Facing Loss and Death: Narrative and Eventfulness in Lyric Poetry
Lyric poetry as a temporal art-form makes pervasive use of narrative elements in organizing the progressive course of the poetic text. This observation justifies the application of the advanced methodology of narratology to the systematic analysis of lyric poems. After a concise presentation of this...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | , , |
| Format: | E-Book |
| Sprache: | English |
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Berlin/Boston
De Gruyter
2016
|
| Schriftenreihe: | Narratologia
55 |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Lyric poetry as a temporal art-form makes pervasive use of narrative elements in organizing the progressive course of the poetic text. This observation justifies the application of the advanced methodology of narratology to the systematic analysis of lyric poems. After a concise presentation of this transgeneric approach to poetry, the study sets out to demonstrate its practical fruitfulness in detailed analyses of a large number of English (and some American) poems from the early modern period to the present. The narratological approach proves particularly suited to focus on the hitherto widely neglected dimension of sequentiality, the dynamic progression of the poetic utterance and its eventful turns, which largely constitute the raison d'être of the poem. To facilitate comparisons, the examples chosen share one special thematic complex, the traumatic experience of severe loss: the death of a beloved person, the imminence of one's own death, the death of a revered fellow-poet and the loss of a fundamental stabilizing order. The function of the poems can be described as facing the traumatic experience in the poetic medium and employing various coping strategies. The poems thus possess a therapeutic impetus. |
| Beschreibung: | Lizenzpflichtig |
| Beschreibung: | Online-Ressource. |
| ISBN: | 9783110486339 3110486334 9783110484984 3110484986 |
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| 245 | 1 | 0 | |a Facing Loss and Death |b Narrative and Eventfulness in Lyric Poetry |c Peter Hühn |
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| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t 1. Introduction -- |t 2. Mourning the Death of a Beloved Person -- |t 2.0. Introduction -- |t 2.1. Ben Jonson: "On My First Daughter" (1593) and "On My First Son" (1603) -- |t 2.2. John Donne: "Since She Whom I Loved" (1617) and John Milton: "Methought I Saw My Late Espoused Saint" (1658) -- |t 2.3. Lord Byron: "Away, Away, Ye Notes of Woe" (1811) and "And Thou art Dead, as Young and Fair" (1812) -- |t 2.4. Edgar Allan Poe: "Lenore" (1844-1849) -- |t 2.5. Seamus Heaney: "Mid-Term Break" (1966) -- |t 2.6. Eavan Boland: "The Blossom" (1998) and "The Pomegranate" (1994) -- |t 2.7. Summary -- |t 3. Coping with Loss in Love -- |t 3.0. Introduction -- |t 3.1. William Shakespeare: The Sonnets (1609) -- |t 3.2. John Donne: "A Valediction: Forbidding Mourning" (1633) -- |t 3.3. William Wordsworth: "Lucy Poems" (1800, 1801/1807) -- |t 3.4. Emily Dickinson: "After Great Pain" (ca. 1862) -- |t 3.5. Thomas Hardy: "The Voice" (1912/14) -- |t 3.6. Sylvia Plath: "The Other" (1962) -- |t 3.7. Ted Hughes: Birthday Letters (1998) -- |t 3.8. Summary -- |t 4. Confronting One's Own Death -- |t 4.0. Introduction -- |t 4.1. Sir Walter Raleigh: "Verses Made the Night before He Died" (1618) and Chidiock Tichborne: "Elegy" (1586) -- |t 4.2. John Donne: "What if this Present were the World's Last Night" (1609/1611) -- |t 4.3. William Cowper: "The Castaway" (1799/1800) -- |t 4.4. John Keats: "When I have Fears that I May Cease to be" (1818) and Lord Byron: "On this Day I Complete my Thirty-Sixth Year" (1824) -- |t 4.5. Emily Dickinson: "Because I Could not Stop for Death" (ca. 1863) -- |t 4.6. Rupert Brooke: "The Soldier" (1914) and Wilfred Owen: "Strange Meeting" (1918) -- |t 4.7. D.H. Lawrence: "Bavarian Gentians" (1932) -- |t 4.8. Summary -- |t 5. Lamenting the Death of Poets -- |t 5.0. Introduction -- |t 5.1. Henry Howard, Earl of Surrey: "An Excellent Epitaph of