Modernism and opera /:
At first glance, modernism and opera may seem like strange bedfellows-the former hostile to sentiment, the latter wearing its heart on its sleeve. And yet these apparent opposites attract: many operas are aesthetically avant-garde, politically subversive, and socially transgressive. From the proto-m...
Gespeichert in:
| Weitere Verfasser: | , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Baltimore :
Johns Hopkins University Press,
2016.
|
| Schriftenreihe: | Hopkins studies in modernism
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | At first glance, modernism and opera may seem like strange bedfellows-the former hostile to sentiment, the latter wearing its heart on its sleeve. And yet these apparent opposites attract: many operas are aesthetically avant-garde, politically subversive, and socially transgressive. From the proto-modernist strains of Richard Wagner's Parsifal through the twenty-first-century modernism of Kaija Saariaho's L'amour de loin, the duet between modernism and opera, at turns harmonious and dissonant, has been one of the central artistic events of modernity. Despite this centrality, scholars of modernist literature only rarely venture into opera, and music scholars generally return the favor by leaving literature to one side. But opera, that grand cauldron of the arts, demands that scholars, too, share the stage with one another. In Modernism and Opera, Richard Begam and Matthew Wilson Smith bring together musicologists, literary critics, and theater scholars for the first time in a mutual endeavor to trace certain key moments in the history of modernism and opera. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781421420639 1421420635 |
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| 520 | 8 | |a At first glance, modernism and opera may seem like strange bedfellows-the former hostile to sentiment, the latter wearing its heart on its sleeve. And yet these apparent opposites attract: many operas are aesthetically avant-garde, politically subversive, and socially transgressive. From the proto-modernist strains of Richard Wagner's Parsifal through the twenty-first-century modernism of Kaija Saariaho's L'amour de loin, the duet between modernism and opera, at turns harmonious and dissonant, has been one of the central artistic events of modernity. Despite this centrality, scholars of modernist literature only rarely venture into opera, and music scholars generally return the favor by leaving literature to one side. But opera, that grand cauldron of the arts, demands that scholars, too, share the stage with one another. In Modernism and Opera, Richard Begam and Matthew Wilson Smith bring together musicologists, literary critics, and theater scholars for the first time in a mutual endeavor to trace certain key moments in the history of modernism and opera. | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Half-title; Title Page; Copyright Page; Dedication; Contents; Acknowledgments; Introduction; I: World War I and Before: Crises of Gender and Theatricality; 1. Laughing at the Redeemer: Kundry and the Paradox of Parsifal; 2. Maeterlinck, Debussy, and Modernism; 3. Echoes of the Self: Cosmic Loneliness in Bartók's Duke Bluebeard's Castle; II: Interwar Modernism: Movement and Countermovement; 4. The Great War and Its Aftermath: Strauss and Hofmannsthal's "Third-Way Modernism"; 5. Adorno's Shifting Wozzeck. | |
| 505 | 8 | |a 6. Many Modernisms, Two Makropulos Cases: Čapek, Janáček, and the Shifting Avant-Gardes of Interwar Prague7. Schoenberg, Modernism, and Degeneracy; 8. Gertrude Stein, Minimalism, and Modern Opera; III: Opera after World War II: Tensions of Institutional Modernism; 9. Stravinsky, Auden, and the Midcentury Modernism of The Rake's Progress; 10. Gloriana and the New Elizabethan Age; 11. One Saint in Eight Tableaux: The Untimely Modernism of Olivier Messiaen's Saint François d'Assise; 12. Saariaho's L'Amour de Loin: Modernist Opera in the Twenty-First Century; Contributors; Index; A; B; C; D; E; F. | |
| 505 | 8 | |a GH; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z. | |
| 650 | 0 | |a Opera |y 20th century. | |
| 650 | 0 | |a Modernism (Music) |0 http://id.loc.gov/authorities/subjects/sh2004014988 | |
