Making believe :: screen performance and special effects in popular cinema /
"In the past twenty years, we have seen the rise of digital effects cinema in which the human performer is entangled with animation, collaged with other performers, or inserted into perilous or fantastic situations and scenery. Making Believe sheds new light on these developments by historicizi...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick :
Rutgers University Press,
2017.
|
| Schriftenreihe: | Techniques of the moving image.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "In the past twenty years, we have seen the rise of digital effects cinema in which the human performer is entangled with animation, collaged with other performers, or inserted into perilous or fantastic situations and scenery. Making Believe sheds new light on these developments by historicizing screen performance within the context of visual and special effects cinema and technological change in Hollywood filmmaking, through the silent, early sound, and current digital eras. Making Believe incorporates North American film reviews and editorials, actor and crew interviews, trade and fan magazine commentary, actor training manuals, and film production publicity materials to discuss the shifts in screen acting practice and philosophy around transfiguring makeup, doubles, motion capture, and acting to absent places or characters. Along the way it considers how performers and visual and special effects crew work together, and struggle with the industry, critics, and each other to define the aesthetic value of their work, in an industrial system of technological reproduction. Bode opens our eyes to the performing illusions we love and the tensions we experience in wanting to believe in spite of our knowledge that it is all make believe in the end"-- |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references (pages 197-222) and index. |
| ISBN: | 9780813580005 0813580005 9780813579993 0813579996 |
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| 100 | 1 | |a Bode, Lisa, |d 1970- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjJ7XHtYxTWjxKqRcfK9j3 |0 http://id.loc.gov/authorities/names/n2017003610 | |
| 245 | 1 | 0 | |a Making believe : |b screen performance and special effects in popular cinema / |c Lisa Bode. |
| 264 | 1 | |a New Brunswick : |b Rutgers University Press, |c 2017. | |
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| 490 | 1 | |a Techniques of the Moving Image | |
| 520 | |a "In the past twenty years, we have seen the rise of digital effects cinema in which the human performer is entangled with animation, collaged with other performers, or inserted into perilous or fantastic situations and scenery. Making Believe sheds new light on these developments by historicizing screen performance within the context of visual and special effects cinema and technological change in Hollywood filmmaking, through the silent, early sound, and current digital eras. Making Believe incorporates North American film reviews and editorials, actor and crew interviews, trade and fan magazine commentary, actor training manuals, and film production publicity materials to discuss the shifts in screen acting practice and philosophy around transfiguring makeup, doubles, motion capture, and acting to absent places or characters. Along the way it considers how performers and visual and special effects crew work together, and struggle with the industry, critics, and each other to define the aesthetic value of their work, in an industrial system of technological reproduction. Bode opens our eyes to the performing illusions we love and the tensions we experience in wanting to believe in spite of our knowledge that it is all make believe in the end"-- |c Provided by publisher | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references (pages 197-222) and index. | ||
| 505 | 0 | |a Introduction -- Acting through machines : fidelity and expression from cameras to Mo-Cap -- Behind rubber and pixels : mimesis, seamlessness, and acting achievement -- In another's skin : typecasting, identity, and the limits of proteanism -- Double trouble : authenticity, fakery, and concealed performance labor -- Performing with themselves : versatility, timing, and nuance in multiple roles -- There is no there there : making believe in composite screen space -- Conclusion. | |
| 650 | 0 | |a Cinematography |x Special effects. |0 http://id.loc.gov/authorities/subjects/sh85026023 | |
| 650 | 0 | |a Digital cinematography. |0 http://id.loc.gov/authorities/subjects/sh2001001797 | |
| 650 | 0 | |a Human locomotion |x Computer simulation. | |
| 650 | 0 | |a Movement (Acting) |x Technique. | |
| 650 | 6 | |a Cinéma |x Effets spéciaux. | |
| 650 | 6 | |a Cinéma numérique. | |
| 650 | 6 | |a Locomotion humaine |x Simulation par ordinateur. | |
| 650 | 6 | |a Mouvement (Art dramatique) |x Technique. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a TECHNOLOGY & ENGINEERING |x Television & Video. |2 bisacsh | |
| 650 | 7 | |a COMPUTERS |x Digital Media |x Video & Animation. |2 bisacsh | |
