The ambivalent legacy of Elia Kazan :: the politics of the post-HUAC films /
The films covered in this volume include Viva Zapata (1952), On the Waterfront (1954), East of Eden (1954), Baby Doll (1956), A Face in the Crowd (1957), Splendor in the Grass (1961), America, America (1963), and The Last Tycoon (1976).
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Lanham :
Rowman & Littlefield,
2016.
|
| Schriftenreihe: | Film and history (Lanham, Md.)
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | The films covered in this volume include Viva Zapata (1952), On the Waterfront (1954), East of Eden (1954), Baby Doll (1956), A Face in the Crowd (1957), Splendor in the Grass (1961), America, America (1963), and The Last Tycoon (1976). |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781442271685 144227168X |
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| 505 | 0 | |a Introduction: no regrets? -- Viva Zapata! (1952) and Cold War liberalism -- Kazan and the anticommunist film genre: Man on a tightrope (1953) -- The ambivalence of informing: On the waterfront (1954) -- Father and sons and the cost of pursuing the American Dream: East of Eden (1955) -- Sexuality and the new south: Baby doll (1956) -- A return to progressive principles and the shape of things to come: A face in the crowd (1957) -- Looking backward and the cost of progress: Wild river (1960) -- Anticipating the youth rebellion: Splendor in the grass (1960) -- The Anatolian smile and the immigrant experience: America America (1963) -- Rebelling against the arranged life: The arrangement (1969) -- The final films: The visitors (1971) and The last tycoon (1976). | |
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| contents | Introduction: no regrets? -- Viva Zapata! (1952) and Cold War liberalism -- Kazan and the anticommunist film genre: Man on a tightrope (1953) -- The ambivalence of informing: On the waterfront (1954) -- Father and sons and the cost of pursuing the American Dream: East of Eden (1955) -- Sexuality and the new south: Baby doll (1956) -- A return to progressive principles and the shape of things to come: A face in the crowd (1957) -- Looking backward and the cost of progress: Wild river (1960) -- Anticipating the youth rebellion: Splendor in the grass (1960) -- The Anatolian smile and the immigrant experience: America America (1963) -- Rebelling against the arranged life: The arrangement (1969) -- The final films: The visitors (1971) and The last tycoon (1976). |
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| spelling | Briley, Ron, 1949- author. http://id.loc.gov/authorities/names/n2003099516 The ambivalent legacy of Elia Kazan : the politics of the post-HUAC films / Ron Briley. 1701 Lanham : Rowman & Littlefield, 2016. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Film and history Includes bibliographical references and index. Introduction: no regrets? -- Viva Zapata! (1952) and Cold War liberalism -- Kazan and the anticommunist film genre: Man on a tightrope (1953) -- The ambivalence of informing: On the waterfront (1954) -- Father and sons and the cost of pursuing the American Dream: East of Eden (1955) -- Sexuality and the new south: Baby doll (1956) -- A return to progressive principles and the shape of things to come: A face in the crowd (1957) -- Looking backward and the cost of progress: Wild river (1960) -- Anticipating the youth rebellion: Splendor in the grass (1960) -- The Anatolian smile and the immigrant experience: America America (1963) -- Rebelling against the arranged life: The arrangement (1969) -- The final films: The visitors (1971) and The last tycoon (1976). Print version record and CIP data provided by publisher; resource not viewed. The films covered in this volume include Viva Zapata (1952), On the Waterfront (1954), East of Eden (1954), Baby Doll (1956), A Face in the Crowd (1957), Splendor in the Grass (1961), America, America (1963), and The Last Tycoon (1976). Kazan, Elia Criticism and interpretation. Kazan, Elia fast Motion picture producers and directors Political activity United States. Motion pictures Political aspects United States History 20th century. Communism and motion pictures United States. Producteurs et réalisateurs de cinéma Activité politique États-Unis. Communisme et cinéma États-Unis. Cinéma Aspect politique États-Unis Histoire 20e siècle. PERFORMING ARTS