Devouring time :: nostalgia in contemporary Shakespearean screen adaptations /
"From Kenneth Branagh's ground-breaking Henry V to Justin Kurzel's haunting Macbeth, many modern filmmakers have adapted Shakespeare for the big screen. Their translations of Renaissance plays to modern cinema both highlight and comment on contemporary culture and attitudes to art, id...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Montreal ; Kingston ; London ; Chicago :
McGill-Queen's University Press,
[2017]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "From Kenneth Branagh's ground-breaking Henry V to Justin Kurzel's haunting Macbeth, many modern filmmakers have adapted Shakespeare for the big screen. Their translations of Renaissance plays to modern cinema both highlight and comment on contemporary culture and attitudes to art, identity, and the past. A dynamic analysis of twenty-seven films adapted from Shakespeare's works, Philippa Sheppard's Devouring Time addresses a wide range of topics, including gender, ritual, music, setting, rhetoric, and editing. She argues that the directors' choice to adapt these four-hundred-year old plays is an act of nostalgia, not only for the plays themselves, but also for the period in which they were written, the association of genius that accompanies them, and the medium of theatre. Sheppard contends that millennial anxiety brought on by the social and technological revolutions of the last five decades has generated a yearning for Shakespeare because he is an icon of a literary culture often now deemed threatened. Authoritative and accessible, Devouring Time's investigations of filmmakers' nostalgia for the art of the past shed light on Western and pre-twentieth-century concepts of gender, identity, and colonialism."-- |
| Beschreibung: | 1 online resource (xii, 426 pages) : illustrations |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780773550216 0773550216 9780773550223 0773550224 |
Internformat
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| 100 | 1 | |a Sheppard, Philippa, |d 1966- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjGRyVdt7cf4j9b8YmmGHC |0 http://id.loc.gov/authorities/names/no2017121586 | |
| 245 | 1 | 0 | |a Devouring time : |b nostalgia in contemporary Shakespearean screen adaptations / |c Philippa Sheppard. |
| 263 | |a 1705 | ||
| 264 | 1 | |a Montreal ; |a Kingston ; |a London ; |a Chicago : |b McGill-Queen's University Press, |c [2017] | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (xii, 426 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a data file | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "From Kenneth Branagh's ground-breaking Henry V to Justin Kurzel's haunting Macbeth, many modern filmmakers have adapted Shakespeare for the big screen. Their translations of Renaissance plays to modern cinema both highlight and comment on contemporary culture and attitudes to art, identity, and the past. A dynamic analysis of twenty-seven films adapted from Shakespeare's works, Philippa Sheppard's Devouring Time addresses a wide range of topics, including gender, ritual, music, setting, rhetoric, and editing. She argues that the directors' choice to adapt these four-hundred-year old plays is an act of nostalgia, not only for the plays themselves, but also for the period in which they were written, the association of genius that accompanies them, and the medium of theatre. Sheppard contends that millennial anxiety brought on by the social and technological revolutions of the last five decades has generated a yearning for Shakespeare because he is an icon of a literary culture often now deemed threatened. Authoritative and accessible, Devouring Time's investigations of filmmakers' nostalgia for the art of the past shed light on Western and pre-twentieth-century concepts of gender, identity, and colonialism."-- |c Provided by publisher | ||
