Dusk and dawn :: literature between two centuries /
Saved in:
| Other Authors: | , |
|---|---|
| Format: | Electronic eBook |
| Language: | English Undetermined |
| Published: |
Prague :
Filozofická fakulta Univerzity Karlovy,
2017.
|
| Edition: | First edition. |
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Physical Description: | 1 online resource (514 pages) |
| Bibliography: | Includes bibliographical references. |
| ISBN: | 9788073087128 807308712X 9788073087043 8073087049 |
Staff View
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| 245 | 0 | 0 | |a Dusk and dawn : |b literature between two centuries / |c Eva Voldřichová Berán, Šárka Grauová (eds.). |
| 250 | |a First edition. | ||
| 260 | |a Prague : |b Filozofická fakulta Univerzity Karlovy, |c 2017. | ||
| 300 | |a 1 online resource (514 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Intro -- CONTENTS -- Introduction -- I. The positivist era: Affections and disaffections -- In search of new directions for European civilisation: The philosophy of the history of Russian Symbolism (Vladimír Svatoň) -- Two trends in modernist literature: Romantic roots -- Russian criticism of modernity -- The critique of modernity in Russian Symbolism -- New angles on traditional themes -- España, 1900: el renacimiento de la modernidad (Juan A. Sánchez Fernández) -- Introducción -- Literatura de y sobre intelectuales -- A lo que salga -- Endemoniadas ideas -- El Quijote y lo moderno -- American Modernism in broade r perspective (Eva Kalivodová) -- Transcendentalism: Romantic, modern or modernist? -- Whitman (1819-1892) -- "Good" transcendence is illusionary -- The impact of American progress -- Modernism sensu stricto? -- Leaving America -- Shadows in the backlands: The Brazilian regionalist short story at the turn of the twentieth century (Šárka Grauová) -- Two worlds -- two ages -- (The) Master and (the) man -- "The stylistic centaur" -- A story from the sertão -- Locus horribilis -- De l' énorme au hénaurme : le rire sans limites. Quelques observations sur les aléas del' humour à la Belle Époque (Václav Jamek) -- Le statut du rire -- L'humour radical entre le romantisme et la Belle Époque -- Calamiteux Baudelaire -- Le chant de Maldoror -- Les zutistes chez soi -- La belle époque du rire -- Le rire fumiste -- L' avènement du hénaurme -- Machine arrière -- Le bon usage du rire ? -- Annexe : Essai sur l'incommodité des commodes -- The "knights of the spirit" and their crusade against Verism: The state of Italian prose in the 1890s (Alice Flemrová) -- The new mysticism of the 1890s: Sport or religion? -- Soul and truth -- A typical superhuman? -- Epilogue -- The defence of poetry in Hispano-American Modernism (Anna Housková). | |
| 505 | 8 | |a Modernism and the Renaissance -- "Inward" -- II. Fin de siècle: People, places, myths and movements -- Hacia Eugenio de Castro en la galería de raros (Gema Areta Marigó) -- Rubén Darío en Cosmópolis -- Edición de Los raros -- Persona plural -- Eugenio de Castro en la galería -- Un naturalisme symboliste? Émile Zola comme critique littéraire (Eva Voldřichová Beránková) -- Naissance de l'esthétique naturaliste -- Au sommet -- Apparition tardive du « roman expérimental » -- Bilan critique et espoir en l'avenir -- Nulla dies sine linea -- The elitist conception of culture and literature in the essays and lectures of Georg Brandes and Knut Hamsun (Martin Humpál) -- Georg Brandes' Lectures and His Essay "Aristocratic Radicalism" -- Knut Hamsun's Lectures and His Essay "From the Unconscious Lifeof the Mind" -- Conclusion -- Entre critique et fiction : comment écrire unroman en 1884? (Marie-Françoise Melmoux-Montaubin) -- Critique ou roman ? -- Le « roman d'art » -- Du « récit-illusion » au « récit-allusion » -- Catalogue de tableaux -- Le personnel