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| 650 | 7 | |a Human locomotion |x Computer simulation |2 fast | |
| 650 | 7 | |a Movement (Acting) |x Technique |2 fast | |
| 650 | 7 | |a Digitale Filmtechnik |2 gnd |0 http://d-nb.info/gnd/4763566-6 | |
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| 758 | |i has work: |a Making believe (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGHGBfvkjtGMYrF6hkqWQm |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Bode, Lisa, 1970- |t Making believe. |d New Brunswick : Rutgers University Press, 2017 |z 9780813579986 |w (DLC) 2016043412 |w (OCoLC)959034567 |
| 830 | 0 | |a Techniques of the moving image. |0 http://id.loc.gov/authorities/names/no2012119993 | |
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| author | Bode, Lisa, 1970- |
| author_GND | http://id.loc.gov/authorities/names/n2017003610 |
| author_facet | Bode, Lisa, 1970- |
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| callnumber-raw | TR858 .B63 2017eb |
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| contents | Introduction -- Acting through machines : fidelity and expression from cameras to Mo-Cap -- Behind rubber and pixels : mimesis, seamlessness, and acting achievement -- In another's skin : typecasting, identity, and the limits of proteanism -- Double trouble : authenticity, fakery, and concealed performance labor -- Performing with themselves : versatility, timing, and nuance in multiple roles -- There is no there there : making believe in composite screen space -- Conclusion. |
| ctrlnum | (OCoLC)992118878 |
| dewey-full | 791.4302/4 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/4 |
| dewey-search | 791.4302/4 |
| dewey-sort | 3791.4302 14 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn992118878 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:54Z |
| institution | BVB |
| isbn | 9780813580005 0813580005 9780813579993 0813579996 |
| language | English |
| oclc_num | 992118878 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Rutgers University Press, |
| record_format | marc |
| series | Techniques of the moving image. |
| series2 | Techniques of the Moving Image |
| spelling | Bode, Lisa, 1970- author. https://id.oclc.org/worldcat/entity/E39PCjJ7XHtYxTWjxKqRcfK9j3 http://id.loc.gov/authorities/names/n2017003610 Making believe : screen performance and special effects in popular cinema / Lisa Bode. New Brunswick : Rutgers University Press, 2017. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Techniques of the Moving Image "In the past twenty years, we have seen the rise of digital effects cinema in which the human performer is entangled with animation, collaged with other performers, or inserted into perilous or fantastic situations and scenery. Making Believe sheds new light on these developments by historicizing screen performance within the context of visual and special effects cinema and technological change in Hollywood filmmaking, through the silent, early sound, and current digital eras. Making Believe incorporates North American film reviews and editorials, actor and crew interviews, trade and fan magazine commentary, actor training manuals, and film production publicity materials to discuss the shifts in screen acting practice and philosophy around transfiguring makeup, doubles, motion capture, and acting to absent places or characters. Along the way it considers how performers and visual and special effects crew work together, and struggle with the industry, critics, and each other to define the aesthetic value of their work, in an industrial system of technological reproduction. Bode opens our eyes to the performing illusions we love and the tensions we experience in wanting to believe in spite of our knowledge that it is all make believe in the end"-- Provided by publisher Print version record. Includes bibliographical references (pages 197-222) and index. Introduction -- Acting through machines : fidelity and expression from cameras to Mo-Cap -- Behind rubber and pixels : mimesis, seamlessness, and acting achievement -- In another's skin : typecasting, identity, and the limits of proteanism -- Double trouble : authenticity, fakery, and concealed performance labor -- Performing with themselves : versatility, timing, and nuance in multiple roles -- There is no there there : making believe in composite screen space -- Conclusion. Cinematography Special effects. http://id.loc.gov/authorities/subjects/sh85026023 Digital cinematography. http://id.loc.gov/authorities/subjects/sh2001001797 Human locomotion Computer simulation. Movement (Acting) Technique. Cinéma Effets spéciaux. Cinéma numérique. Locomotion humaine Simulation par ordinateur. Mouvement (Art dramatique) Technique. PERFORMING ARTS Film & Video History & Criticism. bisacsh TECHNOLOGY & ENGINEERING Television & Video. bisacsh COMPUTERS Digital Media Video & Animation. bisacsh ART Film & Video. bisacsh PERFORMING ARTS Reference. bisacsh SOCIAL SCIENCE Media Studies. bisacsh Cinematography Special effects fast Digital cinematography fast Human locomotion Computer simulation fast Movement (Acting) Technique fast Digitale Filmtechnik gnd http://d-nb.info/gnd/4763566-6 Film gnd http://d-nb.info/gnd/4017102-4 Filmtrick gnd http://d-nb.info/gnd/4194274-7 Schauspielkunst gnd http://d-nb.info/gnd/4129090-2 Spezialeffekt gnd http://d-nb.info/gnd/4260107-1 has work: Making believe (Text) https://id.oclc.org/worldcat/entity/E39PCGHGBfvkjtGMYrF6hkqWQm https://id.oclc.org/worldcat/ontology/hasWork Print version: Bode, Lisa, 1970- Making believe. New Brunswick : Rutgers University Press, 2017 9780813579986 (DLC) 2016043412 (OCoLC)959034567 Techniques of the moving image. http://id.loc.gov/authorities/names/no2012119993 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1455688 Volltext |
