaning of life and the nature of God. Raybould's translation has been described as elegant, admirable and impeccable and includes an introduction, extensive notes and several additional essays on topics relevant to the field. |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9789004367593 9004367594 |
ISSN: | 0920-8607 ; |
Internformat
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245 | 1 | 0 | |a Hieroglyph, emblem, and Renaissance pictography / |c by Ludwig Volkmann ; translated and edited by Robin Raybould. |
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490 | 0 | |a Brill's studies in intellectual history, |x 0920-8607 ; |v [Volume 274] | |
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504 | |a Includes bibliographical references and index. | ||
588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
505 | 0 | |a Intro; Contents; Translator's Preface; List of Illustrations; Author's Introduction; Chapter 1 The Hieroglyphics of the Italian Humanists; Excursus 1: On the Images in the Gran Chiostro of San Giustina and those in the Hypnerotomachia Poliphili; Chapter 2 Emblematics and Its Derivatives: Imprese and Devices; Excursus 2: On the Origin of Alciato's Emblemata; Excursus 3: On Hoes; Chapter 3 Hieroglyphics North of the Alps; Excursus 4: On the Origin of Aldus' Printers Mark and the Motto festina lente; Excursus 5: On the Symbola of Pythagoras and Alciato's Emblem "Do not sit on a bushel." | |
505 | 8 | |a Excursus 6: Philosophia comite regredimurChapter 4 Resonances from the Seventeenth and Eighteenth Centuries; Appendix: Hieroglyphs and Emblems in Printers and Publishers Marks (Signeten); Bibliography; Index of Names; Index of Hieroglyphs, Emblems and Devices | |
520 | |a Robin Raybould's Hieroglyph, Emblem and Renaissance Pictography is the first English translation of Ludwig Volkmann's Bilderschriften der Renaissance , the classic text which promoted the symbol as a defining cultural and literary characteristic of early modern Europe. Volkmann enumerates and describes many of the works which illustrated the contemporary obsession with hieroglyph, emblem and device, particularly those from France and Germany, thus complementing Karl Giehlow's earlier Hieroglyphenkunde on the subject. Volkmann's book highlights both Renaissance theories of the image as language and the symbol as an aid to an understanding of the meaning of life and the nature of God. Raybould's translation has been described as elegant, admirable and impeccable and includes an introduction, extensive notes and several additional essays on topics relevant to the field. | ||
650 | 0 | |a Hieroglyphics |x History |y 16th century. | |
650 | 0 | |a Emblems |x History |y 16th century. | |
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650 | 6 | |a Hiéroglyphes |x Histoire |y 16e siècle. | |
650 | 6 | |a Emblèmes |x Histoire |y 16e siècle. | |
650 | 6 | |a Art de la Renaissance |x Thèmes, motifs. | |
650 | 6 | |a Imprimeurs |x Marques. | |
650 | 7 | |a printer's marks. |2 aat | |
650 | 7 | |a ART |x History |x General. |2 bisacsh | |
650 | 7 | |a Art, Renaissance |x Themes, motives |2 fast | |
650 | 7 | |a Emblems |2 fast | |
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adam_text | |
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author | Volkmann, Ludwig, 1870-1947 |
author2 | Raybould, Robin Raybould, Robin Volkmann, Ludwig, 1870-1947 |
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author_facet | Volkmann, Ludwig, 1870-1947 Raybould, Robin Raybould, Robin Volkmann, Ludwig, 1870-1947 |
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collection | ZDB-4-EBA |
