The Bloomsbury handbook of religion and popular music /:
The Bloomsbury Handbook of Religion and Popular Music" provides the first systematic analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology and sociology. It comprises thirty-three specifically commissioned essays...
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| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York :
Bloomsbury Academic,
2017.
|
| Schriftenreihe: | Bloomsbury handbooks in religion.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The Bloomsbury Handbook of Religion and Popular Music" provides the first systematic analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology and sociology. It comprises thirty-three specifically commissioned essays from a team of international experts to explore the principal areas of inquiry, as well as suggesting new directions for scholarship. Featuring chapters on methodology, key genres, religious traditions and popular music subcultures, this volume provides the essential reference point for anyone with an interest in popular culture generally, as well as religion and popular music in particular. Religious traditions covered include Christianity, Islam, Judaism, Hinduism, Buddhism, Paganism and occultism. Coverage of genres and religion ranges from heavy metal, rap and hip hop to country music and film and television music. Edited by Christopher Partridge and Marcus Moberg, this Handbook defines the research field and provides an accessible entry point for new researchers in the field |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781474237352 1474237355 9781474237369 1474237363 9781474237345 1474237347 |
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| 245 | 0 | 4 | |a The Bloomsbury handbook of religion and popular music / |c edited by Christopher Partridge & Marcus Moberg. |
| 264 | 1 | |a London ; |a New York : |b Bloomsbury Academic, |c 2017. | |
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| 490 | 1 | |a Bloomsbury handbooks in religion | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a The Bloomsbury Handbook of Religion and Popular Music" provides the first systematic analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology and sociology. It comprises thirty-three specifically commissioned essays from a team of international experts to explore the principal areas of inquiry, as well as suggesting new directions for scholarship. Featuring chapters on methodology, key genres, religious traditions and popular music subcultures, this volume provides the essential reference point for anyone with an interest in popular culture generally, as well as religion and popular music in particular. Religious traditions covered include Christianity, Islam, Judaism, Hinduism, Buddhism, Paganism and occultism. Coverage of genres and religion ranges from heavy metal, rap and hip hop to country music and film and television music. Edited by Christopher Partridge and Marcus Moberg, this Handbook defines the research field and provides an accessible entry point for new researchers in the field | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Title Page; Copyright Page; Contents; List of Images; List of Contributors; Introduction; The study of religion and popular music; Methodologies; Critical musicology and the sacred; Part 1 The Study of Religion and Popular Music: Theoretical Perspectives, Methodologies and Issues; Chapter 1 Ethnography, Popular Music and Religion; Part 1: Ethnography: Origins and trajectories; Part 2: 'Telling it like it is': Ethnography, popular music and everyday life; 'This is my truth': One-to-one interviews; 'Through a different lens': Participant and non-participant observation. | |
| 505 | 8 | |a 'Of one and many voices': Focus groups'Across the great divide': Insider research; Worlds within worlds: Virtual ethnography; A work in progress: Limitations of ethnographic research; Chapter 2 Emotion, Meaning and Popular Music; The social meaning of popular music; Intertextuality and the construction of affective space; Music as a prosthetic technology; Concluding comments: Music, emotion and religion; Chapter 3 Music, Religion and Protest; Demonizing music; Self-determination; Chapter 4 Censorship, Religion and Popular Music; Religion as a moral regulator. | |