| 505 | 0 | |a Introduction: Remembrance of Things Past -- PART ONE DEFINING TERMS -- Why Shakespeare Films Now? -- The Drive to Realism in Shakespearean Adaptation to Film -- PART TWO REMEMBERING ORIGINS -- Shakespeare's Prologues on Page and Screen -- Nostalgia for the Stage in Shakespearean Films -- Death Rituals in Shakespeare, Almereyda, and Luhrmann -- PART THREE DISGUISE, GENRE, AND PLAY -- Gothic Aspects of Kenneth Branagh's Hamlet -- Art and the Grotesque in Julie Taymor's Titus and Peter Greenaway's Prospero's Books -- Five English Screen Directors' Approaches to Cross-Dressing in As You Like It and Twelfth Night -- Propaganda and the Other in Branagh's Henry V and Fiennes's Coriolanus -- PART FOUR MUSIC AND MEMORY -- "Sigh No More Ladies": Shakespeare, Branagh, and Whedon Tackle Issues of Gender and Fidelity in Much Ado About Nothing -- "O Mistress Mine": Intercutting in Trevor Nunn's Twelfth Night -- Nostalgia in Hoffman's William Shakespeare's A Midsummer Night's Dream and Branagh's Love's Labour's Lost -- Ariel's Singing Body as Interpreted by Greenaway and Taymor | |
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Film adaptations. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd |
| 650 | 0 | |a English drama |x Film adaptations. | |
| 650 | 0 | |a Film adaptations |x History and criticism. | |
| 650 | 0 | |a Motion pictures and literature. |0 http://id.loc.gov/authorities/subjects/sh85088132 | |
| 650 | 0 | |a Nostalgia in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh2002003787 | |
| 650 | 6 | |a Théâtre anglais |x Adaptations cinématographiques. | |
| 650 | 6 | |a Adaptations cinématographiques |x Histoire et critique. | |
| 650 | 6 | |a Cinéma et littérature. | |
| 650 | 6 | |a Nostalgie au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x English, Irish, Scottish, Welsh. |2 bisacsh | |
| 650 | 7 | |a English drama |2 fast | |
| 650 | 7 | |a Film adaptations |2 fast | |
| 650 | 7 | |a Motion pictures and literature |2 fast | |
| 650 | 7 | |a Nostalgia in motion pictures |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a Film adaptations |2 fast | |
| 758 | |i has work: |a Devouring time (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGGHBXwx4VDJDyV6VJdprq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 1 | |a Sheppard, Philippa, 1966- |t Devouring time.: |d Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2017] ©2017 |w (CaOONL)20179005456 |w (OCoLC)964327575 | |
| 856 | 4 | 0 | |l FWS01 |p ZDB-4-EBA |q FWS_PDA_EBA |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1527327 |3 Volltext |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn970406115 |
|---|---|
| _version_ | 1816882376875180032 |
| adam_text | |
| any_adam_object | |
| author | Sheppard, Philippa, 1966- |
| author_GND | http://id.loc.gov/authorities/names/no2017121586 |
| author_facet | Sheppard, Philippa, 1966- |
| author_role | aut |
| author_sort | Sheppard, Philippa, 1966- |
| author_variant | p s ps |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR3093 |
| callnumber-raw | PR3093 .S55 2017eb |
| callnumber-search | PR3093 .S55 2017eb |
| callnumber-sort | PR 43093 S55 42017EB |
| callnumber-subject | PR - English Literature |
| collection | ZDB-4-EBA |
| contents | Introduction: Remembrance of Things Past -- PART ONE DEFINING TERMS -- Why Shakespeare Films Now? -- The Drive to Realism in Shakespearean Adaptation to Film -- PART TWO REMEMBERING ORIGINS -- Shakespeare's Prologues on Page and Screen -- Nostalgia for the Stage in Shakespearean Films -- Death Rituals in Shakespeare, Almereyda, and Luhrmann -- PART THREE DISGUISE, GENRE, AND PLAY -- Gothic Aspects of Kenneth Branagh's Hamlet -- Art and the Grotesque in Julie Taymor's Titus and Peter Greenaway's Prospero's Books -- Five English Screen Directors' Approaches to Cross-Dressing in As You Like It and Twelfth Night -- Propaganda and the Other in Branagh's Henry V and Fiennes's Coriolanus -- PART FOUR MUSIC AND MEMORY -- "Sigh No More Ladies": Shakespeare, Branagh, and Whedon Tackle Issues of Gender and Fidelity in Much Ado About Nothing -- "O Mistress Mine": Intercutting in Trevor Nunn's Twelfth Night -- Nostalgia in Hoffman's William Shakespeare's A Midsummer Night's Dream and Branagh's Love's Labour's Lost -- Ariel's Singing Body as Interpreted by Greenaway and Taymor |
| ctrlnum | (OCoLC)970406115 |
| dewey-full | 791.43/6 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6 |
| dewey-search | 791.43/6 |
| dewey-sort | 3791.43 16 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Electronic books. Criticism, interpretation, etc. fast Film adaptations fast |
| genre_facet | Electronic books. Criticism, interpretation, etc. Film adaptations |