Sir Thomas Wyatt" (1542) -- |t 5.2. Thomas Carew: "An Elegy upon the Death of the Dean of Paul's, Dr John Donne" (1633) -- |t 5.3. Percy Bysshe Shelley: "Adonais: An Elegy on the Death of John Keats" (1821) -- |t 5.4. W.H. Auden: "In Memory of W.B. Yeats" (1939) -- |t 5.5. Seamus Heaney: "Audenesque: in memory of Joseph Brodsky" (1996) -- |t 5.6. Summary -- |t 6. Thematizing the Loss of an Old Order -- |t 6.0. Introduction -- |t 6.1. John Donne: An Anatomy of the World (1611) and William Shakespeare: The Sonnets (1609) -- |t 6.2. William Wordsworth: "The World is too Much with Us" (1807) and W.B. Yeats: "High Talk" (1939) -- |t 6.3. Percy Bysshe Shelley: "Lift not the Painted Veil" (1818/1824) and "The Cloud" (1819/1820) -- |t 6.4. Matthew Arnold: "Dover Beach" (1851) and Gerard Manley Hopkins: "No Worst, there is None" (ca. 1885) -- |t 6.5. T.S. Eliot: The Waste Land (1922) and "Journey of the Magi" (1930) -- |t 6.6. W.B. Yeats: "Lapis Lazuli" (1938) -- |t 6.7. Tony Harrison: "A Kumquat for John Keats" (1981) -- |t 6.8. Summary -- |t 7. Conclusion: Summary and Results -- |t Index (authors and titles) |
| 520 | |a Lyric poetry as a temporal art-form makes pervasive use of narrative elements in organizing the progressive course of the poetic text. This observation justifies the application of the advanced methodology of narratology to the systematic analysis of lyric poems. After a concise presentation of this transgeneric approach to poetry, the study sets out to demonstrate its practical fruitfulness in detailed analyses of a large number of English (and some American) poems from the early modern period to the present. The narratological approach proves particularly suited to focus on the hitherto widely neglected dimension of sequentiality, the dynamic progression of the poetic utterance and its eventful turns, which largely constitute the raison d'être of the poem. To facilitate comparisons, the examples chosen share one special thematic complex, the traumatic experience of severe loss: the death of a beloved person, the imminence of one's own death, the death of a revered fellow-poet and the loss of a fundamental stabilizing order. The function of the poems can be described as facing the traumatic experience in the poetic medium and employing various coping strategies. The poems thus possess a therapeutic impetus. | ||
| 650 | 0 | |a Bereavement in literature. |0 http://id.loc.gov/authorities/subjects/sh94000188 | |
| 650 | 0 | |a Death in literature. |0 http://id.loc.gov/authorities/subjects/sh85036108 | |
| 650 | 0 | |a English poetry |x History and criticism |x Theory, etc. | |
| 650 | 0 | |a English poetry |x History and criticism. |0 http://id.loc.gov/authorities/subjects/sh85043948 | |
| 650 | 0 | |a Loss (Psychology) in literature. |0 http://id.loc.gov/authorities/subjects/sh94006072 | |
| 650 | 0 | |a Lyric poetry |x History and criticism |x Theory, etc. | |
| 650 | 0 | |a Lyric poetry |x History and criticism. | |
| 650 | 0 | |a Narration (Rhetoric) |0 http://id.loc.gov/authorities/subjects/sh85089833 | |
| 650 | 0 | |a Narration (Rhetoric) |x History. | |
| 650 | 4 | |a Ereignishaftigkeit. | |
| 650 | 4 | |a Gedichtanalyse. | |
| 650 | 4 | |a Tod. | |
| 650 | 4 | |a Transgenerische Narratologie. | |
| 650 | 6 | |a Deuil dans la littérature. | |
| 650 | 6 | |a Mort dans la littérature. | |
| 650 | 6 | |a Poésie anglaise |x Histoire et critique |x Théorie, etc. | |
| 650 | 6 | |a Poésie anglaise |x Histoire et critique. | |
| 650 | 6 | |a Perte (Psychologie) dans la littérature. | |
| 650 | 6 | |a Poésie lyrique |x Histoire et critique |x Théorie, etc. | |
| 650 | 6 | |a Poésie lyrique |x Histoire et critique. | |
| 650 | 6 | |a Narration. | |
| 650 | 6 | |a Narration |x Histoire. | |
| 650 | 7 | |a Bereavement in literature |2 fast |0 (OCoLC)fst00830694 | |
| 650 | 7 | |a Death in literature |2 fast |0 (OCoLC)fst00888697 | |
| 650 | 7 | |a English poetry |2 fast |0 (OCoLC)fst00912278 | |
| 650 | 7 | |a Loss (Psychology) in literature |2 fast |0 (OCoLC)fst01002636 | |
| 650 | 7 | |a Lyric poetry |2 fast |0 (OCoLC)fst01004373 | |
