The Flaherty :: decades in the cause of independent cinema /
This is the inspiring story of The Flaherty, one of the oldest continuously running nonprofit media arts institutions in the world, which has shaped the development of independent film, video, and emerging forms in the United States over the past 60 years. Combining the words of legendary independen...
Gespeichert in:
Hauptverfasser: | , |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Bloomington, Indiana :
Indiana University Press,
[2017]
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | This is the inspiring story of The Flaherty, one of the oldest continuously running nonprofit media arts institutions in the world, which has shaped the development of independent film, video, and emerging forms in the United States over the past 60 years. Combining the words of legendary independent filmmakers with a detailed history of The Flaherty, Patricia R. Zimmermann and Scott MacDonald showcase its history and legacy, amply demonstrating how the relationships created at the annual Flaherty seminar have been instrumental in transforming American media history. Moving through the decades, each chapter opens with a detailed history of the organization by Zimmermann, who traces the evolution of The Flaherty from a private gathering of filmmakers to a small annual convening, to today's ever-growing nexus of filmmakers, scholars, librarians, producers, funders, distributors, and others associated with international independent cinema. MacDonald expands each chapter by giving voice to the major figures in the evolution of independent media through transcriptions of key discussions galvanized by films shown at The Flaherty. The discussions feature Frances Flaherty, Robert Gardner, Fred Wiseman, Willard Van Dyke, Jim McBride, Michael Snow, Hollis Frampton, Erik Barnouw, Barbara Kopple, Ed Pincus, Trinh T. Minh-ha, Bruce Conner, Peter Watkins, Su Friedrich, Marlon Riggs, William Greaves, Ken Jacobs, Kazuo Hara, Mani Kaul, Craig Baldwin, Bahman Ghobadi, Eyal Sivan, and many others. |
Beschreibung: | 1 online resource |
Bibliographie: | Includes bibliographical references and index. |
ISBN: | 9780253026880 0253026881 |
Internformat
MARC
LEADER | 00000cam a2200000 i 4500 | ||
---|---|---|---|
001 | ZDB-4-EBA-ocn981509163 | ||
003 | OCoLC | ||
005 | 20240705115654.0 | ||
006 | m o d | ||
007 | cr ||||||||||| | ||
008 | 170403s2017 inu ob 001 0 eng | ||
010 | |a 2017016288 | ||
040 | |a DLC |b eng |e rda |e pn |c DLC |d OCLCO |d EBLCP |d IDEBK |d N$T |d YDX |d YDX |d OCLCO |d OCLCQ |d TEFOD |d CNCGM |d OCLCQ |d JSTOR |d OCLCO |d UAB |d OCLCF |d OCLCQ |d CEF |d INT |d AU@ |d OCLCQ |d OCLCO |d U3W |d OCLCQ |d RECBK |d OCLCQ |d OCLCO |d OCLCQ |d OCLCO |d OCLCL |d OCLCQ | ||
019 | |a 987057088 | ||
020 | |a 9780253026880 |q (electronic bk.) | ||
020 | |a 0253026881 |q (electronic bk.) | ||
020 | |z 9780253026248 |q (hardcover |q alkaline paper) | ||
020 | |z 0253026245 | ||
035 | |a (OCoLC)981509163 |z (OCoLC)987057088 | ||
037 | |a 40CF5FCC-B51D-4CFF-A791-6A307DE56BA1 |b OverDrive, Inc. |n http://www.overdrive.com | ||
037 | |a 22573/ctt1zzk30j |b JSTOR | ||
042 | |a pcc | ||
050 | 4 | |a PN1993.43.F43 |b Z56 2017 | |
072 | 7 | |a PER |x 009000 |2 bisacsh | |
072 | 7 | |a PER004030 |2 bisacsh | |
072 | 7 | |a PER004000 |2 bisacsh | |
082 | 7 | |a 791.4306073 |2 23 | |
049 | |a MAIN | ||
100 | 1 | |a Zimmermann, Patricia Rodden, |e author. | |
245 | 1 | 4 | |a The Flaherty : |b decades in the cause of independent cinema / |c Patricia R. Zimmermann and Scott MacDonald. |
264 | 1 | |a Bloomington, Indiana : |b Indiana University Press, |c [2017] | |
300 | |a 1 online resource | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b n |2 rdamedia | ||
338 | |a online resource |b nc |2 rdacarrier | ||
504 | |a Includes bibliographical references and index. | ||
588 | 0 | |a Online resource; title from digital title page (viewed on May 15, 2017). | |
