Blender 3D by example :: design a complete workflow with Blender to create stunning 3D scenes and films step by step! /
Design a complete workflow with Blender to create stunning 3D scenes and films step-by-step! About This Book Give life to a character within a full animated short film by learning the rigging and animation process Make use of the powerful tools available in Blender to produce professional-quality 3D...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Birmingham, UK :
Packt Publishing,
2015.
|
| Schriftenreihe: | Community experience distilled.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | Design a complete workflow with Blender to create stunning 3D scenes and films step-by-step! About This Book Give life to a character within a full animated short film by learning the rigging and animation process Make use of the powerful tools available in Blender to produce professional-quality 3D characters and environments Discover advanced techniques by adding fur to a character, creating a grass field, and fine-tuning a shot with post-processing effects to enhance your creations Who This Book Is For This book will give any beginner the necessary skills and knowledge to create own 3D projects with Blender. You don't need to have any previous experience in 3D modeling, but if you do, then this book is a great way get you started with Blender. This book is for anyone who wants to learn Blender by creating concrete projects. What You Will Learn Understand the basics of 3D and how to navigate your way around the Blender interface Create a 3D robot toy model from start to finish using the basic modeling tools of Blender Make a full alien character using the skin mesh modifier and the sculpting tools with an artistic approach Use re-topology techniques to create a clean 3D version of the previously sculpted alien Model a full haunted house and its environment using more advanced modeling tools and techniques such as the Array Modifier, Instance duplication, or Curves Discover the power of the texture paint tool in order to add color to the haunted house Get to know the Cycles render engine by creating different materials for the house and the environment In Detail Blender is a powerful tool, stable, with an integral workflow that will allow you to understand your learning of 3D creation with serenity. Today, it is considered to be one of the most complete 3D packages on the market and it is free and open source! It is very efficient for many types of productions, such as 3D animated or live action films, architecture, research, or even game creation with its integrated game engine and its use of the Python language. Moreover, Blender has an active community that contributes to expanding its functionalities. Today, it is used in many professional products and by many companies. Through this book, you will create many types of concert projects using a step-by-step approach. You will start by getting to know the modeling tools available in Blender as you create a 3D robot toy. Then, you will discover more advanced techniques such as sculpting and ... |
| Beschreibung: | Includes index. |
| Beschreibung: | 1 online resource (1 volume) : illustrations |
| ISBN: | 9781785280245 1785280244 |
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| 245 | 1 | 0 | |a Blender 3D by example : |b design a complete workflow with Blender to create stunning 3D scenes and films step by step! / |c Romain Caudron, Pierre-Armand Nicq. |
| 246 | 3 | 0 | |a Design a complete workflow with Blender to create stunning 3D scenes and films step by step |
| 246 | 3 | |a Blender three-dimensional by example | |
| 264 | 1 | |a Birmingham, UK : |b Packt Publishing, |c 2015. | |
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| 520 | |a Design a complete workflow with Blender to create stunning 3D scenes and films step-by-step! About This Book Give life to a character within a full animated short film by learning the rigging and animation process Make use of the powerful tools available in Blender to produce professional-quality 3D characters and environments Discover advanced techniques by adding fur to a character, creating a grass field, and fine-tuning a shot with post-processing effects to enhance your creations Who This Book Is For This book will give any beginner the necessary skills and knowledge to create own 3D projects with Blender. You don't need to have any previous experience in 3D modeling, but if you do, then this book is a great way get you started with Blender. This book is for anyone who wants to learn Blender by creating concrete projects. What You Will Learn Understand the basics of 3D and how to navigate your way around the Blender interface Create a 3D robot toy model from start to finish using the basic modeling tools of Blender Make a full alien character using the skin mesh modifier and the sculpting tools with an artistic approach Use re-topology techniques to create a clean 3D version of the previously sculpted alien Model a full haunted house and its environment using more advanced modeling tools and techniques such as the Array Modifier, Instance duplication, or Curves Discover the power of the texture paint tool in order to add color to the haunted house Get to know the Cycles render engine by creating different materials for the house and the environment In Detail Blender is a powerful tool, stable, with an integral workflow that will allow you to understand your learning of 3D creation with serenity. Today, it is considered to be one of the most complete 3D packages on the market and it is free and open source! It is very efficient for many types of productions, such as 3D animated or live action films, architecture, research, or even game creation with its integrated game engine and its use of the Python language. Moreover, Blender has an active community that contributes to expanding its functionalities. Today, it is used in many professional products and by many companies. Through this book, you will create many types of concert projects using a step-by-step approach. You will start by getting to know the modeling tools available in Blender as you create a 3D robot toy. Then, you will discover more advanced techniques such as sculpting and ... | ||
| 546 | |a English. | ||
