Michael Moore and the rhetoric of documentary /:
"Not afraid to tackle provocative topics in American culture, from gun violence and labor policies to terrorism and health care, Michael Moore has earned both applause and invective in his career as a documentarian. In such polarizing films as Bowling for Columbine, Fahrenheit 9/11, and Sicko,...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Carbondale :
Southern Illinois University Press,
[2015]
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | "Not afraid to tackle provocative topics in American culture, from gun violence and labor policies to terrorism and health care, Michael Moore has earned both applause and invective in his career as a documentarian. In such polarizing films as Bowling for Columbine, Fahrenheit 9/11, and Sicko, Moore has established a unique voice of radical nostalgia for progressivism, and in doing so has become one of the most recognized documentary filmmakers of all time. In the first in-depth study of Moore's feature-length documentary films, editors Thomas W. Benson and Brian J. Snee have gathered leading rhetoric scholars to examine the production, rhetorical appeals, and audience reception of these films. Contributors critique the films primarily as modes of public argument and political art. Each essay is devoted to one of Moore's films and traces in detail how each film invites specific audience responses. Michael Moore and the Rhetoric of Documentary reveals not only the art, the argument, and the emotional appeals of Moore's documentaries but also how these films have revolutionized the genre of documentary filmmaking."--Provided by publisher |
| Beschreibung: | 1 online resource (vi, 232 pages) : illustrations |
| Bibliographie: | Includes bibliographical references (pages 193-219) and index. |
| ISBN: | 9780809334087 0809334089 |
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| 245 | 0 | 0 | |a Michael Moore and the rhetoric of documentary / |c edited by Thomas W. Benson and Brian J. Snee. |
| 264 | 1 | |a Carbondale : |b Southern Illinois University Press, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (vi, 232 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references (pages 193-219) and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a "Not afraid to tackle provocative topics in American culture, from gun violence and labor policies to terrorism and health care, Michael Moore has earned both applause and invective in his career as a documentarian. In such polarizing films as Bowling for Columbine, Fahrenheit 9/11, and Sicko, Moore has established a unique voice of radical nostalgia for progressivism, and in doing so has become one of the most recognized documentary filmmakers of all time. In the first in-depth study of Moore's feature-length documentary films, editors Thomas W. Benson and Brian J. Snee have gathered leading rhetoric scholars to examine the production, rhetorical appeals, and audience reception of these films. Contributors critique the films primarily as modes of public argument and political art. Each essay is devoted to one of Moore's films and traces in detail how each film invites specific audience responses. Michael Moore and the Rhetoric of Documentary reveals not only the art, the argument, and the emotional appeals of Moore's documentaries but also how these films have revolutionized the genre of documentary filmmaking."--Provided by publisher | ||
| 505 | 0 | |a Michael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The many moods of Michael Moore: aesthetics and affect in Bowling for Columbine / Brian L. Ott and Susan A. Sci -- The conversion of Lila Lipscomb in Fahrenheit 9/11 / Thomas Rosteck and Thomas S. Frentz -- The phenomenal text of Michael Moore's Sicko / Edward Schiappa, Daniel Ladislau Horvath, and Peter B. Gregg -- The ghosts of Michael Moore's future-Past: or, the many failures of Slacker uprising / Davis W. Houck and Joseph Delbert Davenport -- "I'm sorry to see it go": nostalgic rhetoric in Michael Moore's Capitalism: a love story / Kendall R. Phillips. | |
| 546 | |a English. | ||
| 600 | 1 | 0 | |a Moore, Michael, |d 1954 April 23- |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Moore, Michael, |d 1954 April 23- |2 fast |
| 600 | 1 | 7 | |a Moore, Michael |d 1954- |2 gnd |0 http://d-nb.info/gnd/124123317 |
| 650 | 0 | |a Motion pictures |x Political aspects |z United States. | |
| 650 | 0 | |a Documentary films |x Political aspects |x History and criticism. | |
| 650 | 6 | |a Cinéma |x Aspect politique |z États-Unis. | |
