Sketches from an unquiet country :: Canadian graphic satire, 1840-1940 /
"Canadian readers have enjoyed their own graphic satire since colonial times and Canadian artists have thrived as they took aim at the central issues and figures of their age. Graphic satire, a combination of humorous drawing and text that usually involves caricature, is a way of taking an ethi...
Gespeichert in:
Weitere Verfasser: | , , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Montreal ; Kingston ; London ; Chicago :
McGill-Queen's University Press,
2018.
|
Schriftenreihe: | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | "Canadian readers have enjoyed their own graphic satire since colonial times and Canadian artists have thrived as they took aim at the central issues and figures of their age. Graphic satire, a combination of humorous drawing and text that usually involves caricature, is a way of taking an ethical stand about contemporary politics and society. First appearing in short-lived illustrated weeklies in Montreal, Quebec City, and Toronto in the 1840s, usually as unsigned copies of engravings from European magazines, the genre spread quickly as skilled local illustrators, engravers, painters, and sculptors joined the teams of publishers and writers who sought to shape public opinion and public policy. A detailed account of of Canadian graphic satire, Sketches from an Unquiet Country looks at a century bookended by the aftermath of the 1837-38 Rebellions and Canada's entry into the Second World War. As fully fledged artist-commentators, Canadian cartoonists were sometimes gently ironic, but they were just as often caustic and violent in the pursuit of a point of view. This volume shows a country where conflicts crop up between linguistic and religious communities, a country often resistant to social and political change for women, and open to the cross-currents of anti-Semitism, xenophobia, and fascism that flared across Europe and North America in the early twentieth century. Drawing on new scholarship by researchers working in art history, material culture, and communications studies, Sketches from an Unquiet Country follows the fortunes of some of the artists and satiric themes that were prevalent in the centres of Canadian publishing."-- |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780773554269 0773554262 9780773553415 9780773553408 0773553401 077355341X |
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MARC
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245 | 0 | 0 | |a Sketches from an unquiet country : |b Canadian graphic satire, 1840-1940 / |c edited by Dominic Hardy, Annie Gérin, and Lora Senechal Carney. |
263 | |a 1805 | ||
264 | 1 | |a Montreal ; |a Kingston ; |a London ; |a Chicago : |b McGill-Queen's University Press, |c 2018. | |
300 | |a 1 online resource | ||
336 | |a text |b txt |2 rdacontent | ||
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490 | 1 | |a McGill-Queen's/Beaverbrook Canadian Foundation studies in art history | |
588 | |a Online resource; title from PDF title page (EBSCO, viewed June 7, 2018). | ||
504 | |a Includes bibliographical references and index. | ||
520 | |a "Canadian readers have enjoyed their own graphic satire since colonial times and Canadian artists have thrived as they took aim at the central issues and figures of their age. Graphic satire, a combination of humorous drawing and text that usually involves caricature, is a way of taking an ethical stand about contemporary politics and society. First appearing in short-lived illustrated weeklies in Montreal, Quebec City, and Toronto in the 1840s, usually as unsigned copies of engravings from European magazines, the genre spread quickly as skilled local illustrators, engravers, painters, and sculptors joined the teams of publishers and writers who sought to shape public opinion and public policy. A detailed account of of Canadian graphic satire, Sketches from an Unquiet Country looks at a century bookended by the aftermath of the 1837-38 Rebellions and Canada's entry into the Second World War. As fully fledged artist-commentators, Canadian cartoonists were sometimes gently ironic, but they were just as often caustic and violent in the pursuit of a point of view. This volume shows a country where conflicts crop up between linguistic and religious communities, a country often resistant to social and political change for women, and open to the cross-currents of anti-Semitism, xenophobia, and fascism that flared across Europe and North America in the early twentieth century. Drawing on new scholarship by researchers working in art history, material culture, and communications studies, Sketches from an Unquiet Country follows the fortunes of some of the artists and satiric themes that were prevalent in the centres of Canadian publishing."-- |c Provided by publisher. | ||