| 505 | 8 | |a The inherent evil of popular musicPopular music censorship; Forms of religious censorship; Conclusion; Chapter 5 Feminism, Gender and Popular Music; Initial considerations; Gender and the evaluation of popular music; Aesthetics, rock/pop and the body; Negotiating Gendered Meanings: Kate Bush and Madonna; Part 2 Religious Perspectives; Chapter 6 The Bible and Popular Music; Some kicks of the bass drum: Brief uses of the Bible in popular music; Three symbol crashes: Sustained uses of the Bible in popular music; Closing thoughts; Chapter 7 Theology, Imagination and Popular Music. | |
| 505 | 8 | |a What has graceland to do with Jerusalem?Post-secular popular music; The swarming forms of the banal; Chapter 8 Christianity, Worship and Popular Music; Part one: Christian attitudes towards (popular) music in worship -- a short history; Part two: Using popular worship music; Part three: 'Learning to listen' to popular worship music; Conclusion; Chapter 9 Contemporary Christian Music; In the beginning; Baby boom; Rock 'n' roll; Christian hippies; The new 'hip' language; Trailblazers; Production and distribution, and contributions; Christian festivals; The changing face of CCM. | |
| 505 | 8 | |a Chapter 10 Islam and Popular MusicMuslim theologians on music; The philosophers and the Sufis; Islamic legal scholars; Popular music in the contemporary Islamic context; Conclusions; Chapter 11 Jews, Judaism and Popular Music; Judaic and Jewish; What is Jewish music?; The Jazz Singer; Jewish-American popular music; The new Jewish music; Conclusion; Chapter 12 Hinduism and Popular Music; Introduction; Western popular music: Cultural exchange or cultural appropriation?; Conclusion; Chapter 13 Buddhism and Popular Music; Introduction; Tibetan Buddhist sacred performing arts. | |
| 650 | 0 | |a Popular music |x Religious aspects. |0 http://id.loc.gov/authorities/subjects/sh85088867 | |
| 650 | 6 | |a Musique populaire |x Aspect religieux. | |
| 650 | 7 | |a Comparative religion. |2 bicssc | |
| 650 | 7 | |a Sacred & religious music. |2 bicssc | |
| 650 | 7 | |a Theory of music & musicology. |2 bicssc | |
| 650 | 7 | |a Religion: general. |2 bicssc | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Popular music |x Religious aspects |2 fast | |
| 650 | 7 | |a Religion |2 gnd | |
| 650 | 7 | |a Religiosität |2 gnd |0 http://d-nb.info/gnd/4049428-7 | |
| 650 | 7 | |a Unterhaltungsmusik |2 gnd | |
| 650 | 7 | |a Volksmusik |2 gnd |0 http://d-nb.info/gnd/4063854-6 | |
| 650 | 7 | |a Populärmusik |x religiösa aspekter. |2 sao | |
| 655 | 4 | |a Electronic book. | |
| 700 | 1 | |a Partridge, Christopher H. |q (Christopher Hugh), |d 1961- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PBJgX88wpXC3RkHvbwWH6Kd |0 http://id.loc.gov/authorities/names/n98029353 | |
| 700 | 1 | |a Moberg, Marcus, |d 1978- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjB9CtPFBC6RjJ8PRcRf4m |0 http://id.loc.gov/authorities/names/no2010020676 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn971493664 |
|---|---|
| _version_ | 1816882377879715840 |
| adam_text | |
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| author2 | Partridge, Christopher H. (Christopher Hugh), 1961- Moberg, Marcus, 1978- |
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| author_GND | http://id.loc.gov/authorities/names/n98029353 http://id.loc.gov/authorities/names/no2010020676 |
| author_facet | Partridge, Christopher H. (Christopher Hugh), 1961- Moberg, Marcus, 1978- |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3921 |
| callnumber-raw | ML3921.8.P67 B6 2017eb |
| callnumber-search | ML3921.8.P67 B6 2017eb |
| callnumber-sort | ML 43921.8 P67 B6 42017EB |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Title Page; Copyright Page; Contents; List of Images; List of Contributors; Introduction; The study of religion and popular music; Methodologies; Critical musicology and the sacred; Part 1 The Study of Religion and Popular Music: Theoretical Perspectives, Methodologies and Issues; Chapter 1 Ethnography, Popular Music and Religion; Part 1: Ethnography: Origins and trajectories; Part 2: 'Telling it like it is': Ethnography, popular music and everyday life; 'This is my truth': One-to-one interviews; 'Through a different lens': Participant and non-participant observation. 