| 505 | 0 | |a Cover -- Copyright -- Credits -- About the Authors -- About the Reviewers -- www.PacktPub.com -- Table of Contents -- Preface -- Chapter 1: Straight into Blender! -- An overview of the 3D workflow -- The anatomy of a 3D scene -- What can you do with Blender? -- Getting used to the navigation in Blender -- An introduction to the navigation of the 3D Viewport -- What are editors? -- The anatomy of an editor -- Split, Join, and Detach -- Some useful layout presets -- Setting up your preferences -- An introduction to the Preferences window -- Customizing the default navigation style -- Improving Blender with add-ons -- A brief introduction to the projects -- The Robot toy -- The Alien character -- The Haunted House -- The Rat Cowboy -- Summary -- Chapter 2: Robot Toy -- Modeling of an Object -- Let's start the modeling of our robot toy -- Preparing the workflow by adding an image reference -- Adding the head primitive -- The Edit Mode versus the Object Mode -- Using the basic modeling tools -- Modeling the head -- Modeling the antenna -- An introduction to the Subdivision Surface modifier -- Improving the head shape -- Modeling the thunderbolts -- Modeling the eyes -- The modeling of the chest -- The modeling of the neck -- Modeling the torso -- The modeling of the buttons -- Modeling the fork -- Modeling protections for the fork -- The modeling of the main wheel -- The modeling of the arm -- Using Blender Internal to render our Robot -- Summary -- Chapter 3: Alien Character -- Base Mesh Creation and Sculpting -- Understanding the sculpting process -- An introduction to sculpting -- Choosing sculpting over poly modeling -- Using a pen tablet -- The sculpt mode -- Optimizing the viewport -- Anatomy of a brush -- Dyntopo versus the Multires modifier -- First touch with the Multires modifier -- First touch with Dyntopo. | |
| 505 | 8 | |a Creating a base mesh with the Skin modifier -- Visual preparation -- An introduction to artistic anatomy -- Sculpting the body -- The head -- The torso -- The arms -- The legs -- The belt -- Summary -- Chapter 4: Alien Character -- Creating a Proper Topology and Transferring the Sculpt Details -- Why make a retopology? -- Possibilities of arranging polygons -- Errors to avoid during the creation of retopology -- Density of polygons -- Making the retopology of the alien character -- Preparing the environment -- The head -- The neck and the torso -- The arms and the hands -- The legs -- Unwrapping UVs -- Understanding UVs -- The placement of the seams -- The placement and adjustment of the islands -- The baking of textures -- The baking of a normal map -- What is a normal map? -- Displaying the normal map in the viewport -- The baking of an ambient occlusion -- Understanding the ambient occlusion map -- Displaying the ambient occlusion in the viewport -- Summary -- Chapter 5: Haunted House -- Modeling Of the Scene -- Blocking the house -- Working with a scale -- Blocking the bases of the house -- Refining the blocking -- Adding instantiated objects -- Reworking the blocking objects -- Breaking and ageing the elements -- Simulate a stack of wooden planks with physics -- Creation of the simulation of a stack of planks -- Modeling the environment (8 pages) -- Modeling the cliff -- Modeling a tree with curves -- Enhancing the scene with a barrier, rocks, and a cart -- Organizing the scene -- Grouping objects -- Working with layers -- Summary -- Chapter 6: The Haunted House -- Putting Colors on It -- Unwrapping UVs -- Using Project From View -- Unwrapping the rest of the house -- The tree with the Smart UV Project -- Unwrapping the rest of the environment -- Tiling UVs -- What is tiling for? -- The UV layers -- Adding colors -- Basics of the Texture Paint tool. | |
| 505 | 8 | |a Discovering the brushes -- The Stroke option -- Delimiting the zones of painting according to the geometry -- Painting directly on the texture -- Painting the scene -- Laying down the colors -- Tiled textures -- The settings of our workspace -- Advice for a good tiled texture -- Painting the roof-tile texture -- Quick tips for other kinds of hand-painted tiled textures -- Baking our tiled textures -- Why bake? -- How to do it? -- Creating transparent textures -- The grass texture -- The grunge texture -- Doing a quick render with Blender Internal -- Setting lights -- Placing the camera -- Setting the environment (sky and mist) -- Summary -- Chapter 7: Haunted House -- Adding Materials and Lights in Cycles -- Understanding the basic settings of Cycles -- The sampling -- Light path settings -- Performances -- Lighting -- Creating a testing material -- Understanding the different types of light -- Lighting our scene -- Painting and using an Image Base Lighting -- Creating materials with nodes -- Creating the materials of the house, the rocks, and the tree -- Adding a mask for the windows -- Using procedural textures -- Making and applying normal maps in Cycles -- Creating realistic grass -- Generating the grass with particles -- Creating the grass shader -- Baking textures in Cycles -- Cycles versus Blender Internal -- Baking the tree -- Compositing a mist pass -- Summary -- Chapter 8: The Rat Cowboy -- Learning To Rig a Character for Animation -- An introduction to the rigging process -- Rigging the Rat Cowboy -- Placing the deforming bones -- The leg and the foot -- The arm and the hand -- The hips -- The tail -- The head and the eyes -- Mirroring the rig -- Rigging the gun -- Rigging the holster -- Adding a root bone -- Skinning -- The Weight Paint tools -- Manually assigning weight to vertices -- Correcting the foot deformation. | |
| 505 | 8 | |a Correcting the belt deformation -- Custom shapes -- The shape keys -- What is a shape key? -- Creating basic shapes -- Driving a shape key -- Summary -- Chapter 9: The Rat Cowboy -- Animate a Full Sequence -- Principles of animation -- Squash and Stretch -- Anticipation -- Staging -- Straight Ahead Action and Pose to Pose -- Follow Through and Overlapping Action -- Slow In and Slow Out -- Arcs -- Secondary Action -- Timing -- Exaggeration -- Solid drawing -- Appeal -- Animation tools in Blender -- The timeline -- What is a keyframe? -- The Dope Sheet -- The Graph editor -- The Non-Linear Action editor -- Preparation of the animation -- Writing a short script -- Making a storyboard -- Finding the final camera placements and the timing through a layout -- Animation references -- Organization -- Animating the scene -- The walk cycle -- Mixing actions -- Animation of a close shot -- Animation of the gunshot -- Animation of the trap -- Render a quick preview of a shot -- Summary -- Chapter 10: The Rat Cowboy -- Rendering, Compositing, and Editing -- Creating advanced materials in Cycles -- Skin material with Subsurface Scattering -- Eye material -- The fur of the rat -- The Raw rendering phase -- Enhance a picture with compositing -- Introduction to nodal compositing -- Depth Pass -- Adding effects -- Compositing rendering phase -- Editing the sequence with the VSE -- Introduction to the Video Sequence Editor -- Edit and render the final sequence -- Summary -- Index. | |