| 650 | 7 | |a Narration (Rhetoric) |2 fast |0 (OCoLC)fst01032927 | |
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| 653 | |a Poetry analysis; transgeneric narratology; eventfulness; sequentiality | ||
| 653 | |a Transgenerische Narratologie | ||
| 653 | |a Ereignishaftigkeit | ||
| 653 | |a Gedichtanalyse | ||
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| 700 | 1 | |a Goerke, Britta |e Mitwirkender |4 ctb | |
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| contents | Frontmatter -- Table of Contents -- 1. Introduction -- 2. Mourning the Death of a Beloved Person -- 2.0. Introduction -- 2.1. Ben Jonson: "On My First Daughter" (1593) and "On My First Son" (1603) -- 2.2. John Donne: "Since She Whom I Loved" (1617) and John Milton: "Methought I Saw My Late Espoused Saint" (1658) -- 2.3. Lord Byron: "Away, Away, Ye Notes of Woe" (1811) and "And Thou art Dead, as Young and Fair" (1812) -- 2.4. Edgar Allan Poe: "Lenore" (1844-1849) -- 2.5. Seamus Heaney: "Mid-Term Break" (1966) -- 2.6. Eavan Boland: "The Blossom" (1998) and "The Pomegranate" (1994) -- 2.7. Summary -- 3. Coping with Loss in Love -- 3.0. Introduction -- 3.1. William Shakespeare: The Sonnets (1609) -- 3.2. John Donne: "A Valediction: Forbidding Mourning" (1633) -- 3.3. William Wordsworth: "Lucy Poems" (1800, 1801/1807) -- 3.4. Emily Dickinson: "After Great Pain" (ca. 1862) -- 3.5. Thomas Hardy: "The Voice" (1912/14) -- 3.6. Sylvia Plath: "The Other" (1962) -- 3.7. Ted Hughes: Birthday Letters (1998) -- 3.8. Summary -- 4. Confronting One's Own Death -- 4.0. Introduction -- 4.1. Sir Walter Raleigh: "Verses Made the Night before He Died" (1618) and Chidiock Tichborne: "Elegy" (1586) -- 4.2. John Donne: "What if this Present were the World's Last Night" (1609/1611) -- 4.3. William Cowper: "The Castaway" (1799/1800) -- 4.4. John Keats: "When I have Fears that I May Cease to be" (1818) and Lord Byron: "On this Day I Complete my Thirty-Sixth Year" (1824) -- 4.5. Emily Dickinson: "Because I Could not Stop for Death" (ca. 1863) -- 4.6. Rupert Brooke: "The Soldier" (1914) and Wilfred Owen: "Strange Meeting" (1918) -- 4.7. D.H. Lawrence: "Bavarian Gentians" (1932) -- 4.8. Summary -- 5. Lamenting the Death of Poets -- 5.0. Introduction -- 5.1. Henry Howard, Earl of Surrey: "An Excellent Epitaph of Sir Thomas Wyatt" (1542) -- 5.2. Thomas Carew: "An Elegy upon the Death of the Dean of Paul's, Dr John Donne" (1633) -- 5.3. Percy Bysshe Shelley: "Adonais: An Elegy on the Death of John Keats" (1821) -- 5.4. W.H. Auden: "In Memory of W.B. Yeats" (1939) -- 5.5. Seamus Heaney: "Audenesque: in memory of Joseph Brodsky" (1996) -- 5.6. Summary -- 6. Thematizing the Loss of an Old Order -- 6.0. Introduction -- 6.1. John Donne: An Anatomy of the World (1611) and William Shakespeare: The Sonnets (1609) -- 6.2. William Wordsworth: "The World is too Much with Us" (1807) and W.B. Yeats: "High Talk" (1939) -- 6.3. Percy Bysshe Shelley: "Lift not the Painted Veil" (1818/1824) and "The Cloud" (1819/1820) -- 6.4. Matthew Arnold: "Dover Beach" (1851) and Gerard Manley Hopkins: "No Worst, there is None" (ca. 1885) -- 6.5. T.S. Eliot: The Waste Land (1922) and "Journey of the Magi" (1930) -- 6.6. W.B. Yeats: "Lapis Lazuli" (1938) -- 6.7. Tony Harrison: "A Kumquat for John Keats" (1981) -- 6.8. Summary -- 7. Conclusion: Summary and Results -- Index (authors and titles) |
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| discipline | Anglistik / Amerikanistik |
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William Shakespeare: The Sonnets (1609) --</subfield><subfield code="t">3.2. John Donne: "A Valediction: Forbidding Mourning" (1633) --</subfield><subfield code="t">3.3. William Wordsworth: "Lucy Poems" (1800, 1801/1807) --</subfield><subfield code="t">3.4. Emily Dickinson: "After Great Pain" (ca. 1862) --</subfield><subfield code="t">3.5. Thomas Hardy: "The Voice" (1912/14) --</subfield><subfield code="t">3.6. Sylvia Plath: "The Other" (1962) --</subfield><subfield code="t">3.7. Ted Hughes: Birthday Letters (1998) --</subfield><subfield code="t">3.8. Summary --</subfield><subfield code="t">4. Confronting One's Own Death --</subfield><subfield