Reference. bisacsh Communism and motion pictures fast Motion picture producers and directors Political activity fast Motion pictures Political aspects fast United States fast 1900-1999 fast Criticism, interpretation, etc. fast History fast has work: The ambivalent legacy of Elia Kazan (Text) https://id.oclc.org/worldcat/entity/E39PCGQJjfqjCHV9CwXrfjBMRq https://id.oclc.org/worldcat/ontology/hasWork Print version: Briley, Ron, 1949- Ambivalent legacy of Elia Kazan. Lanham : Rowman & Littlefield, 2016 9781442271678 (DLC) 2016010652 Film and history (Lanham, Md.) http://id.loc.gov/authorities/names/no2014013774 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1350166 Volltext |
| spellingShingle | Briley, Ron, 1949- The ambivalent legacy of Elia Kazan : the politics of the post-HUAC films / Film and history (Lanham, Md.) Introduction: no regrets? -- Viva Zapata! (1952) and Cold War liberalism -- Kazan and the anticommunist film genre: Man on a tightrope (1953) -- The ambivalence of informing: On the waterfront (1954) -- Father and sons and the cost of pursuing the American Dream: East of Eden (1955) -- Sexuality and the new south: Baby doll (1956) -- A return to progressive principles and the shape of things to come: A face in the crowd (1957) -- Looking backward and the cost of progress: Wild river (1960) -- Anticipating the youth rebellion: Splendor in the grass (1960) -- The Anatolian smile and the immigrant experience: America America (1963) -- Rebelling against the arranged life: The arrangement (1969) -- The final films: The visitors (1971) and The last tycoon (1976). Kazan, Elia Criticism and interpretation. Kazan, Elia fast Motion picture producers and directors Political activity United States. Motion pictures Political aspects United States History 20th century. Communism and motion pictures United States. Producteurs et réalisateurs de cinéma Activité politique États-Unis. Communisme et cinéma États-Unis. Cinéma Aspect politique États-Unis Histoire 20e siècle. PERFORMING ARTS Reference. bisacsh Communism and motion pictures fast Motion picture producers and directors Political activity fast Motion pictures Political aspects fast |
| title | The ambivalent legacy of Elia Kazan : the politics of the post-HUAC films / |
| title_auth | The ambivalent legacy of Elia Kazan : the politics of the post-HUAC films / |
| title_exact_search | The ambivalent legacy of Elia Kazan : the politics of the post-HUAC films / |
| title_full | The ambivalent legacy of Elia Kazan : the politics of the post-HUAC films / Ron Briley. |
| title_fullStr | The ambivalent legacy of Elia Kazan : the politics of the post-HUAC films / Ron Briley. |
| title_full_unstemmed | The ambivalent legacy of Elia Kazan : the politics of the post-HUAC films / Ron Briley. |
| title_short | The ambivalent legacy of Elia Kazan : |
| title_sort | ambivalent legacy of elia kazan the politics of the post huac films |
| title_sub | the politics of the post-HUAC films / |
| topic | Kazan, Elia Criticism and interpretation. Kazan, Elia fast Motion picture producers and directors Political activity United States. Motion pictures Political aspects United States History 20th century. Communism and motion pictures United States. Producteurs et réalisateurs de cinéma Activité politique États-Unis. Communisme et cinéma États-Unis. Cinéma Aspect politique États-Unis Histoire 20e siècle. PERFORMING ARTS Reference. bisacsh Communism and motion pictures fast Motion picture producers and directors Political activity fast Motion pictures Political aspects fast |
| topic_facet | Kazan, Elia Criticism and interpretation. Kazan, Elia Motion picture producers and directors Political activity United States. Motion pictures Political aspects United States History 20th century. Communism and motion pictures United States. Producteurs et réalisateurs de cinéma Activité politique États-Unis. Communisme et cinéma États-Unis. Cinéma Aspect politique États-Unis Histoire 20e siècle. PERFORMING ARTS Reference. Communism and motion pictures Motion picture producers and directors Political activity Motion pictures Political aspects United States Criticism, interpretation, etc. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1350166 |
| work_keys_str_mv | AT brileyron theambivalentlegacyofeliakazanthepoliticsoftheposthuacfilms AT brileyron ambivalentlegacyofeliakazanthepoliticsoftheposthuacfilms |