Titus Andronicus.:
Michael D. Friedman's second edition of this stage history of Shakespeare's Titus Andronicus adds an examination of twelve major theatrical productions and one film that appeared in the years 1989-2009. Friedman identifies four lines of descent in the recent performance history of the play...
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1. Verfasser: | |
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Weitere Verfasser: | , |
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Oxford :
Manchester University Press,
2015.
|
Schriftenreihe: | Shakespeare in Performance MUP.
|
Schlagworte: | |
Online-Zugang: | Volltext |
Zusammenfassung: | Michael D. Friedman's second edition of this stage history of Shakespeare's Titus Andronicus adds an examination of twelve major theatrical productions and one film that appeared in the years 1989-2009. Friedman identifies four lines of descent in the recent performance history of the play: the stylised, realistic, darkly comic, and political approaches, which culminate in Julie Taymor's harrowing film Titus (1999). Aspects of Taymor's eclectic vision of ancient Rome under the grip of modern fascism were copied by several subsequent productions, making Titus the most characteristic, as well as. |
Beschreibung: | 1 online resource (329 pages) |
Bibliographie: | Includes bibliographical references (pages 292-302) and index. |
ISBN: | 9781526101914 1526101912 9781526101907 1526101904 |
Internformat
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505 | 8 | |a CHAPTER II: Peter Stein and Silviu PurcareteCHAPTER III: Gregory Doran; CHAPTER IV: Julie Taymor: 1994 and 1999; CHAPTER V: Yukio Ninagawa, Bill Alexander, Gale Edwards, Richard Rose, and Lucy Bailey; EPILOGUE: Looking toward the future; APPENDIX; BIBLIOGRAPHY; INDEX. | |
520 | |a Michael D. Friedman's second edition of this stage history of Shakespeare's Titus Andronicus adds an examination of twelve major theatrical productions and one film that appeared in the years 1989-2009. Friedman identifies four lines of descent in the recent performance history of the play: the stylised, realistic, darkly comic, and political approaches, which culminate in Julie Taymor's harrowing film Titus (1999). Aspects of Taymor's eclectic vision of ancient Rome under the grip of modern fascism were copied by several subsequent productions, making Titus the most characteristic, as well as. | ||
504 | |a Includes bibliographical references (pages 292-302) and index. | ||
546 | |a In English. | ||
600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616. |t Titus Andronicus. |0 http://id.loc.gov/authorities/names/no2008001063 |
600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Stage history. |0 http://id.loc.gov/authorities/subjects/sh85121041 |
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DE-BY-FWS_katkey | ZDB-4-EBA-ocn960166131 |
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adam_text | |
any_adam_object | |
author | Friedman, Michael D. |
author2 | Dessen, Alan C. Chillington Rutter, Carol |
author2_role | |
author2_variant | a c d ac acd r c c rc rcc |
author_facet | Friedman, Michael D. Dessen, Alan C. Chillington Rutter, Carol |
author_role | |
author_sort | Friedman, Michael D. |
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callnumber-first | P - Language and Literature |
callnumber-label | PR2835 |
callnumber-raw | PR2835.F754 2013 |
callnumber-search | PR2835.F754 2013 |
callnumber-sort | PR 42835 F754 42013 |
callnumber-subject | PR - English Literature |
collection | ZDB-4-EBA |
contents | Shakespeare in Performance: Titus Andronicus; Half Title Page ; Title Page ; Copyright ; Dedication ; CONTENTS; LIST OF ILLUSTRATIONS; SERIES EDITORS' PREFACE; PREFATORY NOTE; PREFATORY NOTE TO SECOND EDITION; PART ONE; INTRODUCTION: The Problem; CHAPTER I: From Edward Ravenscroft to Peter Brook ; CHAPTER II: To stylise or not to stylise; CHAPTER III: Trusting the script: Deborah Warner at the Swan; CHAPTER IV: Problems then and now; CHAPTER V: The sense of an ending; CONCLUSION: What price Titus?; PART TWO; SEGUE; CHAPTER I: Jeannette Lambermont, Daniel Mesguich, and Michael Maggio. CHAPTER II: Peter Stein and Silviu PurcareteCHAPTER III: Gregory Doran; CHAPTER IV: Julie Taymor: 1994 and 1999; CHAPTER V: Yukio Ninagawa, Bill Alexander, Gale Edwards, Richard Rose, and Lucy Bailey; EPILOGUE: Looking toward the future; APPENDIX; BIBLIOGRAPHY; INDEX. |
ctrlnum | (OCoLC)960166131 |
dewey-full | 822.33 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 822 - English drama |
dewey-raw | 822.33 |
dewey-search | 822.33 |
dewey-sort | 3822.33 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
format | Electronic eBook |