505 | 0 | |a Cover -- THE FLAHERTY -- Title -- Copyright -- CONTENTS -- Acknowledgments -- Introduction -- Patricia R. Zimmermann: Imagining a History of the Flaherty Seminar -- Scott MacDonald: The Logistics of Transcribing and Editing Flaherty Discussions -- 1. The Flaherty Way -- 1959 Frances Flaherty-Opening Remarks at the Seminar -- 2. A Seminar, 1955-1959 -- 1958 Robert Gardner with John Marshall-On The Hunters (1957) -- 3. An Organization, 1960-1969 -- 1963 Frances Flaherty-On Nanook of the North (1922) and Moana (1926) -- 1967 Frederick Wiseman-On Titicut Follies (1967) -- 1968 Willard Van Dyke-Opening Remarks at the Seminar -- 1968 Jim McBride and L.M. Kit Carson-On David Holzman's Diary (1967) -- 1969 Michael Snow-On Wavelength (1967) -- 4. Politics, Cultural and Formal, 1970-1980 -- 1970 Hollis Frampton-On Zorns Lemma (1970) -- 1970 Erik Barnouw, Paul Ronder, and Barbara Van Dyke-On Hiroshima-Nagasaki, August 1945 (1970) -- 1977 Barbara Kopple and Hart Perry-On Harlan County USA (1976) -- 5. Shock of the New, 1981-1989 -- 1981 Ed Pincus-On Diaries (1971-1976) (c. 1980) -- 1983 Trinh T. Minh-ha-On Reassemblage (1982) -- 1984 Bruce Conner-On Ten Second Film (1965), Permian Strata (1969), Mongoloid (1978), and America Is Waiting (1981) -- 1987 Peter Watkins and others-On The Journey (1987) -- 1987 Su Friedrich-On Damned If You Don't (1987) -- 6. Crises, 1990-1999 -- 1990 Marlon Riggs-On Tongues Untied (1989) -- 1991 William Greaves-On Symbiopsychotaxiplasm: Take One (1972) -- 1992 Ken Jacobs-On XCXHXEXRXRXIXEXSX (many performances after 1980) -- 1992 Kazuo Hara-On Extreme Private Eros (1974) -- 1994 Nick Deocampo-On Revolutions Happen Like Refrains in a Song (1987), Memories of Old Manila (1993), and Isaak (1993) -- 1994 Mani Kaul-On Uski Roti (A Day's Bread, 1969) and Dhrupad (1982) -- 1995 Craig Baldwin-On Sonic Outlaws (1995). | |
505 | 8 | |a 7. The Brand, 2000-2015 -- 2000 Sergey Dvortsevoy-On Paradise (1995) -- Vicky Funari-On Paulina (1998) -- 2008 Bahman Ghobadi-On Life in Fog (1997), A Time for Drunken Horses (2000), and Half Moon (2006) -- 2013 Eyal Sivan-On The Specialist (1999) -- 2015 Mounira Al Solh-On Rawane's Song (2006) -- Marie-Hélène Cousineau-On Before Tomorrow (2008, comade with Madeline Ivalu) -- Hassan Khan-On Fuck This Film (1998) -- 2015 Tariq Teguia -On La clôture (The Fence, 2002), Gabbla (Inland, 2008), and Thwara Zanj (Révolution Zanj, 2012) -- 2016 Luke Fowler-On To the Editor of Amateur Photographer (2014, comade with Mark Fell), and Luis Ospina-On Aggarabdo pueblo (Vampires of Poverty, 1978, comade with Carlos Mayolo) -- Index. | |
520 | |a This is the inspiring story of The Flaherty, one of the oldest continuously running nonprofit media arts institutions in the world, which has shaped the development of independent film, video, and emerging forms in the United States over the past 60 years. Combining the words of legendary independent filmmakers with a detailed history of The Flaherty, Patricia R. Zimmermann and Scott MacDonald showcase its history and legacy, amply demonstrating how the relationships created at the annual Flaherty seminar have been instrumental in transforming American media history. Moving through the decades, each chapter opens with a detailed history of the organization by Zimmermann, who traces the evolution of The Flaherty from a private gathering of filmmakers to a small annual convening, to today's ever-growing nexus of filmmakers, scholars, librarians, producers, funders, distributors, and others associated with international independent cinema. MacDonald expands each chapter by giving voice to the major figures in the evolution of independent media through transcriptions of key discussions galvanized by films shown at The Flaherty. The discussions feature Frances Flaherty, Robert Gardner, Fred Wiseman, Willard Van Dyke, Jim McBride, Michael Snow, Hollis Frampton, Erik Barnouw, Barbara Kopple, Ed Pincus, Trinh T. Minh-ha, Bruce Conner, Peter Watkins, Su Friedrich, Marlon Riggs, William Greaves, Ken Jacobs, Kazuo Hara, Mani Kaul, Craig Baldwin, Bahman Ghobadi, Eyal Sivan, and many others. | ||
610 | 2 | 0 | |a Flaherty (Organization) |0 http://id.loc.gov/authorities/names/n2017018568 |
611 | 2 | 0 | |a Flaherty Seminar. |0 http://id.loc.gov/authorities/names/n2017018581 |
610 | 2 | 7 | |a Flaherty (Organization) |2 fast |
650 | 0 | |a Independent films |x Production and direction. | |
650 | 0 | |a Independent films |x History and criticism. | |
650 | 6 | |a Films indépendants |x Histoire et critique. | |
650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
650 | 7 | |a Independent films |2 fast | |
650 | 7 | |a Independent films |x Production and direction |2 fast | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
700 | 1 | |a MacDonald, Scott, |d 1942- |e author. |0 http://id.loc.gov/authorities/names/n80165705 | |
