Environmental sound artists :: in their own words /
Environmental Sound Artists: In Their Own Words is an incisive and imaginative look at the international environmental sound art movement, which emerged in the late 1960s. The book presents a current perspective on the movement through a collection of personal writings by important environmental sou...
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| Main Authors: | , |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
New York, NY :
Oxford University Press,
[2016]
|
| Subjects: | |
| Online Access: | DE-862 DE-863 |
| Summary: | Environmental Sound Artists: In Their Own Words is an incisive and imaginative look at the international environmental sound art movement, which emerged in the late 1960s. The book presents a current perspective on the movement through a collection of personal writings by important environmental sound artists. |
| Item Description: | Includes index. |
| Physical Description: | 1 online resource |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9780190234638 0190234636 0190234644 9780190234645 |
Staff View
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| 245 | 1 | 0 | |a Environmental sound artists : |b in their own words / |c Frederick Bianchi, V.J. Manzo. |
| 264 | 1 | |a New York, NY : |b Oxford University Press, |c [2016] | |
| 264 | 4 | |c ©2016 | |
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| 505 | 0 | |a COVER ; Environmental Sound Artists In Their Own Words; COPYRIGHT; CONTENTS ; FOREWORD ; PREFACE ; ACKNOWLEDGMENTS ; Introduction ; Chapter 1: Sonifications of Global Environmental Data ; Heat and the Heartbeat of the City ; N. ; Chapter 2: Sewer Pipe Organ ; Chapter 3: Biophonic Sound Sculptures in Public Spaces ; Chapter 4: A Philosophical Report from Work-in-Progress ; Means and Mechanisms ; Sound Monitoring ; Non-Linear Chaotic Circuits ; Compression of Time and Space ; Pinion Engraver Beetle ; A Further Metaphor ; Chapter 5: Listening to the Earth ; Earth Sound. | |
| 505 | 8 | |a Deep Earth Dome (2006-2008) The Significance of Listening to the Earth ; A Farewell to Wilderness? ; Chapter 6: The Place Where You Go to Listen : An Ecosystem of Sound and Light ; Mapping the Terrain ; The Colors of Noise and Tone ; "An Orchestration of Untouched Material" ; Chapter 7: Meltwater ; January 9, 2009 ; A Sense of Wonder ; Antarctica: Music from the Ice ; Meltwater ; Chapter 8: Hearing Curved Space ; Hearing Curved Space ; Midsummer Celebration, Kökar, Åland, Finland, Sunday, June 26, 2005 ; Outcome ; Chapter 9: River Listening ; Chapter 10: Sun Boxes. | |
| 505 | 8 | |a Chapter 11: Bridge Music and Tower Music Bridge Music ; Tower Music ; Chapter 12: Data as Music ; Audio Information Design Issues ; Chapter 13: Sonic Landscapes (finding a sense of place with my ears) ; DAY 0: Sidney International Airport-Arrival in a Non-Place. ; DAY 1: Western Riverina-Hearing the Old Birrego School. ; DAY 2: An open field-Listening to the Song of the tree. ; Day 4: The Murrumbidgee River-Mapping the mental soundscape. ; Day 6: A nearby water hole-In search of the "kinda-blue-bird." ; Day 7: The Old Birrego School-The ears warn, the eyes confirm. | |
| 505 | 8 | |a Day 9: The Strong's Farm-The ears inform. Day 12: How to save 100,000 on sensors (or how to open a window and listen). ; Epilogue ; Chapter 14: Sonic Migrations ; Migrations ; Sounding Underground ; Listening and Remembering -Networked Improvisation for Four Commuters ; Networked Migrations : Listening to and Performing the In-Between Space ; Final Reflection ; Chapter 15: Sound Architecture ; Chapter 16: The Sonic Ecology of Structures ; Chapter 17: Why Bring Nature into Your Music? ; Chapter 18: The Dawn Chorus ; Chapter 19: Bivvy Broadcasts. | |
| 505 | 8 | |a Chapter 20: A Philosophy of Eco-acoustics in the Interdisciplinary Project "Fragments of Extinction" Statement and Project Background ; Fragments, One Installation/Performance ; Part I: The Immersive Experience ; Part II: Nature Explained ; Part III: Nature Integrated ; Conclusions and Current Developments ; Coda ; Chapter 21: Towards Activist Sound ; Chapter 22: The Listening Experience of Paramnesia ; Paramnesia ; Daytime in Promenade ; Night-time in Repose ; Flashbacks ; Cadence ; Chapter 23: Musical Heuristics in Six Ecoacoustic Quintets. | |
