Hip hop at Europe's edge :: music, agency, and social change /
Responding to the development of a lively hip hop culture in Central and Eastern European countries, this interdisciplinary study demonstrates how a universal model of hip hop serves as a contextually situated platform of cultural exchange and becomes locally inflected. After the Soviet Union fell,...
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| Weitere Verfasser: | , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Bloomington, Indiana ; Indianapolis :
Indiana University Press,
[2017]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Responding to the development of a lively hip hop culture in Central and Eastern European countries, this interdisciplinary study demonstrates how a universal model of hip hop serves as a contextually situated platform of cultural exchange and becomes locally inflected. After the Soviet Union fell, hip hop became popular in urban environments in the region, but it has often been stigmatized as inauthentic, due to an apparent lack of connection to African American historical roots and black identity. Originally strongly influenced by aesthetics from the US, hip hop in Central and Eastern Europe has gradually developed unique, local trajectories, a number of which are showcased in this volume. On the one hand, hip hop functions as a marker of Western cosmopolitanism and democratic ideology, but as the contributors show, it is also a malleable genre that has been infused with so much local identity that it has lost most of its previous associations with?the West? in the experiences of local musicians, audiences, and producers. Contextualizing hip hop through the prism of local experiences and regional musical expressions, these valuable case studies reveal the broad spectrum of its impact on popular culture and youth identity in the post-Soviet world. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9780253023216 0253023211 |
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| 245 | 0 | 0 | |a Hip hop at Europe's edge : |b music, agency, and social change / |c edited by Milosz Miszczynski and Adriana Helbig. |
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| 505 | 0 | 0 | |t Introduction / |r Adriana Helbig and Milosz Miszczynski -- |t Part 1: Hip Hop, Postsocialism, and Democracy -- |t Rapping into Power: The Use of Hip Hop in Albanian Politics / |r Gentian Elezi and Elona Toska -- |t Nothing Left to Lose: Hip Hop in Bosnia-Herzegovina / |r Jasmin Mujanović -- |t Russian Rap in the Era of Vladimir Putin / |r Philip Ewell -- |t Rap Music as a Cultural Mediator in Post-Conflict Yugoslavia / |r Alexandra Baladina -- |t Part 2: Hip Hop and Emerging Market Economies -- |t Diesel Power: Serbian Hip Hop from the Pleasure of the Privileged to Mass Youth Culture / |r Goran Musić and Predrag Vukčević -- |t "The Underground is for Beggars": Slovak Rap at the Center of National Popular Culture / |r Peter Barrer -- |t Music, Technology, and Shifts in Popular Culture: Making Hip Hop in e-Estonia / |r Triin Vallaste -- |t Wearing Nikes for a Reason: A Critical Analysis of Brand Usage in Polish Rap / |r Milosz Miszczynski and Przemyslaw Tomaszewski -- |t Part 3: Hip Hop on the Margins -- |t Cosmopolitan Inscriptions? Mimicry, Rap, and Rurbanity in Post-socialist Albania / |r Nicholas Tochka -- |t Violence as Existential Punctuation: Russian Hip Hop in the Age of Late Capitalism / |r Alexandre Gontchar -- |t Unmasking Expressions in Turkish Rap/Hip Hop Culture: Contestation and Construction of Alternatıve Identities Through Localizatıon in Arabesk Music / |r Nuran Erol Işik and Murat Can Basaran -- |t Hip Hop as a Means of Flight from 'Gypsy Ghetto' in Eastern Europe / |r Michal Ruzicka, Alena Kajanova, Veronika Zvánovcová, and Tomas Mrhalek -- |t Rapping the Changes in North-East Siberia: Hip Hop, Urbanization, and Sakha Ethnicity / |r Aimar Ventsel and Eleanor Peers -- |t Part 4: Hip Hop and Global Circulations of Blackness -- |t La haine et les autres crimes: Ghettocentric Imagery in Serbian Hip Hop Videos / |r Irena Šentevska -- |t The Power of the Words: Discourses of Authenticity in Czech Rap Music / |r Anna Oravcová -- |t "Keep it 360": (Re)envisioning The Cultural and Racial Roots of Hip Hop through DJ Rhetoric and Ethnography / |r Todd Craig. |