505 | 0 | |a Cover; SKETCHES FROM AN UNQUIET COUNTRY; Title; Copyright; Contents; Acknowledgments; Chapter One Introduction; Chapter Two Frankenstein's Tory: Graphic Satire in 1840s Montreal, from Le Charivari canadien to Punch in Canada; Chapter Three Uncle Sam, a Not-So-Distant Cousin: Canadian Contributions to the Genesis of a US Allegorical Figure; Chapter Four Reading Allegorical "Miss Canada" in Graphic Satire; Chapter Five Clubs, Axes, and Umbrellas: The Woman Suffrage Movement as Seen by Montreal Cartoonists (1910-1914). | |
505 | 8 | |a Chapter Six Crossing the Line: Canadian Satire of the "Pretty Girl" North and South of the 49th ParallelChapter Seven Anti-Semitic Caricature in 1930s Montreal: Language and National Stereotypes in Adrien Arcand's Le Goglu (1929-1933); Chapter Eight New Frontier (1936-1937) and the Antifascist Press in Canada; Chapter Nine Albéric Bourgeois ... a.k.a. Baptiste Ladébauche; Chapter Ten Epilogue: Humour, Wit, and Satire in Canada; Contributors; Index. | |
650 | 0 | |a Caricatures and cartoons |z Canada |x History |y 19th century. | |
650 | 0 | |a Caricatures and cartoons |z Canada |x History |y 20th century. | |
650 | 6 | |a Caricatures et dessins humoristiques |z Canada |x Histoire |y 19e siècle. | |
650 | 6 | |a Caricatures et dessins humoristiques |z Canada |x Histoire |y 20e siècle. | |
650 | 7 | |a ART |x Techniques |x Drawing. |2 bisacsh | |
650 | 7 | |a ART |x Canadian. |2 bisacsh | |
650 | 7 | |a Caricatures and cartoons |2 fast | |
651 | 7 | |a Canada |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJkMHVW4rfVXPrhVP4VwG3 | |
650 | 7 | |a Satire |2 gnd |0 http://d-nb.info/gnd/4051752-4 | |
650 | 7 | |a Karikatur |2 gnd |0 http://d-nb.info/gnd/4029670-2 | |
648 | 7 | |a 1800-1999 |2 fast | |
655 | 0 | |a Electronic books. | |
655 | 7 | |a History |2 fast | |
700 | 1 | |a Carney, Lora Senechal, |e editor. |0 http://id.loc.gov/authorities/names/no2017138616 | |
700 | 1 | |a Gérin, Annie, |d 1969- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjrffRrGh7r7Yr9Thjqt4y |0 http://id.loc.gov/authorities/names/nb2004311222 | |
700 | 1 | |a Hardy, Dominic, |e editor. |0 http://id.loc.gov/authorities/names/nb2018007537 | |
758 | |i has work: |a Sketches from an unquiet country (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG6CcJmvVRG96tpWhMCRKd |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |t Sketches from an unquiet country.: |d Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2018. |k McGill-Queen's/Beaverbrook Canadian Foundation studies in art history |k McGill-Queen's/Beaverbrook Canadian Foundation studies in art history |w (CaOONL)20189003154 |
776 | 0 | 8 | |i Print version: |t Sketches from an unquiet country. |d Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2018] |z 0773553401 |z 9780773553408 |w (DLC) 2018411138 |w (OCoLC)1035229052 |
830 | 0 | |a McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. |0 http://id.loc.gov/authorities/names/no2009036808 | |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-on1035215127 |
---|---|
_version_ | 1816882421162835968 |
adam_text | |
any_adam_object | |
author2 | Carney, Lora Senechal Gérin, Annie, 1969- Hardy, Dominic |
author2_role | edt edt edt |
author2_variant | l s c ls lsc a g ag d h dh |
author_GND | http://id.loc.gov/authorities/names/no2017138616 http://id.loc.gov/authorities/names/nb2004311222 http://id.loc.gov/authorities/names/nb2018007537 |
author_facet | Carney, Lora Senechal Gérin, Annie, 1969- Hardy, Dominic |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | N - Fine Arts |
callnumber-label | NC1445 |
callnumber-raw | NC1445 |
callnumber-search | NC1445 |
callnumber-sort | NC 41445 |
callnumber-subject | NC - Drawing, Design, Illustration |
collection | ZDB-4-EBA |