du roman -- De l'article au roman -- Du roman au roman -- Critique-fictionet fiction critique -- Les leçons d'un refus -- Épuisement de la fiction? épuisement de la peinture ? -- De l' un au deux : dans l' entre-deux. Symbolisme ou décadence? (Catherine Ébert-Zeminová) -- État des lieux -- Vox clamantis -- Ah ? Oh ? Ô ! -- Le Miroir qui mire est-il mire ? -- Je ou Tu ? -- Le naturel ou l'artificiel ? -- Le temps ou le hors-temps? -- Inadequacy and the bourgeois age: Thomas Mann and Hugo von Hofmannsthal (Štěpán Sirovátka) -- Thomas Mann: the German bourgeois age as a spiritual way of life -- Hugo von Hofmannsthal: the silent language of "the core of things" -- Mysterious human inadequacy -- Proust and literature: The elusiveness of the past against the "defeatism of the heart" (Eva Blinková Pelánová). | |
| 505 | 8 | |a Proust versus the romantic conflict between the subject and the world -- The writer's task -- The theory of involuntary memory: the particular and the universal -- All true art is classical -- The central role of the metaphor -- Out in the open: The Pocket Book of Edward (Thomas Justin Quinn) -- 1 -- 2 -- 3 -- 4 -- D'Annunzio: Poet of paradox (Jiří Pelán) -- Primo vere, 1879, 1880 -- Canto novo, 1882, 1896 -- Intermezzo di rime: 1883, 1894 -- Isaotta Guttadàuro, 1886: L' Isottèo, 1890 -- La Chimera, 1890 -- Elegie romane, 1892 -- Poema paradisiaco, 1893 -- Odi navali, 1892, 1893 -- Maia, 1903 -- Elettra, 1904 -- Alcyone, 1904 -- D'Annunzio and Symbolism -- The myth of the dead city in Portuguese fiction at the turn of the nineteenth and twentieth centuries (Silvie Špánková) -- Dissolute city, agonising city: Lisbon in the works of Fialho de Almeida -- Pain and dreams: the dead city in the prose of Raul Brandão -- The dead city at the bottom of the sea: the image of Atlantis in the short story by Aquilino Ribeiro -- The legacy of the myth -- My heart made a pilgrimage: The topos of the journey in Hispano-American modernist prose (Dora Poláková) -- The city and the interior -- The island -- The land of dreams -- Laboratoire tardif du symbolisme : doctrine vitaliste de Tancrède de Visan (Záviš Šuman) -- À la recherche de l'unité : vitalisme et synthétisme en tant queprincipes fédérateurs -- Parnassiens versus symbolistes -- Au-delàde l'antagonisme... -- Bibliography -- Abstracts -- About the authors -- Summary. | |
| 650 | 0 | |a English literature |y 19th century. |0 http://id.loc.gov/authorities/subjects/sh85043782 | |
| 650 | 6 | |a Littérature anglaise |y 19e siècle. | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a English literature |2 fast | |
| 648 | 7 | |a 1800-1899 |2 fast | |
| 655 | 4 | |a Electronic book. | |
| 700 | 1 | |a Beránková, Eva, |e editor. |0 http://id.loc.gov/authorities/names/no2006078344 | |
| 700 | 1 | |a Grauová, Šárka, |e editor. |0 http://id.loc.gov/authorities/names/nb2015015517 | |
| 758 | |i has work: |a Dusk and dawn (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGmJh8WKhxwcbMXHmCpKFq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Beránková, Eva Voldřichová. |t Dusk and Dawn. Literature between Two Centuries. |d Prague : Filozofická fakulta Univerzity Karlovy, ©2017 |z 9788073087043 |
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Record in the Search Index
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|---|---|
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| adam_text | |
| any_adam_object | |
| author2 | Beránková, Eva Grauová, Šárka |
| author2_role | edt edt |
| author2_variant | e b eb s g sg |
| author_GND | http://id.loc.gov/authorities/names/no2006078344 http://id.loc.gov/authorities/names/nb2015015517 |
| author_facet | Beránková, Eva Grauová, Šárka |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR1143 |
| callnumber-raw | PR1143 .D875 2017eb |