code="t">4.0. Introduction --</subfield><subfield code="t">4.1. Sir Walter Raleigh: "Verses Made the Night before He Died" (1618) and Chidiock Tichborne: "Elegy" (1586) --</subfield><subfield code="t">4.2. John Donne: "What if this Present were the World's Last Night" (1609/1611) --</subfield><subfield code="t">4.3. William Cowper: "The Castaway" (1799/1800) --</subfield><subfield code="t">4.4. John Keats: "When I have Fears that I May Cease to be" (1818) and Lord Byron: "On this Day I Complete my Thirty-Sixth Year" (1824) --</subfield><subfield code="t">4.5. Emily Dickinson: "Because I Could not Stop for Death" (ca. 1863) --</subfield><subfield code="t">4.6. Rupert Brooke: "The Soldier" (1914) and Wilfred Owen: "Strange Meeting" (1918) --</subfield><subfield code="t">4.7. D.H. Lawrence: "Bavarian Gentians" (1932) --</subfield><subfield code="t">4.8. Summary --</subfield><subfield code="t">5. Lamenting the Death of Poets --</subfield><subfield code="t">5.0. Introduction --</subfield><subfield code="t">5.1. Henry Howard, Earl of Surrey: "An Excellent Epitaph of Sir Thomas Wyatt" (1542) --</subfield><subfield code="t">5.2. Thomas Carew: "An Elegy upon the Death of the Dean of Paul's, Dr John Donne" (1633) --</subfield><subfield code="t">5.3. Percy Bysshe Shelley: "Adonais: An Elegy on the Death of John Keats" (1821) --</subfield><subfield code="t">5.4. W.H. Auden: "In Memory of W.B. Yeats" (1939) --</subfield><subfield code="t">5.5. Seamus Heaney: "Audenesque: in memory of Joseph Brodsky" (1996) --</subfield><subfield code="t">5.6. Summary --</subfield><subfield code="t">6. Thematizing the Loss of an Old Order --</subfield><subfield code="t">6.0. Introduction --</subfield><subfield code="t">6.1. John Donne: An Anatomy of the World (1611) and William Shakespeare: The Sonnets (1609) --</subfield><subfield code="t">6.2. William Wordsworth: "The World is too Much with Us" (1807) and W.B. Yeats: "High Talk" (1939) --</subfield><subfield code="t">6.3. Percy Bysshe Shelley: "Lift not the Painted Veil" (1818/1824) and "The Cloud" (1819/1820) --</subfield><subfield code="t">6.4. Matthew Arnold: "Dover Beach" (1851) and Gerard Manley Hopkins: "No Worst, there is None" (ca. 1885) --</subfield><subfield code="t">6.5. T.S. Eliot: The Waste Land (1922) and "Journey of the Magi" (1930) --</subfield><subfield code="t">6.6. W.B. Yeats: "Lapis Lazuli" (1938) --</subfield><subfield code="t">6.7. Tony Harrison: "A Kumquat for John Keats" (1981) --</subfield><subfield code="t">6.8. Summary --</subfield><subfield code="t">7. Conclusion: Summary and Results --</subfield><subfield code="t">Index (authors and titles)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Lyric poetry as a temporal art-form makes pervasive use of narrative elements in organizing the progressive course of the poetic text. This observation justifies the application of the advanced methodology of narratology to the systematic analysis of lyric poems. After a concise presentation of this transgeneric approach to poetry, the study sets out to demonstrate its practical fruitfulness in detailed analyses of a large number of English (and some American) poems from the early modern period to the present. 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| genre | Criticism, interpretation, etc. fast (OCoLC)fst01411635 History fast (OCoLC)fst01411628 |
| genre_facet | Criticism, interpretation, etc. History |
| id | ZDB-4-EBA-ocn958053284 |
| illustrated | Not Illustrated |
| indexdate | 2024-11-27T13:27:23Z |
| institution | BVB |
| isbn | 9783110486339 3110486334 9783110484984 3110484986 |
| language | English |
| oclc_num | 958053284 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | Online-Ressource. |
| psigel | ZDB-4-EBA |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | De Gruyter |
| record_format | marc |
| series | Narratologia |
| series2 | Narratologia |