758 | |i has work: |a The Flaherty (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGYgrQtYHPwhHRXmfpVJym |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
776 | 0 | 8 | |i Print version: |a Zimmermann, Patricia Rodden author. |t Flaherty. |d Bloomington : Indiana University Press, 2017 |z 9780253026248 |w (DLC) 2016056361 |
856 | 1 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1515125 |3 Volltext | |
856 | 1 | |l CBO01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1515125 |3 Volltext | |
938 | |a ProQuest Ebook Central |b EBLB |n EBL4844353 | ||
938 | |a EBSCOhost |b EBSC |n 1515125 | ||
938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis37944063 | ||
938 | |a Recorded Books, LLC |b RECE |n rbeEB00777750 | ||
938 | |a YBP Library Services |b YANK |n 13318725 | ||
994 | |a 92 |b GEBAY | ||
912 | |a ZDB-4-EBA |
Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn981509163 |
---|---|
_version_ | 1813903754609557504 |
adam_text | |
any_adam_object | |
author | Zimmermann, Patricia Rodden MacDonald, Scott, 1942- |
author_GND | http://id.loc.gov/authorities/names/n80165705 |
author_facet | Zimmermann, Patricia Rodden MacDonald, Scott, 1942- |
author_role | aut aut |
author_sort | Zimmermann, Patricia Rodden |
author_variant | p r z pr prz s m sm |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | P - Language and Literature |
callnumber-label | PN1993 |
callnumber-raw | PN1993.43.F43 Z56 2017 |
callnumber-search | PN1993.43.F43 Z56 2017 |
callnumber-sort | PN 41993.43 F43 Z56 42017 |
callnumber-subject | PN - General Literature |
collection | ZDB-4-EBA |
contents | Cover -- THE FLAHERTY -- Title -- Copyright -- CONTENTS -- Acknowledgments -- Introduction -- Patricia R. Zimmermann: Imagining a History of the Flaherty Seminar -- Scott MacDonald: The Logistics of Transcribing and Editing Flaherty Discussions -- 1. The Flaherty Way -- 1959 Frances Flaherty-Opening Remarks at the Seminar -- 2. A Seminar, 1955-1959 -- 1958 Robert Gardner with John Marshall-On The Hunters (1957) -- 3. An Organization, 1960-1969 -- 1963 Frances Flaherty-On Nanook of the North (1922) and Moana (1926) -- 1967 Frederick Wiseman-On Titicut Follies (1967) -- 1968 Willard Van Dyke-Opening Remarks at the Seminar -- 1968 Jim McBride and L.M. Kit Carson-On David Holzman's Diary (1967) -- 1969 Michael Snow-On Wavelength (1967) -- 4. Politics, Cultural and Formal, 1970-1980 -- 1970 Hollis Frampton-On Zorns Lemma (1970) -- 1970 Erik Barnouw, Paul Ronder, and Barbara Van Dyke-On Hiroshima-Nagasaki, August 1945 (1970) -- 1977 Barbara Kopple and Hart Perry-On Harlan County USA (1976) -- 5. Shock of the New, 1981-1989 -- 1981 Ed Pincus-On Diaries (1971-1976) (c. 1980) -- 1983 Trinh T. Minh-ha-On Reassemblage (1982) -- 1984 Bruce Conner-On Ten Second Film (1965), Permian Strata (1969), Mongoloid (1978), and America Is Waiting (1981) -- 1987 Peter Watkins and others-On The Journey (1987) -- 1987 Su Friedrich-On Damned If You Don't (1987) -- 6. Crises, 1990-1999 -- 1990 Marlon Riggs-On Tongues Untied (1989) -- 1991 William Greaves-On Symbiopsychotaxiplasm: Take One (1972) -- 1992 Ken Jacobs-On XCXHXEXRXRXIXEXSX (many performances after 1980) -- 1992 Kazuo Hara-On Extreme Private Eros (1974) -- 1994 Nick Deocampo-On Revolutions Happen Like Refrains in a Song (1987), Memories of Old Manila (1993), and Isaak (1993) -- 1994 Mani Kaul-On Uski Roti (A Day's Bread, 1969) and Dhrupad (1982) -- 1995 Craig Baldwin-On Sonic Outlaws (1995). 7. The Brand, 2000-2015 -- 2000 Sergey Dvortsevoy-On Paradise (1995) -- Vicky Funari-On Paulina (1998) -- 2008 Bahman Ghobadi-On Life in Fog (1997), A Time for Drunken Horses (2000), and Half Moon (2006) -- 2013 Eyal Sivan-On The Specialist (1999) -- 2015 Mounira Al Solh-On Rawane's Song (2006) -- Marie-Hélène Cousineau-On Before Tomorrow (2008, comade with Madeline Ivalu) -- Hassan Khan-On Fuck This Film (1998) -- 2015 Tariq Teguia -On La clôture (The Fence, 2002), Gabbla (Inland, 2008), and Thwara Zanj (Révolution Zanj, 2012) -- 2016 Luke Fowler-On To the Editor of Amateur Photographer (2014, comade with Mark Fell), and Luis Ospina-On Aggarabdo pueblo (Vampires of Poverty, 1978, comade with Carlos Mayolo) -- Index. |
ctrlnum | (OCoLC)981509163 |
dewey-full | 791.4306073 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4306073 |
dewey-search | 791.4306073 |