| callnumber-search | PR1143 .D875 2017eb |
| callnumber-sort | PR 41143 D875 42017EB |
| callnumber-subject | PR - English Literature |
| collection | ZDB-4-EBA |
| contents | Intro -- CONTENTS -- Introduction -- I. The positivist era: Affections and disaffections -- In search of new directions for European civilisation: The philosophy of the history of Russian Symbolism (Vladimír Svatoň) -- Two trends in modernist literature: Romantic roots -- Russian criticism of modernity -- The critique of modernity in Russian Symbolism -- New angles on traditional themes -- España, 1900: el renacimiento de la modernidad (Juan A. Sánchez Fernández) -- Introducción -- Literatura de y sobre intelectuales -- A lo que salga -- Endemoniadas ideas -- El Quijote y lo moderno -- American Modernism in broade r perspective (Eva Kalivodová) -- Transcendentalism: Romantic, modern or modernist? -- Whitman (1819-1892) -- "Good" transcendence is illusionary -- The impact of American progress -- Modernism sensu stricto? -- Leaving America -- Shadows in the backlands: The Brazilian regionalist short story at the turn of the twentieth century (Šárka Grauová) -- Two worlds -- two ages -- (The) Master and (the) man -- "The stylistic centaur" -- A story from the sertão -- Locus horribilis -- De l' énorme au hénaurme : le rire sans limites. Quelques observations sur les aléas del' humour à la Belle Époque (Václav Jamek) -- Le statut du rire -- L'humour radical entre le romantisme et la Belle Époque -- Calamiteux Baudelaire -- Le chant de Maldoror -- Les zutistes chez soi -- La belle époque du rire -- Le rire fumiste -- L' avènement du hénaurme -- Machine arrière -- Le bon usage du rire ? -- Annexe : Essai sur l'incommodité des commodes -- The "knights of the spirit" and their crusade against Verism: The state of Italian prose in the 1890s (Alice Flemrová) -- The new mysticism of the 1890s: Sport or religion? -- Soul and truth -- A typical superhuman? -- Epilogue -- The defence of poetry in Hispano-American Modernism (Anna Housková). Modernism and the Renaissance -- "Inward" -- II. Fin de siècle: People, places, myths and movements -- Hacia Eugenio de Castro en la galería de raros (Gema Areta Marigó) -- Rubén Darío en Cosmópolis -- Edición de Los raros -- Persona plural -- Eugenio de Castro en la galería -- Un naturalisme symboliste? Émile Zola comme critique littéraire (Eva Voldřichová Beránková) -- Naissance de l'esthétique naturaliste -- Au sommet -- Apparition tardive du « roman expérimental » -- Bilan critique et espoir en l'avenir -- Nulla dies sine linea -- The elitist conception of culture and literature in the essays and lectures of Georg Brandes and Knut Hamsun (Martin Humpál) -- Georg Brandes' Lectures and His Essay "Aristocratic Radicalism" -- Knut Hamsun's Lectures and His Essay "From the Unconscious Lifeof the Mind" -- Conclusion -- Entre critique et fiction : comment écrire unroman en 1884? (Marie-Françoise Melmoux-Montaubin) -- Critique ou roman ? -- Le « roman d'art » -- Du « récit-illusion » au « récit-allusion » -- Catalogue de tableaux -- Le personnel du roman -- De l'article au roman -- Du roman au roman -- Critique-fictionet fiction critique -- Les leçons d'un refus -- Épuisement de la fiction? épuisement de la peinture ? -- De l' un au deux : dans l' entre-deux. Symbolisme ou décadence? (Catherine Ébert-Zeminová) -- État des lieux -- Vox clamantis -- Ah ? Oh ? Ô ! -- Le Miroir qui mire est-il mire ? -- Je ou Tu ? -- Le naturel ou l'artificiel ? -- Le temps ou le hors-temps? -- Inadequacy and the bourgeois age: Thomas Mann and Hugo von Hofmannsthal (Štěpán Sirovátka) -- Thomas Mann: the German bourgeois age as a spiritual way of life -- Hugo von Hofmannsthal: the silent language of "the core of things" -- Mysterious human inadequacy -- Proust and literature: The elusiveness of the past against the "defeatism of the heart" (Eva Blinková Pelánová). Proust versus the romantic conflict between the subject and the world -- The writer's task -- The theory of involuntary memory: the particular and the universal -- All true art is classical -- The central role of the metaphor -- Out in the open: The Pocket Book of Edward (Thomas Justin Quinn) -- 1 -- 2 -- 3 -- 4 -- D'Annunzio: Poet of paradox (Jiří Pelán) -- Primo vere, 1879, 1880 -- Canto novo, 1882, 1896 -- Intermezzo di rime: 1883, 1894 -- Isaotta Guttadàuro, 1886: L' Isottèo, 1890 -- La Chimera, 1890 -- Elegie romane, 1892 -- Poema paradisiaco, 1893 -- Odi navali, 1892, 1893 -- Maia, 1903 -- Elettra, 1904 -- Alcyone, 1904 -- D'Annunzio and Symbolism -- The myth of the dead city in Portuguese fiction at the turn of the nineteenth and twentieth centuries (Silvie Špánková) -- Dissolute city, agonising city: Lisbon in the works of Fialho de Almeida -- Pain and dreams: the dead city in the prose of Raul Brandão -- The dead city at the bottom of the sea: the image of Atlantis in the short story by Aquilino Ribeiro -- The legacy of the myth -- My heart made a pilgrimage: The topos of the journey in Hispano-American modernist prose (Dora Poláková) -- The city and the interior -- The island -- The land of dreams -- Laboratoire tardif du symbolisme : doctrine vitaliste de Tancrède de Visan (Záviš Šuman) -- À la recherche de l'unité : vitalisme et synthétisme en tant queprincipes fédérateurs -- Parnassiens versus symbolistes -- Au-delàde l'antagonisme... -- Bibliography -- Abstracts -- About the authors -- Summary. |
| ctrlnum | (OCoLC)1006422600 |
| dewey-full | 820.8 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 820 - English & Old English literatures |
| dewey-raw | 820.8 |
| dewey-search | 820.8 |
| dewey-sort | 3820.8 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| edition | First edition. |
| era | 1800-1899 fast |
| era_facet | 1800-1899 |
| format | Electronic eBook |
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The positivist era: Affections and disaffections -- In search of new directions for European civilisation: The philosophy of the history of Russian Symbolism (Vladimír Svatoň) -- Two trends in modernist literature: Romantic roots -- Russian criticism of modernity -- The critique of modernity in Russian Symbolism -- New angles on traditional themes -- España, 1900: el renacimiento de la modernidad (Juan A. Sánchez Fernández) -- Introducción -- Literatura de y sobre intelectuales -- A lo que salga -- Endemoniadas ideas -- El Quijote y lo moderno -- American Modernism in broade r perspective (Eva Kalivodová) -- Transcendentalism: Romantic, modern or modernist? -- Whitman (1819-1892) -- "Good" transcendence is illusionary -- The impact of American progress -- Modernism sensu stricto? -- Leaving America -- Shadows in the backlands: The Brazilian regionalist short story at the turn of the twentieth century (Šárka Grauová) -- Two worlds -- two ages -- (The) Master and (the) man -- "The stylistic centaur" -- A story from the sertão -- Locus horribilis -- De l' énorme au hénaurme : le rire sans limites. Quelques observations sur les aléas del' humour à la Belle Époque (Václav Jamek) -- Le statut du rire -- L'humour radical entre le romantisme et la Belle Époque -- Calamiteux Baudelaire -- Le chant de Maldoror -- Les zutistes chez soi -- La belle époque du rire -- Le rire fumiste -- L' avènement du hénaurme -- Machine arrière -- Le bon usage du rire ? -- Annexe : Essai sur l'incommodité des commodes -- The "knights of the spirit" and their crusade against Verism: The state of Italian prose in the 1890s (Alice Flemrová) -- The new mysticism of the 1890s: Sport or religion? -- Soul and truth -- A typical superhuman? -- Epilogue -- The defence of poetry in Hispano-American Modernism (Anna Housková).