| 520 | 8 | |a Responding to the development of a lively hip hop culture in Central and Eastern European countries, this interdisciplinary study demonstrates how a universal model of hip hop serves as a contextually situated platform of cultural exchange and becomes locally inflected. After the Soviet Union fell, hip hop became popular in urban environments in the region, but it has often been stigmatized as inauthentic, due to an apparent lack of connection to African American historical roots and black identity. Originally strongly influenced by aesthetics from the US, hip hop in Central and Eastern Europe has gradually developed unique, local trajectories, a number of which are showcased in this volume. On the one hand, hip hop functions as a marker of Western cosmopolitanism and democratic ideology, but as the contributors show, it is also a malleable genre that has been infused with so much local identity that it has lost most of its previous associations with?the West? in the experiences of local musicians, audiences, and producers. Contextualizing hip hop through the prism of local experiences and regional musical expressions, these valuable case studies reveal the broad spectrum of its impact on popular culture and youth identity in the post-Soviet world. | |
| 610 | 2 | 7 | |a Hip Hop |2 gnd |0 http://d-nb.info/gnd/10291880-6 |
| 650 | 0 | |a Rap (Music) |z Europe, Eastern |x History and criticism. | |
| 650 | 0 | |a Rap (Music) |z Europe, Central |x History and criticism. | |
| 650 | 0 | |a Rap (Music) |x Social aspects |z Europe, Eastern. | |
| 650 | 0 | |a Rap (Music) |x Social aspects |z Europe, Central. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Voice. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Lyrics. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Vocal. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Rap & Hip Hop. |2 bisacsh | |
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| 651 | 7 | |a Central Europe |2 fast | |
| 651 | 7 | |a Eastern Europe |2 fast | |
| 650 | 7 | |a Kulturelle Identität |2 gnd | |
| 650 | 7 | |a Kulturübertragung |2 gnd |0 http://d-nb.info/gnd/4211565-6 | |
| 651 | 7 | |a Osteuropa |2 gnd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Miszczyński, Miłosz, |e editor. | |
| 700 | 1 | |a Helbig, Adriana, |e editor. | |
| 758 | |i has work: |a Hip hop at europes edge - music, agency, and social change (Text) |1 https://id.oclc.org/worldcat/entity/E39PCXDMPPyrGbR3bFb3whhj4q |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |t Hip hop at Europe's edge |d Bloomington ; Indianapolis : Indiana University Press, [2017] |z 9780253022738 |w (DLC) 2016043843 |
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Datensatz im Suchindex
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| author2 | Miszczyński, Miłosz Helbig, Adriana |
| author2_role | edt edt |
| author2_variant | m m mm a h ah |
| author_additional | Adriana Helbig and Milosz Miszczynski -- Gentian Elezi and Elona Toska -- Jasmin Mujanović -- Philip Ewell -- Alexandra Baladina -- Goran Musić and Predrag Vukčević -- Peter Barrer -- Triin Vallaste -- Milosz Miszczynski and Przemyslaw Tomaszewski -- Nicholas Tochka -- Alexandre Gontchar -- Nuran Erol Işik and Murat Can Basaran -- Michal Ruzicka, Alena Kajanova, Veronika Zvánovcová, and Tomas Mrhalek -- Aimar Ventsel and Eleanor Peers -- Irena Šentevska -- Anna Oravcová -- Todd Craig. |
| author_facet | Miszczyński, Miłosz Helbig, Adriana |