| 650 | 6 | |a Modernisme (Musique) | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Voice. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Lyrics. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Vocal. |2 bisacsh | |
| 650 | 7 | |a Modernism (Music) |2 fast | |
| 650 | 7 | |a Opera |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 700 | 1 | |a Begam, Richard, |d 1950- |e editor. |1 https://id.oclc.org/worldcat/entity/E39PCjHFckJQTR44bcGVxxXBGd |0 http://id.loc.gov/authorities/names/n96070562 | |
| 700 | 1 | |a Smith, Matthew Wilson, |e editor. | |
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| author2 | Begam, Richard, 1950- Smith, Matthew Wilson |
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| author_facet | Begam, Richard, 1950- Smith, Matthew Wilson |
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| callnumber-first | M - Music |
| callnumber-label | ML1705 |
| callnumber-raw | ML1705 .M63 2016eb |
| callnumber-search | ML1705 .M63 2016eb |
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| contents | Cover; Half-title; Title Page; Copyright Page; Dedication; Contents; Acknowledgments; Introduction; I: World War I and Before: Crises of Gender and Theatricality; 1. Laughing at the Redeemer: Kundry and the Paradox of Parsifal; 2. Maeterlinck, Debussy, and Modernism; 3. Echoes of the Self: Cosmic Loneliness in Bartók's Duke Bluebeard's Castle; II: Interwar Modernism: Movement and Countermovement; 4. The Great War and Its Aftermath: Strauss and Hofmannsthal's "Third-Way Modernism"; 5. Adorno's Shifting Wozzeck. 6. Many Modernisms, Two Makropulos Cases: Čapek, Janáček, and the Shifting Avant-Gardes of Interwar Prague7. Schoenberg, Modernism, and Degeneracy; 8. Gertrude Stein, Minimalism, and Modern Opera; III: Opera after World War II: Tensions of Institutional Modernism; 9. Stravinsky, Auden, and the Midcentury Modernism of The Rake's Progress; 10. Gloriana and the New Elizabethan Age; 11. One Saint in Eight Tableaux: The Untimely Modernism of Olivier Messiaen's Saint François d'Assise; 12. Saariaho's L'Amour de Loin: Modernist Opera in the Twenty-First Century; Contributors; Index; A; B; C; D; E; F. GH; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z. |
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| dewey-raw | 782.109/04 |
| dewey-search | 782.109/04 |
| dewey-sort | 3782.109 14 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:27Z |
| institution | BVB |
| isbn | 9781421420639 1421420635 |
| language | English |
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| record_format | marc |
| series2 | Hopkins studies in modernism |
| spelling | Modernism and opera / edited by Richard Begam and Matthew Wilson Smith. Baltimore : Johns Hopkins University Press, 2016. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Hopkins studies in modernism Includes bibliographical references and index. At first glance, modernism and opera may seem like strange bedfellows-the former hostile to sentiment, the latter wearing its heart on its sleeve. And yet these apparent opposites attract: many operas are aesthetically avant-garde, politically subversive, and socially transgressive. From the proto-modernist strains of Richard Wagner's Parsifal through the twenty-first-century modernism of Kaija Saariaho's L'amour de loin, the duet between modernism and opera, at turns harmonious and dissonant, has been one of the central artistic events of modernity. Despite this centrality, scholars of modernist literature only rarely venture into opera, and music scholars generally return the favor by leaving literature to one side. But opera, that grand cauldron of the arts, demands that scholars, too, share the stage with one another. In Modernism and Opera, Richard Begam and Matthew Wilson Smith bring together musicologists, literary critics, and theater scholars for the first time in a mutual endeavor to trace certain key moments in the history of modernism and opera. Print version record. Cover; Half-title; Title Page; Copyright Page; Dedication; Contents; Acknowledgments; Introduction; I: World War I and Before: Crises of Gender and Theatricality; 1. Laughing at the Redeemer: Kundry and the Paradox of Parsifal; 2. Maeterlinck, Debussy, and Modernism; 3. Echoes of the Self: Cosmic Loneliness in Bartók's Duke Bluebeard's Castle; II: Interwar Modernism: Movement and Countermovement; 4. The Great War and Its Aftermath: Strauss and Hofmannsthal's "Third-Way Modernism"; 5. Adorno's Shifting Wozzeck. 