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| contents | Cover -- Copyright -- Credits -- About the Authors -- About the Reviewers -- www.PacktPub.com -- Table of Contents -- Preface -- Chapter 1: Straight into Blender! -- An overview of the 3D workflow -- The anatomy of a 3D scene -- What can you do with Blender? -- Getting used to the navigation in Blender -- An introduction to the navigation of the 3D Viewport -- What are editors? -- The anatomy of an editor -- Split, Join, and Detach -- Some useful layout presets -- Setting up your preferences -- An introduction to the Preferences window -- Customizing the default navigation style -- Improving Blender with add-ons -- A brief introduction to the projects -- The Robot toy -- The Alien character -- The Haunted House -- The Rat Cowboy -- Summary -- Chapter 2: Robot Toy -- Modeling of an Object -- Let's start the modeling of our robot toy -- Preparing the workflow by adding an image reference -- Adding the head primitive -- The Edit Mode versus the Object Mode -- Using the basic modeling tools -- Modeling the head -- Modeling the antenna -- An introduction to the Subdivision Surface modifier -- Improving the head shape -- Modeling the thunderbolts -- Modeling the eyes -- The modeling of the chest -- The modeling of the neck -- Modeling the torso -- The modeling of the buttons -- Modeling the fork -- Modeling protections for the fork -- The modeling of the main wheel -- The modeling of the arm -- Using Blender Internal to render our Robot -- Summary -- Chapter 3: Alien Character -- Base Mesh Creation and Sculpting -- Understanding the sculpting process -- An introduction to sculpting -- Choosing sculpting over poly modeling -- Using a pen tablet -- The sculpt mode -- Optimizing the viewport -- Anatomy of a brush -- Dyntopo versus the Multires modifier -- First touch with the Multires modifier -- First touch with Dyntopo. Creating a base mesh with the Skin modifier -- Visual preparation -- An introduction to artistic anatomy -- Sculpting the body -- The head -- The torso -- The arms -- The legs -- The belt -- Summary -- Chapter 4: Alien Character -- Creating a Proper Topology and Transferring the Sculpt Details -- Why make a retopology? -- Possibilities of arranging polygons -- Errors to avoid during the creation of retopology -- Density of polygons -- Making the retopology of the alien character -- Preparing the environment -- The head -- The neck and the torso -- The arms and the hands -- The legs -- Unwrapping UVs -- Understanding UVs -- The placement of the seams -- The placement and adjustment of the islands -- The baking of textures -- The baking of a normal map -- What is a normal map? -- Displaying the normal map in the viewport -- The baking of an ambient occlusion -- Understanding the ambient occlusion map -- Displaying the ambient occlusion in the viewport -- Summary -- Chapter 5: Haunted House -- Modeling Of the Scene -- Blocking the house -- Working with a scale -- Blocking the bases of the house -- Refining the blocking -- Adding instantiated objects -- Reworking the blocking objects -- Breaking and ageing the elements -- Simulate a stack of wooden planks with physics -- Creation of the simulation of a stack of planks -- Modeling the environment (8 pages) -- Modeling the cliff -- Modeling a tree with curves -- Enhancing the scene with a barrier, rocks, and a cart -- Organizing the scene -- Grouping objects -- Working with layers -- Summary -- Chapter 6: The Haunted House -- Putting Colors on It -- Unwrapping UVs -- Using Project From View -- Unwrapping the rest of the house -- The tree with the Smart UV Project -- Unwrapping the rest of the environment -- Tiling UVs -- What is tiling for? -- The UV layers -- Adding colors -- Basics of the Texture Paint tool. Discovering the brushes -- The Stroke option -- Delimiting the zones of painting according to the geometry -- Painting directly on the texture -- Painting the scene -- Laying down the colors -- Tiled textures -- The settings of our workspace -- Advice for a good tiled texture -- Painting the roof-tile texture -- Quick tips for other kinds of hand-painted tiled textures -- Baking our tiled textures -- Why bake? -- How to do it? -- Creating transparent textures -- The grass texture -- The grunge texture -- Doing a quick render with Blender Internal -- Setting lights -- Placing the camera -- Setting the environment (sky and mist) -- Summary -- Chapter 7: Haunted House -- Adding Materials and Lights in Cycles -- Understanding the basic settings of Cycles -- The sampling -- Light path settings -- Performances -- Lighting -- Creating a testing material -- Understanding the different types of light -- Lighting our scene -- Painting and using an Image Base Lighting -- Creating materials with nodes -- Creating the materials of the house, the rocks, and the tree -- Adding a mask for the windows -- Using procedural textures -- Making and applying normal maps in Cycles -- Creating realistic grass -- Generating the grass with particles -- Creating the grass shader -- Baking textures in Cycles -- Cycles versus Blender Internal -- Baking the tree -- Compositing a mist pass -- Summary -- Chapter 8: The Rat Cowboy -- Learning To Rig a Character for Animation -- An introduction to the rigging process -- Rigging the Rat Cowboy -- Placing the deforming bones -- The leg and the foot -- The arm and the hand -- The hips -- The tail -- The head and the eyes -- Mirroring the rig -- Rigging the gun -- Rigging the holster -- Adding a root bone -- Skinning -- The Weight Paint tools -- Manually assigning weight to vertices -- Correcting the foot deformation. Correcting the belt deformation -- Custom shapes -- The shape keys -- What is a shape key? -- Creating basic shapes -- Driving a shape key -- Summary -- Chapter 9: The Rat Cowboy -- Animate a Full Sequence -- Principles of animation -- Squash and Stretch -- Anticipation -- Staging -- Straight Ahead Action and Pose to Pose -- Follow Through and Overlapping Action -- Slow In and Slow Out -- Arcs -- Secondary Action -- Timing -- Exaggeration -- Solid drawing -- Appeal -- Animation tools in Blender -- The timeline -- What is a keyframe? -- The Dope Sheet -- The Graph editor -- The Non-Linear Action editor -- Preparation of the animation -- Writing a short script -- Making a storyboard -- Finding the final camera placements and the timing through a layout -- Animation references -- Organization -- Animating the scene -- The walk cycle -- Mixing actions -- Animation of a close shot -- Animation of the gunshot -- Animation of the trap -- Render a quick preview of a shot -- Summary -- Chapter 10: The Rat Cowboy -- Rendering, Compositing, and Editing -- Creating advanced materials in Cycles -- Skin material with Subsurface Scattering -- Eye material -- The fur of the rat -- The Raw rendering phase -- Enhance a picture with compositing -- Introduction to nodal compositing -- Depth Pass -- Adding effects -- Compositing rendering phase -- Editing the sequence with the VSE -- Introduction to the Video Sequence Editor -- Edit and render the final sequence -- Summary -- Index. |
