The recording machine :: art and fact during the cold war /
A revealing look at the irrevocable change in art during the 1960s and its relationship to the modern culture of fact This refreshing and erudite book offers a new understanding of the transformation of photography and the visual arts around 1968. Author Joshua Shannon reveals an oddly stringent rea...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Haven, CT :
Yale University Press,
2017.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | A revealing look at the irrevocable change in art during the 1960s and its relationship to the modern culture of fact This refreshing and erudite book offers a new understanding of the transformation of photography and the visual arts around 1968. Author Joshua Shannon reveals an oddly stringent realism in the period, tracing artists' rejection of essential truths in favor of surface appearances. Dubbing this tendency factualism, Shannon illuminates not only the Cold War's preoccupation with data but also the rise of a pervasive culture of fact. Focusing on the United States and West Germany, where photodocumentary traditions intersected with 1960s politics, Shannon investigates a broad variety of art, ranging from conceptual photography and earthworks to photorealist painting and abstraction. He looks closely at art by Bernd and Hilla Becher, Robert Bechtle, Vija Celmins, Douglas Huebler, Gerhard Richter, and others. These artists explored fact's role as a modern paradigm for talking, thinking, and knowing. Their art, Shannon concludes, helps to explain both the ambivalent anti-humanism of today's avant-garde art and our own culture of fact. |
| Beschreibung: | 1 online resource (230 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 200-222) and index. |
| ISBN: | 9780300228441 0300228449 |
Internformat
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| 245 | 1 | 4 | |a The recording machine : |b art and fact during the cold war / |c Joshua Shannon. |
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| 505 | 0 | |a The turn from truth -- Machine : conceptual photography -- Matter : art in the desert -- Surface : photorealist painting -- System : Gerhard Richter -- The lasting problem of realism. | |
| 520 | 8 | |a A revealing look at the irrevocable change in art during the 1960s and its relationship to the modern culture of fact This refreshing and erudite book offers a new understanding of the transformation of photography and the visual arts around 1968. Author Joshua Shannon reveals an oddly stringent realism in the period, tracing artists' rejection of essential truths in favor of surface appearances. Dubbing this tendency factualism, Shannon illuminates not only the Cold War's preoccupation with data but also the rise of a pervasive culture of fact. Focusing on the United States and West Germany, where photodocumentary traditions intersected with 1960s politics, Shannon investigates a broad variety of art, ranging from conceptual photography and earthworks to photorealist painting and abstraction. He looks closely at art by Bernd and Hilla Becher, Robert Bechtle, Vija Celmins, Douglas Huebler, Gerhard Richter, and others. These artists explored fact's role as a modern paradigm for talking, thinking, and knowing. Their art, Shannon concludes, helps to explain both the ambivalent anti-humanism of today's avant-garde art and our own culture of fact. | |
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| author | Shannon, Joshua, 1972- |
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| contents | The turn from truth -- Machine : conceptual photography -- Matter : art in the desert -- Surface : photorealist painting -- System : Gerhard Richter -- The lasting problem of realism. |
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| indexdate | 2024-11-27T13:27:54Z |
| institution | BVB |
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| spelling | Shannon, Joshua, 1972- author. https://id.oclc.org/worldcat/entity/E39PCjBXTyd38dGJG78gXKhVbq http://id.loc.gov/authorities/names/n2008060861 The recording machine : art and fact during the cold war / Joshua Shannon. New Haven, CT : Yale University Press, 2017. 1 online resource (230 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 200-222) and index. The turn from truth -- Machine : conceptual photography -- Matter : art in the desert -- Surface : photorealist painting -- System : Gerhard Richter -- The lasting problem of realism. A revealing look at the irrevocable change in art during the 1960s and its relationship to the modern culture of fact This refreshing and erudite book offers a new understanding of the transformation of photography and the visual arts around 1968. Author Joshua Shannon reveals an oddly stringent realism in the period, tracing artists' rejection of essential truths in favor of surface appearances. Dubbing this tendency factualism, Shannon illuminates not only the Cold War's preoccupation with data but also the rise of a pervasive culture of fact. Focusing on the United States and West Germany, where photodocumentary traditions intersected with 1960s politics, Shannon investigates a broad variety of art, ranging from conceptual photography and earthworks to photorealist painting and abstraction. He looks closely at art by Bernd and Hilla Becher, Robert Bechtle, Vija Celmins, Douglas Huebler, Gerhard Richter, and others. These artists explored fact's role as a modern paradigm for talking, thinking, and knowing. Their art, Shannon concludes, helps to explain both the ambivalent anti-humanism of today's avant-garde art and our own culture of fact. Print version record. Realism in art. http://id.loc.gov/authorities/subjects/sh85111768 Cold War in art. http://id.loc.gov/authorities/subjects/sh2013000301 Art, Modern History 20th century Themes, motives. Réalisme (Art) Guerre froide dans l'art. realism (artistic form of expression) aat ART Performance. bisacsh ART Reference. bisacsh Art and war fast Art, Modern Themes, motives fast Realism in art fast Cold War (1945-1989) fast (OCoLC)fst01754978 https://id.oclc.org/worldcat/entity/E39Qhp4vBbvhYhcM6fy9r83JBX 1900-1999 fast History fast has work: The recording machine (Text) https://id.oclc.org/worldcat/entity/E39PCG4bTfkQYT6QTbyxkb39cP https://id.oclc.org/worldcat/ontology/hasWork Print version: Shannon, Joshua, 1972- Recording machine. New Haven, CT : Yale University Press, 2017 0300187270 (OCoLC)961312415 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1543578 Volltext |
| spellingShingle | Shannon, Joshua, 1972- The recording machine : art and fact during the cold war / The turn from truth -- Machine : conceptual photography -- Matter : art in the desert -- Surface : photorealist painting -- System : Gerhard Richter -- The lasting problem of realism. Realism in art. http://id.loc.gov/authorities/subjects/sh85111768 Cold War in art. http://id.loc.gov/authorities/subjects/sh2013000301 Art, Modern History 20th century Themes, motives. Réalisme (Art) Guerre froide dans l'art. realism (artistic form of expression) aat ART Performance. bisacsh ART Reference. bisacsh Art and war fast Art, Modern Themes, motives fast Realism in art fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85111768 http://id.loc.gov/authorities/subjects/sh2013000301 (OCoLC)fst01754978 |
| title | The recording machine : art and fact during the cold war / |
| title_auth | The recording machine : art and fact during the cold war / |
| title_exact_search | The recording machine : art and fact during the cold war / |
| title_full | The recording machine : art and fact during the cold war / Joshua Shannon. |
| title_fullStr | The recording machine : art and fact during the cold war / Joshua Shannon. |
| title_full_unstemmed | The recording machine : art and fact during the cold war / Joshua Shannon. |
| title_short | The recording machine : |
| title_sort | recording machine art and fact during the cold war |
| title_sub | art and fact during the cold war / |
| topic | Realism in art. http://id.loc.gov/authorities/subjects/sh85111768 Cold War in art. http://id.loc.gov/authorities/subjects/sh2013000301 Art, Modern History 20th century Themes, motives. Réalisme (Art) Guerre froide dans l'art. realism (artistic form of expression) aat ART Performance. bisacsh ART Reference. bisacsh Art and war fast Art, Modern Themes, motives fast Realism in art fast |
| topic_facet | Realism in art. Cold War in art. Art, Modern History 20th century Themes, motives. Réalisme (Art) Guerre froide dans l'art. realism (artistic form of expression) ART Performance. ART Reference. Art and war Art, Modern Themes, motives Realism in art History |
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