| spellingShingle | Bode, Lisa, 1970- Making believe : screen performance and special effects in popular cinema / Techniques of the moving image. Introduction -- Acting through machines : fidelity and expression from cameras to Mo-Cap -- Behind rubber and pixels : mimesis, seamlessness, and acting achievement -- In another's skin : typecasting, identity, and the limits of proteanism -- Double trouble : authenticity, fakery, and concealed performance labor -- Performing with themselves : versatility, timing, and nuance in multiple roles -- There is no there there : making believe in composite screen space -- Conclusion. Cinematography Special effects. http://id.loc.gov/authorities/subjects/sh85026023 Digital cinematography. http://id.loc.gov/authorities/subjects/sh2001001797 Human locomotion Computer simulation. Movement (Acting) Technique. Cinéma Effets spéciaux. Cinéma numérique. Locomotion humaine Simulation par ordinateur. Mouvement (Art dramatique) Technique. PERFORMING ARTS Film & Video History & Criticism. bisacsh TECHNOLOGY & ENGINEERING Television & Video. bisacsh COMPUTERS Digital Media Video & Animation. bisacsh ART Film & Video. bisacsh PERFORMING ARTS Reference. bisacsh SOCIAL SCIENCE Media Studies. bisacsh Cinematography Special effects fast Digital cinematography fast Human locomotion Computer simulation fast Movement (Acting) Technique fast Digitale Filmtechnik gnd http://d-nb.info/gnd/4763566-6 Film gnd http://d-nb.info/gnd/4017102-4 Filmtrick gnd http://d-nb.info/gnd/4194274-7 Schauspielkunst gnd http://d-nb.info/gnd/4129090-2 Spezialeffekt gnd http://d-nb.info/gnd/4260107-1 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85026023 http://id.loc.gov/authorities/subjects/sh2001001797 http://d-nb.info/gnd/4763566-6 http://d-nb.info/gnd/4017102-4 http://d-nb.info/gnd/4194274-7 http://d-nb.info/gnd/4129090-2 http://d-nb.info/gnd/4260107-1 |
| title | Making believe : screen performance and special effects in popular cinema / |
| title_auth | Making believe : screen performance and special effects in popular cinema / |
| title_exact_search | Making believe : screen performance and special effects in popular cinema / |
| title_full | Making believe : screen performance and special effects in popular cinema / Lisa Bode. |
| title_fullStr | Making believe : screen performance and special effects in popular cinema / Lisa Bode. |
| title_full_unstemmed | Making believe : screen performance and special effects in popular cinema / Lisa Bode. |
| title_short | Making believe : |
| title_sort | making believe screen performance and special effects in popular cinema |
| title_sub | screen performance and special effects in popular cinema / |
| topic | Cinematography Special effects. http://id.loc.gov/authorities/subjects/sh85026023 Digital cinematography. http://id.loc.gov/authorities/subjects/sh2001001797 Human locomotion Computer simulation. Movement (Acting) Technique. Cinéma Effets spéciaux. Cinéma numérique. Locomotion humaine Simulation par ordinateur. Mouvement (Art dramatique) Technique. PERFORMING ARTS Film & Video History & Criticism. bisacsh TECHNOLOGY & ENGINEERING Television & Video. bisacsh COMPUTERS Digital Media Video & Animation. bisacsh ART Film & Video. bisacsh PERFORMING ARTS Reference. bisacsh SOCIAL SCIENCE Media Studies. bisacsh Cinematography Special effects fast Digital cinematography fast Human locomotion Computer simulation fast Movement (Acting) Technique fast Digitale Filmtechnik gnd http://d-nb.info/gnd/4763566-6 Film gnd http://d-nb.info/gnd/4017102-4 Filmtrick gnd http://d-nb.info/gnd/4194274-7 Schauspielkunst gnd http://d-nb.info/gnd/4129090-2 Spezialeffekt gnd http://d-nb.info/gnd/4260107-1 |
| topic_facet | Cinematography Special effects. Digital cinematography. Human locomotion Computer simulation. Movement (Acting) Technique. Cinéma Effets spéciaux. Cinéma numérique. Locomotion humaine Simulation par ordinateur. Mouvement (Art dramatique) Technique. PERFORMING ARTS Film & Video History & Criticism. TECHNOLOGY & ENGINEERING Television & Video. COMPUTERS Digital Media Video & Animation. ART Film & Video. PERFORMING ARTS Reference. SOCIAL SCIENCE Media Studies. Cinematography Special effects Digital cinematography Human locomotion Computer simulation Movement (Acting) Technique Digitale Filmtechnik Film Filmtrick Schauspielkunst Spezialeffekt |
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| work_keys_str_mv | AT bodelisa makingbelievescreenperformanceandspecialeffectsinpopularcinema |