dewey-sort | 3791.4306073 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>07301cam a2200697 i 4500</leader><controlfield tag="001">ZDB-4-EBA-ocn981509163</controlfield><controlfield tag="003">OCoLC</controlfield><controlfield tag="005">20240705115654.0</controlfield><controlfield tag="006">m o d </controlfield><controlfield tag="007">cr |||||||||||</controlfield><controlfield tag="008">170403s2017 inu ob 001 0 eng </controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a"> 2017016288</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DLC</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">DLC</subfield><subfield code="d">OCLCO</subfield><subfield code="d">EBLCP</subfield><subfield code="d">IDEBK</subfield><subfield code="d">N$T</subfield><subfield code="d">YDX</subfield><subfield code="d">YDX</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">TEFOD</subfield><subfield code="d">CNCGM</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">JSTOR</subfield><subfield code="d">OCLCO</subfield><subfield code="d">UAB</subfield><subfield code="d">OCLCF</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">CEF</subfield><subfield code="d">INT</subfield><subfield code="d">AU@</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">U3W</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">RECBK</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCQ</subfield><subfield code="d">OCLCO</subfield><subfield code="d">OCLCL</subfield><subfield code="d">OCLCQ</subfield></datafield><datafield tag="019" ind1=" " ind2=" "><subfield code="a">987057088</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780253026880</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0253026881</subfield><subfield code="q">(electronic bk.)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780253026248</subfield><subfield code="q">(hardcover</subfield><subfield code="q">alkaline paper)</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0253026245</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)981509163</subfield><subfield code="z">(OCoLC)987057088</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">40CF5FCC-B51D-4CFF-A791-6A307DE56BA1</subfield><subfield code="b">OverDrive, Inc.</subfield><subfield code="n">http://www.overdrive.com</subfield></datafield><datafield tag="037" ind1=" " ind2=" "><subfield code="a">22573/ctt1zzk30j</subfield><subfield code="b">JSTOR</subfield></datafield><datafield tag="042" ind1=" " ind2=" "><subfield code="a">pcc</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1993.43.F43</subfield><subfield code="b">Z56 2017</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER</subfield><subfield code="x">009000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004030</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="7" ind2=" "><subfield code="a">791.4306073</subfield><subfield code="2">23</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">MAIN</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Zimmermann, Patricia Rodden,</subfield><subfield code="e">author.</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The Flaherty :</subfield><subfield code="b">decades in the cause of independent cinema /</subfield><subfield code="c">Patricia R. Zimmermann and Scott MacDonald.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bloomington, Indiana :</subfield><subfield code="b">Indiana University Press,</subfield><subfield code="c">[2017]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Online resource; title from digital title page (viewed on May 15, 2017).</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover -- THE FLAHERTY -- Title -- Copyright -- CONTENTS -- Acknowledgments -- Introduction -- Patricia R. Zimmermann: Imagining a History of the Flaherty Seminar -- Scott MacDonald: The Logistics of Transcribing and Editing Flaherty Discussions -- 1. The Flaherty Way -- 1959 Frances Flaherty-Opening Remarks at the Seminar -- 2. A Seminar, 1955-1959 -- 1958 Robert Gardner with John Marshall-On The Hunters (1957) -- 3. An Organization, 1960-1969 -- 1963 Frances Flaherty-On Nanook of the North (1922) and Moana (1926) -- 1967 Frederick Wiseman-On Titicut Follies (1967) -- 1968 Willard Van Dyke-Opening Remarks at the Seminar -- 1968 Jim McBride and L.M. Kit Carson-On David Holzman's Diary (1967) -- 1969 Michael Snow-On Wavelength (1967) -- 4. Politics, Cultural and Formal, 1970-1980 -- 1970 Hollis Frampton-On Zorns Lemma (1970) -- 1970 Erik Barnouw, Paul Ronder, and Barbara Van Dyke-On Hiroshima-Nagasaki, August 1945 (1970) -- 1977 Barbara Kopple and Hart Perry-On Harlan County USA (1976) -- 