contents | Cover; SKETCHES FROM AN UNQUIET COUNTRY; Title; Copyright; Contents; Acknowledgments; Chapter One Introduction; Chapter Two Frankenstein's Tory: Graphic Satire in 1840s Montreal, from Le Charivari canadien to Punch in Canada; Chapter Three Uncle Sam, a Not-So-Distant Cousin: Canadian Contributions to the Genesis of a US Allegorical Figure; Chapter Four Reading Allegorical "Miss Canada" in Graphic Satire; Chapter Five Clubs, Axes, and Umbrellas: The Woman Suffrage Movement as Seen by Montreal Cartoonists (1910-1914). Chapter Six Crossing the Line: Canadian Satire of the "Pretty Girl" North and South of the 49th ParallelChapter Seven Anti-Semitic Caricature in 1930s Montreal: Language and National Stereotypes in Adrien Arcand's Le Goglu (1929-1933); Chapter Eight New Frontier (1936-1937) and the Antifascist Press in Canada; Chapter Nine Albéric Bourgeois ... a.k.a. Baptiste Ladébauche; Chapter Ten Epilogue: Humour, Wit, and Satire in Canada; Contributors; Index. |
ctrlnum | (OCoLC)1035215127 |
dewey-full | 741.5/6971 |
dewey-hundreds | 700 - The arts |
dewey-ones | 741 - Drawing and drawings |
dewey-raw | 741.5/6971 |
dewey-search | 741.5/6971 |
dewey-sort | 3741.5 46971 |
dewey-tens | 740 - Graphic arts and decorative arts |
discipline | Kunstgeschichte |
era | 1800-1999 fast |
era_facet | 1800-1999 |
format | Electronic eBook |
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resource; title from PDF title page (EBSCO, viewed June 7, 2018).</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Canadian readers have enjoyed their own graphic satire since colonial times and Canadian artists have thrived as they took aim at the central issues and figures of their age. Graphic satire, a combination of humorous drawing and text that usually involves caricature, is a way of taking an ethical stand about contemporary politics and society. First appearing in short-lived illustrated weeklies in Montreal, Quebec City, and Toronto in the 1840s, usually as unsigned copies of engravings from European magazines, the genre spread quickly as skilled local illustrators, engravers, painters, and sculptors joined the teams of publishers and writers who sought to shape public opinion and public policy. A detailed account of of Canadian graphic satire, Sketches from an Unquiet Country looks at a century bookended by the aftermath of the 1837-38 Rebellions and Canada's entry into the Second World War. As fully fledged artist-commentators, Canadian cartoonists were sometimes gently ironic, but they were just as often caustic and violent in the pursuit of a point of view. This volume shows a country where conflicts crop up between linguistic and religious communities, a country often resistant to social and political change for women, and open to the cross-currents of anti-Semitism, xenophobia, and fascism that flared across Europe and North America in the early twentieth century. Drawing on new scholarship by researchers working in art history, material culture, and communications studies, Sketches from an Unquiet Country follows the fortunes of some of the artists and satiric themes that were prevalent in the centres of Canadian publishing."--</subfield><subfield code="c">Provided by publisher.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover; SKETCHES FROM AN UNQUIET COUNTRY; Title; Copyright; Contents; Acknowledgments; Chapter One Introduction; Chapter Two Frankenstein's Tory: Graphic Satire in 1840s Montreal, from Le Charivari canadien to Punch in Canada; Chapter Three Uncle Sam, a Not-So-Distant Cousin: Canadian Contributions to the Genesis of a US Allegorical Figure; Chapter Four Reading Allegorical "Miss Canada" in Graphic Satire; Chapter Five Clubs, Axes, and Umbrellas: The Woman Suffrage Movement as Seen by Montreal Cartoonists (1910-1914).</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Chapter Six Crossing the Line: Canadian Satire of the "Pretty Girl" North and South of the 49th ParallelChapter Seven Anti-Semitic Caricature in 1930s Montreal: Language and National Stereotypes in Adrien Arcand's Le Goglu (1929-1933); Chapter Eight New Frontier (1936-1937) and the Antifascist Press in Canada; Chapter Nine Albéric Bourgeois ... a.k.a. 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genre | Electronic books. History fast |
genre_facet | Electronic books. History |
geographic | Canada fast https://id.oclc.org/worldcat/entity/E39PBJkMHVW4rfVXPrhVP4VwG3 |
geographic_facet | Canada |
