Hitchcock's moral gaze /:
In his essays and interviews, Alfred Hitchcock was guarded about substantive matters of morality, preferring instead to focus on discussions of technique. That has not, however, discouraged scholars and critics from trying to work out what his films imply about such moral matters as honesty, fidelit...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Albany :
State University of New York Press,
[2017]
|
| Schriftenreihe: | SUNY series, horizons of cinema.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | In his essays and interviews, Alfred Hitchcock was guarded about substantive matters of morality, preferring instead to focus on discussions of technique. That has not, however, discouraged scholars and critics from trying to work out what his films imply about such moral matters as honesty, fidelity, jealousy, courage, love, and loyalty. Through discussions and analyses of such films as Strangers on a Train, Rear Window, Vertigo, North by Northwest, and Frenzy, the contributors to this book strive to throw light on the way Hitchcock depicts a moral--if not amoral or immoral--world. Drawing on perspectives from film studies, philosophy, literature, and other disciplines, they offer new and compelling interpretations of the filmmaker's moral gaze and the inflection point it provides for modern cinema. |
| Beschreibung: | 1 online resource. |
| Bibliographie: | Includes filmography. Includes bibliographical references and index. |
| ISBN: | 9781438463865 1438463863 1438463855 9781438463858 |
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| 504 | |a Includes filmography. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction / R. Barton Palmer and Steven M. Sanders -- Skepticism -- Jealousy and trust in The lodger / Graham Petrie -- Fun with Suspicion / Thomas Leitch -- Heroic satans and other Hitchcockian heresies / Nick Haeffner -- "Guilt, confession and then what?": The Paradine Case and Under Capricorn / Brian McFarlane -- The forgotten cigarette lighter and other moral accidents in Strangers on a train / George Toles -- Immorality -- Hitchcock's immoralists / Steven M. Sanders -- Hitchcock the amoralist: Rear window and the pleasures and dangers of looking / Sidney Gottlieb -- Voyeurism revisited / Richard Allen -- Moralizing -- Alfred Hitchcock as moralist / Murray Pomerance -- The deepening moralism of The wrong man / R. Barton Palmer -- Hitchcock and the philosophical end of film / Jerold J. Abrams -- Moral acts -- The dread of ascent: the moral and spiritual topography of Vertigo / Alan Woolfolk -- The philosophy of marriage in North by northwest / Jennifer L. Jenkins -- "The loyalty of an eel": issues of political, personal and professional morality in (and around) Torn curtain / Neil Sinyard -- Hobbes, Hume, and Hitchcock: the case of Frenzy / Homer B. Pettey. | |
| 588 | |a Description based on print version record and CIP data provided by publisher. | ||
| 520 | |a In his essays and interviews, Alfred Hitchcock was guarded about substantive matters of morality, preferring instead to focus on discussions of technique. That has not, however, discouraged scholars and critics from trying to work out what his films imply about such moral matters as honesty, fidelity, jealousy, courage, love, and loyalty. Through discussions and analyses of such films as Strangers on a Train, Rear Window, Vertigo, North by Northwest, and Frenzy, the contributors to this book strive to throw light on the way Hitchcock depicts a moral--if not amoral or immoral--world. Drawing on perspectives from film studies, philosophy, literature, and other disciplines, they offer new and compelling interpretations of the filmmaker's moral gaze and the inflection point it provides for modern cinema. | ||
| 600 | 1 | 0 | |a Hitchcock, Alfred, |d 1899-1980 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Hitchcock, Alfred, |d 1899-1980 |2 fast |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Palmer, R. Barton, |d 1946- |e editor. |0 http://id.loc.gov/authorities/names/n83059978 | |
| 700 | 1 | |a Sanders, Steven, |d 1945- |e editor. |0 http://id.loc.gov/authorities/names/n79113370 | |
| 700 | 1 | |a Pettey, Homer B., |e editor. | |
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| author2 | Palmer, R. Barton, 1946- Sanders, Steven, 1945- Pettey, Homer B. |
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| contents | Introduction / R. Barton Palmer and Steven M. Sanders -- Skepticism -- Jealousy and trust in The lodger / Graham Petrie -- Fun with Suspicion / Thomas Leitch -- Heroic satans and other Hitchcockian heresies / Nick Haeffner -- "Guilt, confession and then what?": The Paradine Case and Under Capricorn / Brian McFarlane -- The forgotten cigarette lighter and other moral accidents in Strangers on a train / George Toles -- Immorality -- Hitchcock's immoralists / Steven M. Sanders -- Hitchcock the amoralist: Rear window and the pleasures and dangers of looking / Sidney Gottlieb -- Voyeurism revisited / Richard Allen -- Moralizing -- Alfred Hitchcock as moralist / Murray Pomerance -- The deepening moralism of The wrong man / R. Barton Palmer -- Hitchcock and the philosophical end of film / Jerold J. Abrams -- Moral acts -- The dread of ascent: the moral and spiritual topography of Vertigo / Alan Woolfolk -- The philosophy of marriage in North by northwest / Jennifer L. Jenkins -- "The loyalty of an eel": issues of political, personal and professional morality in (and around) Torn curtain / Neil Sinyard -- Hobbes, Hume, and Hitchcock: the case of Frenzy / Homer B. Pettey. |
| ctrlnum | (OCoLC)961035135 |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/33092 |
