On the edge of the panel :: essays on comics criticism /
To create a comic is not to illustrate words, but to create narrative diagrams and transform strokes into imaging words. The infinite array of possibilities that the merging of text and pictures provides is a garden of forking paths that critics have just started to explore. This is an art that oper...
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Elektronisch Tagungsbericht E-Book |
| Sprache: | English Spanish |
| Veröffentlicht: |
Newcastle upon Tyne, UK :
Cambridge Scholars Publishing,
2015.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | To create a comic is not to illustrate words, but to create narrative diagrams and transform strokes into imaging words. The infinite array of possibilities that the merging of text and pictures provides is a garden of forking paths that critics have just started to explore. This is an art that operates as the crossroads of various disciplines, but whose specifications require a thorough understanding of its unique mechanisms. The explosion of experimental works and the incorporation of previously marginal (or nonexistent) genres and themes in comics have enriched an already fruitful art in w. |
| Beschreibung: | A selection of papers from the First International Conference on Comics and Graphic Novels, Universidad de Alcalá, Spain, 2011. |
| Beschreibung: | 1 online resource (xviii, 311 pages) : illustrations |
| Bibliographie: | Includes bibliographical references. |
| ISBN: | 1443881996 9781443881999 |
Internformat
MARC
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| 245 | 0 | 0 | |a On the edge of the panel : |b essays on comics criticism / |c edited by Julio Cañero and Esther Claudio. |
| 264 | 1 | |a Newcastle upon Tyne, UK : |b Cambridge Scholars Publishing, |c 2015. | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (xviii, 311 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a A selection of papers from the First International Conference on Comics and Graphic Novels, Universidad de Alcalá, Spain, 2011. | ||
| 504 | |a Includes bibliographical references. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a To create a comic is not to illustrate words, but to create narrative diagrams and transform strokes into imaging words. The infinite array of possibilities that the merging of text and pictures provides is a garden of forking paths that critics have just started to explore. This is an art that operates as the crossroads of various disciplines, but whose specifications require a thorough understanding of its unique mechanisms. The explosion of experimental works and the incorporation of previously marginal (or nonexistent) genres and themes in comics have enriched an already fruitful art in w. | ||
| 505 | 0 | 0 | |a Machine generated contents note: |g pt. 1 |t What is a Comic? Origins and Definitions -- |t Origenes, definiciones y controversias. El debate teorico sobre el nacimiento del comic / |r Jordi Canyissa -- |t The Origins of Graphic Narrative in Popular Culture / |r Roberto Bartual Moreno -- |t Luis Mariani and the First Comic Strips in Spain / |r Manuel Barrero -- |t The Order of Comics: Dynamics of the Ninth's Art Devices / |r Breixo Harguindey -- |t Do you Read a Comic? / |r Nicholas A. Theisen -- |g pt. 2 |t Formal Tools of Comics -- |t The Drama of Caricature: Simplification and Deformation as Avant-garde Rhetorical Devices / |r Josep Rom Rodriguez -- |t La(s) aventura(s) de la forma: La heterogeneidad grafica como via de experimentacion en el comic / |r Alvaro Nofuentes -- |t Dream and History, the Cartoon Mirror: The Incorporation of History into the Comic Book / |r Ivan Pintor -- |t The Convergence of Graphic-Narrative Discourses: The Picture Book and the Graphic Novel / |r Jose Manuel Trabado -- |t Border Dwellers in Boy's Love Manga / |r Mark McHarry -- |t Valentine, Comics for Mobile Devices, and the Limits of Empowerment / |r Joe Sutliff-Sanders -- |g pt. 3 |t Authors and their Works -- |t The Many Facets of Boredom in the Work of Daniel Clowes / |r Greice Schneider -- |t The Confrontation between the Classic and the Modern Gothic in The Swamp Thing by Len Wein and Alan Moore / |r Francisco Saez de Adana -- |t La memoria como narracion en la obra de Seth / |r Irene Costa Mendia -- |t The (Re)construction of Memory in Antonio Altarriba's El Arte de Volar / |r Diego Espina Barros -- |t Sequencing the History of the Third Reich: Art Spiegelman's Selection of Holocaust Images and Moments / |r Maria Jesus Fernandez Gil -- |t The "Ontological Indeterminacy" in Comics: El Resentido by Juaco Vizuete / |r Mihai Iacob -- |t Frank Miller and Lynn Varley's The Dark Knight Strikes Again: DK2 or How to Make the Revolution within the Palace / |r Juan Carlos Perez -- |t Andrea Pazienza and Lorenzo Mattotti: How the Student Riots of 1977 Shaped Italian Comics / |r Barbara Uhlig. |