| spelling | Hühn, Peter Verfasser aut Facing Loss and Death Narrative and Eventfulness in Lyric Poetry Peter Hühn Berlin/Boston De Gruyter 2016 Online-Ressource. Text txt rdacontent/ger Computermedien c rdamedia/ger Online-Ressource cr rdacarrier/ger Narratologia 55 Lizenzpflichtig Archivierung/Langzeitarchivierung gewährleistet DE-101 pdager Frontmatter -- Table of Contents -- 1. Introduction -- 2. Mourning the Death of a Beloved Person -- 2.0. Introduction -- 2.1. Ben Jonson: "On My First Daughter" (1593) and "On My First Son" (1603) -- 2.2. John Donne: "Since She Whom I Loved" (1617) and John Milton: "Methought I Saw My Late Espoused Saint" (1658) -- 2.3. Lord Byron: "Away, Away, Ye Notes of Woe" (1811) and "And Thou art Dead, as Young and Fair" (1812) -- 2.4. Edgar Allan Poe: "Lenore" (1844-1849) -- 2.5. Seamus Heaney: "Mid-Term Break" (1966) -- 2.6. Eavan Boland: "The Blossom" (1998) and "The Pomegranate" (1994) -- 2.7. Summary -- 3. Coping with Loss in Love -- 3.0. Introduction -- 3.1. William Shakespeare: The Sonnets (1609) -- 3.2. John Donne: "A Valediction: Forbidding Mourning" (1633) -- 3.3. William Wordsworth: "Lucy Poems" (1800, 1801/1807) -- 3.4. Emily Dickinson: "After Great Pain" (ca. 1862) -- 3.5. Thomas Hardy: "The Voice" (1912/14) -- 3.6. Sylvia Plath: "The Other" (1962) -- 3.7. Ted Hughes: Birthday Letters (1998) -- 3.8. Summary -- 4. Confronting One's Own Death -- 4.0. Introduction -- 4.1. Sir Walter Raleigh: "Verses Made the Night before He Died" (1618) and Chidiock Tichborne: "Elegy" (1586) -- 4.2. John Donne: "What if this Present were the World's Last Night" (1609/1611) -- 4.3. William Cowper: "The Castaway" (1799/1800) -- 4.4. John Keats: "When I have Fears that I May Cease to be" (1818) and Lord Byron: "On this Day I Complete my Thirty-Sixth Year" (1824) -- 4.5. Emily Dickinson: "Because I Could not Stop for Death" (ca. 1863) -- 4.6. Rupert Brooke: "The Soldier" (1914) and Wilfred Owen: "Strange Meeting" (1918) -- 4.7. D.H. Lawrence: "Bavarian Gentians" (1932) -- 4.8. Summary -- 5. Lamenting the Death of Poets -- 5.0. Introduction -- 5.1. Henry Howard, Earl of Surrey: "An Excellent Epitaph of Sir Thomas Wyatt" (1542) -- 5.2. Thomas Carew: "An Elegy upon the Death of the Dean of Paul's, Dr John Donne" (1633) -- 5.3. Percy Bysshe Shelley: "Adonais: An Elegy on the Death of John Keats" (1821) -- 5.4. W.H. Auden: "In Memory of W.B. Yeats" (1939) -- 5.5. Seamus Heaney: "Audenesque: in memory of Joseph Brodsky" (1996) -- 5.6. Summary -- 6. Thematizing the Loss of an Old Order -- 6.0. Introduction -- 6.1. John Donne: An Anatomy of the World (1611) and William Shakespeare: The Sonnets (1609) -- 6.2. William Wordsworth: "The World is too Much with Us" (1807) and W.B. Yeats: "High Talk" (1939) -- 6.3. Percy Bysshe Shelley: "Lift not the Painted Veil" (1818/1824) and "The Cloud" (1819/1820) -- 6.4. Matthew Arnold: "Dover Beach" (1851) and Gerard Manley Hopkins: "No Worst, there is None" (ca. 1885) -- 6.5. T.S. Eliot: The Waste Land (1922) and "Journey of the Magi" (1930) -- 6.6. W.B. Yeats: "Lapis Lazuli" (1938) -- 6.7. Tony Harrison: "A Kumquat for John Keats" (1981) -- 6.8. Summary -- 7. Conclusion: Summary and Results -- Index (authors and titles) Lyric poetry as a temporal art-form makes pervasive use of narrative elements in organizing the progressive course of the poetic text. This observation justifies the application of the advanced methodology of narratology to the systematic analysis of lyric poems. After a concise presentation of this transgeneric approach to poetry, the study sets out to demonstrate its practical fruitfulness in detailed analyses of a large number of English (and some American) poems from the early modern period to the present. The narratological approach proves particularly suited to focus on the hitherto widely neglected dimension of sequentiality, the dynamic progression of the poetic utterance and its eventful turns, which largely constitute the raison d'être of the poem. To facilitate comparisons, the examples chosen share one special thematic complex, the traumatic experience of severe loss: the death of a beloved person, the imminence of one's own death, the death of a revered fellow-poet and the loss of a fundamental stabilizing order. The function of the poems can be described as facing the traumatic experience in the poetic medium and employing various coping strategies. The