The product of our souls :: ragtime, race, and the birth of the Manhattan musical marketplace /
This work explores how African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as 'black music'. David Gilbert shows how they used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of bl...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Chapel Hill :
The University of North Carolina Press,
2015.
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | This work explores how African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as 'black music'. David Gilbert shows how they used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging preconceived ideas about race, culture, and modernity. |
| Beschreibung: | 1 online resource |
| Bibliographie: | Includes bibliographical references and index. |
| ISBN: | 9781469622712 1469622718 9781469622705 146962270X |
Internformat
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| 100 | 1 | |a Gilbert, David W. |q (David Walker), |d 1975- |e author. |1 https://id.oclc.org/worldcat/entity/E39PCjGRT9TKyWcc8p3M4VPjVK |0 http://id.loc.gov/authorities/names/n2014048434 | |
| 245 | 1 | 4 | |a The product of our souls : |b ragtime, race, and the birth of the Manhattan musical marketplace / |c David Gilbert. |
| 260 | |a Chapel Hill : |b The University of North Carolina Press, |c 2015. | ||
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| 505 | 0 | |a A new musical rhythm was given to the people : rhythm and representation in black Manhattan -- Do all we could to get what we felt belonged to us by the laws of nature : selling real Negro melodies and marketing authentic black rhythms -- Appreciate the noble and the beautiful within us : ragging uplift with rhythmic transgressions -- The piano man was it! The man in charge : black nightclubs and ragtime identities in New York's Tenderloin -- To promote greater efficiency among its members : ragtime in Times Square and the Clef Club Inc -- Rhythm is something that is born in the Negro : black musical value and the consolidation of "Negro music" -- A new type of Negro musician : social dance and black musical value in prewar America. | |
| 588 | 0 | |a Print version record. | |
| 520 | 8 | |a This work explores how African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as 'black music'. David Gilbert shows how they used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging preconceived ideas about race, culture, and modernity. | |
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| 650 | 0 | |a Ragtime music |z New York (State) |z New York |x History and criticism. | |
| 650 | 0 | |a African Americans |z New York (State) |z New York |x Music |x History and criticism. | |
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| 776 | 0 | 8 | |i Print version: |a Gilbert, David W. (David Walker), 1975- |t Product of our souls. |d Chapel Hill : The University of North Carolina Press, 2015 |w (DLC) 2014030758 |
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| adam_text | |
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| author | Gilbert, David W. (David Walker), 1975- |
| author_GND | http://id.loc.gov/authorities/names/n2014048434 |
| author_facet | Gilbert, David W. (David Walker), 1975- |
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| contents | A new musical rhythm was given to the people : rhythm and representation in black Manhattan -- Do all we could to get what we felt belonged to us by the laws of nature : selling real Negro melodies and marketing authentic black rhythms -- Appreciate the noble and the beautiful within us : ragging uplift with rhythmic transgressions -- The piano man was it! The man in charge : black nightclubs and ragtime identities in New York's Tenderloin -- To promote greater efficiency among its members : ragtime in Times Square and the Clef Club Inc -- Rhythm is something that is born in the Negro : black musical value and the consolidation of "Negro music" -- A new type of Negro musician : social dance and black musical value in prewar America. |
| ctrlnum | (OCoLC)905949629 |
| dewey-full | 780.89/9607307471 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.89/9607307471 |
| dewey-search | 780.89/9607307471 |
| dewey-sort | 3780.89 109607307471 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1900-1999 fast |
| era_facet | 1900-1999 |
| format | Electronic eBook |
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| indexdate | 2024-11-27T13:26:33Z |
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| publisher | The University of North Carolina Press, |
| record_format | marc |
| spelling | Gilbert, David W. (David Walker), 1975- author. https://id.oclc.org/worldcat/entity/E39PCjGRT9TKyWcc8p3M4VPjVK http://id.loc.gov/authorities/names/n2014048434 The product of our souls : ragtime, race, and the birth of the Manhattan musical marketplace / David Gilbert. Chapel Hill : The University of North Carolina Press, 2015. 