| 650 | 0 | |a Comic books, strips, etc. |x History and criticism |v Congresses. | |
| 650 | 7 | |a Comic book & cartoon art. |2 bicssc | |
| 650 | 7 | |a Graphic novel & Manga artwork. |2 bicssc | |
| 650 | 7 | |a Literature: history & criticism. |2 bicssc | |
| 650 | 7 | |a ART |x Techniques |x Drawing. |2 bisacsh | |
| 650 | 7 | |a Comic books, strips, etc. |2 fast | |
| 655 | 7 | |a comic books. |2 aat | |
| 655 | 7 | |a comic strips. |2 aat | |
| 655 | 7 | |a Comics (Graphic works) |2 fast | |
| 655 | 7 | |a Conference papers and proceedings |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a Comics (Graphic works) |2 lcgft |0 http://id.loc.gov/authorities/genreForms/gf2014026266 | |
| 655 | 7 | |a Bandes dessinées. |2 rvmgf | |
| 700 | 1 | |a Cañero, Julio, |e editor. | |
| 700 | 1 | |a Claudio, Esther, |e editor. | |
| 711 | 2 | |a International Conference on Comics and Graphic Novels |n (1st : |d 2011 : |c Universidad de Alcalá) | |
| 776 | 0 | 8 | |i Print version: |t On the edge of the panel. |d Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2015 |z 1443877875 |z 9781443877879 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-on1015297530 |
|---|---|
| _version_ | 1816882408931196928 |
| adam_text | |
| any_adam_object | |
| author2 | Cañero, Julio Claudio, Esther |
| author2_role | edt edt |
| author2_variant | j c jc e c ec |
| author_additional | Jordi Canyissa -- Roberto Bartual Moreno -- Manuel Barrero -- Breixo Harguindey -- Nicholas A. Theisen -- Josep Rom Rodriguez -- Alvaro Nofuentes -- Ivan Pintor -- Jose Manuel Trabado -- Mark McHarry -- Joe Sutliff-Sanders -- Greice Schneider -- Francisco Saez de Adana -- Irene Costa Mendia -- Diego Espina Barros -- Maria Jesus Fernandez Gil -- Mihai Iacob -- Juan Carlos Perez -- Barbara Uhlig. |
| author_corporate | International Conference on Comics and Graphic Novels |
| author_corporate_role | |
| author_facet | Cañero, Julio Claudio, Esther International Conference on Comics and Graphic Novels |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN6710 |
| callnumber-raw | PN6710 .O52 2015 |
| callnumber-search | PN6710 .O52 2015 |
| callnumber-sort | PN 46710 O52 42015 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Machine generated contents note: What is a Comic? Origins and Definitions -- Origenes, definiciones y controversias. El debate teorico sobre el nacimiento del comic / The Origins of Graphic Narrative in Popular Culture / Luis Mariani and the First Comic Strips in Spain / The Order of Comics: Dynamics of the Ninth's Art Devices / Do you Read a Comic? / Formal Tools of Comics -- The Drama of Caricature: Simplification and Deformation as Avant-garde Rhetorical Devices / La(s) aventura(s) de la forma: La heterogeneidad grafica como via de experimentacion en el comic / Dream and History, the Cartoon Mirror: The Incorporation of History into the Comic Book / The Convergence of Graphic-Narrative Discourses: The Picture Book and the Graphic Novel / Border Dwellers in Boy's Love Manga / Valentine, Comics for Mobile Devices, and the Limits of Empowerment / Authors and their Works -- The Many Facets of Boredom in the Work of Daniel Clowes / The Confrontation between the Classic and the Modern Gothic in The Swamp Thing by Len Wein and Alan Moore / La memoria como narracion en la obra de Seth / The (Re)construction of Memory in Antonio Altarriba's El Arte de Volar / Sequencing the History of the Third Reich: Art Spiegelman's Selection of Holocaust Images and Moments / The "Ontological Indeterminacy" in Comics: El Resentido by Juaco Vizuete / Frank Miller and Lynn Varley's The Dark Knight Strikes Again: DK2 or How to Make the Revolution within the Palace / Andrea Pazienza and Lorenzo Mattotti: How the Student Riots of 1977 Shaped Italian Comics / |
| ctrlnum | (OCoLC)1015297530 |
| dewey-full | 741.5/69 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 741 - Drawing and drawings |
| dewey-raw | 741.5/69 |
| dewey-search | 741.5/69 |
| dewey-sort | 3741.5 269 |
| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte |
| format | Electronic Conference Proceeding eBook |
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| genre | comic books. aat comic strips. aat Comics (Graphic works) fast Conference papers and proceedings fast Criticism, interpretation, etc. fast Comics (Graphic works) lcgft http://id.loc.gov/authorities/genreForms/gf2014026266 Bandes dessinées. rvmgf |
