The Nashville sound :: bright lights and country music /
While on a Nieman Fellowship at Harvard, journalist and novelist Paul Hemphill wrote of that pivotal moment in the late sixties when traditional defenders of the hillbilly roots of country music were confronted by the new influences and business realities of pop music. The demimonde of the tradition...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Athens :
University of Georgia Press,
2015.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | While on a Nieman Fellowship at Harvard, journalist and novelist Paul Hemphill wrote of that pivotal moment in the late sixties when traditional defenders of the hillbilly roots of country music were confronted by the new influences and business realities of pop music. The demimonde of the traditional Nashville venues (Tootsie's Orchid Lounge, Robert's Western World, and the Ryman Auditorium) and first-wave artists (Roy Acuff, Ernest Tubb, and Lefty Frizzell) are shown coming into first contact, if not conflict, with a new wave of pop-influenced and business savvy country performers (Jeannie C. "Harper Valley PTA" Riley, Johnny Ryles, and Glen Campbell) and rock performers (Bob Dylan, Gram Parsons, the Byrds, and the Grateful Dead) as they took the form well beyond Music City. Originally published in 1970, The Nashville Sound shows the resulting identity crisis as a fascinating, even poignant, moment in country music and entertainment history. |
| Beschreibung: | Includes index. |
| Beschreibung: | 1 online resource |
| ISBN: | 9780820348636 0820348635 |
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| 100 | 1 | |a Hemphill, Paul, |d 1936-2009. |1 https://id.oclc.org/worldcat/entity/E39PBJj4y63HQQcfdbBy3QfTHC |0 http://id.loc.gov/authorities/names/n79054736 | |
| 245 | 1 | 4 | |a The Nashville sound : |b bright lights and country music / |c Paul Hemphill ; foreword by Don Cusic. |
| 260 | |a Athens : |b University of Georgia Press, |c 2015. | ||
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| 500 | |a Includes index. | ||
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| 505 | 0 | |a Cover -- Contents -- Foreword to the 2015 Edition -- Preface -- Prologue: Friday Night at Tootsie's Orchid Lounge -- PART ONE: HILLBILLY HEAVEN -- Music City, U.S.A. -- A & R Session with Chet Atkins -- The Nashville Sound -- Session at Bradley's Barn -- Making It -- John Wesley Ryles, I -- PART TWO: WHITE SOUL -- Days of Innocence -- Sunday in Tate City -- Days of Change -- Home on the Range with Tex Ritter -- Days of Dollars -- A Shoeshine from DeFord Bailey -- PART THREE: SPREADING THE WORD -- Going Public -- The Billy Dilworth Show | |
| 505 | 8 | |a Nashville WestGlen Campbell -- The Future -- On the Road with the Po' Boys -- Epilogue: Saturday Night at the Opry -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- X -- Y | |
| 546 | |a English. | ||
| 520 | |a While on a Nieman Fellowship at Harvard, journalist and novelist Paul Hemphill wrote of that pivotal moment in the late sixties when traditional defenders of the hillbilly roots of country music were confronted by the new influences and business realities of pop music. The demimonde of the traditional Nashville venues (Tootsie's Orchid Lounge, Robert's Western World, and the Ryman Auditorium) and first-wave artists (Roy Acuff, Ernest Tubb, and Lefty Frizzell) are shown coming into first contact, if not conflict, with a new wave of pop-influenced and business savvy country performers (Jeannie C. "Harper Valley PTA" Riley, Johnny Ryles, and Glen Campbell) and rock performers (Bob Dylan, Gram Parsons, the Byrds, and the Grateful Dead) as they took the form well beyond Music City. Originally published in 1970, The Nashville Sound shows the resulting identity crisis as a fascinating, even poignant, moment in country music and entertainment history. | ||