| 650 | 6 | |a Documentaires |x Aspect politique |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Documentary films |x Political aspects |2 fast | |
| 650 | 7 | |a Motion pictures |x Political aspects |2 fast | |
| 651 | 7 | |a United States |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq | |
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| 650 | 7 | |a Politik och film. |2 sfit | |
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| 700 | 1 | |a Snee, Brian J., |e editor. |0 http://id.loc.gov/authorities/names/n2007063258 | |
| 700 | 1 | |a Benson, Thomas W., |e editor. |0 http://id.loc.gov/authorities/names/n50008051 | |
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Datensatz im Suchindex
| DE-BY-FWS_katkey | ZDB-4-EBA-ocn911665844 |
|---|---|
| _version_ | 1816882316167872512 |
| adam_text | |
| any_adam_object | |
| author2 | Snee, Brian J. Benson, Thomas W. |
| author2_role | edt edt |
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| author_GND | http://id.loc.gov/authorities/names/n2007063258 http://id.loc.gov/authorities/names/n50008051 |
| author_facet | Snee, Brian J. Benson, Thomas W. |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1998 |
| callnumber-raw | PN1998.3.M665 M525 2015eb |
| callnumber-search | PN1998.3.M665 M525 2015eb |
| callnumber-sort | PN 41998.3 M665 M525 42015EB |
| callnumber-subject | PN - General Literature |
| collection | ZDB-4-EBA |
| contents | Michael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The many moods of Michael Moore: aesthetics and affect in Bowling for Columbine / Brian L. Ott and Susan A. Sci -- The conversion of Lila Lipscomb in Fahrenheit 9/11 / Thomas Rosteck and Thomas S. Frentz -- The phenomenal text of Michael Moore's Sicko / Edward Schiappa, Daniel Ladislau Horvath, and Peter B. Gregg -- The ghosts of Michael Moore's future-Past: or, the many failures of Slacker uprising / Davis W. Houck and Joseph Delbert Davenport -- "I'm sorry to see it go": nostalgic rhetoric in Michael Moore's Capitalism: a love story / Kendall R. Phillips. |
| ctrlnum | (OCoLC)911665844 |
| dewey-full | 791.4302/33092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/33092 |
| dewey-search | 791.4302/33092 |
| dewey-sort | 3791.4302 533092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| genre | Criticism, interpretation, etc. fast |
| genre_facet | Criticism, interpretation, etc. |
| geographic | United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq |
| geographic_facet | United States |
| id | ZDB-4-EBA-ocn911665844 |
| illustrated | Illustrated |
| indexdate | 2024-11-27T13:26:40Z |
| institution | BVB |
| isbn | 9780809334087 0809334089 |
| language | English |
| oclc_num | 911665844 |
| open_access_boolean | |
| owner | MAIN DE-863 DE-BY-FWS |
| owner_facet | MAIN DE-863 DE-BY-FWS |
| physical | 1 online resource (vi, 232 pages) : illustrations |
| psigel | ZDB-4-EBA |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Southern Illinois University Press, |
| record_format | marc |
| spelling | Michael Moore and the rhetoric of documentary / edited by Thomas W. Benson and Brian J. Snee. Carbondale : Southern Illinois University Press, [2015] ©2015 1 online resource (vi, 232 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references (pages 193-219) and index. Print version record. "Not afraid to tackle provocative topics in American culture, from gun violence and labor policies to terrorism and health care, Michael Moore has earned both applause and invective in his career as a documentarian. In such polarizing films as Bowling for Columbine, Fahrenheit 9/11, and Sicko, Moore has established a unique voice of radical nostalgia for progressivism, and in doing so has become one of the most recognized documentary filmmakers of all time. In the first in-depth study of Moore's feature-length documentary films, editors Thomas W. Benson and Brian J. Snee have gathered leading rhetoric scholars to examine the production, rhetorical appeals, and audience reception of these films. Contributors critique the films primarily as modes of public argument and political art. Each essay is devoted to one of Moore's films and traces in detail how each film invites specific audience responses. Michael Moore and the Rhetoric of Documentary reveals not only the art, the argument, and the emotional appeals of Moore's documentaries but also how these films have revolutionized the genre of documentary filmmaking."