Jacques Offenbach and the making of modern culture /:
Offenbach's operas were a significant force for cultural change, both in his own time and in the decades to follow. In this book, Laurence Senelick demonstrates the ways in which this musical phenomenon took hold globally, with Offenbach's work offering an alternative, irreverent, sexualiz...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom ; New York, NY :
Cambridge University Press,
2017.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Offenbach's operas were a significant force for cultural change, both in his own time and in the decades to follow. In this book, Laurence Senelick demonstrates the ways in which this musical phenomenon took hold globally, with Offenbach's work offering an alternative, irreverent, sexualized view of life which audiences found liberating, both personally and socially. In the theatre, the composer also inspired cutting-edge innovations in stagecraft and design, and in this book, he is recognized as a major cultural influence, with an extensive impact on the spheres of literature, art, film, and even politics. Senelick argues that Offenbach's importance spread far beyond France, and that his provocative and entertaining works, often seen as being more style than substance, influenced numerous key artists, writers, and thinkers, and made a major contribution to the development of modern society. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781108328241 1108328245 9781108327442 1108327443 9781139029643 1139029649 |
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| 100 | 1 | |a Senelick, Laurence, |e author. | |
| 245 | 1 | 0 | |a Jacques Offenbach and the making of modern culture / |c Laurence Senelick. |
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| 520 | |a Offenbach's operas were a significant force for cultural change, both in his own time and in the decades to follow. In this book, Laurence Senelick demonstrates the ways in which this musical phenomenon took hold globally, with Offenbach's work offering an alternative, irreverent, sexualized view of life which audiences found liberating, both personally and socially. In the theatre, the composer also inspired cutting-edge innovations in stagecraft and design, and in this book, he is recognized as a major cultural influence, with an extensive impact on the spheres of literature, art, film, and even politics. Senelick argues that Offenbach's importance spread far beyond France, and that his provocative and entertaining works, often seen as being more style than substance, influenced numerous key artists, writers, and thinkers, and made a major contribution to the development of modern society. | ||
| 505 | 0 | |a Cover -- Half-title -- Frontispiece -- Title page -- Copyright information -- Dedication -- Table of contents -- List of Illustrations -- Foreword and Acknowledgments -- Introduction -- 1 The French Connection -- The Outsider -- Orpheus Unbound -- Interval -- Annus Mirabilis -- No, No, Nana -- The Exposition Tetralogy -- Latter Days -- Lost in Space -- The Last Act -- The Revolutionary -- 2 Wagner, Nietzsche, and the Polemics of Opera -- The Roots of Undying Hatred -- Across the Rhine -- Jews in Music -- The Matter of Internationalism | |
| 505 | 8 | |a A Pin to Puncture a BalloonNietzsche Takes Up the Challenge -- Earnest Intensity vs. the Pleasure Principle -- Mistaking Sunrise for High Noon -- 3 Tales from the Vienna Stage -- According to Nestroy -- Passing on the Torch -- 4 Against the Victorian Grain -- G & S -- Divas on the Road -- Refinements -- 5 The Discovery of America -- A Welcome Immigrant -- The Pan of Pruriency -- A Personal Appearance -- An American Beauty -- A Martial Coda -- 6 Caviar with the Champagne -- Franco-Russian Relations -- Chekhovian -- La belle Yelena | |
| 505 | 8 | |a 7 Doing the ContinentalBorder Crossings -- Principalities and Powers -- â#x80;#x9C;Il conquera parce quâ#x80;#x99;il est espagnolâ#x80;#x9D; -- A Portuguese Welcome -- 8 South of the Equator, East of Suez -- Latin America -- Egyptian Nights -- Australia -- Japan -- 9 A Max Reinhardt Production -- An Antidote to Wagner -- The Magician -- Helen Triumphant -- Death in Venice -- La vie hitlerienne -- 10 Red Stars -- A Dying Fall -- Meet Comrade Offenbach -- A Five-Year Plan for Helen of Troy -- The Paris-Petrograd Express -- 11 French without Tears | |