'Of one and many voices': Focus groups'Across the great divide': Insider research; Worlds within worlds: Virtual ethnography; A work in progress: Limitations of ethnographic research; Chapter 2 Emotion, Meaning and Popular Music; The social meaning of popular music; Intertextuality and the construction of affective space; Music as a prosthetic technology; Concluding comments: Music, emotion and religion; Chapter 3 Music, Religion and Protest; Demonizing music; Self-determination; Chapter 4 Censorship, Religion and Popular Music; Religion as a moral regulator. The inherent evil of popular musicPopular music censorship; Forms of religious censorship; Conclusion; Chapter 5 Feminism, Gender and Popular Music; Initial considerations; Gender and the evaluation of popular music; Aesthetics, rock/pop and the body; Negotiating Gendered Meanings: Kate Bush and Madonna; Part 2 Religious Perspectives; Chapter 6 The Bible and Popular Music; Some kicks of the bass drum: Brief uses of the Bible in popular music; Three symbol crashes: Sustained uses of the Bible in popular music; Closing thoughts; Chapter 7 Theology, Imagination and Popular Music. What has graceland to do with Jerusalem?Post-secular popular music; The swarming forms of the banal; Chapter 8 Christianity, Worship and Popular Music; Part one: Christian attitudes towards (popular) music in worship -- a short history; Part two: Using popular worship music; Part three: 'Learning to listen' to popular worship music; Conclusion; Chapter 9 Contemporary Christian Music; In the beginning; Baby boom; Rock 'n' roll; Christian hippies; The new 'hip' language; Trailblazers; Production and distribution, and contributions; Christian festivals; The changing face of CCM. Chapter 10 Islam and Popular MusicMuslim theologians on music; The philosophers and the Sufis; Islamic legal scholars; Popular music in the contemporary Islamic context; Conclusions; Chapter 11 Jews, Judaism and Popular Music; Judaic and Jewish; What is Jewish music?; The Jazz Singer; Jewish-American popular music; The new Jewish music; Conclusion; Chapter 12 Hinduism and Popular Music; Introduction; Western popular music: Cultural exchange or cultural appropriation?; Conclusion; Chapter 13 Buddhism and Popular Music; Introduction; Tibetan Buddhist sacred performing arts. |
| ctrlnum | (OCoLC)971493664 |
| dewey-full | 781.64/112 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.64/112 |
| dewey-search | 781.64/112 |
| dewey-sort | 3781.64 3112 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| genre | Electronic book. |
| genre_facet | Electronic book. |
| id | ZDB-4-EBA-ocn971493664 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:39Z |
| institution | BVB |
| isbn | 9781474237352 1474237355 9781474237369 1474237363 9781474237345 1474237347 |
| language | English |
| oclc_num | 971493664 |
| open_access_boolean | |
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| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Bloomsbury Academic, |
| record_format | marc |
| series | Bloomsbury handbooks in religion. |
| series2 | Bloomsbury handbooks in religion |
| spelling | The Bloomsbury handbook of religion and popular music / edited by Christopher Partridge & Marcus Moberg. London ; New York : Bloomsbury Academic, 2017. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Bloomsbury handbooks in religion Includes bibliographical references and index. The Bloomsbury Handbook of Religion and Popular Music" provides the first systematic analysis of the most important themes and concepts in the field, combining research in religious studies, theology, critical musicology and sociology. It comprises thirty-three specifically commissioned essays from a team of international experts to explore the principal areas of inquiry, as well as suggesting new directions for scholarship. Featuring chapters on methodology, key genres, religious traditions and popular music subcultures, this volume provides the essential reference point for anyone with an interest in popular culture generally, as well as religion and popular music in particular. Religious traditions covered include Christianity, Islam, Judaism, Hinduism, Buddhism, Paganism and occultism. Coverage of genres and religion ranges from heavy metal, rap and hip hop to country music and film and television music. Edited by Christopher Partridge and Marcus Moberg, this Handbook defines the research field and provides an accessible entry point for new researchers in the field Print version record. Title Page; Copyright Page; Contents; List of Images; List of Contributors; Introduction; The study of religion and popular music; Methodologies; Critical musicology and the sacred; Part 1 The Study of Religion and Popular Music: Theoretical Perspectives, Methodologies and Issues; Chapter 1 Ethnography, Popular Music and Religion; Part 1: Ethnography: Origins and trajectories; Part 2: 'Telling it like it is': Ethnography, popular music and everyday life; 'This is my truth': One-to-one interviews; 'Through a different lens': Participant and non-participant observation. 