poems thus possess a therapeutic impetus. Bereavement in literature. http://id.loc.gov/authorities/subjects/sh94000188 Death in literature. http://id.loc.gov/authorities/subjects/sh85036108 English poetry History and criticism Theory, etc. English poetry History and criticism. http://id.loc.gov/authorities/subjects/sh85043948 Loss (Psychology) in literature. http://id.loc.gov/authorities/subjects/sh94006072 Lyric poetry History and criticism Theory, etc. Lyric poetry History and criticism. Narration (Rhetoric) http://id.loc.gov/authorities/subjects/sh85089833 Narration (Rhetoric) History. Ereignishaftigkeit. Gedichtanalyse. Tod. Transgenerische Narratologie. Deuil dans la littérature. Mort dans la littérature. Poésie anglaise Histoire et critique Théorie, etc. Poésie anglaise Histoire et critique. Perte (Psychologie) dans la littérature. Poésie lyrique Histoire et critique Théorie, etc. Poésie lyrique Histoire et critique. Narration. Narration Histoire. Bereavement in literature fast (OCoLC)fst00830694 Death in literature fast (OCoLC)fst00888697 English poetry fast (OCoLC)fst00912278 Loss (Psychology) in literature fast (OCoLC)fst01002636 Lyric poetry fast (OCoLC)fst01004373 Narration (Rhetoric) fast (OCoLC)fst01032927 (Produktform)Electronic book text (Zielgruppe)Fachpublikum/ Wissenschaft (BISAC Subject Heading)LIT000000 Tod Poetry analysis; transgeneric narratology; eventfulness; sequentiality Transgenerische Narratologie Ereignishaftigkeit Gedichtanalyse (VLB-WN)9560 Criticism, interpretation, etc. fast (OCoLC)fst01411635 History fast (OCoLC)fst01411628 Goerke, Britta Mitwirkender ctb Plooy, Heilna du Mitwirkender ctb Schenk-Haupt, Stefan Mitwirkender ctb Facing loss and death (Text) https://id.oclc.org/worldcat/entity/E39PCGFQqwqRVWM48kDWm8GTH3 https://id.oclc.org/worldcat/ontology/hasWork Erscheint auch als Online-Ausgabe 9783110484984 Erscheint auch als 9783110486346 Elektronische Reproduktion von 9783110484229 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1343021 Volltext 1\p maschinell gebildet 0,964 20161020 DE-101 |
| spellingShingle | Hühn, Peter Facing Loss and Death Narrative and Eventfulness in Lyric Poetry Narratologia Frontmatter -- Table of Contents -- 1. Introduction -- 2. Mourning the Death of a Beloved Person -- 2.0. Introduction -- 2.1. Ben Jonson: "On My First Daughter" (1593) and "On My First Son" (1603) -- 2.2. John Donne: "Since She Whom I Loved" (1617) and John Milton: "Methought I Saw My Late Espoused Saint" (1658) -- 2.3. Lord Byron: "Away, Away, Ye Notes of Woe" (1811) and "And Thou art Dead, as Young and Fair" (1812) -- 2.4. Edgar Allan Poe: "Lenore" (1844-1849) -- 2.5. Seamus Heaney: "Mid-Term Break" (1966) -- 2.6. Eavan Boland: "The Blossom" (1998) and "The Pomegranate" (1994) -- 2.7. Summary -- 3. Coping with Loss in Love -- 3.0. Introduction -- 3.1. William Shakespeare: The Sonnets (1609) -- 3.2. John Donne: "A Valediction: Forbidding Mourning" (1633) -- 3.3. William Wordsworth: "Lucy Poems" (1800, 1801/1807) -- 3.4. Emily Dickinson: "After Great Pain" (ca. 1862) -- 3.5. Thomas Hardy: "The Voice" (1912/14) -- 3.6. Sylvia Plath: "The Other" (1962) -- 3.7. Ted Hughes: Birthday Letters (1998) -- 3.8. Summary -- 4. Confronting One's Own Death -- 4.0. Introduction -- 4.1. Sir Walter Raleigh: "Verses Made the Night before He Died" (1618) and Chidiock Tichborne: "Elegy" (1586) -- 4.2. John Donne: "What if this Present were the World's Last Night" (1609/1611) -- 4.3. William Cowper: "The Castaway" (1799/1800) -- 4.4. John Keats: "When I have Fears that I May Cease to be" (1818) and Lord Byron: "On this Day I Complete my Thirty-Sixth Year" (1824) -- 4.5. Emily Dickinson: "Because I Could not Stop for Death" (ca. 1863) -- 4.6. Rupert Brooke: "The Soldier" (1914) and Wilfred Owen: "Strange Meeting" (1918) -- 4.7. D.H. Lawrence: "Bavarian Gentians" (1932) -- 4.8. Summary -- 5. Lamenting the Death of Poets -- 5.0. Introduction -- 5.1. Henry Howard, Earl of Surrey: "An Excellent Epitaph of Sir Thomas Wyatt" (1542) -- 5.2. Thomas Carew: "An Elegy upon the Death of the Dean of Paul's, Dr John Donne" (1633) -- 5.3. Percy Bysshe Shelley: "Adonais: An Elegy on the Death of John Keats" (1821) -- 5.4. W.H. Auden: "In Memory of W.B. Yeats" (1939) -- 5.5. Seamus Heaney: "Audenesque: in memory of Joseph Brodsky" (1996) -- 5.6. Summary -- 6. Thematizing the Loss of an Old Order -- 6.0. Introduction -- 6.1. John Donne: An Anatomy of the World (1611) and William Shakespeare: The Sonnets (1609) -- 6.2. William Wordsworth: "The World is too Much with Us" (1807) and W.B. Yeats: "High Talk" (1939) -- 6.3. Percy Bysshe Shelley: "Lift not the Painted Veil" (1818/1824) and "The Cloud" (1819/1820) -- 6.4. Matthew Arnold: "Dover Beach" (1851) and Gerard Manley Hopkins: "No Worst, there is None" (ca. 1885) -- 6.5. T.S. Eliot: The Waste Land (1922) and "Journey of the Magi" (1930) -- 6.6. W.B. Yeats: "Lapis Lazuli" (1938) -- 6.7. Tony Harrison: "A Kumquat for John Keats" (1981) -- 6.8. Summary -- 7. Conclusion: Summary and Results -- Index (authors and titles) Bereavement in literature. http://id.loc.gov/authorities/subjects/sh94000188 Death in literature. http://id.loc.gov/authorities/subjects/sh85036108 English poetry History and criticism Theory, etc. English poetry History and criticism. http://id.loc.gov/authorities/subjects/sh85043948 Loss (Psychology) in literature. http://id.loc.gov/authorities/subjects/sh94006072 Lyric poetry History and criticism Theory, etc. Lyric poetry History and criticism. Narration (Rhetoric) http://id.loc.gov/authorities/subjects/sh85089833 Narration (Rhetoric) History. Ereignishaftigkeit. Gedichtanalyse. Tod. Transgenerische Narratologie. Deuil dans la littérature. Mort dans la littérature. Poésie anglaise Histoire et critique Théorie, etc. Poésie anglaise Histoire et critique. Perte (Psychologie) dans la littérature. Poésie lyrique Histoire et critique Théorie, etc. Poésie lyrique Histoire et critique. Narration. Narration Histoire. Bereavement in literature fast (OCoLC)fst00830694 Death in literature fast (OCoLC)fst00888697 English poetry fast (OCoLC)fst00912278 Loss (Psychology) in literature fast (OCoLC)fst01002636 Lyric poetry fast (OCoLC)fst01004373 Narration (Rhetoric) fast (OCoLC)fst01032927 |
| subject_GND | http://id.loc.gov/authorities/subjects/sh94000188 http://id.loc.gov/authorities/subjects/sh85036108 http://id.loc.gov/authorities/subjects/sh85043948 http://id.loc.gov/authorities/subjects/sh94006072 http://id.loc.gov/authorities/subjects/sh85089833 (OCoLC)fst00830694 (OCoLC)fst00888697 (OCoLC)fst00912278 (OCoLC)fst01002636 (OCoLC)fst01004373 (OCoLC)fst01032927 (OCoLC)fst01411635 (OCoLC)fst01411628 |
| title | Facing Loss and Death Narrative and Eventfulness in Lyric Poetry |
| title_alt | Frontmatter -- Table of Contents -- 1. Introduction -- 2. Mourning the Death of a Beloved Person -- 2.0. Introduction -- 2.1. Ben Jonson: "On My First Daughter" (1593) and "On My First Son" (1603) -- 2.2. John Donne: "Since She Whom I Loved" (1617) and John Milton: "Methought I Saw My Late Espoused Saint" (1658) -- 2.3. Lord Byron: "Away, Away, Ye Notes of Woe" (1811) and "And Thou art Dead, as Young and Fair" (1812) -- 2.4. Edgar Allan Poe: "Lenore" (1844-1849) -- 2.5. Seamus Heaney: "Mid-Term Break" (1966) -- 2.6. Eavan Boland: "The Blossom" (1998) and "The Pomegranate" (1994) -- 2.7. Summary -- 3. Coping with Loss in Love -- 3.0. Introduction -- 3.1. William Shakespeare: The Sonnets (1609) -- 3.2. John Donne: "A Valediction: Forbidding Mourning" (1633) -- 3.3. William Wordsworth: "Lucy Poems" (1800, 1801/1807) -- 3.4. Emily Dickinson: "After Great Pain" (ca. 1862) -- 3.5. Thomas Hardy: "The Voice" (1912/14) -- 3.6. Sylvia Plath: "The Other" (1962) -- 3.7. Ted Hughes: Birthday Letters (1998) -- 3.8. Summary -- 4. Confronting One's Own Death -- 4.0. Introduction -- 4.1. Sir Walter Raleigh: "Verses Made the Night before He Died" (1618) and Chidiock Tichborne: "Elegy" (1586) -- 4.2. John Donne: "What if this Present were the World's Last Night" (1609/1611) -- 4.3. William Cowper: "The Castaway" (1799/1800) -- 4.4. John Keats: "When I have Fears that I May Cease to be" (1818) and Lord Byron: "On this Day I Complete my Thirty-Sixth Year" (1824) -- 4.5. Emily Dickinson: "Because I Could not Stop for Death" (ca. 