| dewey-search | 791.4302/33092 |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| series2 | SUNY Series, Horizons of Cinema |
| spelling | Hitchcock's moral gaze / edited by R. Barton Palmer, Homer B. Pettey, and Steven M. Sanders. Albany : State University of New York Press, [2017] 1 online resource. text txt rdacontent computer c rdamedia online resource cr rdacarrier SUNY Series, Horizons of Cinema Includes filmography. Includes bibliographical references and index. Introduction / R. Barton Palmer and Steven M. Sanders -- Skepticism -- Jealousy and trust in The lodger / Graham Petrie -- Fun with Suspicion / Thomas Leitch -- Heroic satans and other Hitchcockian heresies / Nick Haeffner -- "Guilt, confession and then what?": The Paradine Case and Under Capricorn / Brian McFarlane -- The forgotten cigarette lighter and other moral accidents in Strangers on a train / George Toles -- Immorality -- Hitchcock's immoralists / Steven M. Sanders -- Hitchcock the amoralist: Rear window and the pleasures and dangers of looking / Sidney Gottlieb -- Voyeurism revisited / Richard Allen -- Moralizing -- Alfred Hitchcock as moralist / Murray Pomerance -- The deepening moralism of The wrong man / R. Barton Palmer -- Hitchcock and the philosophical end of film / Jerold J. Abrams -- Moral acts -- The dread of ascent: the moral and spiritual topography of Vertigo / Alan Woolfolk -- The philosophy of marriage in North by northwest / Jennifer L. Jenkins -- "The loyalty of an eel": issues of political, personal and professional morality in (and around) Torn curtain / Neil Sinyard -- Hobbes, Hume, and Hitchcock: the case of Frenzy / Homer B. Pettey. Description based on print version record and CIP data provided by publisher. In his essays and interviews, Alfred Hitchcock was guarded about substantive matters of morality, preferring instead to focus on discussions of technique. That has not, however, discouraged scholars and critics from trying to work out what his films imply about such moral matters as honesty, fidelity, jealousy, courage, love, and loyalty. Through discussions and analyses of such films as Strangers on a Train, Rear Window, Vertigo, North by Northwest, and Frenzy, the contributors to this book strive to throw light on the way Hitchcock depicts a moral--if not amoral or immoral--world. Drawing on perspectives from film studies, philosophy, literature, and other disciplines, they offer new and compelling interpretations of the filmmaker's moral gaze and the inflection point it provides for modern cinema. Hitchcock, Alfred, 1899-1980 Criticism and interpretation. Hitchcock, Alfred, 1899-1980 fast PERFORMING ARTS Reference. bisacsh Criticism, interpretation, etc. fast Palmer, R. Barton, 1946- editor. http://id.loc.gov/authorities/names/n83059978 Sanders, Steven, 1945- editor. http://id.loc.gov/authorities/names/n79113370 Pettey, Homer B., editor. has work: Hitchcock's moral gaze (Text) https://id.oclc.org/worldcat/entity/E39PCFrJDmyxpJgW4R48ymKHfm https://id.oclc.org/worldcat/ontology/hasWork Print version: Hitchcock's moral gaze Albany : State University of New York Press, [2017] 9781438463858 (DLC) 2016031494 SUNY series, horizons of cinema. http://id.loc.gov/authorities/names/n2004039992 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1462780 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1462780 Volltext |
| spellingShingle | Hitchcock's moral gaze / SUNY series, horizons of cinema. Introduction / R. Barton Palmer and Steven M. Sanders -- Skepticism -- Jealousy and trust in The lodger / Graham Petrie -- Fun with Suspicion / Thomas Leitch -- Heroic satans and other Hitchcockian heresies / Nick Haeffner -- "Guilt, confession and then what?": The Paradine Case and Under Capricorn / Brian McFarlane -- The forgotten cigarette lighter and other moral accidents in Strangers on a train / George Toles -- Immorality -- Hitchcock's immoralists / Steven M. Sanders -- Hitchcock the amoralist: Rear window and the pleasures and dangers of looking / Sidney Gottlieb -- Voyeurism revisited / Richard Allen -- Moralizing -- Alfred Hitchcock as moralist / Murray Pomerance -- The deepening moralism of The wrong man / R. Barton Palmer -- Hitchcock and the philosophical end of film / Jerold J. Abrams -- Moral acts -- The dread of ascent: the moral and spiritual topography of Vertigo / Alan Woolfolk -- The philosophy of marriage in North by northwest / Jennifer L. Jenkins -- "The loyalty of an eel": issues of political, personal and professional morality in (and around) Torn curtain / Neil Sinyard -- Hobbes, Hume, and Hitchcock: the case of Frenzy / Homer B. Pettey. Hitchcock, Alfred, 1899-1980 Criticism and interpretation. Hitchcock, Alfred, 1899-1980 fast PERFORMING ARTS Reference. bisacsh |
| title | Hitchcock's moral gaze / |
| title_auth | Hitchcock's moral gaze / |
| title_exact_search | Hitchcock's moral gaze / |
| title_full | Hitchcock's moral gaze / edited by R. Barton Palmer, Homer B. Pettey, and Steven M. Sanders. |
| title_fullStr | Hitchcock's moral gaze / edited by R. Barton Palmer, Homer B. Pettey, and Steven M. Sanders. |
| title_full_unstemmed | Hitchcock's moral gaze / edited by R. Barton Palmer, Homer B. Pettey, and Steven M. Sanders. |
| title_short | Hitchcock's moral gaze / |
| title_sort | hitchcock s moral gaze |
| topic | Hitchcock, Alfred, 1899-1980 Criticism and interpretation. Hitchcock, Alfred, 1899-1980 fast PERFORMING ARTS Reference. bisacsh |
| topic_facet | Hitchcock, Alfred, 1899-1980 Criticism and interpretation. Hitchcock, Alfred, 1899-1980 PERFORMING ARTS Reference. Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1462780 |
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