5. Shock of the New, 1981-1989 -- 1981 Ed Pincus-On Diaries (1971-1976) (c. 1980) -- 1983 Trinh T. Minh-ha-On Reassemblage (1982) -- 1984 Bruce Conner-On Ten Second Film (1965), Permian Strata (1969), Mongoloid (1978), and America Is Waiting (1981) -- 1987 Peter Watkins and others-On The Journey (1987) -- 1987 Su Friedrich-On Damned If You Don't (1987) -- 6. Crises, 1990-1999 -- 1990 Marlon Riggs-On Tongues Untied (1989) -- 1991 William Greaves-On Symbiopsychotaxiplasm: Take One (1972) -- 1992 Ken Jacobs-On XCXHXEXRXRXIXEXSX (many performances after 1980) -- 1992 Kazuo Hara-On Extreme Private Eros (1974) -- 1994 Nick Deocampo-On Revolutions Happen Like Refrains in a Song (1987), Memories of Old Manila (1993), and Isaak (1993) -- 1994 Mani Kaul-On Uski Roti (A Day's Bread, 1969) and Dhrupad (1982) -- 1995 Craig Baldwin-On Sonic Outlaws (1995).</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">7. The Brand, 2000-2015 -- 2000 Sergey Dvortsevoy-On Paradise (1995) -- Vicky Funari-On Paulina (1998) -- 2008 Bahman Ghobadi-On Life in Fog (1997), A Time for Drunken Horses (2000), and Half Moon (2006) -- 2013 Eyal Sivan-On The Specialist (1999) -- 2015 Mounira Al Solh-On Rawane's Song (2006) -- Marie-Hélène Cousineau-On Before Tomorrow (2008, comade with Madeline Ivalu) -- Hassan Khan-On Fuck This Film (1998) -- 2015 Tariq Teguia -On La clôture (The Fence, 2002), Gabbla (Inland, 2008), and Thwara Zanj (Révolution Zanj, 2012) -- 2016 Luke Fowler-On To the Editor of Amateur Photographer (2014, comade with Mark Fell), and Luis Ospina-On Aggarabdo pueblo (Vampires of Poverty, 1978, comade with Carlos Mayolo) -- Index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This is the inspiring story of The Flaherty, one of the oldest continuously running nonprofit media arts institutions in the world, which has shaped the development of independent film, video, and emerging forms in the United States over the past 60 years. Combining the words of legendary independent filmmakers with a detailed history of The Flaherty, Patricia R. Zimmermann and Scott MacDonald showcase its history and legacy, amply demonstrating how the relationships created at the annual Flaherty seminar have been instrumental in transforming American media history. Moving through the decades, each chapter opens with a detailed history of the organization by Zimmermann, who traces the evolution of The Flaherty from a private gathering of filmmakers to a small annual convening, to today's ever-growing nexus of filmmakers, scholars, librarians, producers, funders, distributors, and others associated with international independent cinema. MacDonald expands each chapter by giving voice to the major figures in the evolution of independent media through transcriptions of key discussions galvanized by films shown at The Flaherty. The discussions feature Frances Flaherty, Robert Gardner, Fred Wiseman, Willard Van Dyke, Jim McBride, Michael Snow, Hollis Frampton, Erik Barnouw, Barbara Kopple, Ed Pincus, Trinh T. Minh-ha, Bruce Conner, Peter Watkins, Su Friedrich, Marlon Riggs, William Greaves, Ken Jacobs, Kazuo Hara, Mani Kaul, Craig Baldwin, Bahman Ghobadi, Eyal Sivan, and many others.</subfield></datafield><datafield tag="610" ind1="2" ind2="0"><subfield code="a">Flaherty (Organization)</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2017018568</subfield></datafield><datafield tag="611" ind1="2" ind2="0"><subfield code="a">Flaherty Seminar.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n2017018581</subfield></datafield><datafield tag="610" ind1="2" ind2="7"><subfield code="a">Flaherty (Organization)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Independent films</subfield><subfield code="x">Production and direction.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Independent films</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="6"><subfield code="a">Films indépendants</subfield><subfield code="x">Histoire et critique.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Reference.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS</subfield><subfield code="x">Film & Video</subfield><subfield code="x">History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Independent films</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Independent films</subfield><subfield code="x">Production and direction</subfield><subfield code="2">fast</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">Criticism, interpretation, etc.