| ctrlnum | (OCoLC)926045167 |
| dewey-full | 006.696 |
| dewey-hundreds | 000 - Computer science, information, general works |
| dewey-ones | 006 - Special computer methods |
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| dewey-sort | 16.696 |
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| discipline | Informatik |
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/</subfield><subfield code="c">Romain Caudron, Pierre-Armand Nicq.</subfield></datafield><datafield tag="246" ind1="3" ind2="0"><subfield code="a">Design a complete workflow with Blender to create stunning 3D scenes and films step by step</subfield></datafield><datafield tag="246" ind1="3" ind2=" "><subfield code="a">Blender three-dimensional by example</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Birmingham, UK :</subfield><subfield code="b">Packt Publishing,</subfield><subfield code="c">2015.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (1 volume) :</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Community experience distilled</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Online resource; title from cover page (Safari, viewed October 14, 2015).</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Design a complete workflow with Blender to create stunning 3D scenes and films step-by-step! About This Book Give life to a character within a full animated short film by learning the rigging and animation process Make use of the powerful tools available in Blender to produce professional-quality 3D characters and environments Discover advanced techniques by adding fur to a character, creating a grass field, and fine-tuning a shot with post-processing effects to enhance your creations Who This Book Is For This book will give any beginner the necessary skills and knowledge to create own 3D projects with Blender. You don't need to have any previous experience in 3D modeling, but if you do, then this book is a great way get you started with Blender. This book is for anyone who wants to learn Blender by creating concrete projects. What You Will Learn Understand the basics of 3D and how to navigate your way around the Blender interface Create a 3D robot toy model from start to finish using the basic modeling tools of Blender Make a full alien character using the skin mesh modifier and the sculpting tools with an artistic approach Use re-topology techniques to create a clean 3D version of the previously sculpted alien Model a full haunted house and its environment using more advanced modeling tools and techniques such as the Array Modifier, Instance duplication, or Curves Discover the power of the texture paint tool in order to add color to the haunted house Get to know the Cycles render engine by creating different materials for the house and the environment In Detail Blender is a powerful tool, stable, with an integral workflow that will allow you to understand your learning of 3D creation with serenity. Today, it is considered to be one of the most complete 3D packages on the market and it is free and open source! It is very efficient for many types of productions, such as 3D animated or live action films, architecture, research, or even game creation with its integrated game engine and its use of the Python language. Moreover, Blender has an active community that contributes to expanding its functionalities. Today, it is used in many professional products and by many companies. Through this book, you will create many types of concert projects using a step-by-step approach. You will start by getting to know the modeling tools available in Blender as you create a 3D robot toy. Then, you will discover more advanced techniques such as sculpting and ...</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English.</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Cover -- Copyright -- Credits -- About the Authors -- About the Reviewers -- www.PacktPub.com -- Table of Contents -- Preface -- Chapter 1: Straight into Blender! -- An overview of the 3D workflow -- The anatomy of a 3D scene -- What can you do with Blender? -- Getting used to the navigation in Blender -- An introduction to the navigation of the 3D Viewport -- What are editors? -- The anatomy of an editor -- Split, Join, and Detach -- Some useful layout presets -- Setting up your preferences -- An introduction to the Preferences window -- Customizing the default navigation style -- Improving Blender with add-ons -- A brief introduction to the projects -- The Robot toy -- The Alien character -- The Haunted House -- The Rat Cowboy -- Summary -- Chapter 2: Robot Toy -- Modeling of an Object -- Let's start the modeling of our robot toy -- Preparing the workflow by adding an image reference -- Adding the head primitive -- The Edit Mode versus the Object Mode -- Using the basic modeling tools -- Modeling the head -- Modeling the antenna -- An introduction to the Subdivision Surface modifier -- Improving the head shape -- Modeling the thunderbolts -- Modeling the eyes -- The modeling of the chest -- The modeling of the neck -- Modeling the torso -- The modeling of the buttons -- Modeling the fork -- Modeling protections for the fork -- The modeling of the main wheel -- The modeling of the arm -- Using Blender Internal to render our Robot -- Summary -- Chapter 3: Alien Character -- Base Mesh Creation and Sculpting -- Understanding the sculpting process -- An introduction to sculpting -- Choosing sculpting over poly modeling -- Using a pen tablet -- The sculpt mode -- Optimizing the viewport -- Anatomy of a brush -- Dyntopo versus the Multires modifier -- First touch with the Multires modifier -- First touch with Dyntopo.