'Of one and many voices': Focus groups'Across the great divide': Insider research; Worlds within worlds: Virtual ethnography; A work in progress: Limitations of ethnographic research; Chapter 2 Emotion, Meaning and Popular Music; The social meaning of popular music; Intertextuality and the construction of affective space; Music as a prosthetic technology; Concluding comments: Music, emotion and religion; Chapter 3 Music, Religion and Protest; Demonizing music; Self-determination; Chapter 4 Censorship, Religion and Popular Music; Religion as a moral regulator. The inherent evil of popular musicPopular music censorship; Forms of religious censorship; Conclusion; Chapter 5 Feminism, Gender and Popular Music; Initial considerations; Gender and the evaluation of popular music; Aesthetics, rock/pop and the body; Negotiating Gendered Meanings: Kate Bush and Madonna; Part 2 Religious Perspectives; Chapter 6 The Bible and Popular Music; Some kicks of the bass drum: Brief uses of the Bible in popular music; Three symbol crashes: Sustained uses of the Bible in popular music; Closing thoughts; Chapter 7 Theology, Imagination and Popular Music. What has graceland to do with Jerusalem?Post-secular popular music; The swarming forms of the banal; Chapter 8 Christianity, Worship and Popular Music; Part one: Christian attitudes towards (popular) music in worship -- a short history; Part two: Using popular worship music; Part three: 'Learning to listen' to popular worship music; Conclusion; Chapter 9 Contemporary Christian Music; In the beginning; Baby boom; Rock 'n' roll; Christian hippies; The new 'hip' language; Trailblazers; Production and distribution, and contributions; Christian festivals; The changing face of CCM. Chapter 10 Islam and Popular MusicMuslim theologians on music; The philosophers and the Sufis; Islamic legal scholars; Popular music in the contemporary Islamic context; Conclusions; Chapter 11 Jews, Judaism and Popular Music; Judaic and Jewish; What is Jewish music?; The Jazz Singer; Jewish-American popular music; The new Jewish music; Conclusion; Chapter 12 Hinduism and Popular Music; Introduction; Western popular music: Cultural exchange or cultural appropriation?; Conclusion; Chapter 13 Buddhism and Popular Music; Introduction; Tibetan Buddhist sacred performing arts. Popular music Religious aspects. http://id.loc.gov/authorities/subjects/sh85088867 Musique populaire Aspect religieux. Comparative religion. bicssc Sacred & religious music. bicssc Theory of music & musicology. bicssc Religion: general. bicssc MUSIC Instruction & Study Theory. bisacsh Popular music Religious aspects fast Religion gnd Religiosität gnd http://d-nb.info/gnd/4049428-7 Unterhaltungsmusik gnd Volksmusik gnd http://d-nb.info/gnd/4063854-6 Populärmusik religiösa aspekter. sao Electronic book. Partridge, Christopher H. (Christopher Hugh), 1961- editor. https://id.oclc.org/worldcat/entity/E39PBJgX88wpXC3RkHvbwWH6Kd http://id.loc.gov/authorities/names/n98029353 Moberg, Marcus, 1978- editor. https://id.oclc.org/worldcat/entity/E39PCjB9CtPFBC6RjJ8PRcRf4m http://id.loc.gov/authorities/names/no2010020676 has work: The Bloomsbury handbook of religion and popular music (Text) https://id.oclc.org/worldcat/entity/E39PCFyFhBW8VjJkvPCkWHXYbm https://id.oclc.org/worldcat/ontology/hasWork Print version: Bloomsbury handbook of religion and popular music. London ; New York : Bloomsbury Academic, 2017 9781474237338 (DLC) 2016048845 (OCoLC)948336279 Bloomsbury handbooks in religion. http://id.loc.gov/authorities/names/no2019040749 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1462131 Volltext |
| spellingShingle | The Bloomsbury handbook of religion and popular music / Bloomsbury handbooks in religion. Title Page; Copyright Page; Contents; List of Images; List of Contributors; Introduction; The study of religion and popular music; Methodologies; Critical musicology and the sacred; Part 1 The Study of Religion and Popular Music: Theoretical Perspectives, Methodologies and Issues; Chapter 1 Ethnography, Popular Music and Religion; Part 1: Ethnography: Origins and trajectories; Part 2: 'Telling it like it is': Ethnography, popular music and everyday life; 'This is my truth': One-to-one interviews; 'Through a different lens': Participant and non-participant observation. 