| id | ZDB-4-EBA-ocn970406115 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:27:38Z |
| institution | BVB |
| isbn | 9780773550216 0773550216 9780773550223 0773550224 |
| language | English |
| oclc_num | 970406115 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (xii, 426 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | McGill-Queen's University Press, |
| record_format | marc |
| spelling | Sheppard, Philippa, 1966- author. https://id.oclc.org/worldcat/entity/E39PCjGRyVdt7cf4j9b8YmmGHC http://id.loc.gov/authorities/names/no2017121586 Devouring time : nostalgia in contemporary Shakespearean screen adaptations / Philippa Sheppard. 1705 Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2017] ©2017 1 online resource (xii, 426 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Includes bibliographical references and index. "From Kenneth Branagh's ground-breaking Henry V to Justin Kurzel's haunting Macbeth, many modern filmmakers have adapted Shakespeare for the big screen. Their translations of Renaissance plays to modern cinema both highlight and comment on contemporary culture and attitudes to art, identity, and the past. A dynamic analysis of twenty-seven films adapted from Shakespeare's works, Philippa Sheppard's Devouring Time addresses a wide range of topics, including gender, ritual, music, setting, rhetoric, and editing. She argues that the directors' choice to adapt these four-hundred-year old plays is an act of nostalgia, not only for the plays themselves, but also for the period in which they were written, the association of genius that accompanies them, and the medium of theatre. Sheppard contends that millennial anxiety brought on by the social and technological revolutions of the last five decades has generated a yearning for Shakespeare because he is an icon of a literary culture often now deemed threatened. Authoritative and accessible, Devouring Time's investigations of filmmakers' nostalgia for the art of the past shed light on Western and pre-twentieth-century concepts of gender, identity, and colonialism."-- Provided by publisher Introduction: Remembrance of Things Past -- PART ONE DEFINING TERMS -- Why Shakespeare Films Now? -- The Drive to Realism in Shakespearean Adaptation to Film -- PART TWO REMEMBERING ORIGINS -- Shakespeare's Prologues on Page and Screen -- Nostalgia for the Stage in Shakespearean Films -- Death Rituals in Shakespeare, Almereyda, and Luhrmann -- PART THREE DISGUISE, GENRE, AND PLAY -- Gothic Aspects of Kenneth Branagh's Hamlet -- Art and the Grotesque in Julie Taymor's Titus and Peter Greenaway's Prospero's Books -- Five English Screen Directors' Approaches to Cross-Dressing in As You Like It and Twelfth Night -- Propaganda and the Other in Branagh's Henry V and Fiennes's Coriolanus -- PART FOUR MUSIC AND MEMORY -- "Sigh No More Ladies": Shakespeare, Branagh, and Whedon Tackle Issues of Gender and Fidelity in Much Ado About Nothing -- "O Mistress Mine": Intercutting in Trevor Nunn's Twelfth Night -- Nostalgia in Hoffman's William Shakespeare's A Midsummer Night's Dream and Branagh's Love's Labour's Lost -- Ariel's Singing Body as Interpreted by Greenaway and Taymor Shakespeare, William, 1564-1616 Film adaptations. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd English drama Film adaptations. Film adaptations History and criticism. Motion pictures and literature. http://id.loc.gov/authorities/subjects/sh85088132 Nostalgia in motion pictures. http://id.loc.gov/authorities/subjects/sh2002003787 Théâtre anglais Adaptations cinématographiques. Adaptations cinématographiques Histoire et critique. Cinéma et littérature. Nostalgie au cinéma. PERFORMING ARTS Reference. bisacsh LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh English drama fast Film adaptations fast Motion pictures and literature fast Nostalgia in motion pictures fast Electronic books. Criticism, interpretation, etc. fast has work: Devouring time (Text) https://id.oclc.org/worldcat/entity/E39PCGGHBXwx4VDJDyV6VJdprq https://id.oclc.org/worldcat/ontology/hasWork Sheppard, Philippa, 1966- Devouring time.: Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2017] ©2017 (CaOONL)20179005456 (OCoLC)964327575 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1527327 Volltext |