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Creating a base mesh with the Skin modifier -- Visual preparation -- An introduction to artistic anatomy -- Sculpting the body -- The head -- The torso -- The arms -- The legs -- The belt -- Summary -- Chapter 4: Alien Character -- Creating a Proper Topology and Transferring the Sculpt Details -- Why make a retopology? -- Possibilities of arranging polygons -- Errors to avoid during the creation of retopology -- Density of polygons -- Making the retopology of the alien character -- Preparing the environment -- The head -- The neck and the torso -- The arms and the hands -- The legs -- Unwrapping UVs -- Understanding UVs -- The placement of the seams -- The placement and adjustment of the islands -- The baking of textures -- The baking of a normal map -- What is a normal map? -- Displaying the normal map in the viewport -- The baking of an ambient occlusion -- Understanding the ambient occlusion map -- Displaying the ambient occlusion in the viewport -- Summary -- Chapter 5: Haunted House -- Modeling Of the Scene -- Blocking the house -- Working with a scale -- Blocking the bases of the house -- Refining the blocking -- Adding instantiated objects -- Reworking the blocking objects -- Breaking and ageing the elements -- Simulate a stack of wooden planks with physics -- Creation of the simulation of a stack of planks -- Modeling the environment (8 pages) -- Modeling the cliff -- Modeling a tree with curves -- Enhancing the scene with a barrier, rocks, and a cart -- Organizing the scene -- Grouping objects -- Working with layers -- Summary -- Chapter 6: The Haunted House -- Putting Colors on It -- Unwrapping UVs -- Using Project From View -- Unwrapping the rest of the house -- The tree with the Smart UV Project -- Unwrapping the rest of the environment -- Tiling UVs -- What is tiling for? -- The UV layers -- Adding colors -- Basics of the Texture Paint tool.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Discovering the brushes -- The Stroke option -- Delimiting the zones of painting according to the geometry -- Painting directly on the texture -- Painting the scene -- Laying down the colors -- Tiled textures -- The settings of our workspace -- Advice for a good tiled texture -- Painting the roof-tile texture -- Quick tips for other kinds of hand-painted tiled textures -- Baking our tiled textures -- Why bake? -- How to do it? -- Creating transparent textures -- The grass texture -- The grunge texture -- Doing a quick render with Blender Internal -- Setting lights -- Placing the camera -- Setting the environment (sky and mist) -- Summary -- Chapter 7: Haunted House -- Adding Materials and Lights in Cycles -- Understanding the basic settings of Cycles -- The sampling -- Light path settings -- Performances -- Lighting -- Creating a testing material -- Understanding the different types of light -- Lighting our scene -- Painting and using an Image Base Lighting -- Creating materials with nodes -- Creating the materials of the house, the rocks, and the tree -- Adding a mask for the windows -- Using procedural textures -- Making and applying normal maps in Cycles -- Creating realistic grass -- Generating the grass with particles -- Creating the grass shader -- Baking textures in Cycles -- Cycles versus Blender Internal -- Baking the tree -- Compositing a mist pass -- Summary -- Chapter 8: The Rat Cowboy -- Learning To Rig a Character for Animation -- An introduction to the rigging process -- Rigging the Rat Cowboy -- Placing the deforming bones -- The leg and the foot -- The arm and the hand -- The hips -- The tail -- The head and the eyes -- Mirroring the rig -- Rigging the gun -- Rigging the holster -- Adding a root bone -- Skinning -- The Weight Paint tools -- Manually assigning weight to vertices -- Correcting the foot deformation.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Correcting the belt deformation -- Custom shapes -- The shape keys -- What is a shape key? -- Creating basic shapes -- Driving a shape key -- Summary -- Chapter 9: The Rat Cowboy -- Animate a Full Sequence -- Principles of animation -- Squash and Stretch -- Anticipation -- Staging -- Straight Ahead Action and Pose to Pose -- Follow Through and Overlapping Action -- Slow In and Slow Out -- Arcs -- Secondary Action -- Timing -- Exaggeration -- Solid drawing -- Appeal -- Animation tools in Blender -- The timeline -- What is a keyframe? -- The Dope Sheet -- The Graph editor -- The Non-Linear Action editor -- Preparation of the animation -- Writing a short script -- Making a storyboard -- Finding the final camera placements and the timing through a layout -- Animation references -- Organization -- Animating the scene -- The walk cycle -- Mixing actions -- Animation of a close shot -- Animation of 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| id | ZDB-4-EBA-ocn926045167 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:26:51Z |
| institution | BVB |
| isbn | 9781785280245 1785280244 |
| language | English |
| oclc_num | 926045167 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (1 volume) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Packt Publishing, |
| record_format | marc |
| series | Community experience distilled. |
| series2 | Community experience distilled |
| spelling | Caudron, Romain, author. Blender 3D by example : design a complete workflow with Blender to create stunning 3D scenes and films step by step! / Romain Caudron, Pierre-Armand Nicq. Design a complete workflow with Blender to create stunning 3D scenes and films step by step Blender three-dimensional by example Birmingham, UK : Packt Publishing, 2015. 1 online resource (1 volume) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file Community experience distilled Online resource; title from cover page (Safari, viewed October 14, 2015). Includes index. Design a complete workflow with Blender to create stunning 3D scenes and films step-by-step! About This Book Give life to a character within a full animated short film by learning the rigging and animation process Make use of the powerful tools available in Blender to produce professional-quality 3D characters and environments Discover advanced techniques by adding fur to a character, creating a grass field, and fine-tuning a shot with post-processing effects to enhance your creations Who This Book Is For This book will give any beginner the necessary skills and knowledge to create own 3D projects with Blender. You don't need to have any previous experience in 3D modeling, but if you do, then this book is a great way get you started with Blender. This book is for anyone who wants to learn Blender by creating concrete projects. What You Will Learn Understand the basics of 3D and how to navigate your way