--Provided by publisher Michael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The many moods of Michael Moore: aesthetics and affect in Bowling for Columbine / Brian L. Ott and Susan A. Sci -- The conversion of Lila Lipscomb in Fahrenheit 9/11 / Thomas Rosteck and Thomas S. Frentz -- The phenomenal text of Michael Moore's Sicko / Edward Schiappa, Daniel Ladislau Horvath, and Peter B. Gregg -- The ghosts of Michael Moore's future-Past: or, the many failures of Slacker uprising / Davis W. Houck and Joseph Delbert Davenport -- "I'm sorry to see it go": nostalgic rhetoric in Michael Moore's Capitalism: a love story / Kendall R. Phillips. English. Moore, Michael, 1954 April 23- Criticism and interpretation. Moore, Michael, 1954 April 23- fast Moore, Michael 1954- gnd http://d-nb.info/gnd/124123317 Motion pictures Political aspects United States. Documentary films Political aspects History and criticism. Cinéma Aspect politique États-Unis. Documentaires Aspect politique Histoire et critique. PERFORMING ARTS Reference. bisacsh Documentary films Political aspects fast Motion pictures Political aspects fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Dokumentarfilm gnd http://d-nb.info/gnd/4012653-5 Dokumentärfilm. sfit Politik och film. sfit Criticism, interpretation, etc. fast Snee, Brian J., editor. http://id.loc.gov/authorities/names/n2007063258 Benson, Thomas W., editor. http://id.loc.gov/authorities/names/n50008051 Print version: 9780809334070 (DLC) 2014034578 (OCoLC)883647317 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1031290 Volltext |
| spellingShingle | Michael Moore and the rhetoric of documentary / Michael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The many moods of Michael Moore: aesthetics and affect in Bowling for Columbine / Brian L. Ott and Susan A. Sci -- The conversion of Lila Lipscomb in Fahrenheit 9/11 / Thomas Rosteck and Thomas S. Frentz -- The phenomenal text of Michael Moore's Sicko / Edward Schiappa, Daniel Ladislau Horvath, and Peter B. Gregg -- The ghosts of Michael Moore's future-Past: or, the many failures of Slacker uprising / Davis W. Houck and Joseph Delbert Davenport -- "I'm sorry to see it go": nostalgic rhetoric in Michael Moore's Capitalism: a love story / Kendall R. Phillips. Moore, Michael, 1954 April 23- Criticism and interpretation. Moore, Michael, 1954 April 23- fast Moore, Michael 1954- gnd http://d-nb.info/gnd/124123317 Motion pictures Political aspects United States. Documentary films Political aspects History and criticism. Cinéma Aspect politique États-Unis. Documentaires Aspect politique Histoire et critique. PERFORMING ARTS Reference. bisacsh Documentary films Political aspects fast Motion pictures Political aspects fast Dokumentarfilm gnd http://d-nb.info/gnd/4012653-5 Dokumentärfilm. sfit Politik och film. sfit |
| subject_GND | http://d-nb.info/gnd/124123317 http://d-nb.info/gnd/4012653-5 |
| title | Michael Moore and the rhetoric of documentary / |
| title_auth | Michael Moore and the rhetoric of documentary / |
| title_exact_search | Michael Moore and the rhetoric of documentary / |
| title_full | Michael Moore and the rhetoric of documentary / edited by Thomas W. Benson and Brian J. Snee. |
| title_fullStr | Michael Moore and the rhetoric of documentary / edited by Thomas W. Benson and Brian J. Snee. |
| title_full_unstemmed | Michael Moore and the rhetoric of documentary / edited by Thomas W. Benson and Brian J. Snee. |
| title_short | Michael Moore and the rhetoric of documentary / |
| title_sort | michael moore and the rhetoric of documentary |
| topic | Moore, Michael, 1954 April 23- Criticism and interpretation. Moore, Michael, 1954 April 23- fast Moore, Michael 1954- gnd http://d-nb.info/gnd/124123317 Motion pictures Political aspects United States. Documentary films Political aspects History and criticism. Cinéma Aspect politique États-Unis. Documentaires Aspect politique Histoire et critique. PERFORMING ARTS Reference. bisacsh Documentary films Political aspects fast Motion pictures Political aspects fast Dokumentarfilm gnd http://d-nb.info/gnd/4012653-5 Dokumentärfilm. sfit Politik och film. sfit |
| topic_facet | Moore, Michael, 1954 April 23- Criticism and interpretation. Moore, Michael, 1954 April 23- Moore, Michael 1954- Motion pictures Political aspects United States. Documentary films Political aspects History and criticism. Cinéma Aspect politique États-Unis. Documentaires Aspect politique Histoire et critique. PERFORMING ARTS Reference. Documentary films Political aspects Motion pictures Political aspects United States Dokumentarfilm Dokumentärfilm. Politik och film. Criticism, interpretation, etc. |
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