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| contents | Introduction / Part 1: Hip Hop, Postsocialism, and Democracy -- Rapping into Power: The Use of Hip Hop in Albanian Politics / Nothing Left to Lose: Hip Hop in Bosnia-Herzegovina / Russian Rap in the Era of Vladimir Putin / Rap Music as a Cultural Mediator in Post-Conflict Yugoslavia / Part 2: Hip Hop and Emerging Market Economies -- Diesel Power: Serbian Hip Hop from the Pleasure of the Privileged to Mass Youth Culture / "The Underground is for Beggars": Slovak Rap at the Center of National Popular Culture / Music, Technology, and Shifts in Popular Culture: Making Hip Hop in e-Estonia / Wearing Nikes for a Reason: A Critical Analysis of Brand Usage in Polish Rap / Part 3: Hip Hop on the Margins -- Cosmopolitan Inscriptions? Mimicry, Rap, and Rurbanity in Post-socialist Albania / Violence as Existential Punctuation: Russian Hip Hop in the Age of Late Capitalism / Unmasking Expressions in Turkish Rap/Hip Hop Culture: Contestation and Construction of Alternatıve Identities Through Localizatıon in Arabesk Music / Hip Hop as a Means of Flight from 'Gypsy Ghetto' in Eastern Europe / Rapping the Changes in North-East Siberia: Hip Hop, Urbanization, and Sakha Ethnicity / Part 4: Hip Hop and Global Circulations of Blackness -- La haine et les autres crimes: Ghettocentric Imagery in Serbian Hip Hop Videos / The Power of the Words: Discourses of Authenticity in Czech Rap Music / "Keep it 360": (Re)envisioning The Cultural and Racial Roots of Hip Hop through DJ Rhetoric and Ethnography / |
| ctrlnum | (OCoLC)960940756 |
| dewey-full | 782.4216490947 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.4216490947 |
| dewey-search | 782.4216490947 |
| dewey-sort | 3782.4216490947 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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Miszczynski --</subfield><subfield code="t">Part 1: Hip Hop, Postsocialism, and Democracy --</subfield><subfield code="t">Rapping into Power: The Use of Hip Hop in Albanian Politics /</subfield><subfield code="r">Gentian Elezi and Elona Toska --</subfield><subfield code="t">Nothing Left to Lose: Hip Hop in Bosnia-Herzegovina /</subfield><subfield code="r">Jasmin Mujanović --</subfield><subfield code="t">Russian Rap in the Era of Vladimir Putin /</subfield><subfield code="r">Philip Ewell --</subfield><subfield code="t">Rap Music as a Cultural Mediator in Post-Conflict Yugoslavia /</subfield><subfield code="r">Alexandra Baladina --</subfield><subfield code="t">Part 2: Hip Hop and Emerging Market Economies --</subfield><subfield code="t">Diesel Power: Serbian Hip Hop from the Pleasure of the Privileged to Mass Youth Culture /</subfield><subfield code="r">Goran Musić and Predrag Vukčević --</subfield><subfield code="t">"The Underground is for Beggars": Slovak Rap at the Center of National 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Mimicry, Rap, and Rurbanity in Post-socialist Albania /</subfield><subfield code="r">Nicholas Tochka --</subfield><subfield code="t">Violence as Existential Punctuation: Russian Hip Hop in the Age of Late Capitalism /</subfield><subfield code="r">Alexandre Gontchar --</subfield><subfield code="t">Unmasking Expressions in Turkish Rap/Hip Hop Culture: Contestation and Construction of Alternatıve Identities Through Localizatıon in Arabesk Music /</subfield><subfield code="r">Nuran Erol Işik and Murat Can Basaran --</subfield><subfield code="t">Hip Hop as a Means of Flight from 'Gypsy Ghetto' in Eastern Europe /</subfield><subfield code="r">Michal Ruzicka, Alena Kajanova, Veronika Zvánovcová, and Tomas Mrhalek --</subfield><subfield code="t">Rapping the Changes in North-East Siberia: Hip Hop, Urbanization, and Sakha Ethnicity /</subfield><subfield code="r">Aimar Ventsel and Eleanor Peers --</subfield><subfield code="t">Part 4: Hip Hop and Global Circulations of Blackness --</subfield><subfield code="t">La haine et les autres crimes: Ghettocentric Imagery in Serbian Hip Hop Videos /</subfield><subfield code="r">Irena Šentevska --</subfield><subfield code="t">The Power of the Words: Discourses of Authenticity in Czech Rap Music /</subfield><subfield code="r">Anna Oravcová --</subfield><subfield code="t">"Keep it 360": (Re)envisioning The Cultural and Racial Roots of Hip Hop through DJ Rhetoric and Ethnography /</subfield><subfield code="r">Todd Craig.