</subfield><subfield code="2">fast</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">MacDonald, Scott,</subfield><subfield code="d">1942-</subfield><subfield code="e">author.</subfield><subfield code="0">http://id.loc.gov/authorities/names/n80165705</subfield></datafield><datafield tag="758" ind1=" " ind2=" "><subfield code="i">has work:</subfield><subfield code="a">The Flaherty (Text)</subfield><subfield code="1">https://id.oclc.org/worldcat/entity/E39PCGYgrQtYHPwhHRXmfpVJym</subfield><subfield code="4">https://id.oclc.org/worldcat/ontology/hasWork</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Zimmermann, Patricia Rodden author.</subfield><subfield code="t">Flaherty.</subfield><subfield code="d">Bloomington : Indiana University Press, 2017</subfield><subfield code="z">9780253026248</subfield><subfield code="w">(DLC) 2016056361</subfield></datafield><datafield tag="856" ind1="1" ind2=" "><subfield code="l">FWS01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1515125</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="1" ind2=" "><subfield code="l">CBO01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FWS_PDA_EBA</subfield><subfield code="u">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1515125</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest Ebook Central</subfield><subfield code="b">EBLB</subfield><subfield code="n">EBL4844353</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">EBSCOhost</subfield><subfield code="b">EBSC</subfield><subfield code="n">1515125</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">ProQuest MyiLibrary Digital eBook Collection</subfield><subfield code="b">IDEB</subfield><subfield code="n">cis37944063</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">Recorded Books, LLC</subfield><subfield code="b">RECE</subfield><subfield code="n">rbeEB00777750</subfield></datafield><datafield tag="938" ind1=" " ind2=" "><subfield code="a">YBP Library Services</subfield><subfield code="b">YANK</subfield><subfield code="n">13318725</subfield></datafield><datafield tag="994" ind1=" " ind2=" "><subfield code="a">92</subfield><subfield code="b">GEBAY</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield></record></collection> |
genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
id | ZDB-4-EBA-ocn981509163 |
illustrated | Not Illustrated |
indexdate | 2024-10-25T16:23:43Z |
institution | BVB |
isbn | 9780253026880 0253026881 |
language | English |
lccn | 2017016288 |
oclc_num | 981509163 |
open_access_boolean | |
owner | MAIN |
owner_facet | MAIN |
physical | 1 online resource |
psigel | ZDB-4-EBA |
publishDate | 2017 |
publishDateSearch | 2017 |
publishDateSort | 2017 |
publisher | Indiana University Press, |
record_format | marc |
spelling | Zimmermann, Patricia Rodden, author. The Flaherty : decades in the cause of independent cinema / Patricia R. Zimmermann and Scott MacDonald. Bloomington, Indiana : Indiana University Press, [2017] 1 online resource text txt rdacontent computer n rdamedia online resource nc rdacarrier Includes bibliographical references and index. Online resource; title from digital title page (viewed on May 15, 2017). Cover -- THE FLAHERTY -- Title -- Copyright -- CONTENTS -- Acknowledgments -- Introduction -- Patricia R. Zimmermann: Imagining a History of the Flaherty Seminar -- Scott MacDonald: The Logistics of Transcribing and Editing Flaherty Discussions -- 1. The Flaherty Way -- 1959 Frances Flaherty-Opening Remarks at the Seminar -- 2. A Seminar, 1955-1959 -- 1958 Robert Gardner with John Marshall-On The Hunters (1957) -- 3. An Organization, 1960-1969 -- 1963 Frances Flaherty-On Nanook of the North (1922) and Moana (1926) -- 1967 Frederick Wiseman-On Titicut Follies (1967) -- 1968 Willard Van Dyke-Opening Remarks at the Seminar -- 1968 Jim McBride and L.M. Kit Carson-On David Holzman's Diary (1967) -- 1969 Michael Snow-On Wavelength (1967) -- 4. Politics, Cultural and Formal, 1970-1980 -- 1970 Hollis Frampton-On Zorns Lemma (1970) -- 1970 Erik Barnouw, Paul Ronder, and Barbara Van Dyke-On Hiroshima-Nagasaki, August 1945 (1970) -- 1977 Barbara Kopple and Hart Perry-On Harlan County USA (1976) -- 5. Shock of the New, 1981-1989 -- 1981 Ed Pincus-On Diaries (1971-1976) (c. 1980) -- 1983 Trinh T. Minh-ha-On Reassemblage (1982) -- 1984 Bruce Conner-On Ten Second Film (1965), Permian Strata (1969), Mongoloid (1978), and America Is Waiting (1981) -- 1987 Peter Watkins and others-On The Journey (1987) -- 1987 Su Friedrich-On Damned If You Don't (1987) -- 6. Crises, 1990-1999 -- 1990 Marlon Riggs-On Tongues Untied (1989) -- 1991 William Greaves-On Symbiopsychotaxiplasm: Take One (1972) -- 1992 Ken Jacobs-On XCXHXEXRXRXIXEXSX (many performances after 1980) -- 1992 Kazuo Hara-On Extreme Private Eros (1974) -- 1994 Nick Deocampo-On Revolutions Happen Like Refrains in a Song (1987), Memories of Old Manila (1993), and Isaak (1993) -- 1994 Mani Kaul-On Uski Roti (A Day's Bread, 1969) and Dhrupad (1982) -- 1995 Craig Baldwin-On Sonic Outlaws (1995). 