Expressive forms in Brahms's instrumental music :: structure and meaning in his Werther quartet /
"Johannes Brahms's dramatic Piano Quartet in C Minor, Opus 60, famously known as the Werther Quartet, forms the basis for Peter H. Smith's illuminating theoretical study. Throughout the book, Smith synthesizes the often-opposed approaches of Schenker and Schoenberg, discussing the int...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Bloomington :
Indiana University Press,
©2005.
|
Schriftenreihe: | Musical meaning and interpretation.
|
Schlagworte: |
Brahms, Johannes,
> 1833-1897.
> Quartets,
> piano, violin, viola, cello,
> no. 3, op. 60,
> C minor.
Brahms, Johannes
> 1833-1897
> Quartette
> Violine
> Viola
> Violoncello
> Klavier
> Nr. 3
> op. 60
> c-Moll
|
Online-Zugang: | Volltext |
Zusammenfassung: | "Johannes Brahms's dramatic Piano Quartet in C Minor, Opus 60, famously known as the Werther Quartet, forms the basis for Peter H. Smith's illuminating theoretical study. Throughout the book, Smith synthesizes the often-opposed approaches of Schenker and Schoenberg, discussing the interaction of different parameters (rhythm, form, key centers, etc.) in a "dimensional counterpoint," and addressing issues of expression in music - particularly those of tragedy and transcendence. Smith then extends his analysis beyond the isolated work, connecting the composer's approach in this piano quartet to comparable works by Brahms, and broadening the analysis to works of Beethoven and Mozart The result is an elucidating and original interpretation of the music of a celebrated composer, and a significant addition to studies in music theory."--Jacket |
Beschreibung: | 1 online resource (ix, 325 pages) : illustrations |
Bibliographie: | Includes bibliographical references (pages 309-318) and indexes. |
ISBN: | 9780253023551 0253023556 |
Internformat
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520 | 8 | |a The result is an elucidating and original interpretation of the music of a celebrated composer, and a significant addition to studies in music theory."--Jacket | |
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Datensatz im Suchindex
DE-BY-FWS_katkey | ZDB-4-EBA-ocn953415299 |
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adam_text | |
any_adam_object | |
author | Smith, Peter Howard |
author_facet | Smith, Peter Howard |
author_role | |
author_sort | Smith, Peter Howard |
author_variant | p h s ph phs |
building | Verbundindex |
bvnumber | localFWS |
callnumber-first | M - Music |
callnumber-label | MT145 |
callnumber-raw | MT145.B72 S65 2005eb |
callnumber-search | MT145.B72 S65 2005eb |
callnumber-sort | MT 3145 B72 S65 42005EB |
callnumber-subject | MT - Instruction and Study |
classification_rvk | LP 63391 LP 63410 |
collection | ZDB-4-EBA |
contents | Quintessential Brahms and the paradox of the C-minor piano quartet : a representative yet exceptional work -- Analytical preliminaries : Brahms's sonata forms and the idea of dimensional counterpoint -- A Schoenbergian perspective : compositional economy, developing recapitulation, and large-scale form -- Brahms and Schenker : a mutual response to sonata form -- Brahms's expository strategies : two-part second groups, three-key expositions, and modal shifts -- Toward an expressive interpretation : correlations for suicidal despair -- Intertextual resonances : tragic expression, dimensional counterpoint, and the great C-minor tradition. |
ctrlnum | (OCoLC)953415299 |
dewey-full | 785/.28194 |
dewey-hundreds | 700 - The arts |
dewey-ones | 785 - Ensembles with one instrument per part |
dewey-raw | 785/.28194 |
dewey-search | 785/.28194 |
dewey-sort | 3785 528194 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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genre | Criticism, interpretation, etc. fast |
genre_facet | Criticism, interpretation, etc. |
id | ZDB-4-EBA-ocn953415299 |
illustrated | Illustrated |
indexdate | 2024-11-27T13:27:16Z |
institution | BVB |