contents | Intro; Contents; Translator's Preface; List of Illustrations; Author's Introduction; Chapter 1 The Hieroglyphics of the Italian Humanists; Excursus 1: On the Images in the Gran Chiostro of San Giustina and those in the Hypnerotomachia Poliphili; Chapter 2 Emblematics and Its Derivatives: Imprese and Devices; Excursus 2: On the Origin of Alciato's Emblemata; Excursus 3: On Hoes; Chapter 3 Hieroglyphics North of the Alps; Excursus 4: On the Origin of Aldus' Printers Mark and the Motto festina lente; Excursus 5: On the Symbola of Pythagoras and Alciato's Emblem "Do not sit on a bushel." Excursus 6: Philosophia comite regredimurChapter 4 Resonances from the Seventeenth and Eighteenth Centuries; Appendix: Hieroglyphs and Emblems in Printers and Publishers Marks (Signeten); Bibliography; Index of Names; Index of Hieroglyphs, Emblems and Devices |
ctrlnum | (OCoLC)1039238068 |
dewey-full | 709.02/4 |
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dewey-search | 709.02/4 |
dewey-sort | 3709.02 14 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
era | 1500-1599 fast |
era_facet | 1500-1599 |
format | Electronic eBook |
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spelling | Volkmann, Ludwig, 1870-1947, author. http://id.loc.gov/authorities/names/n82066648 Bilderschriften der Renaissance. English Hieroglyph, emblem, and Renaissance pictography / by Ludwig Volkmann ; translated and edited by Robin Raybould. 1807 Leiden ; Boston : Brill, 2018. 1 online resource text txt rdacontent computer n rdamedia online resource nc rdacarrier Brill's studies in intellectual history, 0920-8607 ; [Volume 274] Brill's studies on art, art history, and intellectual history ; [Volume 28] Includes bibliographical references and index. Print version record and CIP data provided by publisher; resource not viewed. Intro; Contents; Translator's Preface; List of Illustrations; Author's Introduction; Chapter 1 The Hieroglyphics of the Italian Humanists; Excursus 1: On the Images in the Gran Chiostro of San Giustina and those in the Hypnerotomachia Poliphili; Chapter 2 Emblematics and Its Derivatives: Imprese and Devices; Excursus 2: On the Origin of Alciato's Emblemata; Excursus 3: On Hoes; Chapter 3 Hieroglyphics North of the Alps; Excursus 4: On the Origin of Aldus' Printers Mark and the Motto festina lente; Excursus 5: On the Symbola of Pythagoras and Alciato's Emblem "Do not sit on a bushel." Excursus 6: Philosophia comite regredimurChapter 4 Resonances from the Seventeenth and Eighteenth Centuries; Appendix: Hieroglyphs and Emblems in Printers and Publishers Marks (Signeten); Bibliography; Index of Names; Index of Hieroglyphs, Emblems and Devices Robin Raybould's Hieroglyph, Emblem and Renaissance Pictography is the first English translation of Ludwig Volkmann's Bilderschriften der Renaissance , the classic text which promoted the symbol as a defining cultural and literary characteristic of early modern Europe. Volkmann enumerates and describes many of the works which illustrated the contemporary obsession with hieroglyph, emblem and device, particularly those from France and Germany, thus complementing Karl Giehlow's earlier Hieroglyphenkunde on the subject. Volkmann's book highlights both Renaissance theories of the image as language and the symbol as an aid to an understanding of the meaning of life and the nature of God. Raybould's translation has been described as elegant, admirable and impeccable and includes an introduction, extensive notes and several additional essays on topics relevant to the field. Hieroglyphics History 16th century. Emblems History 16th century. Art, Renaissance Themes, motives. Printers' marks. Printers' Marks https://id.nlm.nih.gov/mesh/D011326 Hiéroglyphes Histoire 16e siècle. Emblèmes Histoire 16e siècle. Art de la Renaissance Thèmes, motifs. Imprimeurs Marques. printer's marks. aat ART History General. bisacsh Art, Renaissance Themes, motives fast Emblems fast Hieroglyphics fast Printers' marks fast 1500-1599 fast History fast Raybould, Robin, editor, translator. Translation of: Volkmann, Ludwig, 1870-1947. Bilderschriften der Renaissance. Print version: Volkmann, Ludwig, 1870-1947. Hieroglyph, emblem, and Renaissance pictography. Leiden ; Boston : Brill, 2018 9789004360938 (DLC) 2018019125 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1914535 Volltext |