</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">Responding to the development of a lively hip hop culture in Central and Eastern European countries, this interdisciplinary study demonstrates how a universal model of hip hop serves as a contextually situated platform of cultural exchange and becomes locally inflected. 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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | Central Europe fast Eastern Europe fast Osteuropa gnd |
| geographic_facet | Central Europe Eastern Europe Osteuropa |
| id | ZDB-4-EBA-ocn960940756 |
| illustrated | Not Illustrated |
| indexdate | 2024-10-25T16:23:25Z |
| institution | BVB |
| isbn | 9780253023216 0253023211 |
| language | English |
| lccn | 2016048153 |
| oclc_num | 960940756 |
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| owner | MAIN |
| owner_facet | MAIN |
| physical | 1 online resource |
| psigel | ZDB-4-EBA |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Indiana University Press, |
| record_format | marc |
| spelling | Hip hop at Europe's edge : music, agency, and social change / edited by Milosz Miszczynski and Adriana Helbig. Bloomington, Indiana ; Indianapolis : Indiana University Press, [2017] 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. Description based on print version record. Introduction / Adriana Helbig and Milosz Miszczynski -- Part 1: Hip Hop, Postsocialism, and Democracy -- Rapping into Power: The Use of Hip Hop in Albanian Politics / Gentian Elezi and Elona Toska -- Nothing Left to Lose: Hip Hop in Bosnia-Herzegovina / Jasmin Mujanović -- Russian Rap in the Era of Vladimir Putin / Philip Ewell -- Rap Music as a Cultural Mediator in Post-Conflict Yugoslavia / Alexandra Baladina -- Part 2: Hip Hop and Emerging Market Economies -- Diesel Power: Serbian Hip Hop from the Pleasure of the Privileged to Mass Youth Culture / Goran Musić and Predrag Vukčević -- "The Underground is for Beggars": Slovak Rap at the Center of National Popular Culture / Peter Barrer -- Music, Technology, and Shifts in Popular Culture: Making Hip Hop in e-Estonia / Triin Vallaste -- Wearing Nikes for a Reason: A Critical Analysis of Brand Usage in Polish Rap / Milosz Miszczynski and Przemyslaw Tomaszewski -- Part 3: Hip Hop on the Margins -- Cosmopolitan Inscriptions? Mimicry, Rap, and Rurbanity in Post-socialist Albania / Nicholas Tochka -- Violence as Existential Punctuation: Russian Hip Hop in the Age of Late Capitalism / Alexandre Gontchar -- Unmasking Expressions in Turkish Rap/Hip Hop Culture: Contestation and Construction of Alternatıve Identities Through Localizatıon in Arabesk Music / Nuran Erol Işik and Murat Can Basaran -- Hip Hop as a Means of Flight from 'Gypsy Ghetto' in Eastern Europe / Michal Ruzicka, Alena Kajanova, Veronika Zvánovcová, and Tomas Mrhalek -- Rapping the Changes in North-East Siberia: Hip Hop, Urbanization, and Sakha Ethnicity / Aimar Ventsel and Eleanor Peers -- Part 4: Hip Hop and Global Circulations of Blackness -- La haine et les autres crimes: Ghettocentric Imagery in Serbian Hip Hop Videos / Irena Šentevska -- The Power of the Words: Discourses of Authenticity in Czech Rap Music / Anna Oravcová -- "Keep it 360": (Re)envisioning The Cultural and Racial Roots of Hip Hop through DJ Rhetoric and Ethnography / Todd Craig. Responding to the development of a lively hip hop culture in Central and Eastern European countries, this