| 520 | |a Environmental Sound Artists: In Their Own Words is an incisive and imaginative look at the international environmental sound art movement, which emerged in the late 1960s. The book presents a current perspective on the movement through a collection of personal writings by important environmental sound artists. | ||
| 500 | |a Includes index. | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed August 29, 2016). | |
| 504 | |a Includes bibliographical references and index. | ||
| 650 | 0 | |a Soundscapes (Music) |x History and criticism. | |
| 650 | 6 | |a Paysages sonores (Musique) |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
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| author | Bianchi, Frederick W. Manzo, V. J. |
| author_GND | http://id.loc.gov/authorities/names/n89603658 http://id.loc.gov/authorities/names/n2011002735 |
| author_facet | Bianchi, Frederick W. Manzo, V. J. |
| author_role | aut aut |
| author_sort | Bianchi, Frederick W. |
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| contents | COVER ; Environmental Sound Artists In Their Own Words; COPYRIGHT; CONTENTS ; FOREWORD ; PREFACE ; ACKNOWLEDGMENTS ; Introduction ; Chapter 1: Sonifications of Global Environmental Data ; Heat and the Heartbeat of the City ; N. ; Chapter 2: Sewer Pipe Organ ; Chapter 3: Biophonic Sound Sculptures in Public Spaces ; Chapter 4: A Philosophical Report from Work-in-Progress ; Means and Mechanisms ; Sound Monitoring ; Non-Linear Chaotic Circuits ; Compression of Time and Space ; Pinion Engraver Beetle ; A Further Metaphor ; Chapter 5: Listening to the Earth ; Earth Sound. Deep Earth Dome (2006-2008) The Significance of Listening to the Earth ; A Farewell to Wilderness? ; Chapter 6: The Place Where You Go to Listen : An Ecosystem of Sound and Light ; Mapping the Terrain ; The Colors of Noise and Tone ; "An Orchestration of Untouched Material" ; Chapter 7: Meltwater ; January 9, 2009 ; A Sense of Wonder ; Antarctica: Music from the Ice ; Meltwater ; Chapter 8: Hearing Curved Space ; Hearing Curved Space ; Midsummer Celebration, Kökar, Åland, Finland, Sunday, June 26, 2005 ; Outcome ; Chapter 9: River Listening ; Chapter 10: Sun Boxes. Chapter 11: Bridge Music and Tower Music Bridge Music ; Tower Music ; Chapter 12: Data as Music ; Audio Information Design Issues ; Chapter 13: Sonic Landscapes (finding a sense of place with my ears) ; DAY 0: Sidney International Airport-Arrival in a Non-Place. ; DAY 1: Western Riverina-Hearing the Old Birrego School. ; DAY 2: An open field-Listening to the Song of the tree. ; Day 4: The Murrumbidgee River-Mapping the mental soundscape. ; Day 6: A nearby water hole-In search of the "kinda-blue-bird." ; Day 7: The Old Birrego School-The ears warn, the eyes confirm. Day 9: The Strong's Farm-The ears inform. Day 12: How to save 100,000 on sensors (or how to open a window and listen). ; Epilogue ; Chapter 14: Sonic Migrations ; Migrations ; Sounding Underground ; Listening and Remembering -Networked Improvisation for Four Commuters ; Networked Migrations : Listening to and Performing the In-Between Space ; Final Reflection ; Chapter 15: Sound Architecture ; Chapter 16: The Sonic Ecology of Structures ; Chapter 17: Why Bring Nature into Your Music? ; Chapter 18: The Dawn Chorus ; Chapter 19: Bivvy Broadcasts. Chapter 20: A Philosophy of Eco-acoustics in the Interdisciplinary Project "Fragments of Extinction" Statement and Project Background ; Fragments, One Installation/Performance ; Part I: The Immersive Experience ; Part II: Nature Explained ; Part III: Nature Integrated ; Conclusions and Current Developments ; Coda ; Chapter 21: Towards Activist Sound ; Chapter 22: The Listening Experience of Paramnesia ; Paramnesia ; Daytime in Promenade ; Night-time in Repose ; Flashbacks ; Cadence ; Chapter 23: Musical Heuristics in Six Ecoacoustic Quintets. |
| ctrlnum | (OCoLC)953456353 |
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| dewey-ones | 780 - Music |
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| dewey-search | 780.9 |
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| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | ZDB-4-EBA-ocn953456353 |
| illustrated | Not Illustrated |
| indexdate | 2025-03-18T14:22:57Z |
| institution | BVB |
| isbn | 9780190234638 0190234636 0190234644 9780190234645 |
| language | English |
| oclc_num | 953456353 |