6. Many Modernisms, Two Makropulos Cases: Čapek, Janáček, and the Shifting Avant-Gardes of Interwar Prague7. Schoenberg, Modernism, and Degeneracy; 8. Gertrude Stein, Minimalism, and Modern Opera; III: Opera after World War II: Tensions of Institutional Modernism; 9. Stravinsky, Auden, and the Midcentury Modernism of The Rake's Progress; 10. Gloriana and the New Elizabethan Age; 11. One Saint in Eight Tableaux: The Untimely Modernism of Olivier Messiaen's Saint François d'Assise; 12. Saariaho's L'Amour de Loin: Modernist Opera in the Twenty-First Century; Contributors; Index; A; B; C; D; E; F. GH; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z. Opera 20th century. Modernism (Music) http://id.loc.gov/authorities/subjects/sh2004014988 Modernisme (Musique) MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Modernism (Music) fast Opera fast 1900-1999 fast Begam, Richard, 1950- editor. https://id.oclc.org/worldcat/entity/E39PCjHFckJQTR44bcGVxxXBGd http://id.loc.gov/authorities/names/n96070562 Smith, Matthew Wilson, editor. has work: Modernism and opera (Text) https://id.oclc.org/worldcat/entity/E39PCGV34MtPjjqw9vHj9pyq8K https://id.oclc.org/worldcat/ontology/hasWork Print version: Modernism and opera. Baltimore : Johns Hopkins University Press, 2016 9781421420622 (DLC) 2015047645 (OCoLC)932003648 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1220075 Volltext |
| spellingShingle | Modernism and opera / Cover; Half-title; Title Page; Copyright Page; Dedication; Contents; Acknowledgments; Introduction; I: World War I and Before: Crises of Gender and Theatricality; 1. Laughing at the Redeemer: Kundry and the Paradox of Parsifal; 2. Maeterlinck, Debussy, and Modernism; 3. Echoes of the Self: Cosmic Loneliness in Bartók's Duke Bluebeard's Castle; II: Interwar Modernism: Movement and Countermovement; 4. The Great War and Its Aftermath: Strauss and Hofmannsthal's "Third-Way Modernism"; 5. Adorno's Shifting Wozzeck. 6. Many Modernisms, Two Makropulos Cases: Čapek, Janáček, and the Shifting Avant-Gardes of Interwar Prague7. Schoenberg, Modernism, and Degeneracy; 8. Gertrude Stein, Minimalism, and Modern Opera; III: Opera after World War II: Tensions of Institutional Modernism; 9. Stravinsky, Auden, and the Midcentury Modernism of The Rake's Progress; 10. Gloriana and the New Elizabethan Age; 11. One Saint in Eight Tableaux: The Untimely Modernism of Olivier Messiaen's Saint François d'Assise; 12. Saariaho's L'Amour de Loin: Modernist Opera in the Twenty-First Century; Contributors; Index; A; B; C; D; E; F. GH; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z. Opera 20th century. Modernism (Music) http://id.loc.gov/authorities/subjects/sh2004014988 Modernisme (Musique) MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Modernism (Music) fast Opera fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2004014988 |
| title | Modernism and opera / |
| title_auth | Modernism and opera / |
| title_exact_search | Modernism and opera / |
| title_full | Modernism and opera / edited by Richard Begam and Matthew Wilson Smith. |
| title_fullStr | Modernism and opera / edited by Richard Begam and Matthew Wilson Smith. |
| title_full_unstemmed | Modernism and opera / edited by Richard Begam and Matthew Wilson Smith. |
| title_short | Modernism and opera / |
| title_sort | modernism and opera |
| topic | Opera 20th century. Modernism (Music) http://id.loc.gov/authorities/subjects/sh2004014988 Modernisme (Musique) MUSIC Instruction & Study Voice. bisacsh MUSIC Lyrics. bisacsh MUSIC Printed Music Vocal. bisacsh Modernism (Music) fast Opera fast |
| topic_facet | Opera 20th century. Modernism (Music) Modernisme (Musique) MUSIC Instruction & Study Voice. MUSIC Lyrics. MUSIC Printed Music Vocal. Opera |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1220075 |
| work_keys_str_mv | AT begamrichard modernismandopera AT smithmatthewwilson modernismandopera |