interdisciplinary study demonstrates how a universal model of hip hop serves as a contextually situated platform of cultural exchange and becomes locally inflected. After the Soviet Union fell, hip hop became popular in urban environments in the region, but it has often been stigmatized as inauthentic, due to an apparent lack of connection to African American historical roots and black identity. Originally strongly influenced by aesthetics from the US, hip hop in Central and Eastern Europe has gradually developed unique, local trajectories, a number of which are showcased in this volume. On the one hand, hip hop functions as a marker of Western cosmopolitanism and democratic ideology, but as the contributors show, it is also a malleable genre that has been infused with so much local identity that it has lost most of its previous associations with?the West? in the experiences of local musicians, audiences, and producers. Contextualizing hip hop through the prism of local experiences and regional musical expressions, these valuable case studies reveal the broad spectrum of its impact on popular culture and youth identity in the post-Soviet world. Hip Hop gnd http://d-nb.info/gnd/10291880-6 Rap (Music) Europe, Eastern History and criticism. Rap (Music) Europe, Central History and criticism. Rap (Music) Social aspects Europe, Eastern. Rap (Music) Social aspects Europe, Central. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh MUSIC Genres & Styles Rap & Hip Hop. bisacsh Rap (Music) fast Rap (Music) Social aspects fast Central Europe fast Eastern Europe fast Kulturelle Identität gnd Kulturübertragung gnd http://d-nb.info/gnd/4211565-6 Osteuropa gnd Criticism, interpretation, etc. fast Miszczyński, Miłosz, editor. Helbig, Adriana, editor. has work: Hip hop at europes edge - music, agency, and social change (Text) https://id.oclc.org/worldcat/entity/E39PCXDMPPyrGbR3bFb3whhj4q https://id.oclc.org/worldcat/ontology/hasWork Print version: Hip hop at Europe's edge Bloomington ; Indianapolis : Indiana University Press, [2017] 9780253022738 (DLC) 2016043843 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1478071 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1478071 Volltext |
| spellingShingle | Hip hop at Europe's edge : music, agency, and social change / Introduction / Part 1: Hip Hop, Postsocialism, and Democracy -- Rapping into Power: The Use of Hip Hop in Albanian Politics / Nothing Left to Lose: Hip Hop in Bosnia-Herzegovina / Russian Rap in the Era of Vladimir Putin / Rap Music as a Cultural Mediator in Post-Conflict Yugoslavia / Part 2: Hip Hop and Emerging Market Economies -- Diesel Power: Serbian Hip Hop from the Pleasure of the Privileged to Mass Youth Culture / "The Underground is for Beggars": Slovak Rap at the Center of National Popular Culture / Music, Technology, and Shifts in Popular Culture: Making Hip Hop in e-Estonia / Wearing Nikes for a Reason: A Critical Analysis of Brand Usage in Polish Rap / Part 3: Hip Hop on the Margins -- Cosmopolitan Inscriptions? Mimicry, Rap, and Rurbanity in Post-socialist Albania / Violence as Existential Punctuation: Russian Hip Hop in the Age of Late Capitalism / Unmasking Expressions in Turkish Rap/Hip Hop Culture: Contestation and Construction of Alternatıve Identities Through Localizatıon in Arabesk Music / Hip Hop as a Means of Flight from 'Gypsy Ghetto' in Eastern Europe / Rapping the Changes in North-East Siberia: Hip Hop, Urbanization, and Sakha Ethnicity / Part 4: Hip Hop and Global Circulations of Blackness -- La haine et les autres crimes: Ghettocentric Imagery in Serbian Hip Hop Videos / The Power of the Words: Discourses of Authenticity in Czech Rap Music / "Keep it 360": (Re)envisioning The Cultural and Racial Roots of Hip Hop through DJ Rhetoric and Ethnography / Hip Hop gnd http://d-nb.info/gnd/10291880-6 Rap (Music) Europe, Eastern History and criticism. Rap (Music) Europe, Central History and criticism. Rap (Music) Social aspects Europe, Eastern. Rap (Music) Social aspects Europe, Central. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh MUSIC Genres & Styles Rap & Hip Hop. bisacsh Rap (Music) fast Rap (Music) Social aspects fast Kulturelle Identität gnd Kulturübertragung gnd http://d-nb.info/gnd/4211565-6 |
