Passionate detachments :: technologies of vision and violence in American Cinema, 1967-1974 /
Passionate Detachments" investigates the rise of graphic violence in American films of the late 1960s and early 1970s and the popular aesthetics and critical responses this violence inspired. Amy Rust examines four technologies adopted by commercial American cinema after the fall of the Hollywo...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Albany, NY :
State University of New York Press,
[2017]
|
| Schriftenreihe: | SUNY series, horizons of cinema
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Passionate Detachments" investigates the rise of graphic violence in American films of the late 1960s and early 1970s and the popular aesthetics and critical responses this violence inspired. Amy Rust examines four technologies adopted by commercial American cinema after the fall of the Hollywood Production Code: multiple-camera montage, squibs (small explosive devices) and artificial blood, freeze-frames, and zooms. Approaching these technologies as figures, as opposed to mere tools, Rust traces the encounters they mediate between perception (what one sees, hears, and feels) and representation (how those sights, sounds, and feelings make meaning). These technologies, she argues, lend shape to film violence while organizing viewers? on- and off-screen relationships to it. The result proves meaningful for an era self-consciously and perilously preoccupied with bloodshed. The post-Code period found Americans across the political spectrum demanding visual - and increasingly violent - demonstrations of presumably?authentic? realities. Corroborating fantasies of authenticity from military to counterculture, these technologies challenge them as well, pointing, however unwittingly, to the violently classed, gendered, and racialized blind spots such fantasies harbor. More broadly, the technologies answer concerns that films control violence too much or too little. Offering neither mere discoursenor mere thrills, they recover sense and sensation for all, not some, or even most, depictions of bloodshed. |
| Beschreibung: | 1 online resource : illustrations. |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781438465418 1438465416 |
Internformat
MARC
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| 100 | 1 | |a Rust, Amy, |d 1974- |e author. |0 http://id.loc.gov/authorities/names/n2016057736 | |
| 245 | 1 | 0 | |a Passionate detachments : |b technologies of vision and violence in American Cinema, 1967-1974 / |c Amy Rust. |
| 264 | 1 | |a Albany, NY : |b State University of New York Press, |c [2017] | |
| 300 | |a 1 online resource : |b illustrations. | ||
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| 490 | 0 | |a SUNY series, horizons of cinema | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: The logic of film violence, or, figuring the sense in sensation -- A parallax view: the violent synchrony of multiple-speed montage -- Violence incarnate: squibs, artificial blood, and wounds that speak -- Hitting the "vérité jackpot": the ecstatic profits of freeze-framed violence -- Extraction and exchange: the zoom and environmental intension -- Conclusion: Passionate detachments. | |
| 588 | |a Description based on online resource; title from PDF title page (Site, viewed 06/29/2022). | ||
| 520 | |a Passionate Detachments" investigates the rise of graphic violence in American films of the late 1960s and early 1970s and the popular aesthetics and critical responses this violence inspired. Amy Rust examines four technologies adopted by commercial American cinema after the fall of the Hollywood Production Code: multiple-camera montage, squibs (small explosive devices) and artificial blood, freeze-frames, and zooms. Approaching these technologies as figures, as opposed to mere tools, Rust traces the encounters they mediate between perception (what one sees, hears, and feels) and representation (how those sights, sounds, and feelings make meaning). These technologies, she argues, lend shape to film violence while organizing viewers? on- and off-screen relationships to it. The result proves meaningful for an era self-consciously and perilously preoccupied with bloodshed. The post-Code period found Americans across the political spectrum demanding visual - and increasingly violent - demonstrations of presumably?authentic? realities. Corroborating fantasies of authenticity from military to counterculture, these technologies challenge them as well, pointing, however unwittingly, to the violently classed, gendered, and racialized blind spots such fantasies harbor. More broadly, the technologies answer concerns that films control violence too much or too little. Offering neither mere discoursenor mere thrills, they recover sense and sensation for all, not some, or even most, depictions of bloodshed. | ||
