Silent cinema :: before the pictures got small /
Since the spectacular success of The Artist (2011) there has been a resurgence of interest in silent cinema, and particularly in the lush and passionate screen dramas of the 1920s. This book offers an introduction to the cinema of this extraordinary period, outlining the development of the form betw...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London : New York :
Wallflower ; Columbia University Press,
[2017]
|
| Schriftenreihe: | Short cuts (London, England) ;
64. |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Since the spectacular success of The Artist (2011) there has been a resurgence of interest in silent cinema, and particularly in the lush and passionate screen dramas of the 1920s. This book offers an introduction to the cinema of this extraordinary period, outlining the development of the form between the end of the First World War and the introduction of synchronized sound at the end of the 1920s. Lawrence Napper addresses the relationship between film aesthetics and the industrial and political contexts of film production through a series of case studies of "national" cinemas. It also focuses on film-going as the most popular leisure activity of the age. Topics such as the star system, cinema buildings, musical accompaniments, film fashions, and fan cultures are addressed'all the elements that ensured that the experience of the pictures was "big." The international dominance of Hollywood is outlined, as are the different responses to that dominance in Britain, Germany, and the USSR. Case studies seek to move beyond the familiar silent canon, and include The Oyster Princess (1919), It (1927), Shooting Stars (1927), and The Girl with the Hatbox (1927) |
| Beschreibung: | 1 online resource (vii, 120 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 113-117) and index. |
| ISBN: | 0231543506 9780231543507 |
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| 520 | |a Since the spectacular success of The Artist (2011) there has been a resurgence of interest in silent cinema, and particularly in the lush and passionate screen dramas of the 1920s. This book offers an introduction to the cinema of this extraordinary period, outlining the development of the form between the end of the First World War and the introduction of synchronized sound at the end of the 1920s. Lawrence Napper addresses the relationship between film aesthetics and the industrial and political contexts of film production through a series of case studies of "national" cinemas. It also focuses on film-going as the most popular leisure activity of the age. Topics such as the star system, cinema buildings, musical accompaniments, film fashions, and fan cultures are addressed'all the elements that ensured that the experience of the pictures was "big." The international dominance of Hollywood is outlined, as are the different responses to that dominance in Britain, Germany, and the USSR. Case studies seek to move beyond the familiar silent canon, and include The Oyster Princess (1919), It (1927), Shooting Stars (1927), and The Girl with the Hatbox (1927) | ||
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| contents | Going to the Pictures -- Germany: Beyond 'Expressionism' -- Russia: 'Of all the arts, the most important for us is the cinema' -- America: Continuity and Dominance -- Britain: Looking Two Ways. |
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| illustrated | Illustrated |
| indexdate | 2024-11-27T13:28:01Z |
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| spelling | Napper, Lawrence, author. http://id.loc.gov/authorities/names/no2010036914 Silent cinema : before the pictures got small / Lawrence Napper. London : Wallflower ; New York : Columbia University Press, [2017] ©2017 1 online resource (vii, 120 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Short cuts ; 64 Includes bibliographical references (pages 113-117) and index. Print version record. Since the spectacular success of The Artist (2011) there has been a resurgence of interest in silent cinema, and particularly in the lush and passionate screen dramas of the 1920s. This book offers an introduction to the cinema of this extraordinary period, outlining the development of the form between the end of the First World War and the introduction of synchronized sound at the end of the 1920s. Lawrence Napper addresses the relationship between film aesthetics and the industrial and political contexts of film production through a series of case studies of "national" cinemas. It also focuses on film-going as the most popular leisure activity of the age. Topics such as the star system, cinema buildings, musical accompaniments, film fashions, and fan cultures are addressed'all the elements that ensured that the experience of the pictures was "big." The international dominance of Hollywood is outlined, as are the different responses to that dominance in Britain, Germany, and the USSR. Case studies seek to move beyond the familiar silent canon, and include The Oyster Princess (1919), It (1927), Shooting Stars (1927), and The Girl with the Hatbox (1927) 1. Going to the Pictures -- 2. Germany: Beyond 'Expressionism' -- 3. Russia: 'Of all the arts, the most important for us is the cinema' -- 4. America: Continuity and Dominance -- 5. Britain: Looking Two Ways. Silent films. http://id.loc.gov/authorities/subjects/sh85122472 Silent films History and criticism. Motion pictures 20th century. Films muets. Films muets Histoire et critique. PERFORMING ARTS Reference. bisacsh Motion pictures. fast (OCoLC)fst01027285 Silent films. fast (OCoLC)fst01118542 1900-1999 fast Criticism, interpretation, etc. fast (OCoLC)fst01411635 Print version: Napper, Lawrence. Silent cinema. London : Wallflower ; New York : Columbia University Press, [2017] 9780231181181 (DLC) 2017478688 (OCoLC)947817392 Short cuts (London, England) ; 64. http://id.loc.gov/authorities/names/no2001057764 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1628874 Volltext |
| spellingShingle | Napper, Lawrence Silent cinema : before the pictures got small / Short cuts (London, England) ; Going to the Pictures -- Germany: Beyond 'Expressionism' -- Russia: 'Of all the arts, the most important for us is the cinema' -- America: Continuity and Dominance -- Britain: Looking Two Ways. Silent films. http://id.loc.gov/authorities/subjects/sh85122472 Silent films History and criticism. Motion pictures 20th century. Films muets. Films muets Histoire et critique. PERFORMING ARTS Reference. bisacsh Motion pictures. fast (OCoLC)fst01027285 Silent films. fast (OCoLC)fst01118542 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85122472 (OCoLC)fst01027285 (OCoLC)fst01118542 (OCoLC)fst01411635 |
| title | Silent cinema : before the pictures got small / |
| title_alt | Going to the Pictures -- Germany: Beyond 'Expressionism' -- Russia: 'Of all the arts, the most important for us is the cinema' -- America: Continuity and Dominance -- Britain: Looking Two Ways. |
| title_auth | Silent cinema : before the pictures got small / |
| title_exact_search | Silent cinema : before the pictures got small / |
| title_full | Silent cinema : before the pictures got small / Lawrence Napper. |
| title_fullStr | Silent cinema : before the pictures got small / Lawrence Napper. |
| title_full_unstemmed | Silent cinema : before the pictures got small / Lawrence Napper. |
| title_short | Silent cinema : |
| title_sort | silent cinema before the pictures got small |
| title_sub | before the pictures got small / |
| topic | Silent films. http://id.loc.gov/authorities/subjects/sh85122472 Silent films History and criticism. Motion pictures 20th century. Films muets. Films muets Histoire et critique. PERFORMING ARTS Reference. bisacsh Motion pictures. fast (OCoLC)fst01027285 Silent films. fast (OCoLC)fst01118542 |
| topic_facet | Silent films. Silent films History and criticism. Motion pictures 20th century. Films muets. Films muets Histoire et critique. PERFORMING ARTS Reference. Motion pictures. Criticism, interpretation, etc. |
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