| spellingShingle | Sheppard, Philippa, 1966- Devouring time : nostalgia in contemporary Shakespearean screen adaptations / Introduction: Remembrance of Things Past -- PART ONE DEFINING TERMS -- Why Shakespeare Films Now? -- The Drive to Realism in Shakespearean Adaptation to Film -- PART TWO REMEMBERING ORIGINS -- Shakespeare's Prologues on Page and Screen -- Nostalgia for the Stage in Shakespearean Films -- Death Rituals in Shakespeare, Almereyda, and Luhrmann -- PART THREE DISGUISE, GENRE, AND PLAY -- Gothic Aspects of Kenneth Branagh's Hamlet -- Art and the Grotesque in Julie Taymor's Titus and Peter Greenaway's Prospero's Books -- Five English Screen Directors' Approaches to Cross-Dressing in As You Like It and Twelfth Night -- Propaganda and the Other in Branagh's Henry V and Fiennes's Coriolanus -- PART FOUR MUSIC AND MEMORY -- "Sigh No More Ladies": Shakespeare, Branagh, and Whedon Tackle Issues of Gender and Fidelity in Much Ado About Nothing -- "O Mistress Mine": Intercutting in Trevor Nunn's Twelfth Night -- Nostalgia in Hoffman's William Shakespeare's A Midsummer Night's Dream and Branagh's Love's Labour's Lost -- Ariel's Singing Body as Interpreted by Greenaway and Taymor Shakespeare, William, 1564-1616 Film adaptations. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd English drama Film adaptations. Film adaptations History and criticism. Motion pictures and literature. http://id.loc.gov/authorities/subjects/sh85088132 Nostalgia in motion pictures. http://id.loc.gov/authorities/subjects/sh2002003787 Théâtre anglais Adaptations cinématographiques. Adaptations cinématographiques Histoire et critique. Cinéma et littérature. Nostalgie au cinéma. PERFORMING ARTS Reference. bisacsh LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh English drama fast Film adaptations fast Motion pictures and literature fast Nostalgia in motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85088132 http://id.loc.gov/authorities/subjects/sh2002003787 |
| title | Devouring time : nostalgia in contemporary Shakespearean screen adaptations / |
| title_auth | Devouring time : nostalgia in contemporary Shakespearean screen adaptations / |
| title_exact_search | Devouring time : nostalgia in contemporary Shakespearean screen adaptations / |
| title_full | Devouring time : nostalgia in contemporary Shakespearean screen adaptations / Philippa Sheppard. |
| title_fullStr | Devouring time : nostalgia in contemporary Shakespearean screen adaptations / Philippa Sheppard. |
| title_full_unstemmed | Devouring time : nostalgia in contemporary Shakespearean screen adaptations / Philippa Sheppard. |
| title_short | Devouring time : |
| title_sort | devouring time nostalgia in contemporary shakespearean screen adaptations |
| title_sub | nostalgia in contemporary Shakespearean screen adaptations / |
| topic | Shakespeare, William, 1564-1616 Film adaptations. Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd English drama Film adaptations. Film adaptations History and criticism. Motion pictures and literature. http://id.loc.gov/authorities/subjects/sh85088132 Nostalgia in motion pictures. http://id.loc.gov/authorities/subjects/sh2002003787 Théâtre anglais Adaptations cinématographiques. Adaptations cinématographiques Histoire et critique. Cinéma et littérature. Nostalgie au cinéma. PERFORMING ARTS Reference. bisacsh LITERARY CRITICISM European English, Irish, Scottish, Welsh. bisacsh English drama fast Film adaptations fast Motion pictures and literature fast Nostalgia in motion pictures fast |
| topic_facet | Shakespeare, William, 1564-1616 Film adaptations. Shakespeare, William, 1564-1616 English drama Film adaptations. Film adaptations History and criticism. Motion pictures and literature. Nostalgia in motion pictures. Théâtre anglais Adaptations cinématographiques. Adaptations cinématographiques Histoire et critique. Cinéma et littérature. Nostalgie au cinéma. PERFORMING ARTS Reference. LITERARY CRITICISM European English, Irish, Scottish, Welsh. English drama Film adaptations Motion pictures and literature Nostalgia in motion pictures Electronic books. Criticism, interpretation, etc. |
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| work_keys_str_mv | AT sheppardphilippa devouringtimenostalgiaincontemporaryshakespeareanscreenadaptations |