The 'war on terror' and American film :: 9/11 frames per second /
An exploration of the impact of 9/11 and the 'War on Terror' on American cinema Popular cinema is often derided with the epithet 'it's only a movie', but is there any more potent cultural artefact than popular film? Where could one turn for a more effective cultural baromete...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh :
Edinburgh University Press,
[2014]
|
| Schriftenreihe: | Traditions in American cinema.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | An exploration of the impact of 9/11 and the 'War on Terror' on American cinema Popular cinema is often derided with the epithet 'it's only a movie', but is there any more potent cultural artefact than popular film? Where could one turn for a more effective cultural barometer than to Hollywood cinema? American film in the first decade of the new millennium became a cultural battleground on which a war of representation was waged, but did these films endorse the 'War on Terror' or criticise it? More than just reproducing these fears and fantasies, The 'War on Terror' and American Film: 9/11 Frames Per Second argues that American cinema has played a significant role in shaping them, restructuring how audiences have viewed the 'War on Terror' in particularly influential ways. This compelling, theoretically informed and up-to-date exploration of contemporary American cinema charts the evolution of the impact of 9/11 on Hollywood film from Black Hawk Down (2001), through Batman Begins (2005), United 93 (2006) to Olympus Has Fallen (2013). Through a vibrant analysis of a range of genres and films - which in turn reveal a strikingly diverse array of social, historical and political perspectives - The 'War on Terror' and American Film:9/11 Frames Per Second explores the impact of 9/11 and the war on terror on American cinema in the first decade of the new millennium and beyond. Key Features Charts the evolution of the impact of 9/11 on Hollywood film: draws on a range of contemporary films including Black Hawk Down (2001), through Batman Begins (2005), United 93 (2006) to Olympus Has Fallen (2013) Comprehensive and broad in scope: provides a rich social, historical and political context Interrogates the emerging debates of the era: focuses on some of the most prominent genres/sub-genres and cycles of the decade and explains why they have emerged and how they differ from pre 9/11 films |
| Beschreibung: | 1 online resource (ix, 242 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 210-230) and index. Includes filmography: pages 231-237. |
| ISBN: | 9780748693108 0748693106 1474408540 9781474408547 |
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| 505 | 0 | 0 | |t The lives of others : vulnerability in post-9/11 American cinema -- |t Boots on the ground : the new millennial combat film as cultural artefact -- |t 'Masters of our own security' : redemption through violence in the post-9/11 action genre -- |t Turning to the dark side : challenging American mythology in the superhero genre -- |t Remaking 9/11 : imagining the unimaginable in the alien-invasion film -- |t Decade of the dead : zombie films as allegory of national trauma -- |t The rise and fall of empires : the 'war on terror' as allegorical moment in historical film. |
| 504 | |a Includes bibliographical references (pages 210-230) and index. | ||
| 504 | |a Includes filmography: pages 231-237. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a An exploration of the impact of 9/11 and the 'War on Terror' on American cinema Popular cinema is often derided with the epithet 'it's only a movie', but is there any more potent cultural artefact than popular film? Where could one turn for a more effective cultural barometer than to Hollywood cinema? American film in the first decade of the new millennium became a cultural battleground on which a war of representation was waged, but did these films endorse the 'War on Terror' or criticise it? More than just reproducing these fears and fantasies, The 'War on Terror' and American Film: 9/11 Frames Per Second argues that American cinema has played a significant role in shaping them, restructuring how audiences have viewed the 'War on Terror' in particularly influential ways. This compelling, theoretically informed and up-to-date exploration of contemporary American cinema charts the evolution of the impact of 9/11 on Hollywood film from Black Hawk Down (2001), through Batman Begins (2005), United 93 (2006) to Olympus Has Fallen (2013). Through a vibrant analysis of a range of genres and films - which in turn reveal a strikingly diverse array of social, historical