| 505 | 8 | |a Civilization and Its DiscontentsBlack and White -- A Symphonic Interlude -- Invitation to the Waltz -- A National Treasure -- 12 English As She Is Spoke -- Urban Planning -- Helenâ#x80;#x99;s Abduction to London -- An Aquatic Interlude -- Broadway Bound -- 13 Rebirth from the Ruins -- The De-Nazification of Comic Opera -- Bluebeardâ#x80;#x99;s Castle -- 14 Conclusion: Taking Offenbach Seriously -- Hoffmann of 1,000 Faces -- Taking Comic Opera Seriously -- The Wandering Jew -- Select Bibliography -- Periodicals -- Books and Articles -- General Reference | |
| 505 | 8 | |a Works on OffenbachIndividual Works of Offenbach -- Works on Opera, Opera Bouffe, Operetta, and Light Opera -- France -- German-Speaking World -- United Kingdom -- North America -- Russia -- Elsewhere | |
| 600 | 1 | 0 | |a Offenbach, Jacques, |d 1819-1880 |x Appreciation. |
| 600 | 1 | 7 | |a Offenbach, Jacques, |d 1819-1880 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJdcwfrCgBBcjH8DwyDXh3 |
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| adam_text | |
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| author | Senelick, Laurence |
| author_facet | Senelick, Laurence |
| author_role | aut |
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| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML410 |
| callnumber-raw | ML410.O41 S38 2017eb |
| callnumber-search | ML410.O41 S38 2017eb |
| callnumber-sort | ML 3410 O41 S38 42017EB |
| callnumber-subject | ML - Literature on Music |
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| contents | Cover -- Half-title -- Frontispiece -- Title page -- Copyright information -- Dedication -- Table of contents -- List of Illustrations -- Foreword and Acknowledgments -- Introduction -- 1 The French Connection -- The Outsider -- Orpheus Unbound -- Interval -- Annus Mirabilis -- No, No, Nana -- The Exposition Tetralogy -- Latter Days -- Lost in Space -- The Last Act -- The Revolutionary -- 2 Wagner, Nietzsche, and the Polemics of Opera -- The Roots of Undying Hatred -- Across the Rhine -- Jews in Music -- The Matter of Internationalism A Pin to Puncture a BalloonNietzsche Takes Up the Challenge -- Earnest Intensity vs. the Pleasure Principle -- Mistaking Sunrise for High Noon -- 3 Tales from the Vienna Stage -- According to Nestroy -- Passing on the Torch -- 4 Against the Victorian Grain -- G & S -- Divas on the Road -- Refinements -- 5 The Discovery of America -- A Welcome Immigrant -- The Pan of Pruriency -- A Personal Appearance -- An American Beauty -- A Martial Coda -- 6 Caviar with the Champagne -- Franco-Russian Relations -- Chekhovian -- La belle Yelena 7 Doing the ContinentalBorder Crossings -- Principalities and Powers -- â#x80;#x9C;Il conquera parce quâ#x80;#x99;il est espagnolâ#x80;#x9D; -- A Portuguese Welcome -- 8 South of the Equator, East of Suez -- Latin America -- Egyptian Nights -- Australia -- Japan -- 9 A Max Reinhardt Production -- An Antidote to Wagner -- The Magician -- Helen Triumphant -- Death in Venice -- La vie hitlerienne -- 10 Red Stars -- A Dying Fall -- Meet Comrade Offenbach -- A Five-Year Plan for Helen of Troy -- The Paris-Petrograd Express -- 11 French without Tears Civilization and Its DiscontentsBlack and White -- A Symphonic Interlude -- Invitation to the Waltz -- A National Treasure -- 12 English As She Is Spoke -- Urban Planning -- Helenâ#x80;#x99;s Abduction to London -- An Aquatic Interlude -- Broadway Bound -- 13 Rebirth from the Ruins -- The De-Nazification of Comic Opera -- Bluebeardâ#x80;#x99;s Castle -- 14 Conclusion: Taking Offenbach Seriously -- Hoffmann of 1,000 Faces -- Taking Comic Opera Seriously -- The Wandering Jew -- Select Bibliography -- Periodicals -- Books and Articles -- General Reference Works on OffenbachIndividual Works of Offenbach -- Works on Opera, Opera Bouffe, Operetta, and Light Opera -- France -- German-Speaking World -- United Kingdom -- North America -- Russia -- Elsewhere |
| ctrlnum | (OCoLC)1003856430 |
| dewey-full | 782.1/2092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.1/2092 |
| dewey-search | 782.1/2092 |
| dewey-sort | 3782.1 42092 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1800-1999 fast |
| era_facet | 1800-1999 |
| format | Electronic eBook |
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| id | ZDB-4-EBA-on1003856430 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:28:00Z |