| 650 | 0 | |a Violence in motion pictures. |0 http://id.loc.gov/authorities/subjects/sh85143526 | |
| 650 | 0 | |a Motion pictures |z United States. |0 http://id.loc.gov/authorities/subjects/sh85088112 | |
| 650 | 0 | |a Motion pictures |x Social aspects |z United States. | |
| 650 | 6 | |a Violence au cinéma. | |
| 650 | 6 | |a Cinéma |z États-Unis. | |
| 650 | 6 | |a Cinéma |x Aspect social |z États-Unis. | |
| 650 | 7 | |a PERFORMING ARTS - Reference. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |x Social aspects |2 fast | |
| 650 | 7 | |a Violence in motion pictures |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 758 | |i has work: |a Passionate detachments (Text) |1 https://id.oclc.org/worldcat/entity/E39PCGJfKdjhjFwTthCKPYpF8C |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Rust, Amy, 1974- author. |t Passionate detachments |d Albany : State University of New York Press, [2017] |z 9781438465395 |w (DLC) 2016031447 |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn960940713 |
|---|---|
| _version_ | 1816882366028709888 |
| adam_text | |
| any_adam_object | |
| author | Rust, Amy, 1974- |
| author_GND | http://id.loc.gov/authorities/names/n2016057736 |
| author_facet | Rust, Amy, 1974- |
| author_role | aut |
| author_sort | Rust, Amy, 1974- |
| author_variant | a r ar |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.V5 |
| callnumber-search | PN1995.9.V5 |
| callnumber-sort | PN 41995.9 V5 |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Introduction: The logic of film violence, or, figuring the sense in sensation -- A parallax view: the violent synchrony of multiple-speed montage -- Violence incarnate: squibs, artificial blood, and wounds that speak -- Hitting the "vérité jackpot": the ecstatic profits of freeze-framed violence -- Extraction and exchange: the zoom and environmental intension -- Conclusion: Passionate detachments. |
| ctrlnum | (OCoLC)960940713 |
| dewey-full | 791.43/6552 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6552 |
| dewey-search | 791.43/6552 |
| dewey-sort | 3791.43 46552 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn960940713 |
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| isbn | 9781438465418 1438465416 |
| language | English |
| lccn | 2016047975 |
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| spelling | Rust, Amy, 1974- author. http://id.loc.gov/authorities/names/n2016057736 Passionate detachments : technologies of vision and violence in American Cinema, 1967-1974 / Amy Rust. Albany, NY : State University of New York Press, [2017] 1 online resource : illustrations. still image sti rdacontent computer c rdamedia online resource cr rdacarrier SUNY series, horizons of cinema Includes bibliographical references and index. Introduction: The logic of film violence, or, figuring the sense in sensation -- A parallax view: the violent synchrony of multiple-speed montage -- Violence incarnate: squibs, artificial blood, and wounds that speak -- Hitting the "vérité jackpot": the ecstatic profits of freeze-framed violence -- Extraction and exchange: the zoom and environmental intension -- Conclusion: Passionate detachments. Description based on online resource; title from PDF title page (Site, viewed 06/29/2022). Passionate Detachments" investigates the rise of graphic violence in American films of the late 1960s and early 1970s and the popular aesthetics and critical responses this violence inspired. Amy Rust examines four technologies adopted by commercial American cinema after the fall of the Hollywood Production Code: multiple-camera montage, squibs (small explosive devices) and artificial blood, freeze-frames, and zooms. Approaching these technologies as figures, as opposed to mere tools, Rust traces the encounters they mediate between perception (what one sees, hears, and feels) and representation (how those sights, sounds, and feelings make meaning). These technologies, she argues, lend shape to film violence while organizing viewers? on- and