| genre_facet | comic books. comic strips. Comics (Graphic works) Conference papers and proceedings Criticism, interpretation, etc. Bandes dessinées. |
| id | ZDB-4-EBA-on1015297530 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:28:08Z |
| institution | BVB |
| isbn | 1443881996 9781443881999 |
| language | English Spanish |
| oclc_num | 1015297530 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xviii, 311 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Cambridge Scholars Publishing, |
| record_format | marc |
| spelling | On the edge of the panel : essays on comics criticism / edited by Julio Cañero and Esther Claudio. Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2015. ©2015 1 online resource (xviii, 311 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier A selection of papers from the First International Conference on Comics and Graphic Novels, Universidad de Alcalá, Spain, 2011. Includes bibliographical references. Print version record. To create a comic is not to illustrate words, but to create narrative diagrams and transform strokes into imaging words. The infinite array of possibilities that the merging of text and pictures provides is a garden of forking paths that critics have just started to explore. This is an art that operates as the crossroads of various disciplines, but whose specifications require a thorough understanding of its unique mechanisms. The explosion of experimental works and the incorporation of previously marginal (or nonexistent) genres and themes in comics have enriched an already fruitful art in w. Machine generated contents note: pt. 1 What is a Comic? Origins and Definitions -- Origenes, definiciones y controversias. El debate teorico sobre el nacimiento del comic / Jordi Canyissa -- The Origins of Graphic Narrative in Popular Culture / Roberto Bartual Moreno -- Luis Mariani and the First Comic Strips in Spain / Manuel Barrero -- The Order of Comics: Dynamics of the Ninth's Art Devices / Breixo Harguindey -- Do you Read a Comic? / Nicholas A. Theisen -- pt. 2 Formal Tools of Comics -- The Drama of Caricature: Simplification and Deformation as Avant-garde Rhetorical Devices / Josep Rom Rodriguez -- La(s) aventura(s) de la forma: La heterogeneidad grafica como via de experimentacion en el comic / Alvaro Nofuentes -- Dream and History, the Cartoon Mirror: The Incorporation of History into the Comic Book / Ivan Pintor -- The Convergence of Graphic-Narrative Discourses: The Picture Book and the Graphic Novel / Jose Manuel Trabado -- Border Dwellers in Boy's Love Manga / Mark McHarry -- Valentine, Comics for Mobile Devices, and the Limits of Empowerment / Joe Sutliff-Sanders -- pt. 3 Authors and their Works -- The Many Facets of Boredom in the Work of Daniel Clowes / Greice Schneider -- The Confrontation between the Classic and the Modern Gothic in The Swamp Thing by Len Wein and Alan Moore / Francisco Saez de Adana -- La memoria como narracion en la obra de Seth / Irene Costa Mendia -- The (Re)construction of Memory in Antonio Altarriba's El Arte de Volar / Diego Espina Barros -- Sequencing the History of the Third Reich: Art Spiegelman's Selection of Holocaust Images and Moments / Maria Jesus Fernandez Gil -- The "Ontological Indeterminacy" in Comics: El Resentido by Juaco Vizuete / Mihai Iacob -- Frank Miller and Lynn Varley's The Dark Knight Strikes Again: DK2 or How to Make the Revolution within the Palace / Juan Carlos Perez -- Andrea Pazienza and Lorenzo Mattotti: How the Student Riots of 1977 Shaped Italian Comics / Barbara Uhlig. Comic books, strips, etc. History and criticism Congresses. Comic book & cartoon art. bicssc Graphic novel & Manga artwork. bicssc Literature: history & criticism. bicssc ART Techniques Drawing. bisacsh Comic books, strips, etc. fast comic books. aat comic strips. aat Comics (Graphic works) fast Conference papers and proceedings fast Criticism, interpretation, etc. fast Comics (Graphic works) lcgft http://id.loc.gov/authorities/genreForms/gf2014026266 Bandes dessinées. rvmgf Cañero, Julio, editor. Claudio, Esther, editor. International Conference on Comics and Graphic Novels (1st : 2011 : Universidad de Alcalá) Print version: On the edge of the panel. Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2015 1443877875 9781443877879 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1061650 Volltext |