| 650 | 0 | |a Country musicians |z United States. |0 http://id.loc.gov/authorities/subjects/sh00000582 | |
| 650 | 0 | |a Country music |x History and criticism. | |
| 650 | 6 | |a Musiciens country |z États-Unis. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE |x Popular Culture. |2 bisacsh | |
| 650 | 7 | |a Country music |2 fast | |
| 650 | 7 | |a Country musicians |2 fast | |
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| 776 | 0 | 8 | |i Print version: |a Hemphill, Paul, 1936-2009. |t Nashville sound. |d Athens : University of Georgia Press, 2015 |w (DLC) 2014040793 |
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| adam_text | |
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| author | Hemphill, Paul, 1936-2009 |
| author_GND | http://id.loc.gov/authorities/names/n79054736 |
| author_facet | Hemphill, Paul, 1936-2009 |
| author_role | |
| author_sort | Hemphill, Paul, 1936-2009 |
| author_variant | p h ph |
| building | Verbundindex |
| bvnumber | localFWS |
| callnumber-first | M - Music |
| callnumber-label | ML3524 |
| callnumber-raw | ML3524 .H445 2015 |
| callnumber-search | ML3524 .H445 2015 |
| callnumber-sort | ML 43524 H445 42015 |
| callnumber-subject | ML - Literature on Music |
| collection | ZDB-4-EBA |
| contents | Cover -- Contents -- Foreword to the 2015 Edition -- Preface -- Prologue: Friday Night at Tootsie's Orchid Lounge -- PART ONE: HILLBILLY HEAVEN -- Music City, U.S.A. -- A & R Session with Chet Atkins -- The Nashville Sound -- Session at Bradley's Barn -- Making It -- John Wesley Ryles, I -- PART TWO: WHITE SOUL -- Days of Innocence -- Sunday in Tate City -- Days of Change -- Home on the Range with Tex Ritter -- Days of Dollars -- A Shoeshine from DeFord Bailey -- PART THREE: SPREADING THE WORD -- Going Public -- The Billy Dilworth Show Nashville WestGlen Campbell -- The Future -- On the Road with the Po' Boys -- Epilogue: Saturday Night at the Opry -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- X -- Y |
| ctrlnum | (OCoLC)908127345 |
| dewey-full | 781.6420973/09046 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.6420973/09046 |
| dewey-search | 781.6420973/09046 |
| dewey-sort | 3781.6420973 49046 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| publisher | University of Georgia Press, |
| record_format | marc |
| spelling | Hemphill, Paul, 1936-2009. https://id.oclc.org/worldcat/entity/E39PBJj4y63HQQcfdbBy3QfTHC http://id.loc.gov/authorities/names/n79054736 The Nashville sound : bright lights and country music / Paul Hemphill ; foreword by Don Cusic. Athens : University of Georgia Press, 2015. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes index. Print version record. Cover -- Contents -- Foreword to the 2015 Edition -- Preface -- Prologue: Friday Night at Tootsie's Orchid Lounge -- PART ONE: HILLBILLY HEAVEN -- Music City, U.S.A. -- A & R Session with Chet Atkins -- The Nashville Sound -- Session at Bradley's Barn -- Making It -- John Wesley Ryles, I -- PART TWO: WHITE SOUL -- Days of Innocence -- Sunday in Tate City -- Days of Change -- Home on the Range with Tex Ritter -- Days of Dollars -- A Shoeshine from DeFord Bailey -- PART THREE: SPREADING THE WORD -- Going Public -- The Billy Dilworth Show Nashville WestGlen Campbell -- The Future -- On the Road with the Po' Boys -- Epilogue: Saturday Night at the Opry -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- X -- Y English. While on a Nieman Fellowship at Harvard, journalist and novelist Paul Hemphill wrote of that pivotal moment in the late sixties when traditional defenders of the hillbilly roots of country music were confronted by the new influences and business realities of pop music. The demimonde of the traditional Nashville venues (Tootsie's Orchid Lounge, Robert's Western World, and the Ryman Auditorium) and first-wave artists (Roy Acuff, Ernest Tubb, and