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| publisher | Oxford University Press, |
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| spelling | Bianchi, Frederick W., author. http://id.loc.gov/authorities/names/n89603658 Environmental sound artists : in their own words / Frederick Bianchi, V.J. Manzo. New York, NY : Oxford University Press, [2016] ©2016 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier COVER ; Environmental Sound Artists In Their Own Words; COPYRIGHT; CONTENTS ; FOREWORD ; PREFACE ; ACKNOWLEDGMENTS ; Introduction ; Chapter 1: Sonifications of Global Environmental Data ; Heat and the Heartbeat of the City ; N. ; Chapter 2: Sewer Pipe Organ ; Chapter 3: Biophonic Sound Sculptures in Public Spaces ; Chapter 4: A Philosophical Report from Work-in-Progress ; Means and Mechanisms ; Sound Monitoring ; Non-Linear Chaotic Circuits ; Compression of Time and Space ; Pinion Engraver Beetle ; A Further Metaphor ; Chapter 5: Listening to the Earth ; Earth Sound. Deep Earth Dome (2006-2008) The Significance of Listening to the Earth ; A Farewell to Wilderness? ; Chapter 6: The Place Where You Go to Listen : An Ecosystem of Sound and Light ; Mapping the Terrain ; The Colors of Noise and Tone ; "An Orchestration of Untouched Material" ; Chapter 7: Meltwater ; January 9, 2009 ; A Sense of Wonder ; Antarctica: Music from the Ice ; Meltwater ; Chapter 8: Hearing Curved Space ; Hearing Curved Space ; Midsummer Celebration, Kökar, Åland, Finland, Sunday, June 26, 2005 ; Outcome ; Chapter 9: River Listening ; Chapter 10: Sun Boxes. Chapter 11: Bridge Music and Tower Music Bridge Music ; Tower Music ; Chapter 12: Data as Music ; Audio Information Design Issues ; Chapter 13: Sonic Landscapes (finding a sense of place with my ears) ; DAY 0: Sidney International Airport-Arrival in a Non-Place. ; DAY 1: Western Riverina-Hearing the Old Birrego School. ; DAY 2: An open field-Listening to the Song of the tree. ; Day 4: The Murrumbidgee River-Mapping the mental soundscape. ; Day 6: A nearby water hole-In search of the "kinda-blue-bird." ; Day 7: The Old Birrego School-The ears warn, the eyes confirm. Day 9: The Strong's Farm-The ears inform. Day 12: How to save 100,000 on sensors (or how to open a window and listen). ; Epilogue ; Chapter 14: Sonic Migrations ; Migrations ; Sounding Underground ; Listening and Remembering -Networked Improvisation for Four Commuters ; Networked Migrations : Listening to and Performing the In-Between Space ; Final Reflection ; Chapter 15: Sound Architecture ; Chapter 16: The Sonic Ecology of Structures ; Chapter 17: Why Bring Nature into Your Music? ; Chapter 18: The Dawn Chorus ; Chapter 19: Bivvy Broadcasts. Chapter 20: A Philosophy of Eco-acoustics in the Interdisciplinary Project "Fragments of Extinction" Statement and Project Background ; Fragments, One Installation/Performance ; Part I: The Immersive Experience ; Part II: Nature Explained ; Part III: Nature Integrated ; Conclusions and Current Developments ; Coda ; Chapter 21: Towards Activist Sound ; Chapter 22: The Listening Experience of Paramnesia ; Paramnesia ; Daytime in Promenade ; Night-time in Repose ; Flashbacks ; Cadence ; Chapter 23: Musical Heuristics in Six Ecoacoustic Quintets. Environmental Sound Artists: In Their Own Words is an incisive and imaginative look at the international environmental sound art movement, which emerged in the late 1960s. The book presents a current perspective on the movement through a collection of personal writings by important environmental sound artists. Includes index. Online resource; title from PDF title page (EBSCO, viewed August 29, 2016). Includes bibliographical references and index. Soundscapes (Music) History and criticism. Paysages sonores (Musique) Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Soundscapes (Music) fast Klangkunst gnd Klangobjekt gnd Umland gnd http://d-nb.info/gnd/4315899-7 Criticism, interpretation, etc. fast Manzo, V. J., author. http://id.loc.gov/authorities/names/n2011002735 has work: Environmental sound artists (Text) https://id.oclc.org/worldcat/entity/E39PCH6Qr86wjb3FQhYtY7VV4q https://id.oclc.org/worldcat/ontology/hasWork Print version: Bianchi, Frederick W. Environmental sound artists. New York, NY : Oxford University Press, [2016] 9780190234614 019023461X (DLC) 2015040788 (OCoLC)927241594 |