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spelling | Friedman, Michael D. Titus Andronicus. Oxford : Manchester University Press, 2015. 1 online resource (329 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Shakespeare in Performance MUP Print version record. Shakespeare in Performance: Titus Andronicus; Half Title Page ; Title Page ; Copyright ; Dedication ; CONTENTS; LIST OF ILLUSTRATIONS; SERIES EDITORS' PREFACE; PREFATORY NOTE; PREFATORY NOTE TO SECOND EDITION; PART ONE; INTRODUCTION: The Problem; CHAPTER I: From Edward Ravenscroft to Peter Brook ; CHAPTER II: To stylise or not to stylise; CHAPTER III: Trusting the script: Deborah Warner at the Swan; CHAPTER IV: Problems then and now; CHAPTER V: The sense of an ending; CONCLUSION: What price Titus?; PART TWO; SEGUE; CHAPTER I: Jeannette Lambermont, Daniel Mesguich, and Michael Maggio. CHAPTER II: Peter Stein and Silviu PurcareteCHAPTER III: Gregory Doran; CHAPTER IV: Julie Taymor: 1994 and 1999; CHAPTER V: Yukio Ninagawa, Bill Alexander, Gale Edwards, Richard Rose, and Lucy Bailey; EPILOGUE: Looking toward the future; APPENDIX; BIBLIOGRAPHY; INDEX. Michael D. Friedman's second edition of this stage history of Shakespeare's Titus Andronicus adds an examination of twelve major theatrical productions and one film that appeared in the years 1989-2009. Friedman identifies four lines of descent in the recent performance history of the play: the stylised, realistic, darkly comic, and political approaches, which culminate in Julie Taymor's harrowing film Titus (1999). Aspects of Taymor's eclectic vision of ancient Rome under the grip of modern fascism were copied by several subsequent productions, making Titus the most characteristic, as well as. Includes bibliographical references (pages 292-302) and index. In English. Shakespeare, William, 1564-1616. Titus Andronicus. http://id.loc.gov/authorities/names/no2008001063 Shakespeare, William, 1564-1616 Stage history. http://id.loc.gov/authorities/subjects/sh85121041 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Titus Andronicus (Shakespeare, William) fast LITERARY CRITICISM Shakespeare. bisacsh DRAMA English, Irish, Scottish, Welsh. bisacsh Electronic book. Dessen, Alan C. Chillington Rutter, Carol. has work: Titus Andronicus (Text) https://id.oclc.org/worldcat/entity/E39PCG88Y8pXDC3kCrhQ9Q6PKm https://id.oclc.org/worldcat/ontology/hasWork Print version: Friedman, Michael D. Titus Andronicus. Oxford : Manchester University Press, ©2015 Shakespeare in Performance MUP. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1272956 Volltext CBO01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1272956 Volltext |
spellingShingle | Friedman, Michael D. Titus Andronicus. Shakespeare in Performance MUP. Shakespeare in Performance: Titus Andronicus; Half Title Page ; Title Page ; Copyright ; Dedication ; CONTENTS; LIST OF ILLUSTRATIONS; SERIES EDITORS' PREFACE; PREFATORY NOTE; PREFATORY NOTE TO SECOND EDITION; PART ONE; INTRODUCTION: The Problem; CHAPTER I: From Edward Ravenscroft to Peter Brook ; CHAPTER II: To stylise or not to stylise; CHAPTER III: Trusting the script: Deborah Warner at the Swan; CHAPTER IV: Problems then and now; CHAPTER V: The sense of an ending; CONCLUSION: What price Titus?; PART TWO; SEGUE; CHAPTER I: Jeannette Lambermont, Daniel Mesguich, and Michael Maggio. CHAPTER II: Peter Stein and Silviu PurcareteCHAPTER III: Gregory Doran; CHAPTER IV: Julie Taymor: 1994 and 1999; CHAPTER V: Yukio Ninagawa, Bill Alexander, Gale Edwards, Richard Rose, and Lucy Bailey; EPILOGUE: Looking toward the future; APPENDIX; BIBLIOGRAPHY; INDEX. Shakespeare, William, 1564-1616. Titus Andronicus. http://id.loc.gov/authorities/names/no2008001063 Shakespeare, William, 1564-1616 Stage history. http://id.loc.gov/authorities/subjects/sh85121041 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Titus Andronicus (Shakespeare, William) fast LITERARY CRITICISM Shakespeare. bisacsh DRAMA English, Irish, Scottish, Welsh. bisacsh |
subject_GND | http://id.loc.gov/authorities/names/no2008001063 http://id.loc.gov/authorities/subjects/sh85121041 |
title | Titus Andronicus. |
title_auth | Titus Andronicus. |
title_exact_search | Titus Andronicus. |
title_full | Titus Andronicus. |
title_fullStr | Titus Andronicus. |
title_full_unstemmed | Titus Andronicus. |
title_short | Titus Andronicus. |
title_sort | titus andronicus |
topic | Shakespeare, William, 1564-1616. Titus Andronicus. http://id.loc.gov/authorities/names/no2008001063 Shakespeare, William, 1564-1616 Stage history. http://id.loc.gov/authorities/subjects/sh85121041 Shakespeare, William, 1564-1616 fast https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd Titus Andronicus (Shakespeare, William) fast LITERARY CRITICISM Shakespeare. bisacsh DRAMA English, Irish, Scottish, Welsh. bisacsh |
topic_facet | Shakespeare, William, 1564-1616. Titus Andronicus. Shakespeare, William, 1564-1616 Stage history. Shakespeare, William, 1564-1616 Titus Andronicus (Shakespeare, William) LITERARY CRITICISM Shakespeare. DRAMA English, Irish, Scottish, Welsh. Electronic book. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1272956 |
work_keys_str_mv | AT friedmanmichaeld titusandronicus AT dessenalanc titusandronicus AT chillingtonruttercarol titusandronicus |