and political perspectives - The 'War on Terror' and American Film:9/11 Frames Per Second explores the impact of 9/11 and the war on terror on American cinema in the first decade of the new millennium and beyond. Key Features Charts the evolution of the impact of 9/11 on Hollywood film: draws on a range of contemporary films including Black Hawk Down (2001), through Batman Begins (2005), United 93 (2006) to Olympus Has Fallen (2013) Comprehensive and broad in scope: provides a rich social, historical and political context Interrogates the emerging debates of the era: focuses on some of the most prominent genres/sub-genres and cycles of the decade and explains why they have emerged and how they differ from pre 9/11 films | ||
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| author | McSweeney, Terence, 1974- |
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| contents | The lives of others : vulnerability in post-9/11 American cinema -- Boots on the ground : the new millennial combat film as cultural artefact -- 'Masters of our own security' : redemption through violence in the post-9/11 action genre -- Turning to the dark side : challenging American mythology in the superhero genre -- Remaking 9/11 : imagining the unimaginable in the alien-invasion film -- Decade of the dead : zombie films as allegory of national trauma -- The rise and fall of empires : the 'war on terror' as allegorical moment in historical film. |
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| genre | Electronic books. History fast |
| genre_facet | Electronic books. History |
| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States |
| id | ZDB-4-EBA-ocn919002857 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:26:45Z |
| institution | BVB |
| isbn | 9780748693108 0748693106 1474408540 9781474408547 |
| language | English |
| oclc_num | 919002857 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (ix, 242 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Edinburgh University Press, |
| record_format | marc |
| series | Traditions in American cinema. |
| series2 | Traditions in American cinema |
| spelling | McSweeney, Terence, 1974- author. https://id.oclc.org/worldcat/entity/E39PCjFctKV7FwqrvhKGy3f8qP The 'war on terror' and American film : 9/11 frames per second / Terence McSweeney. Edinburgh : Edinburgh University Press, [2014] ©2014 1 online resource (ix, 242 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Traditions in American cinema The lives of others : vulnerability in post-9/11 American cinema -- Boots on the ground : the new millennial combat film as cultural artefact -- 'Masters of our own security' : redemption through violence in the post-9/11 action genre -- Turning to the dark side : challenging American mythology in the superhero genre -- Remaking 9/11 : imagining the unimaginable in the alien-invasion film -- Decade of the dead : zombie films as allegory of national trauma -- The rise and fall of empires : the 'war on terror' as allegorical moment in historical film. Includes bibliographical references (pages 210-230) and index. Includes filmography: pages 231-237. Print version record. An exploration of the impact of 9/11 and the 'War on Terror' on American cinema Popular cinema is often derided with the epithet 'it's only a movie', but is there any more potent cultural artefact than popular film? Where could one turn for a more effective cultural barometer than to Hollywood cinema? American film in the first decade of the new millennium became a cultural battleground on which a war of representation was waged, but did these films endorse the 'War on Terror' or criticise it? More than just reproducing these fears and fantasies, The 'War on Terror' and American Film: 9/11 Frames Per Second argues that American cinema has played a significant role in shaping them, restructuring how audiences have viewed the 'War on Terror' in particularly influential ways. This compelling, theoretically informed and up-to-date exploration of contemporary American cinema charts the evolution of the impact of 9/11 on Hollywood film from Black Hawk Down (2001), through Batman Begins (2005), United 93 (2006) to Olympus Has Fallen (2013). Through a vibrant analysis of a range of genres and films - which in turn reveal a strikingly diverse array of social, historical and political perspectives - The 'War on Terror' and American Film:9/11 Frames Per Second explores the impact of 9/11 and the war on terror on American cinema in the first decade of the new millennium and beyond. Key Features Charts the evolution of the impact of 9/11 on Hollywood film: draws on a range of contemporary films including Black Hawk Down (2001), through Batman Begins (2005), United 93 (2006) to Olympus Has Fallen (2013) Comprehensive and broad in scope: provides a rich social, historical and political context Interrogates the emerging debates of the era: focuses on some of the most prominent genres/sub-genres and cycles of the decade and explains why they have emerged and how they differ from pre 9/11 films Terrorism in motion pictures. http://id.loc.gov/authorities/subjects/sh2001005250 Motion pictures United States History 21st century. Terrorisme au cinéma. Cinéma États-Unis Histoire 21e siècle. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Reference. bisacsh Motion pictures fast Terrorism in motion pictures fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Terrorismus gnd http://d-nb.info/gnd/4059534-1 Film gnd http://d-nb.info/gnd/4017102-4 Performing Arts. ukslc 2000-2099 fast Electronic books. History fast Print version: McSweeney, Terence, 1974- War on terror' and American film. Edinburgh : Edinburgh University Press, [2014] 9780748693092 (DLC) 2014501262 (OCoLC)883651691 Traditions in American cinema. http://id.loc.gov/authorities/names/no2014085852 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1203136 Volltext |
| spellingShingle | McSweeney, Terence, 1974- The 'war on terror' and American film : 9/11 frames per second / Traditions in American cinema. The lives of others : vulnerability in post-9/11 American cinema -- Boots on the ground : the new millennial combat film as cultural artefact -- 'Masters of our own security' : redemption through violence in the post-9/11 action genre -- Turning to the dark side : challenging American mythology in the superhero genre -- Remaking 9/11 : imagining the unimaginable in the alien-invasion film -- Decade of the dead : zombie films as allegory of national trauma -- The rise and fall of empires : the 'war on terror' as allegorical moment in historical film. Terrorism in motion pictures. http://id.loc.gov/authorities/subjects/sh2001005250 Motion pictures United States History 21st century. Terrorisme au cinéma. Cinéma États-Unis Histoire 21e siècle. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Reference. bisacsh Motion pictures fast Terrorism in motion pictures fast Terrorismus gnd http://d-nb.info/gnd/4059534-1 Film gnd http://d-nb.info/gnd/4017102-4 Performing Arts. ukslc |
| subject_GND | http://id.loc.gov/authorities/subjects/sh2001005250 http://d-nb.info/gnd/4059534-1 http://d-nb.info/gnd/4017102-4 |
| title | The 'war on terror' and American film : 9/11 frames per second / |
| title_alt | The lives of others : vulnerability in post-9/11 American cinema -- Boots on the ground : the new millennial combat film as cultural artefact -- 'Masters of our own security' : redemption through violence in the post-9/11 action genre -- Turning to the dark side : challenging American mythology in the superhero genre -- Remaking 9/11 : imagining the unimaginable in the alien-invasion film -- Decade of the dead : zombie films as allegory of national trauma -- The rise and fall of empires : the 'war on terror' as allegorical moment in historical film. |
| title_auth | The 'war on terror' and American film : 9/11 frames per second / |
| title_exact_search | The 'war on terror' and American film : 9/11 frames per second / |
| title_full | The 'war on terror' and American film : 9/11 frames per second / Terence McSweeney. |
| title_fullStr | The 'war on terror' and American film : 9/11 frames per second / Terence McSweeney. |
| title_full_unstemmed | The 'war on terror' and American film : 9/11 frames per second / Terence McSweeney. |
| title_short | The 'war on terror' and American film : |
| title_sort | war on terror and american film 9 11 frames per second |
| title_sub | 9/11 frames per second / |
| topic | Terrorism in motion pictures. http://id.loc.gov/authorities/subjects/sh2001005250 Motion pictures United States History 21st century. Terrorisme au cinéma. Cinéma États-Unis Histoire 21e siècle. PERFORMING ARTS Film & Video Reference. bisacsh PERFORMING ARTS Reference. bisacsh Motion pictures fast Terrorism in motion pictures fast Terrorismus gnd http://d-nb.info/gnd/4059534-1 Film gnd http://d-nb.info/gnd/4017102-4 Performing Arts. ukslc |
| topic_facet | Terrorism in motion pictures. Motion pictures United States History 21st century. Terrorisme au cinéma. Cinéma États-Unis Histoire 21e siècle. PERFORMING ARTS Film & Video Reference. PERFORMING ARTS Reference. Motion pictures Terrorism in motion pictures United States Terrorismus Film Performing Arts. Electronic books. History |
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