</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Modernism and the Renaissance -- "Inward" -- II. Fin de siècle: People, places, myths and movements -- Hacia Eugenio de Castro en la galería de raros (Gema Areta Marigó) -- Rubén Darío en Cosmópolis -- Edición de Los raros -- Persona plural -- Eugenio de Castro en la galería -- Un naturalisme symboliste? Émile Zola comme critique littéraire (Eva Voldřichová Beránková) -- Naissance de l'esthétique naturaliste -- Au sommet -- Apparition tardive du « roman expérimental » -- Bilan critique et espoir en l'avenir -- Nulla dies sine linea -- The elitist conception of culture and literature in the essays and lectures of Georg Brandes and Knut Hamsun (Martin Humpál) -- Georg Brandes' Lectures and His Essay "Aristocratic Radicalism" -- Knut Hamsun's Lectures and His Essay "From the Unconscious Lifeof the Mind" -- Conclusion -- Entre critique et fiction : comment écrire unroman en 1884? (Marie-Françoise Melmoux-Montaubin) -- Critique ou roman ? -- Le « roman d'art » -- Du « récit-illusion » au « récit-allusion » -- Catalogue de tableaux -- Le personnel du roman -- De l'article au roman -- Du roman au roman -- Critique-fictionet fiction critique -- Les leçons d'un refus -- Épuisement de la fiction? épuisement de la peinture ? -- De l' un au deux : dans l' entre-deux. Symbolisme ou décadence? (Catherine Ébert-Zeminová) -- État des lieux -- Vox clamantis -- Ah ? Oh ? 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| genre | Electronic book. |
| genre_facet | Electronic book. |
| id | ZDB-4-EBA-on1006422600 |
| illustrated | Not Illustrated |
| indexdate | 2025-03-18T14:23:40Z |
| institution | BVB |
| isbn | 9788073087128 807308712X 9788073087043 8073087049 |
| language | English Undetermined |
| oclc_num | 1006422600 |
| open_access_boolean | |
| owner | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-862 DE-BY-FWS DE-863 DE-BY-FWS |
| physical | 1 online resource (514 pages) |
| psigel | ZDB-4-EBA FWS_PDA_EBA ZDB-4-EBA |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Filozofická fakulta Univerzity Karlovy, |
| record_format | marc |
| spelling | Dusk and dawn : literature between two centuries / Eva Voldřichová Berán, Šárka Grauová (eds.). First edition. Prague : Filozofická fakulta Univerzity Karlovy, 2017. 1 online resource (514 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references. Print version record. Intro -- CONTENTS -- Introduction -- I. The positivist era: Affections and disaffections -- In search of new directions for European civilisation: The philosophy of the history of Russian Symbolism (Vladimír Svatoň) -- Two trends in modernist literature: Romantic roots -- Russian criticism of modernity -- The critique of modernity in Russian Symbolism -- New angles on traditional themes -- España, 1900: el renacimiento de la modernidad (Juan A. Sánchez Fernández) -- Introducción -- Literatura de y sobre intelectuales -- A lo que salga -- Endemoniadas ideas -- El Quijote y lo moderno -- American Modernism in broade r perspective (Eva Kalivodová) -- Transcendentalism: Romantic, modern or modernist? -- Whitman (1819-1892) -- "Good" transcendence is illusionary -- The impact of American progress -- Modernism sensu stricto? -- Leaving America -- Shadows in the backlands: The Brazilian regionalist short story at the turn of the twentieth century (Šárka Grauová) -- Two worlds -- two ages -- (The) Master and (the) man -- "The stylistic centaur" -- A story from the sertão -- Locus horribilis -- De l' énorme au hénaurme : le rire sans limites. Quelques observations sur les aléas del' humour à la Belle Époque (Václav Jamek) -- Le statut du rire -- L'humour radical entre le romantisme et la Belle Époque -- Calamiteux