| institution | BVB |
| isbn | 9781108328241 1108328245 9781108327442 1108327443 9781139029643 1139029649 |
| language | English |
| oclc_num | 1003856430 |
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| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Cambridge University Press, |
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| spelling | Senelick, Laurence, author. Jacques Offenbach and the making of modern culture / Laurence Senelick. Cambridge, United Kingdom ; New York, NY : Cambridge University Press, 2017. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Print version record. Offenbach's operas were a significant force for cultural change, both in his own time and in the decades to follow. In this book, Laurence Senelick demonstrates the ways in which this musical phenomenon took hold globally, with Offenbach's work offering an alternative, irreverent, sexualized view of life which audiences found liberating, both personally and socially. In the theatre, the composer also inspired cutting-edge innovations in stagecraft and design, and in this book, he is recognized as a major cultural influence, with an extensive impact on the spheres of literature, art, film, and even politics. Senelick argues that Offenbach's importance spread far beyond France, and that his provocative and entertaining works, often seen as being more style than substance, influenced numerous key artists, writers, and thinkers, and made a major contribution to the development of modern society. Cover -- Half-title -- Frontispiece -- Title page -- Copyright information -- Dedication -- Table of contents -- List of Illustrations -- Foreword and Acknowledgments -- Introduction -- 1 The French Connection -- The Outsider -- Orpheus Unbound -- Interval -- Annus Mirabilis -- No, No, Nana -- The Exposition Tetralogy -- Latter Days -- Lost in Space -- The Last Act -- The Revolutionary -- 2 Wagner, Nietzsche, and the Polemics of Opera -- The Roots of Undying Hatred -- Across the Rhine -- Jews in Music -- The Matter of Internationalism A Pin to Puncture a BalloonNietzsche Takes Up the Challenge -- Earnest Intensity vs. the Pleasure Principle -- Mistaking Sunrise for High Noon -- 3 Tales from the Vienna Stage -- According to Nestroy -- Passing on the Torch -- 4 Against the Victorian Grain -- G & S -- Divas on the Road -- Refinements -- 5 The Discovery of America -- A Welcome Immigrant -- The Pan of Pruriency -- A Personal Appearance -- An American Beauty -- A Martial Coda -- 6 Caviar with the Champagne -- Franco-Russian Relations -- Chekhovian -- La belle Yelena 7 Doing the ContinentalBorder Crossings -- Principalities and Powers -- â#x80;#x9C;Il conquera parce quâ#x80;#x99;il est espagnolâ#x80;#x9D; -- A Portuguese Welcome -- 8 South of the Equator, East of Suez -- Latin America -- Egyptian Nights -- Australia -- Japan -- 9 A Max Reinhardt Production -- An Antidote to Wagner -- The Magician -- Helen Triumphant -- Death in Venice -- La vie hitlerienne -- 10 Red Stars -- A Dying Fall -- Meet Comrade Offenbach -- A Five-Year Plan for Helen of Troy -- The Paris-Petrograd Express -- 11 French without Tears Civilization and Its DiscontentsBlack and White -- A Symphonic Interlude -- Invitation to the Waltz -- A National Treasure -- 12 English As She Is Spoke -- Urban Planning -- Helenâ#x80;#x99;s Abduction to London -- An Aquatic Interlude -- Broadway Bound -- 13 Rebirth from the Ruins -- The De-Nazification of Comic Opera -- Bluebeardâ#x80;#x99;s Castle -- 14 Conclusion: Taking Offenbach Seriously -- Hoffmann of 1,000 Faces -- Taking Comic Opera Seriously -- The Wandering Jew -- Select Bibliography -- Periodicals -- Books and Articles -- General Reference Works on OffenbachIndividual Works of Offenbach -- Works on Opera, Opera Bouffe, Operetta, and Light Opera -- France -- German-Speaking World -- United Kingdom -- North America -- Russia -- Elsewhere Offenbach, Jacques, 1819-1880 Appreciation. Offenbach, Jacques, 1819-1880 fast https://id.oclc.org/worldcat/entity/E39PBJdcwfrCgBBcjH8DwyDXh3 Offenbach, Jacques 1819-1880 gnd http://d-nb.info/gnd/118589598 Opera 19th century. Opera 20th century. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Art appreciation fast Opera fast 1800-1999 fast Print version: Senelick, Laurence. Jacques Offenbach and the making of modern culture. Cambridge, United Kingdom ; New York, NY : Cambridge University Press, 2017 9780521871808 (DLC) 2017032743 (OCoLC)987047940 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1560315 Volltext |