off-screen relationships to it. The result proves meaningful for an era self-consciously and perilously preoccupied with bloodshed. The post-Code period found Americans across the political spectrum demanding visual - and increasingly violent - demonstrations of presumably?authentic? realities. Corroborating fantasies of authenticity from military to counterculture, these technologies challenge them as well, pointing, however unwittingly, to the violently classed, gendered, and racialized blind spots such fantasies harbor. More broadly, the technologies answer concerns that films control violence too much or too little. Offering neither mere discoursenor mere thrills, they recover sense and sensation for all, not some, or even most, depictions of bloodshed. Violence in motion pictures. http://id.loc.gov/authorities/subjects/sh85143526 Motion pictures United States. http://id.loc.gov/authorities/subjects/sh85088112 Motion pictures Social aspects United States. Violence au cinéma. Cinéma États-Unis. Cinéma Aspect social États-Unis. PERFORMING ARTS - Reference. bisacsh Motion pictures fast Motion pictures Social aspects fast Violence in motion pictures fast United States fast has work: Passionate detachments (Text) https://id.oclc.org/worldcat/entity/E39PCGJfKdjhjFwTthCKPYpF8C https://id.oclc.org/worldcat/ontology/hasWork Print version: Rust, Amy, 1974- author. Passionate detachments Albany : State University of New York Press, [2017] 9781438465395 (DLC) 2016031447 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1525462 Volltext |
| spellingShingle | Rust, Amy, 1974- Passionate detachments : technologies of vision and violence in American Cinema, 1967-1974 / Introduction: The logic of film violence, or, figuring the sense in sensation -- A parallax view: the violent synchrony of multiple-speed montage -- Violence incarnate: squibs, artificial blood, and wounds that speak -- Hitting the "vérité jackpot": the ecstatic profits of freeze-framed violence -- Extraction and exchange: the zoom and environmental intension -- Conclusion: Passionate detachments. Violence in motion pictures. http://id.loc.gov/authorities/subjects/sh85143526 Motion pictures United States. http://id.loc.gov/authorities/subjects/sh85088112 Motion pictures Social aspects United States. Violence au cinéma. Cinéma États-Unis. Cinéma Aspect social États-Unis. PERFORMING ARTS - Reference. bisacsh Motion pictures fast Motion pictures Social aspects fast Violence in motion pictures fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh85143526 http://id.loc.gov/authorities/subjects/sh85088112 |
| title | Passionate detachments : technologies of vision and violence in American Cinema, 1967-1974 / |
| title_auth | Passionate detachments : technologies of vision and violence in American Cinema, 1967-1974 / |
| title_exact_search | Passionate detachments : technologies of vision and violence in American Cinema, 1967-1974 / |
| title_full | Passionate detachments : technologies of vision and violence in American Cinema, 1967-1974 / Amy Rust. |
| title_fullStr | Passionate detachments : technologies of vision and violence in American Cinema, 1967-1974 / Amy Rust. |
| title_full_unstemmed | Passionate detachments : technologies of vision and violence in American Cinema, 1967-1974 / Amy Rust. |
| title_short | Passionate detachments : |
| title_sort | passionate detachments technologies of vision and violence in american cinema 1967 1974 |
| title_sub | technologies of vision and violence in American Cinema, 1967-1974 / |
| topic | Violence in motion pictures. http://id.loc.gov/authorities/subjects/sh85143526 Motion pictures United States. http://id.loc.gov/authorities/subjects/sh85088112 Motion pictures Social aspects United States. Violence au cinéma. Cinéma États-Unis. Cinéma Aspect social États-Unis. PERFORMING ARTS - Reference. bisacsh Motion pictures fast Motion pictures Social aspects fast Violence in motion pictures fast |
| topic_facet | Violence in motion pictures. Motion pictures United States. Motion pictures Social aspects United States. Violence au cinéma. Cinéma États-Unis. Cinéma Aspect social États-Unis. PERFORMING ARTS - Reference. Motion pictures Motion pictures Social aspects Violence in motion pictures United States |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1525462 |
| work_keys_str_mv | AT rustamy passionatedetachmentstechnologiesofvisionandviolenceinamericancinema19671974 |