id | ZDB-4-EBA-on1035215127 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:28:20Z |
institution | BVB |
isbn | 9780773554269 0773554262 9780773553415 9780773553408 0773553401 077355341X |
language | English |
lccn | 2018411138 |
oclc_num | 1035215127 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource |
psigel | ZDB-4-EBA |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | McGill-Queen's University Press, |
record_format | marc |
series | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. |
series2 | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history |
spelling | Sketches from an unquiet country : Canadian graphic satire, 1840-1940 / edited by Dominic Hardy, Annie Gérin, and Lora Senechal Carney. 1805 Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2018. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier McGill-Queen's/Beaverbrook Canadian Foundation studies in art history Online resource; title from PDF title page (EBSCO, viewed June 7, 2018). Includes bibliographical references and index. "Canadian readers have enjoyed their own graphic satire since colonial times and Canadian artists have thrived as they took aim at the central issues and figures of their age. Graphic satire, a combination of humorous drawing and text that usually involves caricature, is a way of taking an ethical stand about contemporary politics and society. First appearing in short-lived illustrated weeklies in Montreal, Quebec City, and Toronto in the 1840s, usually as unsigned copies of engravings from European magazines, the genre spread quickly as skilled local illustrators, engravers, painters, and sculptors joined the teams of publishers and writers who sought to shape public opinion and public policy. A detailed account of of Canadian graphic satire, Sketches from an Unquiet Country looks at a century bookended by the aftermath of the 1837-38 Rebellions and Canada's entry into the Second World War. As fully fledged artist-commentators, Canadian cartoonists were sometimes gently ironic, but they were just as often caustic and violent in the pursuit of a point of view. This volume shows a country where conflicts crop up between linguistic and religious communities, a country often resistant to social and political change for women, and open to the cross-currents of anti-Semitism, xenophobia, and fascism that flared across Europe and North America in the early twentieth century. Drawing on new scholarship by researchers working in art history, material culture, and communications studies, Sketches from an Unquiet Country follows the fortunes of some of the artists and satiric themes that were prevalent in the centres of Canadian publishing."-- Provided by publisher. Cover; SKETCHES FROM AN UNQUIET COUNTRY; Title; Copyright; Contents; Acknowledgments; Chapter One Introduction; Chapter Two Frankenstein's Tory: Graphic Satire in 1840s Montreal, from Le Charivari canadien to Punch in Canada; Chapter Three Uncle Sam, a Not-So-Distant Cousin: Canadian Contributions to the Genesis of a US Allegorical Figure; Chapter Four Reading Allegorical "Miss Canada" in Graphic Satire; Chapter Five Clubs, Axes, and Umbrellas: The Woman Suffrage Movement as Seen by Montreal Cartoonists (1910-1914). Chapter Six Crossing the Line: Canadian Satire of the "Pretty Girl" North and South of the 49th ParallelChapter Seven Anti-Semitic Caricature in 1930s Montreal: Language and National Stereotypes in Adrien Arcand's Le Goglu (1929-1933); Chapter Eight New Frontier (1936-1937) and the Antifascist Press in Canada; Chapter Nine Albéric Bourgeois ... a.k.a. Baptiste Ladébauche; Chapter Ten Epilogue: Humour, Wit, and Satire in Canada; Contributors; Index. Caricatures and cartoons Canada History 19th century. Caricatures and cartoons Canada History 20th century. Caricatures et dessins humoristiques Canada Histoire 19e siècle. Caricatures et dessins humoristiques Canada Histoire 20e siècle. ART Techniques Drawing. bisacsh ART Canadian. bisacsh Caricatures and cartoons fast Canada fast https://id.oclc.org/worldcat/entity/E39PBJkMHVW4rfVXPrhVP4VwG3 Satire gnd http://d-nb.info/gnd/4051752-4 Karikatur gnd http://d-nb.info/gnd/4029670-2 1800-1999 fast Electronic books. History fast Carney, Lora Senechal, editor. http://id.loc.gov/authorities/names/no2017138616 Gérin, Annie, 1969- editor. https://id.oclc.org/worldcat/entity/E39PCjrffRrGh7r7Yr9Thjqt4y http://id.loc.gov/authorities/names/nb2004311222 Hardy, Dominic, editor. http://id.loc.gov/authorities/names/nb2018007537 has work: Sketches from an unquiet country (Text) https://id.oclc.org/worldcat/entity/E39PCG6CcJmvVRG96tpWhMCRKd https://id.oclc.org/worldcat/ontology/hasWork Print version: Sketches from an unquiet country.: Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2018. McGill-Queen's/Beaverbrook Canadian Foundation studies in art history McGill-Queen's/Beaverbrook Canadian Foundation studies in art history (CaOONL)20189003154 Print version: Sketches from an unquiet country. Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2018] 0773553401 9780773553408 (DLC) 2018411138 (OCoLC)1035229052 McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. http://id.loc.gov/authorities/names/no2009036808 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1823562 Volltext |
spellingShingle | Sketches from an unquiet country : Canadian graphic satire, 1840-1940 / McGill-Queen's/Beaverbrook Canadian Foundation studies in art history. Cover; SKETCHES FROM AN UNQUIET COUNTRY; Title; Copyright; Contents; Acknowledgments; Chapter One Introduction; Chapter Two Frankenstein's Tory: Graphic Satire in 1840s Montreal, from Le Charivari canadien to Punch in Canada; Chapter Three Uncle Sam, a Not-So-Distant Cousin: Canadian Contributions to the Genesis of a US Allegorical Figure; Chapter Four Reading Allegorical "Miss Canada" in Graphic Satire; Chapter Five Clubs, Axes, and Umbrellas: The Woman Suffrage Movement as Seen by Montreal Cartoonists (1910-1914). Chapter Six Crossing the Line: Canadian Satire of the "Pretty Girl" North and South of the 49th ParallelChapter Seven Anti-Semitic Caricature in 1930s Montreal: Language and National Stereotypes in Adrien Arcand's Le Goglu (1929-1933); Chapter Eight New Frontier (1936-1937) and the Antifascist Press in Canada; Chapter Nine Albéric Bourgeois ... a.k.a. Baptiste Ladébauche; Chapter Ten Epilogue: Humour, Wit, and Satire in Canada; Contributors; Index. Caricatures and cartoons Canada History 19th century. Caricatures and cartoons Canada History 20th century. Caricatures et dessins humoristiques Canada Histoire 19e siècle. Caricatures et dessins humoristiques Canada Histoire 20e siècle. ART Techniques Drawing. bisacsh ART Canadian. bisacsh Caricatures and cartoons fast Satire gnd http://d-nb.info/gnd/4051752-4 Karikatur gnd http://d-nb.info/gnd/4029670-2 |
subject_GND | http://d-nb.info/gnd/4051752-4 http://d-nb.info/gnd/4029670-2 |
title | Sketches from an unquiet country : Canadian graphic satire, 1840-1940 / |
title_auth | Sketches from an unquiet country : Canadian graphic satire, 1840-1940 / |
title_exact_search | Sketches from an unquiet country : Canadian graphic satire, 1840-1940 / |
title_full | Sketches from an unquiet country : Canadian graphic satire, 1840-1940 / edited by Dominic Hardy, Annie Gérin, and Lora Senechal Carney. |
title_fullStr | Sketches from an unquiet country : Canadian graphic satire, 1840-1940 / edited by Dominic Hardy, Annie Gérin, and Lora Senechal Carney. |
title_full_unstemmed | Sketches from an unquiet country : Canadian graphic satire, 1840-1940 / edited by Dominic Hardy, Annie Gérin, and Lora Senechal Carney. |
title_short | Sketches from an unquiet country : |
title_sort | sketches from an unquiet country canadian graphic satire 1840 1940 |
title_sub | Canadian graphic satire, 1840-1940 / |
topic | Caricatures and cartoons Canada History 19th century. Caricatures and cartoons Canada History 20th century. Caricatures et dessins humoristiques Canada Histoire 19e siècle. Caricatures et dessins humoristiques Canada Histoire 20e siècle. ART Techniques Drawing. bisacsh ART Canadian. bisacsh Caricatures and cartoons fast Satire gnd http://d-nb.info/gnd/4051752-4 Karikatur gnd http://d-nb.info/gnd/4029670-2 |
topic_facet | Caricatures and cartoons Canada History 19th century. Caricatures and cartoons Canada History 20th century. Caricatures et dessins humoristiques Canada Histoire 19e siècle. Caricatures et dessins humoristiques Canada Histoire 20e siècle. ART Techniques Drawing. ART Canadian. Caricatures and cartoons Canada Satire Karikatur Electronic books. History |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1823562 |
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