spellingShingle | Volkmann, Ludwig, 1870-1947 Hieroglyph, emblem, and Renaissance pictography / Intro; Contents; Translator's Preface; List of Illustrations; Author's Introduction; Chapter 1 The Hieroglyphics of the Italian Humanists; Excursus 1: On the Images in the Gran Chiostro of San Giustina and those in the Hypnerotomachia Poliphili; Chapter 2 Emblematics and Its Derivatives: Imprese and Devices; Excursus 2: On the Origin of Alciato's Emblemata; Excursus 3: On Hoes; Chapter 3 Hieroglyphics North of the Alps; Excursus 4: On the Origin of Aldus' Printers Mark and the Motto festina lente; Excursus 5: On the Symbola of Pythagoras and Alciato's Emblem "Do not sit on a bushel." Excursus 6: Philosophia comite regredimurChapter 4 Resonances from the Seventeenth and Eighteenth Centuries; Appendix: Hieroglyphs and Emblems in Printers and Publishers Marks (Signeten); Bibliography; Index of Names; Index of Hieroglyphs, Emblems and Devices Hieroglyphics History 16th century. Emblems History 16th century. Art, Renaissance Themes, motives. Printers' marks. Printers' Marks https://id.nlm.nih.gov/mesh/D011326 Hiéroglyphes Histoire 16e siècle. Emblèmes Histoire 16e siècle. Art de la Renaissance Thèmes, motifs. Imprimeurs Marques. printer's marks. aat ART History General. bisacsh Art, Renaissance Themes, motives fast Emblems fast Hieroglyphics fast Printers' marks fast |
subject_GND | https://id.nlm.nih.gov/mesh/D011326 |
title | Hieroglyph, emblem, and Renaissance pictography / |
title_alt | Bilderschriften der Renaissance. |
title_auth | Hieroglyph, emblem, and Renaissance pictography / |
title_exact_search | Hieroglyph, emblem, and Renaissance pictography / |
title_full | Hieroglyph, emblem, and Renaissance pictography / by Ludwig Volkmann ; translated and edited by Robin Raybould. |
title_fullStr | Hieroglyph, emblem, and Renaissance pictography / by Ludwig Volkmann ; translated and edited by Robin Raybould. |
title_full_unstemmed | Hieroglyph, emblem, and Renaissance pictography / by Ludwig Volkmann ; translated and edited by Robin Raybould. |
title_short | Hieroglyph, emblem, and Renaissance pictography / |
title_sort | hieroglyph emblem and renaissance pictography |
topic | Hieroglyphics History 16th century. Emblems History 16th century. Art, Renaissance Themes, motives. Printers' marks. Printers' Marks https://id.nlm.nih.gov/mesh/D011326 Hiéroglyphes Histoire 16e siècle. Emblèmes Histoire 16e siècle. Art de la Renaissance Thèmes, motifs. Imprimeurs Marques. printer's marks. aat ART History General. bisacsh Art, Renaissance Themes, motives fast Emblems fast Hieroglyphics fast Printers' marks fast |
topic_facet | Hieroglyphics History 16th century. Emblems History 16th century. Art, Renaissance Themes, motives. Printers' marks. Printers' Marks Hiéroglyphes Histoire 16e siècle. Emblèmes Histoire 16e siècle. Art de la Renaissance Thèmes, motifs. Imprimeurs Marques. printer's marks. ART History General. Art, Renaissance Themes, motives Emblems Hieroglyphics Printers' marks History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1914535 |
work_keys_str_mv | AT volkmannludwig bilderschriftenderrenaissance AT raybouldrobin bilderschriftenderrenaissance AT volkmannludwig hieroglyphemblemandrenaissancepictography AT raybouldrobin hieroglyphemblemandrenaissancepictography |