7. The Brand, 2000-2015 -- 2000 Sergey Dvortsevoy-On Paradise (1995) -- Vicky Funari-On Paulina (1998) -- 2008 Bahman Ghobadi-On Life in Fog (1997), A Time for Drunken Horses (2000), and Half Moon (2006) -- 2013 Eyal Sivan-On The Specialist (1999) -- 2015 Mounira Al Solh-On Rawane's Song (2006) -- Marie-Hélène Cousineau-On Before Tomorrow (2008, comade with Madeline Ivalu) -- Hassan Khan-On Fuck This Film (1998) -- 2015 Tariq Teguia -On La clôture (The Fence, 2002), Gabbla (Inland, 2008), and Thwara Zanj (Révolution Zanj, 2012) -- 2016 Luke Fowler-On To the Editor of Amateur Photographer (2014, comade with Mark Fell), and Luis Ospina-On Aggarabdo pueblo (Vampires of Poverty, 1978, comade with Carlos Mayolo) -- Index. This is the inspiring story of The Flaherty, one of the oldest continuously running nonprofit media arts institutions in the world, which has shaped the development of independent film, video, and emerging forms in the United States over the past 60 years. Combining the words of legendary independent filmmakers with a detailed history of The Flaherty, Patricia R. Zimmermann and Scott MacDonald showcase its history and legacy, amply demonstrating how the relationships created at the annual Flaherty seminar have been instrumental in transforming American media history. Moving through the decades, each chapter opens with a detailed history of the organization by Zimmermann, who traces the evolution of The Flaherty from a private gathering of filmmakers to a small annual convening, to today's ever-growing nexus of filmmakers, scholars, librarians, producers, funders, distributors, and others associated with international independent cinema. MacDonald expands each chapter by giving voice to the major figures in the evolution of independent media through transcriptions of key discussions galvanized by films shown at The Flaherty. The discussions feature Frances Flaherty, Robert Gardner, Fred Wiseman, Willard Van Dyke, Jim McBride, Michael Snow, Hollis Frampton, Erik Barnouw, Barbara Kopple, Ed Pincus, Trinh T. Minh-ha, Bruce Conner, Peter Watkins, Su Friedrich, Marlon Riggs, William Greaves, Ken Jacobs, Kazuo Hara, Mani Kaul, Craig Baldwin, Bahman Ghobadi, Eyal Sivan, and many others. Flaherty (Organization) http://id.loc.gov/authorities/names/n2017018568 Flaherty Seminar. http://id.loc.gov/authorities/names/n2017018581 Flaherty (Organization) fast Independent films Production and direction. Independent films History and criticism. Films indépendants Histoire et critique. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Independent films fast Independent films Production and direction fast Criticism, interpretation, etc. fast MacDonald, Scott, 1942- author. http://id.loc.gov/authorities/names/n80165705 has work: The Flaherty (Text) https://id.oclc.org/worldcat/entity/E39PCGYgrQtYHPwhHRXmfpVJym https://id.oclc.org/worldcat/ontology/hasWork Print version: Zimmermann, Patricia Rodden author. Flaherty. Bloomington : Indiana University Press, 2017 9780253026248 (DLC) 2016056361 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1515125 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1515125 Volltext |
spellingShingle | Zimmermann, Patricia Rodden MacDonald, Scott, 1942- The Flaherty : decades in the cause of independent cinema / Cover -- THE FLAHERTY -- Title -- Copyright -- CONTENTS -- Acknowledgments -- Introduction -- Patricia R. Zimmermann: Imagining a History of the Flaherty Seminar -- Scott MacDonald: The Logistics of Transcribing and Editing Flaherty Discussions -- 1. The Flaherty Way -- 1959 Frances Flaherty-Opening Remarks at the Seminar -- 2. A Seminar, 1955-1959 -- 1958 Robert Gardner with John Marshall-On The Hunters (1957) -- 3. An Organization, 1960-1969 -- 1963 Frances Flaherty-On Nanook of the North (1922) and Moana (1926) -- 1967 Frederick Wiseman-On Titicut