1863) -- 4.6. Rupert Brooke: "The Soldier" (1914) and Wilfred Owen: "Strange Meeting" (1918) -- 4.7. D.H. Lawrence: "Bavarian Gentians" (1932) -- 4.8. Summary -- 5. Lamenting the Death of Poets -- 5.0. Introduction -- 5.1. Henry Howard, Earl of Surrey: "An Excellent Epitaph of Sir Thomas Wyatt" (1542) -- 5.2. Thomas Carew: "An Elegy upon the Death of the Dean of Paul's, Dr John Donne" (1633) -- 5.3. Percy Bysshe Shelley: "Adonais: An Elegy on the Death of John Keats" (1821) -- 5.4. W.H. Auden: "In Memory of W.B. Yeats" (1939) -- 5.5. Seamus Heaney: "Audenesque: in memory of Joseph Brodsky" (1996) -- 5.6. Summary -- 6. Thematizing the Loss of an Old Order -- 6.0. Introduction -- 6.1. John Donne: An Anatomy of the World (1611) and William Shakespeare: The Sonnets (1609) -- 6.2. William Wordsworth: "The World is too Much with Us" (1807) and W.B. Yeats: "High Talk" (1939) -- 6.3. Percy Bysshe Shelley: "Lift not the Painted Veil" (1818/1824) and "The Cloud" (1819/1820) -- 6.4. Matthew Arnold: "Dover Beach" (1851) and Gerard Manley Hopkins: "No Worst, there is None" (ca. 1885) -- 6.5. T.S. Eliot: The Waste Land (1922) and "Journey of the Magi" (1930) -- 6.6. W.B. Yeats: "Lapis Lazuli" (1938) -- 6.7. Tony Harrison: "A Kumquat for John Keats" (1981) -- 6.8. Summary -- 7. Conclusion: Summary and Results -- Index (authors and titles) |
| title_auth | Facing Loss and Death Narrative and Eventfulness in Lyric Poetry |
| title_exact_search | Facing Loss and Death Narrative and Eventfulness in Lyric Poetry |
| title_full | Facing Loss and Death Narrative and Eventfulness in Lyric Poetry Peter Hühn |
| title_fullStr | Facing Loss and Death Narrative and Eventfulness in Lyric Poetry Peter Hühn |
| title_full_unstemmed | Facing Loss and Death Narrative and Eventfulness in Lyric Poetry Peter Hühn |
| title_short | Facing Loss and Death |
| title_sort | facing loss and death narrative and eventfulness in lyric poetry |
| title_sub | Narrative and Eventfulness in Lyric Poetry |
| topic | Bereavement in literature. http://id.loc.gov/authorities/subjects/sh94000188 Death in literature. http://id.loc.gov/authorities/subjects/sh85036108 English poetry History and criticism Theory, etc. English poetry History and criticism. http://id.loc.gov/authorities/subjects/sh85043948 Loss (Psychology) in literature. http://id.loc.gov/authorities/subjects/sh94006072 Lyric poetry History and criticism Theory, etc. Lyric poetry History and criticism. Narration (Rhetoric) http://id.loc.gov/authorities/subjects/sh85089833 Narration (Rhetoric) History. Ereignishaftigkeit. Gedichtanalyse. Tod. Transgenerische Narratologie. Deuil dans la littérature. Mort dans la littérature. Poésie anglaise Histoire et critique Théorie, etc. Poésie anglaise Histoire et critique. Perte (Psychologie) dans la littérature. Poésie lyrique Histoire et critique Théorie, etc. Poésie lyrique Histoire et critique. Narration. Narration Histoire. Bereavement in literature fast (OCoLC)fst00830694 Death in literature fast (OCoLC)fst00888697 English poetry fast (OCoLC)fst00912278 Loss (Psychology) in literature fast (OCoLC)fst01002636 Lyric poetry fast (OCoLC)fst01004373 Narration (Rhetoric) fast (OCoLC)fst01032927 |
| topic_facet | Bereavement in literature. Death in literature. English poetry History and criticism Theory, etc. English poetry History and criticism. Loss (Psychology) in literature. Lyric poetry History and criticism Theory, etc. Lyric poetry History and criticism. Narration (Rhetoric) Narration (Rhetoric) History. Ereignishaftigkeit. Gedichtanalyse. Tod. Transgenerische Narratologie. Deuil dans la littérature. Mort dans la littérature. Poésie anglaise Histoire et critique Théorie, etc. Poésie anglaise Histoire et critique. Perte (Psychologie) dans la littérature. Poésie lyrique Histoire et critique Théorie, etc. Poésie lyrique Histoire et critique. Narration. Narration Histoire. Bereavement in literature Death in literature English poetry Loss (Psychology) in literature Lyric poetry Criticism, interpretation, etc. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1343021 |
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