around the Blender interface Create a 3D robot toy model from start to finish using the basic modeling tools of Blender Make a full alien character using the skin mesh modifier and the sculpting tools with an artistic approach Use re-topology techniques to create a clean 3D version of the previously sculpted alien Model a full haunted house and its environment using more advanced modeling tools and techniques such as the Array Modifier, Instance duplication, or Curves Discover the power of the texture paint tool in order to add color to the haunted house Get to know the Cycles render engine by creating different materials for the house and the environment In Detail Blender is a powerful tool, stable, with an integral workflow that will allow you to understand your learning of 3D creation with serenity. Today, it is considered to be one of the most complete 3D packages on the market and it is free and open source! It is very efficient for many types of productions, such as 3D animated or live action films, architecture, research, or even game creation with its integrated game engine and its use of the Python language. Moreover, Blender has an active community that contributes to expanding its functionalities. Today, it is used in many professional products and by many companies. Through this book, you will create many types of concert projects using a step-by-step approach. You will start by getting to know the modeling tools available in Blender as you create a 3D robot toy. Then, you will discover more advanced techniques such as sculpting and ... English. Cover -- Copyright -- Credits -- About the Authors -- About the Reviewers -- www.PacktPub.com -- Table of Contents -- Preface -- Chapter 1: Straight into Blender! -- An overview of the 3D workflow -- The anatomy of a 3D scene -- What can you do with Blender? -- Getting used to the navigation in Blender -- An introduction to the navigation of the 3D Viewport -- What are editors? -- The anatomy of an editor -- Split, Join, and Detach -- Some useful layout presets -- Setting up your preferences -- An introduction to the Preferences window -- Customizing the default navigation style -- Improving Blender with add-ons -- A brief introduction to the projects -- The Robot toy -- The Alien character -- The Haunted House -- The Rat Cowboy -- Summary -- Chapter 2: Robot Toy -- Modeling of an Object -- Let's start the modeling of our robot toy -- Preparing the workflow by adding an image reference -- Adding the head primitive -- The Edit Mode versus the Object Mode -- Using the basic modeling tools -- Modeling the head -- Modeling the antenna -- An introduction to the Subdivision Surface modifier -- Improving the head shape -- Modeling the thunderbolts -- Modeling the eyes -- The modeling of the chest -- The modeling of the neck -- Modeling the torso -- The modeling of the buttons -- Modeling the fork -- Modeling protections for the fork -- The modeling of the main wheel -- The modeling of the arm -- Using Blender Internal to render our Robot -- Summary -- Chapter 3: Alien Character -- Base Mesh Creation and Sculpting -- Understanding the sculpting process -- An introduction to sculpting -- Choosing sculpting over poly modeling -- Using a pen tablet -- The sculpt mode -- Optimizing the viewport -- Anatomy of a brush -- Dyntopo versus the Multires modifier -- First touch with the Multires modifier -- First touch with Dyntopo. Creating a base mesh with the Skin modifier -- Visual preparation -- An introduction to artistic anatomy -- Sculpting the body -- The head -- The torso -- The arms -- The legs -- The belt -- Summary -- Chapter 4: Alien Character -- Creating a Proper Topology and Transferring the Sculpt Details -- Why make a retopology? -- Possibilities of arranging polygons -- Errors to avoid during the creation of retopology -- Density of polygons -- Making the retopology of the alien character -- Preparing the environment -- The head -- The neck and the torso -- The arms and the hands -- The legs -- Unwrapping UVs -- Understanding UVs -- The placement of the seams -- The placement and adjustment of the islands -- The baking of textures -- The baking of a normal map -- What is a normal map? -- Displaying the normal map in the viewport -- The baking of an ambient occlusion -- Understanding the ambient occlusion map -- Displaying the ambient occlusion in the viewport -- Summary -- Chapter 5: Haunted House -- Modeling Of the Scene -- Blocking the house -- Working with a scale -- Blocking the bases of the house -- Refining the blocking -- Adding instantiated objects -- Reworking the blocking objects -- Breaking and ageing the elements -- Simulate a stack of wooden planks with physics -- Creation of the simulation of a stack of planks -- Modeling the environment (8 pages) -- Modeling the cliff -- Modeling a tree with curves -- Enhancing the scene with a barrier, rocks, and a cart -- Organizing the scene -- Grouping objects -- Working with layers -- Summary -- Chapter 6: The Haunted House -- Putting Colors on It -- Unwrapping UVs -- Using Project From View -- Unwrapping the rest of the house -- The tree with the Smart UV Project -- Unwrapping the rest of the environment -- Tiling UVs -- What is tiling for? -- The UV layers -- Adding colors -- Basics of the Texture Paint tool. Discovering the brushes -- The Stroke option -- Delimiting the zones of painting according to the geometry -- Painting directly on the texture -- Painting the scene -- Laying down the colors -- Tiled textures -- The settings of our workspace -- Advice for a good tiled texture -- Painting the roof-tile texture -- Quick tips for other kinds of hand-painted tiled textures -- Baking our tiled textures -- Why bake? -- How to do it? -- Creating transparent textures -- The grass texture -- The grunge texture -- Doing a quick render with Blender Internal -- Setting lights -- Placing the camera -- Setting the environment (sky and mist) -- Summary -- Chapter 7: Haunted House -- Adding Materials and Lights in Cycles -- Understanding the basic settings of Cycles -- The sampling -- Light path settings -- Performances -- Lighting -- Creating a testing material -- Understanding the different types of light -- Lighting our scene -- Painting and using an Image Base Lighting -- Creating materials with nodes -- Creating the materials of the house, the rocks, and the tree -- Adding a mask for the windows -- Using procedural textures -- Making and applying normal maps in Cycles -- Creating realistic grass -- Generating the grass with particles -- Creating the grass shader -- Baking textures in Cycles -- Cycles versus Blender Internal -- Baking the tree -- Compositing a mist pass -- Summary -- Chapter 8: The Rat Cowboy -- Learning To Rig a Character for Animation -- An introduction to the rigging process -- Rigging the Rat Cowboy -- Placing the deforming bones -- The leg and the foot -- The arm and the hand -- The hips -- The tail -- The head and the eyes -- Mirroring the rig -- Rigging the gun -- Rigging the holster -- Adding a root bone -- Skinning -- The Weight Paint tools -- Manually assigning weight to vertices -- Correcting the foot deformation. Correcting the belt deformation -- Custom shapes -- The shape keys -- What is a shape key? -- Creating basic shapes -- Driving a shape key -- Summary -- Chapter 9: The Rat Cowboy -- Animate a Full Sequence -- Principles of animation -- Squash and Stretch -- Anticipation -- Staging -- Straight Ahead Action and Pose to Pose -- Follow Through and Overlapping Action -- Slow In and Slow Out -- Arcs -- Secondary Action -- Timing -- Exaggeration -- Solid drawing -- Appeal -- Animation tools in Blender -- The timeline -- What is a keyframe? -- The Dope Sheet -- The Graph editor -- The Non-Linear Action editor -- Preparation of the animation -- Writing a short script -- Making a storyboard -- Finding the final camera placements and the timing through a layout -- Animation references -- Organization -- Animating the scene -- The walk cycle -- Mixing actions -- Animation of a close shot -- Animation of the gunshot -- Animation of the trap -- Render a quick preview of a shot -- Summary -- Chapter 10: The Rat Cowboy -- Rendering, Compositing, and Editing -- Creating advanced materials in Cycles -- Skin material with Subsurface Scattering -- Eye material -- The fur of the rat -- The Raw rendering phase -- Enhance a picture with compositing -- Introduction to nodal compositing -- Depth Pass -- Adding effects -- Compositing rendering phase -- Editing the sequence with the VSE -- Introduction to the Video Sequence Editor -- Edit and render the final sequence -- Summary -- Index. Blender (Computer file) http://id.loc.gov/authorities/names/n00063653 Blender (Computer file) fast Computer graphics. http://id.loc.gov/authorities/subjects/sh85029500 Computer animation. http://id.loc.gov/authorities/subjects/sh85029478 Three-dimensional modeling. http://id.loc.gov/authorities/subjects/sh2013001942 Infographie. Animation par ordinateur. Modélisation tridimensionnelle. computer graphics. aat computer animation. aat COMPUTERS General. bisacsh Computer animation fast Computer graphics fast Three-dimensional modeling fast Nicq, Pierre-Armand, author. Print version: Romain Caudron, Pierre-Armand Nicq. Blender 3D By Example. Birmingham : Packt Publishing Ltd, ©2015 9781785285073 Community experience distilled. FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1072394 Volltext |
| spellingShingle | Caudron, Romain Nicq, Pierre-Armand Blender 3D by example : design a complete workflow with Blender to create stunning 3D scenes and films step by step! / Community experience distilled. Cover -- Copyright -- Credits -- About the Authors -- About the Reviewers -- www.PacktPub.com -- Table of Contents -- Preface -- Chapter 1: Straight into Blender! -- An overview of the 3D workflow -- The anatomy of a 3D scene -- What can you do with Blender? -- Getting used to the navigation in Blender -- An introduction to the navigation of the 3D Viewport -- What are editors? -- The anatomy of an editor -- Split, Join, and Detach -- Some useful layout presets -- Setting up your preferences -- An introduction to the Preferences window -- Customizing the default navigation style -- Improving Blender with add-ons -- A brief introduction to the projects -- The Robot toy -- The Alien character -- The Haunted House -- The Rat Cowboy -- Summary -- Chapter 2: Robot Toy -- Modeling of an Object -- Let's start the modeling of our robot toy -- Preparing the workflow by adding an image reference -- Adding the head primitive -- The Edit Mode versus the Object Mode -- Using the basic modeling tools -- Modeling the head -- Modeling the antenna -- An introduction to the Subdivision Surface modifier -- Improving the head shape -- Modeling the thunderbolts -- Modeling the eyes -- The modeling of the chest -- The modeling of the neck -- Modeling the torso -- The modeling of the buttons -- Modeling the fork -- Modeling protections for the fork -- The modeling of the main wheel -- The modeling of the arm -- Using Blender Internal to render our Robot -- Summary -- Chapter 3: Alien Character -- Base Mesh Creation and Sculpting -- Understanding the sculpting process -- An introduction to sculpting -- Choosing sculpting over poly modeling -- Using a pen tablet -- The sculpt mode -- Optimizing the viewport -- Anatomy of a brush -- Dyntopo versus the Multires modifier -- First touch with the Multires modifier -- First touch with Dyntopo. Creating a base mesh with the Skin modifier -- Visual preparation -- An introduction to artistic anatomy -- Sculpting the body -- The head -- The torso -- The arms -- The legs -- The belt -- Summary -- Chapter 4: Alien Character -- Creating a Proper Topology and Transferring the Sculpt Details -- Why make a retopology? -- Possibilities of arranging polygons -- Errors to avoid during the creation of retopology -- Density of polygons -- Making the retopology of the alien character -- Preparing the environment -- The head -- The neck and the torso -- The arms and the hands -- The legs -- Unwrapping UVs -- Understanding UVs -- The placement of the seams -- The placement and adjustment of the islands -- The baking of textures -- The baking of a normal map -- What is a normal map? -- Displaying the normal map in the viewport -- The baking of an ambient occlusion -- Understanding the ambient occlusion map -- Displaying the ambient occlusion in the viewport -- Summary -- Chapter 5: Haunted House -- Modeling Of the Scene -- Blocking the house -- Working with a scale -- Blocking the bases of the house -- Refining the blocking -- Adding instantiated objects -- Reworking the blocking objects -- Breaking and ageing the elements -- Simulate a stack of wooden planks with physics -- Creation of the simulation of a stack of planks -- Modeling the environment (8 pages) -- Modeling the cliff -- Modeling a tree with curves -- Enhancing the scene with a barrier, rocks, and a cart -- Organizing the scene -- Grouping objects -- Working with layers -- Summary -- Chapter 6: The Haunted House -- Putting Colors on It -- Unwrapping UVs -- Using Project From View -- Unwrapping the rest of the house -- The tree with