isbn | 9780253023551 0253023556 |
language | English |
oclc_num | 953415299 |
open_access_boolean | |
owner | MAIN DE-863 DE-BY-FWS |
owner_facet | MAIN DE-863 DE-BY-FWS |
physical | 1 online resource (ix, 325 pages) : illustrations |
psigel | ZDB-4-EBA |
publishDate | 2005 |
publishDateSearch | 2005 |
publishDateSort | 2005 |
publisher | Indiana University Press, |
record_format | marc |
series | Musical meaning and interpretation. |
series2 | Musical meaning and interpretation |
spelling | Smith, Peter Howard. Expressive forms in Brahms's instrumental music : structure and meaning in his Werther quartet / Peter H. Smith. Bloomington : Indiana University Press, ©2005. 1 online resource (ix, 325 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier data file Musical meaning and interpretation Includes bibliographical references (pages 309-318) and indexes. Quintessential Brahms and the paradox of the C-minor piano quartet : a representative yet exceptional work -- Analytical preliminaries : Brahms's sonata forms and the idea of dimensional counterpoint -- A Schoenbergian perspective : compositional economy, developing recapitulation, and large-scale form -- Brahms and Schenker : a mutual response to sonata form -- Brahms's expository strategies : two-part second groups, three-key expositions, and modal shifts -- Toward an expressive interpretation : correlations for suicidal despair -- Intertextual resonances : tragic expression, dimensional counterpoint, and the great C-minor tradition. "Johannes Brahms's dramatic Piano Quartet in C Minor, Opus 60, famously known as the Werther Quartet, forms the basis for Peter H. Smith's illuminating theoretical study. Throughout the book, Smith synthesizes the often-opposed approaches of Schenker and Schoenberg, discussing the interaction of different parameters (rhythm, form, key centers, etc.) in a "dimensional counterpoint," and addressing issues of expression in music - particularly those of tragedy and transcendence. Smith then extends his analysis beyond the isolated work, connecting the composer's approach in this piano quartet to comparable works by Brahms, and broadening the analysis to works of Beethoven and Mozart The result is an elucidating and original interpretation of the music of a celebrated composer, and a significant addition to studies in music theory."--Jacket Print version record. Brahms, Johannes, 1833-1897. Quartets, piano, violin, viola, cello, no. 3, op. 60, C minor. http://id.loc.gov/authorities/names/no95023640 Brahms, Johannes, 1833-1897 Criticism and interpretation. Brahms, Johannes, 1833-1897 Quatuors, piano, cordes, no 3, op. 60, do mineur. Brahms, Johannes, 1833-1897 Critique et interprétation. Brahms, Johannes, 1833-1897 fast https://id.oclc.org/worldcat/entity/E39PBJjxvY6gCJmXY8WmgHVQv3 Quartets (Brahms, Johannes) fast Brahms, Johannes 1833-1897 gnd Brahms, Johannes 1833-1897 Quartette Violine Viola Violoncello Klavier Nr. 3 op. 60 c-Moll gnd http://d-nb.info/gnd/300026536 Brahms, Johannes. Quartett, Violine Viola Violoncello Klavier op. 60. swd Brahms, Johannes. swd MUSIC Instruction & Study Theory. bisacsh Instrumentalmusik gnd Criticism, interpretation, etc. fast has work: Expressive forms in Brahms's instrumental music (Text) https://id.oclc.org/worldcat/entity/E39PCGKGy8cd4vBYYFphP63CwC https://id.oclc.org/worldcat/ontology/hasWork Print version: Smith, Peter Howard. Expressive forms in Brahms's instrumental music. Bloomington : Indiana University Press, ©2005 0253344832 (DLC) 2004017942 (OCoLC)56086141 Musical meaning and interpretation. http://id.loc.gov/authorities/names/n2004068861 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1284227 Volltext |