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier Includes bibliographical references and index. A new musical rhythm was given to the people : rhythm and representation in black Manhattan -- Do all we could to get what we felt belonged to us by the laws of nature : selling real Negro melodies and marketing authentic black rhythms -- Appreciate the noble and the beautiful within us : ragging uplift with rhythmic transgressions -- The piano man was it! The man in charge : black nightclubs and ragtime identities in New York's Tenderloin -- To promote greater efficiency among its members : ragtime in Times Square and the Clef Club Inc -- Rhythm is something that is born in the Negro : black musical value and the consolidation of "Negro music" -- A new type of Negro musician : social dance and black musical value in prewar America. Print version record. This work explores how African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as 'black music'. David Gilbert shows how they used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging preconceived ideas about race, culture, and modernity. African American musicians New York (State) New York. Music and race New York (State) New York History 20th century. Ragtime music Social aspects New York (State) New York History 20th century. Ragtime music New York (State) New York History and criticism. African Americans New York (State) New York Music History and criticism. Musiciens noirs américains New York (État) New York. Musique et race New York (État) New York Histoire 20e siècle. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh SOCIAL SCIENCE Ethnic Studies African American Studies. bisacsh African American musicians fast African Americans Music fast Music and race fast Ragtime music fast New York (State) New York fast https://id.oclc.org/worldcat/entity/E39QbtfRvQh7864Jh4rDGBFDWc 1900-1999 fast Criticism, interpretation, etc. fast History fast has work: The product of our souls (Text) https://id.oclc.org/worldcat/entity/E39PCGwB8hvFqWXRFMKMPVk6jC https://id.oclc.org/worldcat/ontology/hasWork Print version: Gilbert, David W. (David Walker), 1975- Product of our souls. Chapel Hill : The University of North Carolina Press, 2015 (DLC) 2014030758 FWS01 ZDB-4-EBA FWS_PDA_EBA https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=977082 Volltext |
| spellingShingle | Gilbert, David W. (David Walker), 1975- The product of our souls : ragtime, race, and the birth of the Manhattan musical marketplace / A new musical rhythm was given to the people : rhythm and representation in black Manhattan -- Do all we could to get what we felt belonged to us by the laws of nature : selling real Negro melodies and marketing authentic black rhythms -- Appreciate the noble and the beautiful within us : ragging uplift with rhythmic transgressions -- The piano man was it! The man in charge : black nightclubs and ragtime identities in New York's Tenderloin -- To promote greater efficiency among its members : ragtime in Times Square and the Clef Club Inc -- Rhythm is something that is born in the Negro : black musical value and the consolidation of "Negro music" -- A new type of Negro musician : social dance and black musical value in prewar America. African American musicians New York (State) New York. Music and race New York (State) New York History 20th century. Ragtime music Social aspects New York (State) New York History 20th century. Ragtime music New York (State) New York History and criticism. African Americans New York (State) New York Music History and criticism. Musiciens noirs américains New York (État) New York. Musique et race New York (État) New York Histoire 20e siècle. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh SOCIAL SCIENCE Ethnic Studies African American Studies. bisacsh African American musicians fast African Americans Music fast Music and race fast Ragtime music fast |
| title | The product of our souls : ragtime, race, and the birth of the Manhattan musical marketplace / |
| title_auth | The product of our souls : ragtime, race, and the birth of the Manhattan musical marketplace / |
| title_exact_search | The product of our souls : ragtime, race, and the birth of the Manhattan musical marketplace / |
| title_full | The product of our souls : ragtime, race, and the birth of the Manhattan musical marketplace / David Gilbert. |
| title_fullStr | The product of our souls : ragtime, race, and the birth of the Manhattan musical marketplace / David Gilbert. |
| title_full_unstemmed | The product of our souls : ragtime, race, and the birth of the Manhattan musical marketplace / David Gilbert. |
| title_short | The product of our souls : |
| title_sort | product of our souls ragtime race and the birth of the manhattan musical marketplace |
| title_sub | ragtime, race, and the birth of the Manhattan musical marketplace / |
| topic | African American musicians New York (State) New York. Music and race New York (State) New York History 20th century. Ragtime music Social aspects New York (State) New York History 20th century. Ragtime music New York (State) New York History and criticism. African Americans New York (State) New York Music History and criticism. Musiciens noirs américains New York (État) New York. Musique et race New York (État) New York Histoire 20e siècle. MUSIC Genres & Styles Classical. bisacsh MUSIC Reference. bisacsh SOCIAL SCIENCE Ethnic Studies African American Studies. bisacsh African American musicians fast African Americans Music fast Music and race fast Ragtime music fast |
| topic_facet | African American musicians New York (State) New York. Music and race New York (State) New York History 20th century. Ragtime music Social aspects New York (State) New York History 20th century. Ragtime music New York (State) New York History and criticism. African Americans New York (State) New York Music History and criticism. Musiciens noirs américains New York (État) New York. Musique et race New York (État) New York Histoire 20e siècle. MUSIC Genres & Styles Classical. MUSIC Reference. SOCIAL SCIENCE Ethnic Studies African American Studies. African American musicians African Americans Music Music and race Ragtime music New York (State) New York Criticism, interpretation, etc. History |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=977082 |
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