Baudelaire -- Le chant de Maldoror -- Les zutistes chez soi -- La belle époque du rire -- Le rire fumiste -- L' avènement du hénaurme -- Machine arrière -- Le bon usage du rire ? -- Annexe : Essai sur l'incommodité des commodes -- The "knights of the spirit" and their crusade against Verism: The state of Italian prose in the 1890s (Alice Flemrová) -- The new mysticism of the 1890s: Sport or religion? -- Soul and truth -- A typical superhuman? -- Epilogue -- The defence of poetry in Hispano-American Modernism (Anna Housková). Modernism and the Renaissance -- "Inward" -- II. Fin de siècle: People, places, myths and movements -- Hacia Eugenio de Castro en la galería de raros (Gema Areta Marigó) -- Rubén Darío en Cosmópolis -- Edición de Los raros -- Persona plural -- Eugenio de Castro en la galería -- Un naturalisme symboliste? Émile Zola comme critique littéraire (Eva Voldřichová Beránková) -- Naissance de l'esthétique naturaliste -- Au sommet -- Apparition tardive du « roman expérimental » -- Bilan critique et espoir en l'avenir -- Nulla dies sine linea -- The elitist conception of culture and literature in the essays and lectures of Georg Brandes and Knut Hamsun (Martin Humpál) -- Georg Brandes' Lectures and His Essay "Aristocratic Radicalism" -- Knut Hamsun's Lectures and His Essay "From the Unconscious Lifeof the Mind" -- Conclusion -- Entre critique et fiction : comment écrire unroman en 1884? (Marie-Françoise Melmoux-Montaubin) -- Critique ou roman ? -- Le « roman d'art » -- Du « récit-illusion » au « récit-allusion » -- Catalogue de tableaux -- Le personnel du roman -- De l'article au roman -- Du roman au roman -- Critique-fictionet fiction critique -- Les leçons d'un refus -- Épuisement de la fiction? épuisement de la peinture ? -- De l' un au deux : dans l' entre-deux. Symbolisme ou décadence? (Catherine Ébert-Zeminová) -- État des lieux -- Vox clamantis -- Ah ? Oh ? Ô ! -- Le Miroir qui mire est-il mire ? -- Je ou Tu ? -- Le naturel ou l'artificiel ? -- Le temps ou le hors-temps? -- Inadequacy and the bourgeois age: Thomas Mann and Hugo von Hofmannsthal (Štěpán Sirovátka) -- Thomas Mann: the German bourgeois age as a spiritual way of life -- Hugo von Hofmannsthal: the silent language of "the core of things" -- Mysterious human inadequacy -- Proust and literature: The elusiveness of the past against the "defeatism of the heart" (Eva Blinková Pelánová). Proust versus the romantic conflict between the subject and the world -- The writer's task -- The theory of involuntary memory: the particular and the universal -- All true art is classical -- The central role of the metaphor -- Out in the open: The Pocket Book of Edward (Thomas Justin Quinn) -- 1 -- 2 -- 3 -- 4 -- D'Annunzio: Poet of paradox (Jiří Pelán) -- Primo vere, 1879, 1880 -- Canto novo, 1882, 1896 -- Intermezzo di rime: 1883, 1894 -- Isaotta Guttadàuro, 1886: L' Isottèo, 1890 -- La Chimera, 1890 -- Elegie romane, 1892 -- Poema paradisiaco, 1893 -- Odi navali, 1892, 1893 -- Maia, 1903 -- Elettra, 1904 -- Alcyone, 1904 -- D'Annunzio and Symbolism -- The myth of the dead city in Portuguese fiction at the turn of the nineteenth and twentieth centuries (Silvie Špánková) -- Dissolute city, agonising city: Lisbon in the works of Fialho de Almeida -- Pain and dreams: the dead city in the prose of Raul Brandão -- The dead city at the bottom of the sea: the image of Atlantis in the short story by Aquilino Ribeiro -- The legacy of the myth -- My heart made a pilgrimage: The topos of the journey in Hispano-American modernist prose (Dora Poláková) -- The city and the interior -- The island -- The land of dreams -- Laboratoire tardif du symbolisme : doctrine vitaliste de Tancrède de Visan (Záviš Šuman) -- À la recherche de l'unité : vitalisme et synthétisme en tant queprincipes fédérateurs -- Parnassiens versus symbolistes -- Au-delàde l'antagonisme... -- Bibliography -- Abstracts -- About the authors -- Summary. English literature 19th century. http://id.loc.gov/authorities/subjects/sh85043782 Littérature anglaise 19e siècle. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh English literature fast 1800-1899 fast Electronic book. Beránková, Eva, editor. http://id.loc.gov/authorities/names/no2006078344 Grauová, Šárka, editor. http://id.loc.gov/authorities/names/nb2015015517 has work: Dusk and dawn (Text) https://id.oclc.org/worldcat/entity/E39PCGmJh8WKhxwcbMXHmCpKFq https://id.oclc.org/worldcat/ontology/hasWork Print version: Beránková, Eva Voldřichová. Dusk and Dawn. Literature between Two Centuries. Prague : Filozofická fakulta Univerzity Karlovy, ©2017 9788073087043 |
| spellingShingle | Dusk and dawn : literature between two centuries / Intro -- CONTENTS -- Introduction -- I. The positivist era: Affections and disaffections -- In search of new directions for European civilisation: The philosophy of the history of Russian Symbolism (Vladimír Svatoň) -- Two trends in modernist literature: Romantic roots -- Russian criticism of modernity -- The critique of modernity in Russian Symbolism -- New angles on traditional themes -- España, 1900: el renacimiento de la modernidad (Juan A. Sánchez Fernández) -- Introducción -- Literatura de y sobre intelectuales -- A lo que salga -- Endemoniadas ideas -- El Quijote y lo moderno -- American Modernism in broade r perspective (Eva Kalivodová) -- Transcendentalism: Romantic, modern or modernist? -- Whitman (1819-1892) -- "Good" transcendence is illusionary -- The impact of American progress -- Modernism sensu stricto? -- Leaving America -- Shadows in the backlands: The Brazilian regionalist short story at the turn of the twentieth century (Šárka Grauová) -- Two worlds -- two ages -- (The) Master and (the) man -- "The stylistic centaur" -- A story from the sertão -- Locus horribilis -- De l' énorme au hénaurme : le rire sans limites. Quelques observations sur les aléas del' humour à la Belle Époque (Václav Jamek) -- Le statut du rire -- L'humour radical entre le romantisme et la Belle Époque -- Calamiteux Baudelaire -- Le chant de Maldoror -- Les zutistes chez soi -- La belle époque du rire -- Le rire fumiste -- L' avènement du hénaurme -- Machine arrière -- Le bon usage du rire ? -- Annexe : Essai sur l'incommodité des commodes -- The "knights of the spirit" and their crusade against Verism: The state of Italian prose in the 1890s (Alice Flemrová) -- The new mysticism of the 1890s: Sport or religion? -- Soul and truth -- A typical superhuman? -- Epilogue -- The defence of poetry in Hispano-American Modernism (Anna Housková). Modernism and the Renaissance -- "Inward" -- II. Fin de siècle: People, places, myths and movements -- Hacia Eugenio de Castro en la galería de raros (Gema Areta Marigó) -- Rubén Darío en Cosmópolis -- Edición de Los raros -- Persona plural -- Eugenio de Castro en la galería -- Un naturalisme symboliste? Émile Zola comme critique littéraire (Eva Voldřichová Beránková) -- Naissance de l'esthétique naturaliste -- Au sommet -- Apparition tardive du « roman expérimental » -- Bilan critique et espoir en l'avenir -- Nulla dies sine linea -- The elitist conception of culture and literature in the essays and lectures of Georg Brandes and Knut Hamsun (Martin Humpál) -- Georg Brandes' Lectures and His Essay "Aristocratic Radicalism" -- Knut Hamsun's Lectures and His Essay "From the Unconscious Lifeof the Mind" -- Conclusion -- Entre critique et fiction : comment écrire unroman en 1884? (Marie-Françoise Melmoux-Montaubin) -- Critique ou roman ? -- Le « roman d'art » -- Du « récit-illusion » au « récit-allusion » -- Catalogue de tableaux -- Le personnel du roman -- De l'article