Follies (1967) -- 1968 Willard Van Dyke-Opening Remarks at the Seminar -- 1968 Jim McBride and L.M. Kit Carson-On David Holzman's Diary (1967) -- 1969 Michael Snow-On Wavelength (1967) -- 4. Politics, Cultural and Formal, 1970-1980 -- 1970 Hollis Frampton-On Zorns Lemma (1970) -- 1970 Erik Barnouw, Paul Ronder, and Barbara Van Dyke-On Hiroshima-Nagasaki, August 1945 (1970) -- 1977 Barbara Kopple and Hart Perry-On Harlan County USA (1976) -- 5. Shock of the New, 1981-1989 -- 1981 Ed Pincus-On Diaries (1971-1976) (c. 1980) -- 1983 Trinh T. Minh-ha-On Reassemblage (1982) -- 1984 Bruce Conner-On Ten Second Film (1965), Permian Strata (1969), Mongoloid (1978), and America Is Waiting (1981) -- 1987 Peter Watkins and others-On The Journey (1987) -- 1987 Su Friedrich-On Damned If You Don't (1987) -- 6. Crises, 1990-1999 -- 1990 Marlon Riggs-On Tongues Untied (1989) -- 1991 William Greaves-On Symbiopsychotaxiplasm: Take One (1972) -- 1992 Ken Jacobs-On XCXHXEXRXRXIXEXSX (many performances after 1980) -- 1992 Kazuo Hara-On Extreme Private Eros (1974) -- 1994 Nick Deocampo-On Revolutions Happen Like Refrains in a Song (1987), Memories of Old Manila (1993), and Isaak (1993) -- 1994 Mani Kaul-On Uski Roti (A Day's Bread, 1969) and Dhrupad (1982) -- 1995 Craig Baldwin-On Sonic Outlaws (1995). 7. The Brand, 2000-2015 -- 2000 Sergey Dvortsevoy-On Paradise (1995) -- Vicky Funari-On Paulina (1998) -- 2008 Bahman Ghobadi-On Life in Fog (1997), A Time for Drunken Horses (2000), and Half Moon (2006) -- 2013 Eyal Sivan-On The Specialist (1999) -- 2015 Mounira Al Solh-On Rawane's Song (2006) -- Marie-Hélène Cousineau-On Before Tomorrow (2008, comade with Madeline Ivalu) -- Hassan Khan-On Fuck This Film (1998) -- 2015 Tariq Teguia -On La clôture (The Fence, 2002), Gabbla (Inland, 2008), and Thwara Zanj (Révolution Zanj, 2012) -- 2016 Luke Fowler-On To the Editor of Amateur Photographer (2014, comade with Mark Fell), and Luis Ospina-On Aggarabdo pueblo (Vampires of Poverty, 1978, comade with Carlos Mayolo) -- Index. Flaherty (Organization) http://id.loc.gov/authorities/names/n2017018568 Flaherty Seminar. http://id.loc.gov/authorities/names/n2017018581 Flaherty (Organization) fast Independent films Production and direction. Independent films History and criticism. Films indépendants Histoire et critique. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Independent films fast Independent films Production and direction fast |
subject_GND | http://id.loc.gov/authorities/names/n2017018568 http://id.loc.gov/authorities/names/n2017018581 |
title | The Flaherty : decades in the cause of independent cinema / |
title_auth | The Flaherty : decades in the cause of independent cinema / |
title_exact_search | The Flaherty : decades in the cause of independent cinema / |
title_full | The Flaherty : decades in the cause of independent cinema / Patricia R. Zimmermann and Scott MacDonald. |
title_fullStr | The Flaherty : decades in the cause of independent cinema / Patricia R. Zimmermann and Scott MacDonald. |
title_full_unstemmed | The Flaherty : decades in the cause of independent cinema / Patricia R. Zimmermann and Scott MacDonald. |
title_short | The Flaherty : |
title_sort | flaherty decades in the cause of independent cinema |
title_sub | decades in the cause of independent cinema / |
topic | Flaherty (Organization) http://id.loc.gov/authorities/names/n2017018568 Flaherty Seminar. http://id.loc.gov/authorities/names/n2017018581 Flaherty (Organization) fast Independent films Production and direction. Independent films History and criticism. Films indépendants Histoire et critique. PERFORMING ARTS Reference. bisacsh PERFORMING ARTS Film & Video History & Criticism. bisacsh Independent films fast Independent films Production and direction fast |
topic_facet | Flaherty (Organization) Flaherty Seminar. Independent films Production and direction. Independent films History and criticism. Films indépendants Histoire et critique. PERFORMING ARTS Reference. PERFORMING ARTS Film & Video History & Criticism. Independent films Independent films Production and direction Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1515125 |
work_keys_str_mv | AT zimmermannpatriciarodden theflahertydecadesinthecauseofindependentcinema AT macdonaldscott theflahertydecadesinthecauseofindependentcinema AT zimmermannpatriciarodden flahertydecadesinthecauseofindependentcinema AT macdonaldscott flahertydecadesinthecauseofindependentcinema |