the Smart UV Project -- Unwrapping the rest of the environment -- Tiling UVs -- What is tiling for? -- The UV layers -- Adding colors -- Basics of the Texture Paint tool. Discovering the brushes -- The Stroke option -- Delimiting the zones of painting according to the geometry -- Painting directly on the texture -- Painting the scene -- Laying down the colors -- Tiled textures -- The settings of our workspace -- Advice for a good tiled texture -- Painting the roof-tile texture -- Quick tips for other kinds of hand-painted tiled textures -- Baking our tiled textures -- Why bake? -- How to do it? -- Creating transparent textures -- The grass texture -- The grunge texture -- Doing a quick render with Blender Internal -- Setting lights -- Placing the camera -- Setting the environment (sky and mist) -- Summary -- Chapter 7: Haunted House -- Adding Materials and Lights in Cycles -- Understanding the basic settings of Cycles -- The sampling -- Light path settings -- Performances -- Lighting -- Creating a testing material -- Understanding the different types of light -- Lighting our scene -- Painting and using an Image Base Lighting -- Creating materials with nodes -- Creating the materials of the house, the rocks, and the tree -- Adding a mask for the windows -- Using procedural textures -- Making and applying normal maps in Cycles -- Creating realistic grass -- Generating the grass with particles -- Creating the grass shader -- Baking textures in Cycles -- Cycles versus Blender Internal -- Baking the tree -- Compositing a mist pass -- Summary -- Chapter 8: The Rat Cowboy -- Learning To Rig a Character for Animation -- An introduction to the rigging process -- Rigging the Rat Cowboy -- Placing the deforming bones -- The leg and the foot -- The arm and the hand -- The hips -- The tail -- The head and the eyes -- Mirroring the rig -- Rigging the gun -- Rigging the holster -- Adding a root bone -- Skinning -- The Weight Paint tools -- Manually assigning weight to vertices -- Correcting the foot deformation. Correcting the belt deformation -- Custom shapes -- The shape keys -- What is a shape key? -- Creating basic shapes -- Driving a shape key -- Summary -- Chapter 9: The Rat Cowboy -- Animate a Full Sequence -- Principles of animation -- Squash and Stretch -- Anticipation -- Staging -- Straight Ahead Action and Pose to Pose -- Follow Through and Overlapping Action -- Slow In and Slow Out -- Arcs -- Secondary Action -- Timing -- Exaggeration -- Solid drawing -- Appeal -- Animation tools in Blender -- The timeline -- What is a keyframe? -- The Dope Sheet -- The Graph editor -- The Non-Linear Action editor -- Preparation of the animation -- Writing a short script -- Making a storyboard -- Finding the final camera placements and the timing through a layout -- Animation references -- Organization -- Animating the scene -- The walk cycle -- Mixing actions -- Animation of a close shot -- Animation of the gunshot -- Animation of the trap -- Render a quick preview of a shot -- Summary -- Chapter 10: The Rat Cowboy -- Rendering, Compositing, and Editing -- Creating advanced materials in Cycles -- Skin material with Subsurface Scattering -- Eye material -- The fur of the rat -- The Raw rendering phase -- Enhance a picture with compositing -- Introduction to nodal compositing -- Depth Pass -- Adding effects -- Compositing rendering phase -- Editing the sequence with the VSE -- Introduction to the Video Sequence Editor -- Edit and render the final sequence -- Summary -- Index. Blender (Computer file) http://id.loc.gov/authorities/names/n00063653 Blender (Computer file) fast Computer graphics. http://id.loc.gov/authorities/subjects/sh85029500 Computer animation. http://id.loc.gov/authorities/subjects/sh85029478 Three-dimensional modeling. http://id.loc.gov/authorities/subjects/sh2013001942 Infographie. Animation par ordinateur. Modélisation tridimensionnelle. computer graphics. aat computer animation. aat COMPUTERS General. bisacsh Computer animation fast Computer graphics fast Three-dimensional modeling fast |
| subject_GND | http://id.loc.gov/authorities/names/n00063653 http://id.loc.gov/authorities/subjects/sh85029500 http://id.loc.gov/authorities/subjects/sh85029478 http://id.loc.gov/authorities/subjects/sh2013001942 |
| title | Blender 3D by example : design a complete workflow with Blender to create stunning 3D scenes and films step by step! / |
| title_alt | Design a complete workflow with Blender to create stunning 3D scenes and films step by step Blender three-dimensional by example |
| title_auth | Blender 3D by example : design a complete workflow with Blender to create stunning 3D scenes and films step by step! / |
| title_exact_search | Blender 3D by example : design a complete workflow with Blender to create stunning 3D scenes and films step by step! / |
| title_full | Blender 3D by example : design a complete workflow with Blender to create stunning 3D scenes and films step by step! / Romain Caudron, Pierre-Armand Nicq. |
| title_fullStr | Blender 3D by example : design a complete workflow with Blender to create stunning 3D scenes and films step by step! / Romain Caudron, Pierre-Armand Nicq. |
| title_full_unstemmed | Blender 3D by example : design a complete workflow with Blender to create stunning 3D scenes and films step by step! / Romain Caudron, Pierre-Armand Nicq. |
| title_short | Blender 3D by example : |
| title_sort | blender 3d by example design a complete workflow with blender to create stunning 3d scenes and films step by step |
| title_sub | design a complete workflow with Blender to create stunning 3D scenes and films step by step! / |
| topic | Blender (Computer file) http://id.loc.gov/authorities/names/n00063653 Blender (Computer file) fast Computer graphics. http://id.loc.gov/authorities/subjects/sh85029500 Computer animation. http://id.loc.gov/authorities/subjects/sh85029478 Three-dimensional modeling. http://id.loc.gov/authorities/subjects/sh2013001942 Infographie. Animation par ordinateur. Modélisation tridimensionnelle. computer graphics. aat computer animation. aat COMPUTERS General. bisacsh Computer animation fast Computer graphics fast Three-dimensional modeling fast |
| topic_facet | Blender (Computer file) Computer graphics. Computer animation. Three-dimensional modeling. Infographie. Animation par ordinateur. Modélisation tridimensionnelle. computer graphics. computer animation. COMPUTERS General. Computer animation Computer graphics Three-dimensional modeling |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1072394 |
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