au roman -- Du roman au roman -- Critique-fictionet fiction critique -- Les leçons d'un refus -- Épuisement de la fiction? épuisement de la peinture ? -- De l' un au deux : dans l' entre-deux. Symbolisme ou décadence? (Catherine Ébert-Zeminová) -- État des lieux -- Vox clamantis -- Ah ? Oh ? Ô ! -- Le Miroir qui mire est-il mire ? -- Je ou Tu ? -- Le naturel ou l'artificiel ? -- Le temps ou le hors-temps? -- Inadequacy and the bourgeois age: Thomas Mann and Hugo von Hofmannsthal (Štěpán Sirovátka) -- Thomas Mann: the German bourgeois age as a spiritual way of life -- Hugo von Hofmannsthal: the silent language of "the core of things" -- Mysterious human inadequacy -- Proust and literature: The elusiveness of the past against the "defeatism of the heart" (Eva Blinková Pelánová). Proust versus the romantic conflict between the subject and the world -- The writer's task -- The theory of involuntary memory: the particular and the universal -- All true art is classical -- The central role of the metaphor -- Out in the open: The Pocket Book of Edward (Thomas Justin Quinn) -- 1 -- 2 -- 3 -- 4 -- D'Annunzio: Poet of paradox (Jiří Pelán) -- Primo vere, 1879, 1880 -- Canto novo, 1882, 1896 -- Intermezzo di rime: 1883, 1894 -- Isaotta Guttadàuro, 1886: L' Isottèo, 1890 -- La Chimera, 1890 -- Elegie romane, 1892 -- Poema paradisiaco, 1893 -- Odi navali, 1892, 1893 -- Maia, 1903 -- Elettra, 1904 -- Alcyone, 1904 -- D'Annunzio and Symbolism -- The myth of the dead city in Portuguese fiction at the turn of the nineteenth and twentieth centuries (Silvie Špánková) -- Dissolute city, agonising city: Lisbon in the works of Fialho de Almeida -- Pain and dreams: the dead city in the prose of Raul Brandão -- The dead city at the bottom of the sea: the image of Atlantis in the short story by Aquilino Ribeiro -- The legacy of the myth -- My heart made a pilgrimage: The topos of the journey in Hispano-American modernist prose (Dora Poláková) -- The city and the interior -- The island -- The land of dreams -- Laboratoire tardif du symbolisme : doctrine vitaliste de Tancrède de Visan (Záviš Šuman) -- À la recherche de l'unité : vitalisme et synthétisme en tant queprincipes fédérateurs -- Parnassiens versus symbolistes -- Au-delàde l'antagonisme... -- Bibliography -- Abstracts -- About the authors -- Summary. English literature 19th century. http://id.loc.gov/authorities/subjects/sh85043782 Littérature anglaise 19e siècle. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh English literature fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85043782 |
| title | Dusk and dawn : literature between two centuries / |
| title_auth | Dusk and dawn : literature between two centuries / |
| title_exact_search | Dusk and dawn : literature between two centuries / |
| title_full | Dusk and dawn : literature between two centuries / Eva Voldřichová Berán, Šárka Grauová (eds.). |
| title_fullStr | Dusk and dawn : literature between two centuries / Eva Voldřichová Berán, Šárka Grauová (eds.). |
| title_full_unstemmed | Dusk and dawn : literature between two centuries / Eva Voldřichová Berán, Šárka Grauová (eds.). |
| title_short | Dusk and dawn : |
| title_sort | dusk and dawn literature between two centuries |
| title_sub | literature between two centuries / |
| topic | English literature 19th century. http://id.loc.gov/authorities/subjects/sh85043782 Littérature anglaise 19e siècle. LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh English literature fast |
| topic_facet | English literature 19th century. Littérature anglaise 19e siècle. LITERARY CRITICISM European English, Irish, Scottish, Welsh. English literature Electronic book. |
| work_keys_str_mv | AT berankovaeva duskanddawnliteraturebetweentwocenturies AT grauovasarka duskanddawnliteraturebetweentwocenturies |