'Of one and many voices': Focus groups'Across the great divide': Insider research; Worlds within worlds: Virtual ethnography; A work in progress: Limitations of ethnographic research; Chapter 2 Emotion, Meaning and Popular Music; The social meaning of popular music; Intertextuality and the construction of affective space; Music as a prosthetic technology; Concluding comments: Music, emotion and religion; Chapter 3 Music, Religion and Protest; Demonizing music; Self-determination; Chapter 4 Censorship, Religion and Popular Music; Religion as a moral regulator. The inherent evil of popular musicPopular music censorship; Forms of religious censorship; Conclusion; Chapter 5 Feminism, Gender and Popular Music; Initial considerations; Gender and the evaluation of popular music; Aesthetics, rock/pop and the body; Negotiating Gendered Meanings: Kate Bush and Madonna; Part 2 Religious Perspectives; Chapter 6 The Bible and Popular Music; Some kicks of the bass drum: Brief uses of the Bible in popular music; Three symbol crashes: Sustained uses of the Bible in popular music; Closing thoughts; Chapter 7 Theology, Imagination and Popular Music. What has graceland to do with Jerusalem?Post-secular popular music; The swarming forms of the banal; Chapter 8 Christianity, Worship and Popular Music; Part one: Christian attitudes towards (popular) music in worship -- a short history; Part two: Using popular worship music; Part three: 'Learning to listen' to popular worship music; Conclusion; Chapter 9 Contemporary Christian Music; In the beginning; Baby boom; Rock 'n' roll; Christian hippies; The new 'hip' language; Trailblazers; Production and distribution, and contributions; Christian festivals; The changing face of CCM. Chapter 10 Islam and Popular MusicMuslim theologians on music; The philosophers and the Sufis; Islamic legal scholars; Popular music in the contemporary Islamic context; Conclusions; Chapter 11 Jews, Judaism and Popular Music; Judaic and Jewish; What is Jewish music?; The Jazz Singer; Jewish-American popular music; The new Jewish music; Conclusion; Chapter 12 Hinduism and Popular Music; Introduction; Western popular music: Cultural exchange or cultural appropriation?; Conclusion; Chapter 13 Buddhism and Popular Music; Introduction; Tibetan Buddhist sacred performing arts. Popular music Religious aspects. http://id.loc.gov/authorities/subjects/sh85088867 Musique populaire Aspect religieux. Comparative religion. bicssc Sacred & religious music. bicssc Theory of music & musicology. bicssc Religion: general. bicssc MUSIC Instruction & Study Theory. bisacsh Popular music Religious aspects fast Religion gnd Religiosität gnd http://d-nb.info/gnd/4049428-7 Unterhaltungsmusik gnd Volksmusik gnd http://d-nb.info/gnd/4063854-6 Populärmusik religiösa aspekter. sao |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088867 http://d-nb.info/gnd/4049428-7 http://d-nb.info/gnd/4063854-6 |
| title | The Bloomsbury handbook of religion and popular music / |
| title_auth | The Bloomsbury handbook of religion and popular music / |
| title_exact_search | The Bloomsbury handbook of religion and popular music / |
| title_full | The Bloomsbury handbook of religion and popular music / edited by Christopher Partridge & Marcus Moberg. |
| title_fullStr | The Bloomsbury handbook of religion and popular music / edited by Christopher Partridge & Marcus Moberg. |
| title_full_unstemmed | The Bloomsbury handbook of religion and popular music / edited by Christopher Partridge & Marcus Moberg. |
| title_short | The Bloomsbury handbook of religion and popular music / |
| title_sort | bloomsbury handbook of religion and popular music |
| topic | Popular music Religious aspects. http://id.loc.gov/authorities/subjects/sh85088867 Musique populaire Aspect religieux. Comparative religion. bicssc Sacred & religious music. bicssc Theory of music & musicology. bicssc Religion: general. bicssc MUSIC Instruction & Study Theory. bisacsh Popular music Religious aspects fast Religion gnd Religiosität gnd http://d-nb.info/gnd/4049428-7 Unterhaltungsmusik gnd Volksmusik gnd http://d-nb.info/gnd/4063854-6 Populärmusik religiösa aspekter. sao |
| topic_facet | Popular music Religious aspects. Musique populaire Aspect religieux. Comparative religion. Sacred & religious music. Theory of music & musicology. Religion: general. MUSIC Instruction & Study Theory. Popular music Religious aspects Religion Religiosität Unterhaltungsmusik Volksmusik Populärmusik religiösa aspekter. Electronic book. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1462131 |
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