| spellingShingle | Senelick, Laurence Jacques Offenbach and the making of modern culture / Cover -- Half-title -- Frontispiece -- Title page -- Copyright information -- Dedication -- Table of contents -- List of Illustrations -- Foreword and Acknowledgments -- Introduction -- 1 The French Connection -- The Outsider -- Orpheus Unbound -- Interval -- Annus Mirabilis -- No, No, Nana -- The Exposition Tetralogy -- Latter Days -- Lost in Space -- The Last Act -- The Revolutionary -- 2 Wagner, Nietzsche, and the Polemics of Opera -- The Roots of Undying Hatred -- Across the Rhine -- Jews in Music -- The Matter of Internationalism A Pin to Puncture a BalloonNietzsche Takes Up the Challenge -- Earnest Intensity vs. the Pleasure Principle -- Mistaking Sunrise for High Noon -- 3 Tales from the Vienna Stage -- According to Nestroy -- Passing on the Torch -- 4 Against the Victorian Grain -- G & S -- Divas on the Road -- Refinements -- 5 The Discovery of America -- A Welcome Immigrant -- The Pan of Pruriency -- A Personal Appearance -- An American Beauty -- A Martial Coda -- 6 Caviar with the Champagne -- Franco-Russian Relations -- Chekhovian -- La belle Yelena 7 Doing the ContinentalBorder Crossings -- Principalities and Powers -- â#x80;#x9C;Il conquera parce quâ#x80;#x99;il est espagnolâ#x80;#x9D; -- A Portuguese Welcome -- 8 South of the Equator, East of Suez -- Latin America -- Egyptian Nights -- Australia -- Japan -- 9 A Max Reinhardt Production -- An Antidote to Wagner -- The Magician -- Helen Triumphant -- Death in Venice -- La vie hitlerienne -- 10 Red Stars -- A Dying Fall -- Meet Comrade Offenbach -- A Five-Year Plan for Helen of Troy -- The Paris-Petrograd Express -- 11 French without Tears Civilization and Its DiscontentsBlack and White -- A Symphonic Interlude -- Invitation to the Waltz -- A National Treasure -- 12 English As She Is Spoke -- Urban Planning -- Helenâ#x80;#x99;s Abduction to London -- An Aquatic Interlude -- Broadway Bound -- 13 Rebirth from the Ruins -- The De-Nazification of Comic Opera -- Bluebeardâ#x80;#x99;s Castle -- 14 Conclusion: Taking Offenbach Seriously -- Hoffmann of 1,000 Faces -- Taking Comic Opera Seriously -- The Wandering Jew -- Select Bibliography -- Periodicals -- Books and Articles -- General Reference Works on OffenbachIndividual Works of Offenbach -- Works on Opera, Opera Bouffe, Operetta, and Light Opera -- France -- German-Speaking World -- United Kingdom -- North America -- Russia -- Elsewhere Offenbach, Jacques, 1819-1880 Appreciation. Offenbach, Jacques, 1819-1880 fast https://id.oclc.org/worldcat/entity/E39PBJdcwfrCgBBcjH8DwyDXh3 Offenbach, Jacques 1819-1880 gnd http://d-nb.info/gnd/118589598 Opera 19th century. Opera 20th century. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Art appreciation fast Opera fast |
| subject_GND | http://d-nb.info/gnd/118589598 |
| title | Jacques Offenbach and the making of modern culture / |
| title_auth | Jacques Offenbach and the making of modern culture / |
| title_exact_search | Jacques Offenbach and the making of modern culture / |
| title_full | Jacques Offenbach and the making of modern culture / Laurence Senelick. |
| title_fullStr | Jacques Offenbach and the making of modern culture / Laurence Senelick. |
| title_full_unstemmed | Jacques Offenbach and the making of modern culture / Laurence Senelick. |
| title_short | Jacques Offenbach and the making of modern culture / |
| title_sort | jacques offenbach and the making of modern culture |
| topic | Offenbach, Jacques, 1819-1880 Appreciation. Offenbach, Jacques, 1819-1880 fast https://id.oclc.org/worldcat/entity/E39PBJdcwfrCgBBcjH8DwyDXh3 Offenbach, Jacques 1819-1880 gnd http://d-nb.info/gnd/118589598 Opera 19th century. Opera 20th century. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Art appreciation fast Opera fast |
| topic_facet | Offenbach, Jacques, 1819-1880 Appreciation. Offenbach, Jacques, 1819-1880 Offenbach, Jacques 1819-1880 Opera 19th century. Opera 20th century. MUSIC Instruction & Study Voice. MUSIC Lyrics. MUSIC Printed Music Vocal. Art appreciation Opera |
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