Lefty Frizzell) are shown coming into first contact, if not conflict, with a new wave of pop-influenced and business savvy country performers (Jeannie C. "Harper Valley PTA" Riley, Johnny Ryles, and Glen Campbell) and rock performers (Bob Dylan, Gram Parsons, the Byrds, and the Grateful Dead) as they took the form well beyond Music City. Originally published in 1970, The Nashville Sound shows the resulting identity crisis as a fascinating, even poignant, moment in country music and entertainment history. Country musicians United States. http://id.loc.gov/authorities/subjects/sh00000582 Country music History and criticism. Musiciens country États-Unis. MUSIC Instruction & Study Theory. bisacsh SOCIAL SCIENCE Popular Culture. bisacsh Country music fast Country musicians fast United States fast https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq Criticism, interpretation, etc. fast has work: The Nashville sound (Text) https://id.oclc.org/worldcat/entity/E39PCFQt9jhDxXM7jwhG34f4Rq https://id.oclc.org/worldcat/ontology/hasWork Print version: Hemphill, Paul, 1936-2009. Nashville sound. Athens : University of Georgia Press, 2015 (DLC) 2014040793 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1018442 Volltext |
| spellingShingle | Hemphill, Paul, 1936-2009 The Nashville sound : bright lights and country music / Cover -- Contents -- Foreword to the 2015 Edition -- Preface -- Prologue: Friday Night at Tootsie's Orchid Lounge -- PART ONE: HILLBILLY HEAVEN -- Music City, U.S.A. -- A & R Session with Chet Atkins -- The Nashville Sound -- Session at Bradley's Barn -- Making It -- John Wesley Ryles, I -- PART TWO: WHITE SOUL -- Days of Innocence -- Sunday in Tate City -- Days of Change -- Home on the Range with Tex Ritter -- Days of Dollars -- A Shoeshine from DeFord Bailey -- PART THREE: SPREADING THE WORD -- Going Public -- The Billy Dilworth Show Nashville WestGlen Campbell -- The Future -- On the Road with the Po' Boys -- Epilogue: Saturday Night at the Opry -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- X -- Y Country musicians United States. http://id.loc.gov/authorities/subjects/sh00000582 Country music History and criticism. Musiciens country États-Unis. MUSIC Instruction & Study Theory. bisacsh SOCIAL SCIENCE Popular Culture. bisacsh Country music fast Country musicians fast |
| subject_GND | http://id.loc.gov/authorities/subjects/sh00000582 |
| title | The Nashville sound : bright lights and country music / |
| title_auth | The Nashville sound : bright lights and country music / |
| title_exact_search | The Nashville sound : bright lights and country music / |
| title_full | The Nashville sound : bright lights and country music / Paul Hemphill ; foreword by Don Cusic. |
| title_fullStr | The Nashville sound : bright lights and country music / Paul Hemphill ; foreword by Don Cusic. |
| title_full_unstemmed | The Nashville sound : bright lights and country music / Paul Hemphill ; foreword by Don Cusic. |
| title_short | The Nashville sound : |
| title_sort | nashville sound bright lights and country music |
| title_sub | bright lights and country music / |
| topic | Country musicians United States. http://id.loc.gov/authorities/subjects/sh00000582 Country music History and criticism. Musiciens country États-Unis. MUSIC Instruction & Study Theory. bisacsh SOCIAL SCIENCE Popular Culture. bisacsh Country music fast Country musicians fast |
| topic_facet | Country musicians United States. Country music History and criticism. Musiciens country États-Unis. MUSIC Instruction & Study Theory. SOCIAL SCIENCE Popular Culture. Country music Country musicians United States Criticism, interpretation, etc. |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1018442 |
| work_keys_str_mv | AT hemphillpaul thenashvillesoundbrightlightsandcountrymusic AT hemphillpaul nashvillesoundbrightlightsandcountrymusic |