| subject_GND | http://d-nb.info/gnd/10291880-6 http://d-nb.info/gnd/4211565-6 |
| title | Hip hop at Europe's edge : music, agency, and social change / |
| title_alt | Introduction / Part 1: Hip Hop, Postsocialism, and Democracy -- Rapping into Power: The Use of Hip Hop in Albanian Politics / Nothing Left to Lose: Hip Hop in Bosnia-Herzegovina / Russian Rap in the Era of Vladimir Putin / Rap Music as a Cultural Mediator in Post-Conflict Yugoslavia / Part 2: Hip Hop and Emerging Market Economies -- Diesel Power: Serbian Hip Hop from the Pleasure of the Privileged to Mass Youth Culture / "The Underground is for Beggars": Slovak Rap at the Center of National Popular Culture / Music, Technology, and Shifts in Popular Culture: Making Hip Hop in e-Estonia / Wearing Nikes for a Reason: A Critical Analysis of Brand Usage in Polish Rap / Part 3: Hip Hop on the Margins -- Cosmopolitan Inscriptions? Mimicry, Rap, and Rurbanity in Post-socialist Albania / Violence as Existential Punctuation: Russian Hip Hop in the Age of Late Capitalism / Unmasking Expressions in Turkish Rap/Hip Hop Culture: Contestation and Construction of Alternatıve Identities Through Localizatıon in Arabesk Music / Hip Hop as a Means of Flight from 'Gypsy Ghetto' in Eastern Europe / Rapping the Changes in North-East Siberia: Hip Hop, Urbanization, and Sakha Ethnicity / Part 4: Hip Hop and Global Circulations of Blackness -- La haine et les autres crimes: Ghettocentric Imagery in Serbian Hip Hop Videos / The Power of the Words: Discourses of Authenticity in Czech Rap Music / "Keep it 360": (Re)envisioning The Cultural and Racial Roots of Hip Hop through DJ Rhetoric and Ethnography / |
| title_auth | Hip hop at Europe's edge : music, agency, and social change / |
| title_exact_search | Hip hop at Europe's edge : music, agency, and social change / |
| title_full | Hip hop at Europe's edge : music, agency, and social change / edited by Milosz Miszczynski and Adriana Helbig. |
| title_fullStr | Hip hop at Europe's edge : music, agency, and social change / edited by Milosz Miszczynski and Adriana Helbig. |
| title_full_unstemmed | Hip hop at Europe's edge : music, agency, and social change / edited by Milosz Miszczynski and Adriana Helbig. |
| title_short | Hip hop at Europe's edge : |
| title_sort | hip hop at europe s edge music agency and social change |
| title_sub | music, agency, and social change / |
| topic | Hip Hop gnd http://d-nb.info/gnd/10291880-6 Rap (Music) Europe, Eastern History and criticism. Rap (Music) Europe, Central History and criticism. Rap (Music) Social aspects Europe, Eastern. Rap (Music) Social aspects Europe, Central. MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh MUSIC Genres & Styles Rap & Hip Hop. bisacsh Rap (Music) fast Rap (Music) Social aspects fast Kulturelle Identität gnd Kulturübertragung gnd http://d-nb.info/gnd/4211565-6 |
| topic_facet | Hip Hop Rap (Music) Europe, Eastern History and criticism. Rap (Music) Europe, Central History and criticism. Rap (Music) Social aspects Europe, Eastern. Rap (Music) Social aspects Europe, Central. MUSIC Instruction & Study Voice. MUSIC Lyrics. MUSIC Printed Music Vocal. MUSIC Genres & Styles Rap & Hip Hop. Rap (Music) Rap (Music) Social aspects Central Europe Eastern Europe Kulturelle Identität Kulturübertragung Osteuropa Criticism, interpretation, etc. |
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| work_keys_str_mv | AT miszczynskimiłosz hiphopateuropesedgemusicagencyandsocialchange AT helbigadriana hiphopateuropesedgemusicagencyandsocialchange |