| spellingShingle | Bianchi, Frederick W. Manzo, V. J. Environmental sound artists : in their own words / COVER ; Environmental Sound Artists In Their Own Words; COPYRIGHT; CONTENTS ; FOREWORD ; PREFACE ; ACKNOWLEDGMENTS ; Introduction ; Chapter 1: Sonifications of Global Environmental Data ; Heat and the Heartbeat of the City ; N. ; Chapter 2: Sewer Pipe Organ ; Chapter 3: Biophonic Sound Sculptures in Public Spaces ; Chapter 4: A Philosophical Report from Work-in-Progress ; Means and Mechanisms ; Sound Monitoring ; Non-Linear Chaotic Circuits ; Compression of Time and Space ; Pinion Engraver Beetle ; A Further Metaphor ; Chapter 5: Listening to the Earth ; Earth Sound. Deep Earth Dome (2006-2008) The Significance of Listening to the Earth ; A Farewell to Wilderness? ; Chapter 6: The Place Where You Go to Listen : An Ecosystem of Sound and Light ; Mapping the Terrain ; The Colors of Noise and Tone ; "An Orchestration of Untouched Material" ; Chapter 7: Meltwater ; January 9, 2009 ; A Sense of Wonder ; Antarctica: Music from the Ice ; Meltwater ; Chapter 8: Hearing Curved Space ; Hearing Curved Space ; Midsummer Celebration, Kökar, Åland, Finland, Sunday, June 26, 2005 ; Outcome ; Chapter 9: River Listening ; Chapter 10: Sun Boxes. Chapter 11: Bridge Music and Tower Music Bridge Music ; Tower Music ; Chapter 12: Data as Music ; Audio Information Design Issues ; Chapter 13: Sonic Landscapes (finding a sense of place with my ears) ; DAY 0: Sidney International Airport-Arrival in a Non-Place. ; DAY 1: Western Riverina-Hearing the Old Birrego School. ; DAY 2: An open field-Listening to the Song of the tree. ; Day 4: The Murrumbidgee River-Mapping the mental soundscape. ; Day 6: A nearby water hole-In search of the "kinda-blue-bird." ; Day 7: The Old Birrego School-The ears warn, the eyes confirm. Day 9: The Strong's Farm-The ears inform. Day 12: How to save 100,000 on sensors (or how to open a window and listen). ; Epilogue ; Chapter 14: Sonic Migrations ; Migrations ; Sounding Underground ; Listening and Remembering -Networked Improvisation for Four Commuters ; Networked Migrations : Listening to and Performing the In-Between Space ; Final Reflection ; Chapter 15: Sound Architecture ; Chapter 16: The Sonic Ecology of Structures ; Chapter 17: Why Bring Nature into Your Music? ; Chapter 18: The Dawn Chorus ; Chapter 19: Bivvy Broadcasts. Chapter 20: A Philosophy of Eco-acoustics in the Interdisciplinary Project "Fragments of Extinction" Statement and Project Background ; Fragments, One Installation/Performance ; Part I: The Immersive Experience ; Part II: Nature Explained ; Part III: Nature Integrated ; Conclusions and Current Developments ; Coda ; Chapter 21: Towards Activist Sound ; Chapter 22: The Listening Experience of Paramnesia ; Paramnesia ; Daytime in Promenade ; Night-time in Repose ; Flashbacks ; Cadence ; Chapter 23: Musical Heuristics in Six Ecoacoustic Quintets. Soundscapes (Music) History and criticism. Paysages sonores (Musique) Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Soundscapes (Music) fast Klangkunst gnd Klangobjekt gnd Umland gnd http://d-nb.info/gnd/4315899-7 |
| subject_GND | http://d-nb.info/gnd/4315899-7 |
| title | Environmental sound artists : in their own words / |
| title_auth | Environmental sound artists : in their own words / |
| title_exact_search | Environmental sound artists : in their own words / |
| title_full | Environmental sound artists : in their own words / Frederick Bianchi, V.J. Manzo. |
| title_fullStr | Environmental sound artists : in their own words / Frederick Bianchi, V.J. Manzo. |
| title_full_unstemmed | Environmental sound artists : in their own words / Frederick Bianchi, V.J. Manzo. |
| title_short | Environmental sound artists : |
| title_sort | environmental sound artists in their own words |
| title_sub | in their own words / |
| topic | Soundscapes (Music) History and criticism. Paysages sonores (Musique) Histoire et critique. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh Soundscapes (Music) fast Klangkunst gnd Klangobjekt gnd Umland gnd http://d-nb.info/gnd/4315899-7 |
| topic_facet | Soundscapes (Music) History and criticism. Paysages sonores (Musique) Histoire et critique. MUSIC Genres & Styles Classical. MUSIC Reference. Soundscapes (Music) Klangkunst Klangobjekt Umland Criticism, interpretation, etc. |
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