spellingShingle | Smith, Peter Howard Expressive forms in Brahms's instrumental music : structure and meaning in his Werther quartet / Musical meaning and interpretation. Quintessential Brahms and the paradox of the C-minor piano quartet : a representative yet exceptional work -- Analytical preliminaries : Brahms's sonata forms and the idea of dimensional counterpoint -- A Schoenbergian perspective : compositional economy, developing recapitulation, and large-scale form -- Brahms and Schenker : a mutual response to sonata form -- Brahms's expository strategies : two-part second groups, three-key expositions, and modal shifts -- Toward an expressive interpretation : correlations for suicidal despair -- Intertextual resonances : tragic expression, dimensional counterpoint, and the great C-minor tradition. Brahms, Johannes, 1833-1897. Quartets, piano, violin, viola, cello, no. 3, op. 60, C minor. http://id.loc.gov/authorities/names/no95023640 Brahms, Johannes, 1833-1897 Criticism and interpretation. Brahms, Johannes, 1833-1897 Quatuors, piano, cordes, no 3, op. 60, do mineur. Brahms, Johannes, 1833-1897 Critique et interprétation. Brahms, Johannes, 1833-1897 fast https://id.oclc.org/worldcat/entity/E39PBJjxvY6gCJmXY8WmgHVQv3 Quartets (Brahms, Johannes) fast Brahms, Johannes 1833-1897 gnd Brahms, Johannes 1833-1897 Quartette Violine Viola Violoncello Klavier Nr. 3 op. 60 c-Moll gnd http://d-nb.info/gnd/300026536 Brahms, Johannes. Quartett, Violine Viola Violoncello Klavier op. 60. swd Brahms, Johannes. swd MUSIC Instruction & Study Theory. bisacsh Instrumentalmusik gnd |
subject_GND | http://id.loc.gov/authorities/names/no95023640 http://d-nb.info/gnd/300026536 |
title | Expressive forms in Brahms's instrumental music : structure and meaning in his Werther quartet / |
title_auth | Expressive forms in Brahms's instrumental music : structure and meaning in his Werther quartet / |
title_exact_search | Expressive forms in Brahms's instrumental music : structure and meaning in his Werther quartet / |
title_full | Expressive forms in Brahms's instrumental music : structure and meaning in his Werther quartet / Peter H. Smith. |
title_fullStr | Expressive forms in Brahms's instrumental music : structure and meaning in his Werther quartet / Peter H. Smith. |
title_full_unstemmed | Expressive forms in Brahms's instrumental music : structure and meaning in his Werther quartet / Peter H. Smith. |
title_short | Expressive forms in Brahms's instrumental music : |
title_sort | expressive forms in brahms s instrumental music structure and meaning in his werther quartet |
title_sub | structure and meaning in his Werther quartet / |
topic | Brahms, Johannes, 1833-1897. Quartets, piano, violin, viola, cello, no. 3, op. 60, C minor. http://id.loc.gov/authorities/names/no95023640 Brahms, Johannes, 1833-1897 Criticism and interpretation. Brahms, Johannes, 1833-1897 Quatuors, piano, cordes, no 3, op. 60, do mineur. Brahms, Johannes, 1833-1897 Critique et interprétation. Brahms, Johannes, 1833-1897 fast https://id.oclc.org/worldcat/entity/E39PBJjxvY6gCJmXY8WmgHVQv3 Quartets (Brahms, Johannes) fast Brahms, Johannes 1833-1897 gnd Brahms, Johannes 1833-1897 Quartette Violine Viola Violoncello Klavier Nr. 3 op. 60 c-Moll gnd http://d-nb.info/gnd/300026536 Brahms, Johannes. Quartett, Violine Viola Violoncello Klavier op. 60. swd Brahms, Johannes. swd MUSIC Instruction & Study Theory. bisacsh Instrumentalmusik gnd |
topic_facet | Brahms, Johannes, 1833-1897. Quartets, piano, violin, viola, cello, no. 3, op. 60, C minor. Brahms, Johannes, 1833-1897 Criticism and interpretation. Brahms, Johannes, 1833-1897 Quatuors, piano, cordes, no 3, op. 60, do mineur. Brahms, Johannes, 1833-1897 Critique et interprétation. Brahms, Johannes, 1833-1897 Quartets (Brahms, Johannes) Brahms, Johannes 1833-1897 Brahms, Johannes 1833-1897 Quartette Violine Viola Violoncello Klavier Nr. 3 op. 60 c-Moll Brahms, Johannes. Quartett, Violine Viola Violoncello Klavier op. 60. Brahms, Johannes. MUSIC Instruction & Study Theory. Instrumentalmusik Criticism, interpretation, etc. |
url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1284227 |
work_keys_str_mv | AT smithpeterhoward expressiveformsinbrahmssinstrumentalmusicstructureandmeaninginhiswertherquartet |