| spellingShingle | On the edge of the panel : essays on comics criticism / Machine generated contents note: What is a Comic? Origins and Definitions -- Origenes, definiciones y controversias. El debate teorico sobre el nacimiento del comic / The Origins of Graphic Narrative in Popular Culture / Luis Mariani and the First Comic Strips in Spain / The Order of Comics: Dynamics of the Ninth's Art Devices / Do you Read a Comic? / Formal Tools of Comics -- The Drama of Caricature: Simplification and Deformation as Avant-garde Rhetorical Devices / La(s) aventura(s) de la forma: La heterogeneidad grafica como via de experimentacion en el comic / Dream and History, the Cartoon Mirror: The Incorporation of History into the Comic Book / The Convergence of Graphic-Narrative Discourses: The Picture Book and the Graphic Novel / Border Dwellers in Boy's Love Manga / Valentine, Comics for Mobile Devices, and the Limits of Empowerment / Authors and their Works -- The Many Facets of Boredom in the Work of Daniel Clowes / The Confrontation between the Classic and the Modern Gothic in The Swamp Thing by Len Wein and Alan Moore / La memoria como narracion en la obra de Seth / The (Re)construction of Memory in Antonio Altarriba's El Arte de Volar / Sequencing the History of the Third Reich: Art Spiegelman's Selection of Holocaust Images and Moments / The "Ontological Indeterminacy" in Comics: El Resentido by Juaco Vizuete / Frank Miller and Lynn Varley's The Dark Knight Strikes Again: DK2 or How to Make the Revolution within the Palace / Andrea Pazienza and Lorenzo Mattotti: How the Student Riots of 1977 Shaped Italian Comics / Comic books, strips, etc. History and criticism Congresses. Comic book & cartoon art. bicssc Graphic novel & Manga artwork. bicssc Literature: history & criticism. bicssc ART Techniques Drawing. bisacsh Comic books, strips, etc. fast |
| subject_GND | http://id.loc.gov/authorities/genreForms/gf2014026266 |
| title | On the edge of the panel : essays on comics criticism / |
| title_alt | What is a Comic? Origins and Definitions -- Origenes, definiciones y controversias. El debate teorico sobre el nacimiento del comic / The Origins of Graphic Narrative in Popular Culture / Luis Mariani and the First Comic Strips in Spain / The Order of Comics: Dynamics of the Ninth's Art Devices / Do you Read a Comic? / Formal Tools of Comics -- The Drama of Caricature: Simplification and Deformation as Avant-garde Rhetorical Devices / La(s) aventura(s) de la forma: La heterogeneidad grafica como via de experimentacion en el comic / Dream and History, the Cartoon Mirror: The Incorporation of History into the Comic Book / The Convergence of Graphic-Narrative Discourses: The Picture Book and the Graphic Novel / Border Dwellers in Boy's Love Manga / Valentine, Comics for Mobile Devices, and the Limits of Empowerment / Authors and their Works -- The Many Facets of Boredom in the Work of Daniel Clowes / The Confrontation between the Classic and the Modern Gothic in The Swamp Thing by Len Wein and Alan Moore / La memoria como narracion en la obra de Seth / The (Re)construction of Memory in Antonio Altarriba's El Arte de Volar / Sequencing the History of the Third Reich: Art Spiegelman's Selection of Holocaust Images and Moments / The "Ontological Indeterminacy" in Comics: El Resentido by Juaco Vizuete / Frank Miller and Lynn Varley's The Dark Knight Strikes Again: DK2 or How to Make the Revolution within the Palace / Andrea Pazienza and Lorenzo Mattotti: How the Student Riots of 1977 Shaped Italian Comics / |
| title_auth | On the edge of the panel : essays on comics criticism / |
| title_exact_search | On the edge of the panel : essays on comics criticism / |
| title_full | On the edge of the panel : essays on comics criticism / edited by Julio Cañero and Esther Claudio. |
| title_fullStr | On the edge of the panel : essays on comics criticism / edited by Julio Cañero and Esther Claudio. |
| title_full_unstemmed | On the edge of the panel : essays on comics criticism / edited by Julio Cañero and Esther Claudio. |
| title_short | On the edge of the panel : |
| title_sort | on the edge of the panel essays on comics criticism |
| title_sub | essays on comics criticism / |
| topic | Comic books, strips, etc. History and criticism Congresses. Comic book & cartoon art. bicssc Graphic novel & Manga artwork. bicssc Literature: history & criticism. bicssc ART Techniques Drawing. bisacsh Comic books, strips, etc. fast |
| topic_facet | Comic books, strips, etc. History and criticism Congresses. Comic book & cartoon art. Graphic novel & Manga artwork. Literature: history & criticism. ART Techniques Drawing. Comic books, strips, etc. comic books. comic strips. Comics (Graphic works) Conference papers and proceedings Criticism, interpretation, etc. Bandes dessinées. |
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